Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1602 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1748 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1779 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Nikolai Suetin, [Untitled], (1922–24), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36506 Aleksei Kruchenykh, Valia Zdanevich, 1923, Collage with photograph, pencil and watercolor manuscript text., The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9072 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1663 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Chinese Qing Dynasty, Duck on Lotus Leaf, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1780 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1734 Chinese Qing Dynasty, Vase in the Shape of a Double Gourd, 18th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1730 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1760 Nikolai Suetin, Study for Composition, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38358 China, Bottle, 1736–1795, Porcelain with pale celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.41 Ivan Kudriashov, Suprematist Composition, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38248 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1677 China, Vase, 1662–1722, Porcelain with starch blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.146 Chinese Qing Dynasty, Bowl with "Rice Grain" Decoration, probably Qianlong period, 1736/1795, porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1729 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1709 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1699 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1808 China, Bottle, 1662–1722, Porcelain with apple green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.203 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1793 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 China, Bottle, 1736–1795, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.43 China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1816 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824 Chinese Qing Dynasty, Vase, probably Yongzheng period, 1723/1735, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1728 Ivan Kliun, Composition, (1920), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38240 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Ivan Kudriashov, Suprematist Composition, 1921, Pencil, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38246 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1739 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1796 Natalia Goncharova, Portrait, c. 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36004 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1750 Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759 China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c China, Bottle, 1736–1795, Porcelain with aubergine glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.134 Lee Chun-Yi (Li Junyi) 李君毅, Rain-Swept Peaks, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5673 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1798 Natalia Goncharova, Spanish Dancer, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38215 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365 China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343 China, Vase, 1723–1735, Porcelain with camellia leaf-green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.141 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724 Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1768 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1691 Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585 China, Water coupe, 1723–1735, Porcelain with clair de lune glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.15 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33825 Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1708 Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1809 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1660 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719 Lee Chun-Yi (Li Junyi) 李君毅, Dwelling in the Mountains, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5204 Chinese Qing Dynasty, Miniature Table, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1736 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1668 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1744 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1681 Chinese Qing Dynasty, Vase, Meiping Shape, second quarter 18th century, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1727 Lee Chun-Yi (Li Junyi) 李君毅, Myriad Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5501 China, Vase, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.151 Chinese Qing Dynasty, Reticulated Box, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1746 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1755 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Aleksandr Rodchenko, Line Construction, 1921, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33392 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1803 Solomon Telingater, Foto-monter Dzhon Khartfil'd (The Photomontager John Heartfield), 1931, Pamphlet, letterpress printed, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16674 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 Jean Pougny (Ivan Puni), Study for Relief Sculpture, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38314 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Alexei Jawlensky, Large Meditation (Grosse Meditation), 1936, Oil on cloth-textured paper over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37587 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks and Towering Pines Overlook Distant Paddy Fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5499 House of Fabergé, Miniature Chair, 1896–1906, gold, silver gilt, enamel, rubies, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142748 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Chinese Qing Dynasty, Vase, early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1721 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks, Enveloping Mists, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5525 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Chinese Qing Dynasty, Vase, Meiping Shape, mid/late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1714 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1757 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1698 Chinese Qing Dynasty, Vase with Ringed Neck, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1679 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1700 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1781 Chinese Qing Dynasty, Large Jar, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1807 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1690 Henrik Wigström, Miniature Bathroom Chair (Bidet), 1908–17, gold, nephrite, enamel, pearls, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142749 Aleksandr Rodchenko, Study for Perpetuum Mobile, 1922, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33229 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1774 Léon Bakst, Costume design for the ballet The Firebird ( L'Oiseau de feu ), 1913, Gouache, watercolor, metallic paint, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33017 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 Chinese Qing Dynasty, Vase in the Shape of an Archaic Bronze Fang Hu, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1791 Chinese Qing Dynasty, Shou Lao, the God of Longevity, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1770 Natalia Goncharova, The Flight into Egypt, for Liturgy, 1915, Watercolor, gouache heightened with gelatin and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33931 Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057 Liubov Popova, Composition, c. 1920, Gouache, watercolor, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38308 José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1731 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Bluff, Cascading Waterfall, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5222 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1801 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1604 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1692 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1733 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Chinese Qing Dynasty, Covered Bowl, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1661 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1683 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32958 House of Fabergé, Flower Study of a Wild Rose, c. 1885–1915, gold, silver, enamel, diamond, jade, rock crystal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142731 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819 Lee Chun-Yi (Li Junyi) 李君毅, Mists along a Mountain River, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5216 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1758 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Chinese Qing Dynasty, Square Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1794 Varvara Stepanova, Letterhead for the journal Za rubezhom (Abroad), 1930, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14236 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1678 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1782 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1704 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1742 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1684 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and crayon on paper; with ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38135 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1702 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37182 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Mikhail Larionov, Still Life, (c. 1906), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36047 Kazimir Malevich, Houses of the Future Leningrad: Pilot's House, 1924, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35590 Lee Chun-Yi (Li Junyi) 李君毅, Streams and Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4586 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1800 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38143 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1772 Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366 Chinese Qing Dynasty, "Beehive" Water Pot, late 19th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1680 China, Vase, 1662–1722, Porcelain with mirror black glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.153 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Lee Chun-Yi (Li Junyi) 李君毅, What a Glorious Land!, 2005, Handscroll; ink on paper; with signature in clerical script (lishu) reading "Li Junyi ling wu" (Li Junyi '05); with colophon by Liu Guosong (b. 1932) dated 2006, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1429 Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5502 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed and painted paper, gelatin silver prints, ink, and crayon on paper with ink and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38138 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1752 House of Fabergé, Flower Study of a Lily of the Valley, c. 1885–1915, pearls, diamonds, jade, rock crystal, silver, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142734 China, Lamaist priest hat, Kangxi period, 1662–1722, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.131 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 China, Set of four bowls and two cups, 1790, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.53.1a-f Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1667 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1778 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1703 Lee Chun-Yi (Li Junyi) 李君毅, Sunrise on Towering Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5218 Kazimir Malevich, Untitled (Suprematist Cross), 1920, printed 1973, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9069 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1751 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Léon Bakst, Nijinsky, 1909, Oil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36546 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1674 Mikhail Evlampievich Perkhin, Parrot from the Parrot on a Perch, 1896–1903, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142739 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1792 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1672 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884 China, Box with lid, 1779, Cast and chased gold with rubies, sapphires and jade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.57.1a%2C%20b Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37188 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1682 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1765 Alexei Jawlensky, Stillleben mit violetter Schale, 1912, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2110 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1761 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Varvara Rodchenko, Printer's proof for cover for Neokonchennye spory (Unfinished Argument), c. 1978, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27529 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33948 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1805 El Lissitzky, Study for the book About Two Squares: A Suprematist Tale of Two Squares in Six Constructions (Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh), 1920, Watercolor and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37650 Lee Chun-Yi (Li Junyi) 李君毅, Melting-Glacier Water Cascading through a Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5144 Wang Yuanqi [Wang Yuan-ch'i], Free Spirits Among Streams and Mountains, 1684 (Qing), ink on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.198 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1673 China, Inkstick, Qianlong period, 1736–1795, Molded pine soot and animal glue, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.18.56 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Liubov Popova, Architectonic Composition, 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38311 Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293 House of Fabergé, Flower Study of a Lowbush Cranberry or Lingonberry, c. 1885–1915, chalcedony, jade, rock crystal, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142737 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1662 Wang Rusheng, Greeting the New Year, 1734, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.4 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 China (Jingdezhen), “Arms of Liberty” punch bowl, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.27 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812 Chinese Qing Dynasty, Large Fish Bowl, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1822 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 China, Daoist priest’s robe (jiangyi), Kangxi Period, 1662–1722, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.296 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Natalia Goncharova, The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel), c. 1937, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36118 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1695 Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215 House of Fabergé, Kremlin Tower Clock, c. 1913, rhodonite, silver, enamel, emeralds, sapphires, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142773 Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1802 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1921–22, Book with fabric and paper collaged elements on gray-blue paper cover (discolored to buff at edges), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199560 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1771 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1670 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Lee Chun-Yi (Li Junyi) 李君毅, Forested Peaks, Distant Waterfall, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5215 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Igor' Terent'ev, Invitation to Terent'ev's May Day soiree, c. 1920, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14225 Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1664 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1783 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1745 China, Vase, 1723–1735, Porcelain with camellia green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.44 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32972 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1675 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1666 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1759 Sergei Eisenstein, Salome, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37168 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1747 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1753 Aleksandr Rodchenko, Line Construction, 1920, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38331 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1817 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1799 China, Bottle, 1736–1795, Porcelain with imperial yellow glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.133 El Lissitzky, Proun Composition, c. 1922, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36682 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and pencil on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38132 Natalia Goncharova, The Nativity, for Liturgy, 1915, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33922 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1694 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1756 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1707 Chinese Qing Dynasty, Vase, early/mid 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1716 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1600 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1659 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1754 Lee Chun-Yi (Li Junyi) 李君毅, Mountains Towering over Rural Village and Paddy fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5524 Ivan Kliun, Still Life, 1925, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34060 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1766 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Léon Bakst, Porphyrophore. Costume design for the ballet The Sleeping Princess, 1921, Metallic paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33029 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1737 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Lee Chun-Yi (Li Junyi) 李君毅, The Great Wall Snaking through the Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4615 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Lee Chun-Yi (Li Junyi) 李君毅, Secluded Mountain Temple, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5217 China, Gallipot, 1723–1735, Porcelain with cherry red glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.166 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1687 Kazimir Malevich, Suprematist Elements: Squares, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38101 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1789 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1763 China, Plate, Kangxi period (1662–1722), Porcelain, famille verte, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.38 Zhu Sheng, Bamboo and Rocks, 1688, Ink on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.5 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 China, Bottle, 1662–1722, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.156 China, Bottle, 1662–1722, Porcelain with midnight blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.147 China, Vase, 1662–1722, Porcelain with overglaze enamel decor, Famille verte ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.18a%2C%20b Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1740 Chinese Qing Dynasty, Vase, called "The Flame", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1706 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Lee Chun-Yi (Li Junyi) 李君毅, Pines on Slender Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5219 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Il'ia Chashnik, Suprematist Design for a Plate, (1922–25), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38189 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 Chinese Qing Dynasty, Bottle Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels and carved decoration, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1787 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1790 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5368 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Alexandra Exter, Guardian of Energy. Costume design for the film Aelita by Yakov Protazanov, 1924, Ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36691 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1785 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 China, “Peach bloom” vessel for a scholar’s desk, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.131.1a%2C%20b Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1784 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839 Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1788 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1669 China, Vase, 1662–1722, Porcelain with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.143 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1764 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Dwelling, Majestic View, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5500 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Peter Carl Fabergé, Lapis Lazuli Easter Egg, c. 1885–90, gold, enamel, lapis lazuli, pearls, diamonds, rubies, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142723 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted paper, watercolor, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38141 House of Fabergé, Sleeping Puppies on a Mat, c. 1895–1915, agate, chalcedony, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142745 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1815 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Aleksandr Rodchenko, Construction, 1920, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33112 Lee Chun-Yi (Li Junyi) 李君毅, Fantastic Mountains in Western China, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4640 Vaslav Nijinsky, [Untitled], c. 1916, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36007 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks and Myriad Ravines, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5145 Chinese Qing Dynasty, Li Tieguai, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1775 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1676 Alexandre Benois, Costume design for the opera Sadko, 1931, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38436 Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1696 Alexei Jawlensky, Stillleben mit Petroleumlampe, 1907, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128290 China, Snuff bottle, 1662–1722, Black lacquer with mother-of-pearl and metallic inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.112.4a%2C%20b Alexandra Exter, Composition, c. 1916, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38209 Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112 Chinese Qing Dynasty, Bowl, early Qianlong period, 1736/1750, porcelain with overglaze famille rose and famille noire enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1797 Aleksandr Vesnin, Proposal for a Monument to the Third International, 1921, Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38259 Chinese Qing Dynasty, Rectangular Vase Illustrating Poems by Tao Qian and Su Shi, Kangxi period, 1662/1722, porcelain with famille jaune and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1786 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1697 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Chinese Qing Dynasty, Dancing Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1776 China, Water pot, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.154a%2C%20b Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37194 Chinese Qing Dynasty, Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1665 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1795 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1599 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Chinese Qing Dynasty, Vase, called "The Fire Cloud", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1705 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1814 Natalia Goncharova, Composition, 1920, Watercolor and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33638 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1686 Zhu Chang, Landscape at Han River Bamboo Hall, 1668, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.2 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1813 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Mikhail Larionov, Rayonist Composition: Number 9, 1913, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33463 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Henrik Wigström, Clock, 1908–17, nephrite, gold, enamel, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142771 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5369 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Chinese Qing Dynasty, Vase, 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1717 China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Liubov Popova, Ohne Titel, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102027 Natalia Goncharova, The Forest, 1913, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38285 Chinese Qing Dynasty, Guanyin, the Bodhisattva of Compassion, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1773 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1762 House of Fabergé, Parrot on a Perch, 1896–1903, silver, enamel, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142738 Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499 Chinese Qing Dynasty, Vase, probably Qianlong period, 1736/1795, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1726 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1804 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1601 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1603 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Aleksandr Rodchenko, The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237970 Wang Chin-shen, Imperial Ink Cake, 1736–1795, Colors, gold and animal adhesive, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.154 Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759 Lee Chun-Yi (Li Junyi) 李君毅, Bend in the Mountain River Near the Bingling-Si Cave Temples, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5220 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1735 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1693 China, Bottle, 1736–1795, Porcelain with cucumber glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.206 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364 Liubov Popova, Costume design for the play Romeo and Juliet, 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34795 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1732 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Trees on Rolling Hills, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5205 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Mikhail Evlampievich Perkhin, Perch for the Parrot on a Perch, 1896–1903, Silver, enamel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142740 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Mikhail Larionov, Rayonist Composition: Number 8, c. 1913, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33457 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Lee Chun-Yi (Li Junyi) 李君毅, Sacrifice, 1990–91 and 2005–06, Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5189 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 Lee Chun-Yi (Li Junyi) 李君毅, Mountains and Pines in Moonlight, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5221 El Lissitzky, Proun GK, c. 1922–23, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36937 Alexandra Exter, Set design for the play Romeo and Juliet, c. 1921, Gouache and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38210 El Lissitzky, Proun, 1920, Collage of various cut-and-pasted papers, including abrasive paper (prepared with gouache and silver metallic paint), on cream wove paper, laid down on tan laminate board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150814 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877 Aleksandr Rodchenko, Printer's proof of cover for Kniga o knigakh (Book about Books), no. 4, 1924, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14181 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553 Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201 Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718