František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252

José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634

Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146

Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040

Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047

František Kupka, Girl with a Ball, c. 1908, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37352

Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560

Jacob El Hanani, Shura, (1986), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36621

Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557

Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590

José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650

José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601

Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554

Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016

Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36477

Shalom Of Safed (Shalom Moskowitz), Noah's Ark, (1965), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35505

Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34553

Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628

Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558

Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34568

Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153

José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738

José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055

Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511

Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789

Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559

Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514

František Kupka, Admiration, c. 1899, Gouache, charcoal, watercolor, crayon, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33684

Alphonse Mucha, Rocks on the Shore, n.d., Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36941

Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589

Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667

Jacob El Hanani, Untitled (No. 101), 1977, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35875

Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550

Jacob El Hanani, [Untitled], 1979, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38275

Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36467

Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607

Moshe Kupferman, [Untitled], 1977, Charcoal and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36700

Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127

Anna Ticho, Jerusalem Hills, (1963), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33412

Jirí Kolár, Stinova (Mrs. Stein), (1960's), Cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36697

Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824

František Kupka, Bather, (1906), Pastel and charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37271

Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515

Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108

Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555

Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552

Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484

José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662

Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692

Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811

Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513

Moshe Kupferman, [Untitled], 1976, Synthetic polymer paint and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36704

Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056

Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818

José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616

Anna Ticho, Landscape behind Rocks, (1951), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37116

Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512

František Kupka, Replica of Fugue in Two Colors: Amorpha, 1912, (1946), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34761

Anna Ticho, Jerusalem, 1969, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33714

Jacob El Hanani, [Untitled], 1978, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38273

František Kupka, Study in Verticals (The Cathedral), (1912), Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34122

Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129

Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112

Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556

Alphonse Mucha, Head of a Child, (n.d.), Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36948

Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039

Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487

František Kupka, Replica (1946) of Vertical Planes, (1946), Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34788

Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162

Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499

František Kupka, View from a Carriage Window, c. 1901, Gouache and watercolor on paper with cardboard overlay, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34108

Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128

Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659

Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551

František Kupka, [Untitled], c. 1925–30, Colored pencil, pencil, ink, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38250

Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066

František Kupka, An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31875

Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36472

Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617

Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653

Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054

František Kupka, Study with Green, (c. 1912), Chalk and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38151

Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553

František Kupka, Prometheus, (1909), Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36018