René Magritte, Perspective, (1963), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36809 Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699 René Magritte, The Thought Which Sees, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35714 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Marcel Broodthaers, "M.B. M.B. M.B....", 1970, Ink on paper in artist's frames, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37802 Florent Willems, The Important Response, 19th century, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.140 Luc Tuymans, The Blue Oak (Die Blaue Eiche), 1998, Cut-and-pasted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37545 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Théo van Rysselberghe, Self-Portrait, (1888–89), Pastel and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35486 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Pierre Alechinsky, Outside James' Showcase, 1968, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32969 José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35410 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Luc Tuymans, Yzer-Tower, 1995, Watercolor on newsprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35400 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761 Fernand Khnopff, Der Jagdaufseher, 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1790 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 George Minne, Kneeling Youth, 1896, dated 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36048 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Henri Evenepoel, Im Café d'Harcourt in Paris, 1897, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1796 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Georges Lemmen, Farmhouse in Flanders, 1890, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34891 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Pierre Theunis, Namur Hrave les Autrichiens, 1913 (1914?), bronze; 2 3/4 in. (7.0 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-1 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Pierre Alechinsky, Vanished in Smoke, 1962, Distemper, ink, gouache and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33616 James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Pierre Theunis, Duc et Duchess de Brabant, 1926, bronze; 2 3/4 in. (6.9 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-0 Paul Delvaux, Composition (The Siesta), 1947, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36694 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 Pierre Alechinsky, One Day, the Night, 1960, Ink on transparentized paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37867 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Jorelle Bags, Beaded purse used by Dinah Washington, 1930s, glass beads, metal, and silk satin; H x W x D: 5 3/4 x 7 1/2 x 1 in. (14.6 x 19.1 x 2.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975005409-0 Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129 Marcel Broodthaers, Journal d'un voyage utopique, 1973, Ink, colored ink, and lithograph on four pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33475 Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112 Luc Tuymans, A Flemish Intellectual, 1995, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35394 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Georges Vantongerloo, 10 Origin, 1942, Portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19632 Georges Vantongerloo, XY = K Green and Red, 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35841 James Ensor, Mädchen mit Masken (Kommunion), 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3321 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Luc Tuymans, Untitled (Sculpture), 2000, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38540 Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35406 Pierre Alechinsky, The Complex of the Sphinx, 1967, Synthetic polymer paint, oil, and ink on Japanese paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37446 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499 Georges Vantongerloo, Plate (folio 22) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19633 Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Belgium, Cap back, 18th century, Linen, bobbin lace (Point de Angleterre), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.7 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553