Johann Theodor de Bry, Fountain of Youth, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6472

Wenceslaus Hollar, Ciuis vel Artificis Londinensis Vxor, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7966

Johann Theodor de Bry, Army Train and Death, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6475

Gerard de Lairesse, Hermes Ordering Calypso to Release Odysseus, c. 1670, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156420

René Magritte, Perspective, (1963), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36809

Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069

Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699

Wenceslaus Hollar, Mulier Bernensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7930

Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7990

Wenceslaus Hollar, Garden of Eden, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7798

Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653

Japan, Small Box in the Shape of a Firefly Cage, 19th century, Lacquer with sprinkled gold and silver designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.50.197a-c

Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038

Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3

Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883

Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205

Wenceslaus Hollar, Albrecht Durer, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7780

Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983

Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776

Sir Anthony van Dyck, Bildnis des Hendrick van Steenwyck des Jüngeren, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19199

René Magritte, The Thought Which Sees, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35714

Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7837

Flanders (Tournai), The Ship of Virtues, c. 1528–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.15

Wenceslaus Hollar, Jesus Confronting His Detractors, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7782

Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976

Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6457

Wenceslaus Hollar, Matrona Bernensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7929

Wenceslaus Hollar, Mulier Wiennensis Austri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7890

Wenceslaus Hollar, Count, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7808

Adriaen Collaert, Christ and the Woman of Samaria, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4622

Wenceslaus Hollar, The Mocking, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7791

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7856

Wenceslaus Hollar, Mulier ex Virginia, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7976

Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7835

Peter Paul Rubens, The Garden of Love (right portion), c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334654

Wenceslaus Hollar, Mulier Generosa Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7939

Wenceslaus Hollar, Ornamentation for a Dagger and Scabbard, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6255

Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262

Wenceslaus Hollar, Execution of Thomas Wentworth, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7996

Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766

Marcel Broodthaers, "M.B. M.B. M.B....", 1970, Ink on paper in artist's frames, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37802

Wenceslaus Hollar, Four Caterpillars and a Snail, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7864

Wenceslaus Hollar, Matrona Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7934

Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048

Florent Willems, The Important Response, 19th century, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.140

Wenceslaus Hollar, Mercatoris Francofurtensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7918

Wenceslaus Hollar, Waggoner, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7822

Wenceslaus Hollar, Matrona Argentinensis Caenam Dni Accedens e des Nymphs), 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7922

Luc Tuymans, The Blue Oak (Die Blaue Eiche), 1998, Cut-and-pasted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37545

Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6462

Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858

Wenceslaus Hollar, Nobilis Mulier Brabantica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7905

Wenceslaus Hollar, Mulier Wiennensis in Domo, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7891

Wenceslaus Hollar, Nuremberg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7832

Sir Anthony van Dyck, Study Head of a Young Woman, c. 1618–20, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436259

Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7946

Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242

Théo van Rysselberghe, Self-Portrait, (1888–89), Pastel and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35486

Wenceslaus Hollar, Mulier Generosa Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7911

Wenceslaus Hollar, Ornate Goblet, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7983

Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263

Wenceslaus Hollar, Mulier Nobilis Hispanica (Spanish Noblewoman), 1649, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7949

Wenceslaus Hollar, Virgo Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7933

Jan Rombouts the Elder, The Holy Family in a Landscape, c. 1520/1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8765

Wenceslaus Hollar, Frankfort, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7841

Master FVB, Saint Simon, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3410

Wenceslaus Hollar, Nobilis Mulier Aulica Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7953

Adriaen Collaert, The Good Shepherd, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4623

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6447

Japan, Incense box decorated with butterflies, 19th century, Lacquer with sprinkled gold and silver designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.50.189a%2C%20b

Wenceslaus Hollar, Mulier Generosa Italica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7947

Paul Bril, Landschaft bei Tivoli, c. 1595–1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2127

Japan, Ewer with vines and peonies (katakuchi), 17th century, Black lacquer with sprinkled gold, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.34a%2C%20b

Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502

Wenceslaus Hollar, Ciuis Londinensis Melioris Qualitatis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7963

Wenceslaus Hollar, Mulier ex Ducatu Wirttembergensi, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7900

Wenceslaus Hollar, Matrona Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7921

Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265

Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7846

Wenceslaus Hollar, Merchant, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7819

Wenceslaus Hollar, Civis Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7965

Wenceslaus Hollar, Jesus Taken, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7784

Pierre Alechinsky, Outside James' Showcase, 1968, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32969

Wenceslaus Hollar, Nobilis Mulier Anglica, in Vestitu Hiemali, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7955

Wenceslaus Hollar, Jesus before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7787

Wenceslaus Hollar, Jesus again before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7786

Wenceslaus Hollar, Man with Beard Looking Right (Hans Holbein?), 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7988

Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794

Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185

Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7838

Wenceslaus Hollar, Six Insects, a Caterpillar, and a Snail, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7878

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6454

Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909

Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982

Wenceslaus Hollar, Mulier Matrisana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7952

Wenceslaus Hollar, Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7831

Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793

Wenceslaus Hollar, Two Butterflies, a Wasp, and a Moth, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7867

Studio of Marcus Gheeraerts the Younger, Portrait of Robert Devereux, Second Earl of Essex, 1599, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.24

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7853

Wenceslaus Hollar, Mulier Primaria Antuerpiensis, in Ornatu Domestico, 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7907

Wenceslaus Hollar, Aula Veneris: Title Page, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7882

Wenceslaus Hollar, Mulier Hibernica vel Irlandica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7969

Wenceslaus Hollar, Nobilis Mulier Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7938

Theodor de Bry, Venus, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4357

Sir Anthony van Dyck, Philip, Lord Wharton, 1632, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/57

Wenceslaus Hollar, Mulier Calabra, Vulgo, Foretana di Napoli, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7948

Wenceslaus Hollar, The Peace of Munster, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7859

Wenceslaus Hollar, Five Butterflies, a Moth, a Beetle, and a Spider, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7871

Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585

Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895

Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004

Wenceslaus Hollar, Three Moths, Two Butterflies, and a Bumble Bee, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7869

Sir Anthony van Dyck, Portrait of a Man, c. 1618, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436254

Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083

Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965

Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35410

Wenceslaus Hollar, Peddler, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7820

Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805

Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969

Wenceslaus Hollar, Mercatoris Pragensis Vxor, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7885

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7855

Pieter Pannemaker I, The Crucifixion, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1608

Wenceslaus Hollar, Mulier Nobilis aut Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7957

Jan Frans van Bloemen, Landscape of the Roman ""Compagna"", c. 1700–1740 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1143

Wenceslaus Hollar, Rudesheim, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7842

Theodor de Bry, Sun, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4356

Wenceslaus Hollar, Mulier Hebrea in Tracia, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7972

Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982

Master FVB, Saint Judas Thaddaeus, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3411

Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555

Wenceslaus Hollar, Three Caterpillars, a Moth, and Four Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7876

Luc Tuymans, Yzer-Tower, 1995, Watercolor on newsprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35400

Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657

Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6455

Wenceslaus Hollar, Advocate, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7816

Pieter Balten, The Dissolute Household, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4593

Master of the Boccaccio Illustrations, The Resurrection, c. 1470/1475, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8737

Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819

Japan, Plate with design of Chinese lion, 19th century, Porcelain with overglaze enamel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.26.1

Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624

Wenceslaus Hollar, Ancilla Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7916

Wenceslaus Hollar, View of Lewenberg, 1643–1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7981

Wenceslaus Hollar, Swallow-tailed Butterfly and Twelve Other Insects, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7875

Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821

Adriaen Collaert, The Parable of the Two Sons and the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4636

Wenceslaus Hollar, Mulier Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7897

Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872

Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56

Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253

Flanders (Bruges), Allegorical Millefleurs Tapestry with Animals, c. 1530–45, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.4

Wenceslaus Hollar, On the Neckar, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7834

Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381

Flanders, Cuffs, 17th–18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.81a-d

Wenceslaus Hollar, Summer: The Bathing Place, c. 1628/1629, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7991

Adriaen Collaert, The Angel Telling Joseph to Flee and the Flight into Egypt, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4633

Wenceslaus Hollar, Mercatoris Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7943

Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944

Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985

Wenceslaus Hollar, Mulier Franconiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7893

Japan, Incense box with flower and insects design, 19th century, Lacquer with sprinkled gold designs and mother-of-pearl inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.50.224a%2C%20b

Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293

Frans Pourbus the younger, Portrait of a Noblewoman, 1617 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.377

Flanders, One of the Three Magi on a Millefleurs Ground, early 16th century, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.1

Wenceslaus Hollar, Moth and Three Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7863

Peter Paul Rubens, The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34, Oil on gessoed wood (oak) panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.2

Wenceslaus Hollar, Mulier Generosa Viennensis Austri, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7889

Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6441

Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761

Wenceslaus Hollar, Mercatoris Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7895

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6444

Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835

Wenceslaus Hollar, Empress, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7803

Wenceslaus Hollar, Civis Coloniensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7913

Wenceslaus Hollar, Mulier Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7908

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980

Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515

Wenceslaus Hollar, Ciuis Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7894

Fernand Khnopff, Der Jagdaufseher, 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1790

Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7836

Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966

Wenceslaus Hollar, Cardinal, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7805

Wenceslaus Hollar, Bishop, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7807

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6459

Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7994

Wenceslaus Hollar, The Crucifixion, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7794

Wenceslaus Hollar, Moth, Butterflies, and Bees, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7877

Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689

Wenceslaus Hollar, Virgo Nuptialis Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7925

David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8

Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979

Flanders (Brussels), Deer Hunt with the Story of Diana and Actaeon, c. 1580–1620, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.208

Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54

Frans Crabbe van Espleghem, Christ as the Man of Sorrows, c. 1522–25, Engraving and etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334663

Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6448

Wenceslaus Hollar, The Washing of Hands, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7789

Wenceslaus Hollar, Mulier ex inferiori Palainatu, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7920

Wenceslaus Hollar, The Resurrection, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7796

Wenceslaus Hollar, Jesus before Annas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7788

Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232

Wenceslaus Hollar, Virgo Nuptialis Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7935

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6461

Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794

Master FVB, The Judgment of Solomon, c. 1480, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3409

Wenceslaus Hollar, Mulier Generosa Brabantica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7906

Tomotada, Wolf with deer leg, mid 19th century, Ivory, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.43

Adriaen Collaert, The Parable of the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1424

Wenceslaus Hollar, Coblentz, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7843

Wenceslaus Hollar, Mulier Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7924

George Minne, Kneeling Youth, 1896, dated 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36048

Wenceslaus Hollar, Woman with White Veil and Black Hat (Mary Stuart?), 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7986

Wenceslaus Hollar, Queen, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7804

Wenceslaus Hollar, The Entombment, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7795

Wenceslaus Hollar, Mulier Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7958

Wenceslaus Hollar, Duren, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7847

Sir Anthony van Dyck, Virgin and Child, c. 1620, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436261

Wenceslaus Hollar, Mulier Augustae Vindelicorum, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7896

Wenceslaus Hollar, Drachenfels, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7844

Wenceslaus Hollar, Mulier Religiosa Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7910

Wenceslaus Hollar, Moth, Three Butterflies, and Two Beetles, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7865

Wenceslaus Hollar, Mulier Moguntiana, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7917

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6460

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6458

Wenceslaus Hollar, Mulier Svevica vel Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7898

Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932

Wenceslaus Hollar, Woman of Antwerp, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7984

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6465

Wenceslaus Hollar, Hanau, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7840

Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659

Wenceslaus Hollar, Nun, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7812

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6463

Wenceslaus Hollar, Mulier Nobilis aut Generosa Gallica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7940

Wenceslaus Hollar, Dni Maioris sive Praetoris Londinensis  Vxoris Hab:, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7962

Sir Anthony van Dyck, Study Head of an Old Man with a White Beard, c. 1617–20, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436260

Wenceslaus Hollar, Mulier Coloniensis, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7914

Wenceslaus Hollar, Abbess, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7810

Johann Theodor de Bry, The Baggage Train with the Sergeant-Major, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6476

Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984

Wenceslaus Hollar, Four Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7870

Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730

Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247

Henri Evenepoel, Im Café d'Harcourt in Paris, 1897, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1796

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6443

Giambologna, Fata Morgana, c. 1572, Marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/687583

Sir Anthony van Dyck, Catherine Howard, Lady d'Aubigny, c. 1638, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1234

Wenceslaus Hollar, Rustica Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7941

Wenceslaus Hollar, Cives Hollandica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7901

Wenceslaus Hollar, Head of Woman Looking Right, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7989

Jacob Jordaens, Hirtenanbetung, n.d., Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/143

Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770

Adriaen Collaert, The Parable of the Sower, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4635

Theodor de Bry, Saturn, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4353

Wenceslaus Hollar, Mulier Westphalica ex Archiep Monasteri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7892

Adriaen Collaert, The Plucking of Ears of Corn on Sabbath Day, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4607

Adriaen Collaert, The Parable of the Kingdom of Heaven, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4620

Japan, Long-handled Censer, 18th-19th century, Silver with traces of gilding, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.92

Wenceslaus Hollar, Old Woman, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7825

Wenceslaus Hollar, Mulier Moresca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7974

Wenceslaus Hollar, Dragonflies, a Bumble-Bee, and a Butterfly, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7866

Wenceslaus Hollar, Mulier Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7923

Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368

Anonymous Flemish 15th Century, Christ in Tomb with Virgin and Saint John, 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1357

Wenceslaus Hollar, Five Butterflies and a Moth, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7879

Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836

Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264

Kōshun, Buddha of Infinite Life and Light (Amida Nyorai), 1269, Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136319

Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963

Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446

Wenceslaus Hollar, Child, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7826

Wenceslaus Hollar, Carrying the Cross, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7793

Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233

Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142

Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803

Georges Lemmen, Farmhouse in Flanders, 1890, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34891

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6449

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6452

Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844

Pierre Theunis, Namur Hrave les Autrichiens, 1913 (1914?), bronze; 2 3/4 in. (7.0 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-1

Peter Paul Rubens, Diana and Her Nymphs Departing for the Hunt, c. 1615, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135661

Wenceslaus Hollar, The Mineral Spring, 1627–1636, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7857

Pieter van der Borcht (I), Jakob og det spættede kvæg, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1525

Wenceslaus Hollar, Lady with Ribbons on Curls, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7985

Wenceslaus Hollar, Mulier Generosa Hispanica (Spanish Gentlewoman), 1644, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7950

Wenceslaus Hollar, Mulier Belgica in Vestitu Domestico, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7904

Wenceslaus Hollar, Mercatoris Hollandici Vxor, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7902

Pierre Alechinsky, Vanished in Smoke, 1962, Distemper, ink, gouache and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33616

Adriaen Collaert, Jesus Calling the Apostles Among the Fishermen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4634

Wenceslaus Hollar, Albrecht Durer's Father, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7860

Wenceslaus Hollar, Preacher, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7813

Wenceslaus Hollar, Nobilis Mulier Bohemica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7883

Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583

James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448

Wenceslaus Hollar, Title Page, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7829

Pierre Theunis, Duc et Duchess de Brabant, 1926, bronze; 2 3/4 in. (6.9 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-0

Paul Delvaux, Composition (The Siesta), 1947, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36694

Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024

Wenceslaus Hollar, Johann Banfi Huniades, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7992

Wenceslaus Hollar, Mulier Danica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7937

Wenceslaus Hollar, Mulier Anglica Habitans in Pago, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7961

Wenceslaus Hollar, Paradise Lost, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7799

Japan, Small Box with Landscapes, 19th century, Lacquer with sprinkled gold design, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.28a-c

Wenceslaus Hollar, Summer, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7978

Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490

Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049

Wenceslaus Hollar, Mulier Generosa Anglica, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7959

Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6453

Wenceslaus Hollar, Nobilis Mulier Anglica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7954

Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Nereids, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5981

Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260

Flanders (Brussels), Edging, 18th century, Linen, needlelace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.16

Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670

Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942

Flanders (Brussels), Lappet of Point d’Angleterre à vrai réseau, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.17

Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7926

Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7945

Flanders, The Journey and Temptations of the Prodigal Son, c. 1507–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/37.17

Adriaen Collaert, The Parable of the Barren Fig Tree, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4608

Wenceslaus Hollar, Gamesters, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7823

Wenceslaus Hollar, Two Dragonflies and Five Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7874

Peter Paul Rubens, Hélène Fourment, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17126

Wenceslaus Hollar, Standing Figure, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7993

Pierre Alechinsky, One Day, the Night, 1960, Ink on transparentized paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37867

Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169

Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229

Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228

Wenceslaus Hollar, Three Butterflies and Two Moths, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7872

Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270

Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517

Wenceslaus Hollar, Matrisana M., 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7951

Wenceslaus Hollar, Matrona Parisiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7942

Peter Paul Rubens, Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1034

Wenceslaus Hollar, Mulier Austriae Superioris, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7888

Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261

Wenceslaus Hollar, Bride, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7818

Wenceslaus Hollar, Prospect of Oxford, 1652–1677, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7858

Wenceslaus Hollar, Rustica Bohemica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7884

Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261

Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495

Adriaen Collaert, Titlepage, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4621

Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227

Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6450

Master of the First Prayerbook of Maximillian, Hours of Queen Isabella the Catholic, Queen of Spain, c. 1500, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138885

Wenceslaus Hollar, Ciuis aut Mercatoris Antuerpiensis Vxor, 1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7909

Wenceslaus Hollar, Ecce Homo, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7792

Wenceslaus Hollar, Jesus on the Mount of Olives, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7783

Jorelle Bags, Beaded purse used by Dinah Washington, 1930s, glass beads, metal, and silk satin; H x W x D: 5 3/4 x 7 1/2 x 1 in. (14.6 x 19.1 x 2.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975005409-0

Pieter Pannemaker I, The Garden of Gethsemane, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1607

Wenceslaus Hollar, Two Moths and Six Insects, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7868

Wenceslaus Hollar, Death's Coat of Arms, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7827

Wenceslaus Hollar, Title Page, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7873

Wenceslaus Hollar, Dragonfly, Ladybirds, and Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7880

Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574

Abraham van Diepenbeeck, Saint Cecilia, 1616, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436198

Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7927

Marcel Broodthaers, Journal d'un voyage utopique, 1973, Ink, colored ink, and lithograph on four pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33475

Wenceslaus Hollar, Mulier Aulica Turca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7970

Johann Theodor de Bry, Country Fair, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6473

Luc Tuymans, A Flemish Intellectual, 1995, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35394

Wenceslaus Hollar, Jesus before Pilate, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7785

Wenceslaus Hollar, Duchess of Lennox, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7987

Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257

Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6466

Wenceslaus Hollar, Virgo Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7936

Wenceslaus Hollar, Augsburg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7833

Master FVB, Saint Anthony, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3416

Georges Vantongerloo, 10 Origin, 1942, Portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19632

Georges Vantongerloo, XY = K Green and Red, 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35841

Theodor de Bry, Jupiter, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4354

James Ensor, Mädchen mit Masken (Kommunion), 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3321

Wenceslaus Hollar, Descent into Hell, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7797

Wenceslaus Hollar, View of Shenckenschantz, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7995

Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415

Wenceslaus Hollar, Mercatoris Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7967

Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516

Wenceslaus Hollar, Emperor, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7802

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6464

Wenceslaus Hollar, Mulier Generosa Graeca in Civitate Pera, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7971

Wenceslaus Hollar, Theatrum mulierum: Title Page, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7881

Japan, Ritual Chime, second half 14th century, Gilt bronze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.79

Theodor de Bry, Mercury, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4358

Theodor de Bry, Jewelry Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6467

Wenceslaus Hollar, Mulier Pragensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7886

Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492

Wenceslaus Hollar, Near Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7830

Wenceslaus Hollar, Sea Scene, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7850

Wenceslaus Hollar, Ciuis Coloniesis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7912

Luc Tuymans, Untitled (Sculpture), 2000, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38540

Wenceslaus Hollar, Old Man, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7824

Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791

Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6442

Wenceslaus Hollar, Abbot, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7809

Wenceslaus Hollar, Miser, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7821

Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568

Wenceslaus Hollar, Duke, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7806

Wenceslaus Hollar, Doctor, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7814

Wenceslaus Hollar, Near Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7851

Wenceslaus Hollar, Civis Londinensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7964

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35406

Pierre Alechinsky, The Complex of the Sphinx, 1967, Synthetic polymer paint, oil, and ink on Japanese paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37446

Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352

Wenceslaus Hollar, Delfshaven, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7849

Theodor de Bry, Mars, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4355

Wenceslaus Hollar, Mulier Svevica Inferioris Conditionis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7899

Wenceslaus Hollar, Winter, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7980

Wenceslaus Hollar, Bridal Pair, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7817

Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464

Wenceslaus Hollar, The Scourging, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7790

Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119

Peter Paul Rubens, Susanna, 1577, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334709

Japan, Miniature shrine (zushi), 19th century, Wood with pigments and gold, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.234a%2C%20b

Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517

Japan, (Cosmetic box), 18th century, Black and gold lacquer, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.21.1a-c

Georges Vantongerloo, Plate (folio 22) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19633

Wenceslaus Hollar, Mulier Scotica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7968

Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7931

Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231

Wenceslaus Hollar, Katharine Furlegerin, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7828

Adriaen Collaert, The Virgin and Joseph at the Inn, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1425

Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947

Frans Crabbe van Espleghem, The Adoration of the Shepherds, 1480, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5993

Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037

Japan, Incense box in the shape of a treasure ship, 19th century, Lacquer with sprinkled gold designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.29a%2C%20b

Wenceslaus Hollar, Knight, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7815

Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001

Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6445

Wenceslaus Hollar, Spring, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7977

Wenceslaus Hollar, Title Page to "Philosophia Universia", 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7781

Anton Wierix II, The Crucifixion called the Sword Pommel of Maxmilian, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6658

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7852

Wenceslaus Hollar, Ancilla Argentinensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7928

Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180

Flanders (Tournai), Esther and Ahasuerus, c. 1460–85, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.721

Belgium, Cap back, 18th century, Linen, bobbin lace (Point de Angleterre), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.7

Wenceslaus Hollar, Monk, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7811

Wenceslaus Hollar, Six Insects, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7862

Wenceslaus Hollar, Mulier Habitans Algieri, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7973

Wenceslaus Hollar, Title Page, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7861

Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230

Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915

Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838

Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7932

Wenceslaus Hollar, When Adam Delved, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7800

Adriaen Collaert, The Parable of the Rich Fool, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4606

Sir Anthony van Dyck, Portrait of a Flemish Lady, probably 1618, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/573

Hendrik van Balen, The Trinity, c. 1620, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159488

Wenceslaus Hollar, Opificis Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7944

Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255

Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845

Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244

Wenceslaus Hollar, Nobilis Mulier Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7956

Sir Anthony van Dyck, Robert Rich (1587–1658), Second Earl of Warwick, c. 1632–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436256

Jacob Jordaens, Die Heilige Familie, c. 1619–1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1937

Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495

Wenceslaus Hollar, Mulier Coloniensis Exspatians, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7915

Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6446

Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7854

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6456

Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6451

Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499

Wenceslaus Hollar, The Pope, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7801

Adriaen Collaert, Design for a Pendant with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5987

Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888

Theodor de Bry, Moon, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4359

Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927

Wenceslaus Hollar, Navigatoris Hollandici Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7903

Wenceslaus Hollar, Autumn, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7979

Wenceslaus Hollar, Mulier Generosa Anglica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7960

Wenceslaus Hollar, Mercantoris Hanauiensis Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7919

Sir Anthony van Dyck, James Stuart (1612–1655), Duke of Richmond and Lennox, c. 1633–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436252

Adriaen Collaert, Design for a Pendant with a Fish Carrying Tobias and the Angel, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5986

Wenceslaus Hollar, Mulier Persiana, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7975

Master FVB, Saint Philip, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3412

Wenceslaus Hollar, Wesel, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7848

Wenceslaus Hollar, Ciuis Pragensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7887

Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837

Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7845

Wenceslaus Hollar, Speyer, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7839