W. Koenigstein, A Rather Ordinary, Vulgar Thought, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36924 Master of Heiligenkreuz, Death of the Virgin, c. 1400, tempera and oil with gold on panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/115783 Heinrich Kühn, Frau vor dem Spiegel, 1906, Gummidruck in Rotbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102608 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Johann Jacob Eybelwieser, Jacob and the Angel, late 17th–mid-18th century, Pen and brown ink and watercolor over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334714 José Luis Cuevas, Madman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35754 José Clemente Orozco, Composition study for Gods of the Modern World, (c. 1932–34), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33762 José Clemente Orozco, Feet (no. 2), (1923), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35173 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Jesús Guerrero Galvan, Study for The Children, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33631 Francisco Toledo, Letter to Antonio Souza, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33721 Hans Gasser, Recto:Nude Female Figure in a Niche Verso: Study for a Fountain, 1830–68, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334857 Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547 Miguel Covarrubias, Fanny Brice and Nicholas Arnstein, c. 1925, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34081 José Clemente Orozco, Self-Portrait, 1940, Tempera on board, mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37551 Gustav Klimt, Three Courtesans (Drei stehende Frauenakte), c.1907–10, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33119 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Alfred Kubin, Christ's Entry into Jerusalem (Der Einzug in Jerusalem), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37522 Master of St. Wolfgang, Saint Benedict and the Monk Romanus, c. 1440/1450, hand-colored engraving on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8750 Alexander Bogomazov, Woman, 1914, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33196 Alfred Kubin, Homecoming (Heimkehr), (c. 1924), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37536 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991 Nopiloa artist, Figure, 500–799, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.16 Alexander Bogomazov, Studies for Constructivist Compositions, 1920–22, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38183 José Luis Cuevas, Madwoman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35767 Alexander Bogomazov, Ukrainian Peasants at the Market (recto); Untitled (verso), c. 1920, Ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36476 Alfred Kubin, Untitled (The Eternal Flame) (Die ewige Flamme), c. 1900, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37516 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Alexander Bogomazov, Landscape, c. 1917–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36542 José Clemente Orozco, Head of Quetzalcoatl (Study for the Dartmouth College Mural, "An Epic of American Civilization"), (c. 1932–34), Crayon on transparentized paper over colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33751 Hermann Nitsch, [Untitled], 1991, Oil on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36236 Alexander Bogomazov, Three Figures of Woodcutters, c. 1927–28, Watercolor and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36471 Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37931 Gabriel Orozco, XRTC 4, 1996, Rubbed graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34737 Gustav Klimt, Two Reclining Nudes, 1905–1906, Colored pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334899 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 Walter Pichler, Silo, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34121 Nopiloa artist, Figure, c. 600–750 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.9 Nopiloa artist, Head, 1st–5th century, Ceramic, chapopote, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.3.13 Gabriel Orozco, [Untitled], 1992, Pinched and rubbed notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35510 Miguel Covarrubias, H.L. Mencken, 1924, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34069 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 Alfred Kubin, In a Dream (Im Traum), c. 1903, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36916 Gustav Klimt, Standing Woman (Stehende Schwangere mit reich ornamentiertem Gewand nach rechts), c. 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32979 Meister von Großgmain, Madonna mit Kind und einem Stifter, vom heiligen Thomas empfohlen, 1483, Mischtechnik auf Lindenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2817 Friedrich Amerling, The Young Eastern Woman, 1838, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155860 Xavier Guerrero, Two Mothers, 1945, Black crayon on orange red paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34575 Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297 Egon Schiele, Standing Male Nude with Arm Raised, Back View, 1910, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35392 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Tebo (Ángel Torres Jaramillo), Portrait of My Mother, 1937, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38087 Gustav Klimt, Two Women Reclining, c. 1905–06, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334902 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Miguel Conde, [Untitled], 1971, Ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34628 Georg Raphael Donner, Kneeling Female Nude and Two Studies of Angels, early 18th century, Recto: pencil; margins ruled in red chalk at all four edges of paper Verso: black and brown chalk and pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334804 Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 Walter Pichler, Artistic Branch, 1972, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34107 Alfred Kubin, The Last King (Der Letzte König), (c. 1900–03), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37543 Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014 Anton von Maron, Judith with the Head of Holofernes, 18th century–early 19th century, Pen and brown ink and brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334921 José Clemente Orozco, Legs, 1938, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37981 Wolfgang Paalen, Discovery of Infra-Space II, 1941, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37488 José Clemente Orozco, Crouching Model, (1947), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34685 Anonymous, Austrian, 18th century, Saints Peter and Paul, 18th century, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334780 Gabriel Orozco, Korean Air, 1997, Ink and colored pencil on cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34755 Guillermo Meza, Polyphemus, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34717 José Clemente Orozco, Clenched Fist, (1948), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34698 Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292 Alfred Kubin, Polar Bear (Eisbär), 1901–02, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38778 Johann Anton Eismann, Ruins on the Palatine in Rome, c. 1650, Brush and gray ink, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334711 Egon Schiele, Standing Girl Wrapped in Blanket, 1911, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34941 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 Diego Rivera, Woman with Two Children, (c. 1925), Red and black chalk on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35252 Diego Rivera, Nude with Braided Hair (Luz Jiménez), 1925, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35532 Egon Schiele, Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), 1912, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33302 Nayarit artist, Figure, c. 100–200, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.30 Austria (Salzburg), Saint Catherine, c. 1450–60, Wood, pigment, gold, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/20.11 Maximilian Kurzweil, View of the Valley (Talblick), (n.d.), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33291 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Nayarit artist, House Group, c. 100–400, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.37 Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37943 Diego Rivera, Dead Horse, 1906, Charcoal and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38699 Gustav Klimt, Standing Nude, 1906–07, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334898 Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Egon Schiele, Girl with Black Hair (Mädchen mit schwarzem Haar), 1911, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37567 Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220 José Clemente Orozco, Male Torso, (1923), Crayon on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35180 Gabriel Orozco, Maria, Maria, Maria, 1992, Phone book page with erasures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35502 Francisco Toledo, Letter to an Unnamed Person, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33733 Martinez Pintao (Manuel Martinez Pintao), The Reaper, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37857 Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645 Günter Brus, Informel Drawing (Informelle Zeichnung), 1960, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35597 Oskar Kokoschka, Seated Woman, 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33539 Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637 Johann Jacobé, William Hayley, 1779, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8018 Johann Georg Platzer, The Artist's Studio, 1740s–50s, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170235 Ferdinand Georg Waldmüller, Bäuerliches Liebespaar, 1863, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1383 Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223 Diego Rivera, Man at the Crossroads, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34635 Gustav Klimt, Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334896 Gustav Klimt, Profile of a Girl (Study for 'Thalia and Melpomene') (Brustbild eines Mädchens mit langem Haar im Profil nach links), 1898–99, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38245 Ferdinand Georg Waldmüller, Gräfin Tatischeff, c. 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2818 José Luis Cuevas, A Certificate of Authenticity, 1973, Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33106 Gustav Klimt, Reclining Nude, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334906 Alfred Kubin, The Reciter (Der Rezitator), (c. 1923), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38685 Nopiloa artist, Hacha, c. 600–900 CE, Basalt, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.6 Oskar Kokoschka, Seated Girl, (1922), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34085 Diego Rivera, Two Figures, (c. 1925), Chalk, wash, and pencil on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35246 Wolfgang Paalen, Fumage, 1944–45?, Oil and candle soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33314 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Jesús Guerrero Galvan, Girl Seated, 1939, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37809 Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901 Gustav Klimt, Reclining Nude with Drapery, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334903 Colima artist, Vessel in the form of a dog, 3rd century BCE–4th century CE, Ceramic, pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.21 Diego Rivera, Study for the mural Day of the Dead: The Offering at the Secretariat of Public Education, Mexico City (Estudio para el mural Día de Muertos: La Ofrenda en la Secretaría de Educación Pública, Ciudad de México), 1925, Colored chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35547 Franz Alt, Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334768 Arnulf Rainer, [Untitled], (1969–74), Oilstick on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35324 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35301 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 Diego Rivera, Mother and Child, 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35231 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Francisco Toledo, [Untitled], (n.d.), Watercolor, metallic paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38700 Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550 Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149 Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298 Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171 Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 Nopiloa artist, Yoke, c. 600–900, Stone, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.72 Alfred Kubin, On the Tower Stairs (Auf der Turmtreppe), (n.d.), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37553 Oskar Kokoschka, Hugo Erfurth, c. 1920, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35566 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35315 Juan Soriano, Child with Bird, 1941, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38086 Oskar Kokoschka, Nude with Back Turned (In den Hüften nach links gedrehter weiblicher Rückenakt) (recto); Untitled (verso), 1909, Ink, gouache, and chalk on paper (recto); Ink, gouache, crayon and graphite on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37311 Alfred Kubin, Government (Der Staat), 1901, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33912 Diego Rivera, Angeline Beloff, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33433 Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796 Diego Rivera, Building the Palace Of Cortez, 1930, Pencil on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35540 Nopiloa artist, Head, 600–800, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.40 Robert Doxat, Static Mambo, 1960, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33395 Ferdinand Georg Waldmüller, Countess Széchenyi, 1828, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154244 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 México (Jalisco), Warrior Figure, 100 BCE–500 CE, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.24 Alexis Gritchenko, Saltimbanques Turcs, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35449 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Alexander Bogomazov, .a) Man and Woman Carrying Large Baskets .b) Untitled, c. 1927–28, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36466 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Nayarit artist, Figure, 200 BCE–400 CE, Ceramic, pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.34 Günter Brus, Wunde Punkte, (1983), Mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37751