Pablo Picasso, Head of a Man, Céret spring 1913, Cut-and-pasted newspaper, colored paper, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37687 Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Alberto Giacometti, [Untitled], (1965), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37264 Pablo Picasso, Taureau, 1938, Ink on transparent graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33717 Arthur Streeton, The Hot Road, 1896. https://dartabase.art/cite/wikidata/Q104157689 Arthur Streeton, Settler's Camp, 1888. https://dartabase.art/cite/wikidata/Q104157116 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22343 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Tobias Stimmer, De romerske ambassadører vender hjem fra Karthago, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22280 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Tobias Stimmer, Appius Claudius føres til fængslet, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22311 Louis Soutter, Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive ), c. 1930–35, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37518 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22273 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22275 Louis Soutter, Esthètes juifs distants, c. 1930–1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37524 Arthur Streeton, The Bathers (1891), 1891, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050646 Arthur Streeton, From my camp (Sirius Cove), 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487865 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22269 Eugene von Guerard, Tea Trees near Cape Schanck, Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445755 Francisco de Zurbarán, Christ and the Virgin in the House at Nazareth, c. 1640, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136217 Arthur Streeton, Boulogne, 1918, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487830 Tobias Stimmer, Theoxena og hendes familie dør til havs, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22340 Bartolomé Esteban Murillo, Two Women at a Window, c. 1655/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1185 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 Frederick McCubbin, At the falling of the year, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794253 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22287 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22347 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22331 William H. Constable, Design for an Aboriginal Ballet, II, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37291 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Will Dyson, "And grant, oh Lord, a little temptation be yet it is too late-", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6828 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Eugene von Guerard, Sydney Heads, 1865, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20488893 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22260 Enrique Brinkmann, Procession, 1962, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33713 Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430 Julio González, Study for Woman Combing Her Hair, 1936, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38769 Julio González, Self-Portrait, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33850 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Pablo Picasso, Maquette for the cover of the journal Minotaure, 1933, Assemblage of corrugated cardboard, metal foil, ribbons, printed paper, paper doily, artificial plant, tacks, and pencil on paper on wood with charcoal additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34095 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22262 Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713 Diego Velázquez, Bildnis des Kardinals Gaspar de Borja y Velasco, 1643–1645, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1036 Frederick McCubbin, Eliza Hall, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442563 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242 Frederick McCubbin, Lost, 1886, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443250 Pablo Picasso, Four Dancers, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34480 Jacob El Hanani, Shura, (1986), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36621 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077 Frederick McCubbin, The North wind, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20482268 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22293 Francisco José de Goya y Lucientes, Maja and an officer; folio 22 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334724 Alberto Giacometti, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36478 Tobias Stimmer, De romerske kvinder kræver, at Lex Oppia-loven ophæves, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22332 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463 Pablo Picasso, Two Figures on a Beach, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37725 Tobias Stimmer, Cincinnatus beordrer aequierne til at passere under åget, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22310 Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22276 John Longstaff, Gippsland, Sunday night, February 20th, 1898, 1898, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442848 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22342 Arthur Streeton, Hoddle St., 10 p.m., 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797402 Tobias Stimmer, Gaius Duillius vinder søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22325 Arthur Streeton, Liverpool (c.1909-11), 1910, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050426 Tobias Stimmer, De trehundrede og seks fabier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22321 Luis Quintanilla, University City, Cancer Research Institute, Madrid, (1937), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37684 Eugene von Guerard, Castle Rock, Cape Schanck, 1865, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801733 Joan Miró, Drawing - Collage, 1936, Crayon and decals on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35199 Bartolomé Esteban Murillo, Laban Searching for His Stolen Household Gods, c. 1665–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141929 Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22344 Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063 Pablo Picasso, The Pool, January 30, 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34830 Pablo Picasso, Burning Logs, January 4, 1945, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34805 Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621 Arthur Streeton, Australia Felix, 1907, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794055 Frederick McCubbin, Girl with bird at the King Street bakery, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794233 Eduardo Chillida, Around the Void II (Alrededor del vacio II), 1965, Forged steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93444 Pablo Picasso, La belle qui passe, (1904), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36462 Tobias Stimmer, Numa Pompilius inddeler året i tolv måneder, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22329 Luis de la Cruz y Rios, Princess María Francisca de Asis de Borbón and Her Son Infante Carlos Luis María Fernando de Borbón, 1818, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436059 Shalom Of Safed (Shalom Moskowitz), Noah's Ark, (1965), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35505 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Tobias Stimmer, Horatius Cocles forsvarer Rom ved broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22304 Antonio Saura, Crucifixion, 1960, Collage and ink on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33329 Pablo Picasso, Nessus and Dejanira, September 9, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35124 Francisco Goya, Überfall auf eine Frau, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1964 Tobias Stimmer, Tarquinius Priscus hugget til døde på sin trone, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22315 Pablo Picasso, The Mill at Horta, (Summer 1909), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34794 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22259 Eugene von Guerard, Stony Rises, Lake Corangamite, 1857, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801734 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22298 Arthur Streeton, Pastoral in yellow and grey: a colour impression of Templestowe, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736829 Tobias Stimmer, Verginius for Appius Claudius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22309 Julio González, [Untitled], 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33811 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22335 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Eduardo Chillida, [Untitled], (1966), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33342 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Tobias Stimmer, Kamp mellem horatier og curatier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22328 Tobias Stimmer, Symphonia, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22348 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38000 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Alberto Giacometti, Man Reading a Book, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36488 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22281 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22297 Pablo Picasso, Head of a Woman, Spring 1909, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33130 Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377 Tobias Stimmer, Gaius Duillius besejrer Kartago i et søslag, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22284 Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Antonio López García, The Staircase, 1967, Pencil and wax on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34492 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 John Longstaff, Dr Alexander Leeper, 1928, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442918 Jean Tinguely, Sketch for Homage to New York, 1960, Felt-tip pen and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33838 Jusepe de Ribera, Saint Jerome, c. 1638–40, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136680 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Salvador Dalí, Cavalier of Death, 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33037 Tobias Stimmer, Tullia kører over sin fars lig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22316 Arthur Streeton, Golden Summer, Eaglemont, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q18165620 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Pablo Picasso, The Swineherd, 1906, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35015 Frederick McCubbin, Down on His Luck, 1889, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q5302978 Arthur Streeton, The three liners, Circular Quay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736778 Tobias Stimmer, Marcus Atilius Regulus dræber en serpent i Afrika, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22286 Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35653 Pablo Picasso, Sheet of Studies, 1908, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33305 Eugene von Guerard, Yalla-y-Poora, 1864, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20446032 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Tobias Stimmer, Gaius Duillius vinder et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22263 John Longstaff, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443597 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22254 Eugene von Guerard, Bush fire between Mount Elephant and Timboon, 1857. https://dartabase.art/cite/wikidata/Q74832709 Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983 Patricia Piccinini, Project Graham, 2016. https://dartabase.art/cite/wikidata/Q106855493 Arthur Streeton, Residence of J. Walker, Esq., Gembrook, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443020 Eugene von Guerard, Waterfall on the Clyde River, Tasmania, 1877, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q67204173 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Tobias Stimmer, Manius Acilius Glabrios triumftog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22330 Pablo Picasso, Brooding Woman (recto); Three Children (verso), 1904, Watercolor on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33008 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38004 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Pablo Picasso, Martin Fabiani, 1943, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35584 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22255 Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798 Tobias Stimmer, Scipio på knæ, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22267 Matthäus Merian the Elder, Perspectival Study with a View of a Medieval City, 1613–50, Pen and black ink, touches of red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334718 Pablo Picasso, Nude Woman, Standing, (1912), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33833 Pablo Picasso, Head, (1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36990 Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364 Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531 Frederick McCubbin, Self portrait, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443478 Tobias Stimmer, Publius Horatius plæderer for sin søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22313 Tobias Stimmer, Henrettelsen af kongen af Siracusa og hans familie, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22274 Arthur Streeton, Land of the Golden Fleece, 1926, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736803 Diego Velázquez, The Needlewoman, c. 1640/1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/88 Eugene von Guerard, From the verandah of Purrumbete, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794173 Arthur Streeton, Early summer, gorse in bloom, 1888, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794056 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490 Tobias Stimmer, Cloelia leder flugten på floden, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22303 Eugene von Guerard, Mount William as from Mount Dryden in the Grampians, Victoria, 1892. https://dartabase.art/cite/wikidata/Q65995829 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Joseph Heintz the Elder, Figures Adoring a Statue of the "Magna Mater", 1585, Pen and brown ink, brush and gray-brown wash, heightened with white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334884 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22283 Pablo Picasso, The Cock (Le Coq), 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33706 Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870 Francisco Goya, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/985 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Julio González, Figures and Heads (Personnages et têtes), 1938, Pencil, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36966 Pablo Picasso, Sleeping Peasants, 1919, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34774 Tobias Stimmer, Cincinnatus bag ploven kaldes til at være diktator, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22308 Johann Andreas Rauch, Allegory of Sculpture, 1619, Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334719 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22288 Francisco Domingo y Marqués, Portrait of an Old Man, 1882, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436206 Juan Gris, Drawing for Mouchoir de Nuages, 1925, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14346 Julio González, Three Studies of Self-Portrait, 1938–40, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36195 Arthur Streeton, Early light Windsor Castle (1903), 1903, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111033984 Pablo Picasso, Woman with Flowered Hat, 1921, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37004 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Pablo Picasso, Woman Washing Her Feet, July 10, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35140 Pablo Picasso, Man in a Bowler Hat, 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36618 Gerardo Pita, Pomegranates, (July 1978), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38313 Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712 Tobias Stimmer, Gaius Sulpius Gallus forudser en måneformøkelse, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22258 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Arthur Streeton, Circular Quay, 1892, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736758 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 John Longstaff, Breaking the News, 1887, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q4959610 Tobias Stimmer, Tarquinius Superbus og Sextus' udsending i haven, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22317 Julio González, Study for Head of Montserrat Crying No. 2, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33820 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Pablo Picasso, [Untitled], 1969, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35587 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Pablo Picasso, The Flower Girl, (1906), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33908 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22301 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Tobias Stimmer, Den besejrede Syphax stilles for Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22323 Fred Williams, Aboriginal Graves, Tibooburra, No. 1, 1967, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38556 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22270 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Tobias Stimmer, Marcus Valerius i kamp med en galler, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22295 Francisco José de Goya y Lucientes, Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334725 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Brett Whiteley, Deya, Mallorca Day, (1967), Ink, cut paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35073 Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Arthur Streeton, Fire's on, 1891, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487774 Antonio Saura, Señorita, 1960, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37185 Frederick McCubbin, Falls Bridge, Melbourne, 1882, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442491 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Tobias Stimmer, Syphax tilfangetages, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22265 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22289 John Longstaff, Henry Lawson, 1900, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443962 Alberto Giacometti, Portrait of a Man, 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38594 Arthur Streeton, The Grand Canal, 1908. https://dartabase.art/cite/wikidata/Q106549467 Arthur Streeton, Valley, Wandiligong (1928), 1928, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111034159 Francisco Goya, Gewaltszene gegen zwei Frauen, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1965 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Jacob El Hanani, Untitled (No. 101), 1977, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35875 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22257 Pablo Picasso, Figures, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36254 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 Arthur Streeton, Tulips (1930), 1930, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111049892 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37996 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Eugene von Guerard, North-east view from the northern top of Mount Kosciusko, 1863, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794178 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Arthur Streeton, Ariadne, 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736878 Arthur Streeton, The Point Wharf, Mosman Bay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736700 Julio González, Two Figures, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36959 Jacob El Hanani, [Untitled], 1979, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38275 Arthur Streeton, Sunlight (Cutting on a hot road), 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736865 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Frederick McCubbin, Afterglow (Summer evening), 1912, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50707929 John Longstaff, Portrait of Australian Brigadier-General (later Major-General) Walter Adams Coxen, 1919, Australian War Memorial, Canberra. https://dartabase.art/cite/wikidata/Q139752598 Joan Miró, Collage (Study for Painting, June 13, 1933), 1933, Cut-and-pasted photomechanical reproductions and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34537 Moshe Kupferman, [Untitled], 1977, Charcoal and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36700 Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144 Arthur Streeton, Still glides the stream, and shall for ever glide, 1890, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487771 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Arthur Streeton, Sunrise on Santa Maria della Salute, 1908, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442081 Will Dyson, "Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances...", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6829 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36480 Angelica Kauffmann, Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334892 Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 Tobias Stimmer, Marcus Valerius formaner den rebelske soldat til at skabe fred, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22299 Pablo Picasso, Head (Study for Les Demoiselles d'Avignon), 1906, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36610 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33705 Anna Ticho, Jerusalem Hills, (1963), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33412 Eugene von Guerard, Purrumbete from across the lake, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797418 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22285 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Arthur Streeton, Rain over Sydney Harbour, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736767 Pablo Picasso, Guitar, Paris, December 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33508 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Arthur Streeton, Fireman's funeral, George Street, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487783 Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711 Arthur Streeton, Orange, blue and white (portrait of Keith), 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28797572 Pablo Picasso, Casket, Cup and Apple, (Winter 1909), Ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37795 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37977 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33122 Arthur Streeton, Land of the golden fleece, 1926, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443273 Toba Khedoori, Untitled (Doors), 1995, Oil, wax, and pencil on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35555 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35676 Fred Williams, Flinders Island, 1968, Gouache and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35087 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Will Dyson, "Why Did I Do It?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6830 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22324 Arthur Streeton, The creek, 1925, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487878 Frederick McCubbin, The old stone crusher (The quarry), 1911, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794255 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22292 Julio González, Study for Head, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36978 Juan Gris, Still Life with Bottle and Funnel, 1911, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36672 Jusepe de Ribera, Der Heilige Jakobus der Ältere, c. 1615–1616, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/111304 Tobias Stimmer, M. Decius leder romerne i slaget mod latinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22282 Arthur Streeton, The purple noon's transparent might, 1896, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443605 Pablo Picasso, Head of a Man with a Hat, 1912, Cut-and-pasted newspaper and colored paper, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35867 Eugene von Guerard, Dandenong Ranges from ?Beleura?, 1870, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794170 Bartolomé Esteban Murillo, Der gute Hirte, c. 1675–1682, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2037 Arthur Streeton, Prospect reservoir, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487799 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Arthur Streeton, The national game, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487752 Arthur Streeton, Near Heidelberg, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443046 Pablo Picasso, Studies of a Rooster, c. 1896, Colored chalk on beige antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5361 John Longstaff, The Hon W A Holman, KC, 1929. https://dartabase.art/cite/wikidata/Q99851972 Diego Velázquez, Portrait of the Jester Calabazas, c. 1631–32, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141549 Spanish 14th Century, Ewer and Cover, 14th century (crystal); c. 1600 (mounts); before 1905 (spout), rock crystal and gilded silver and copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1463 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Arthur Streeton, Afternoon light, Goulburn Valley, Victoria, 1927, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736409 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33157 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176 Tobias Stimmer, Titus Manlius dræber gallereren på broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22294 Francisco Goya, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/991 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38746 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Pablo Picasso, Family with a Crow, (1905), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36614 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Louis Soutter, Le catafalque sans pesanteur, c. 1937–1942, Fingermalerei in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17577 Pablo Picasso, Cubist Study, (1912), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37973 Sonja Sekula, Carco: La Rose au Balcon, 1942, Pen and ink drawing and dedication by Francis Carco and 3 postcards, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34580 Alberto Giacometti, The City Square, 1949, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38595 Eugene von Guerard, View of Geelong, 1856, Geelong Art Gallery, Geelong. https://dartabase.art/cite/wikidata/Q7928775 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Hans Bock d. Ä., Venustanz, um 1580 - um 1590, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2216 Hans Jakob Plepp, Design for Stained Glass, c. 1590, Pen and black ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334712 Moshe Kupferman, [Untitled], 1976, Synthetic polymer paint and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36704 Francisco de Herrera, the Elder, Study of a Seated Nude, Bearded Man in Half-Length, 1610–54, Pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334775 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Julio González, Study for Sculpture, 1936, Watercolor, ink, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38214 Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Will Dyson, "Can you forgive me Father?" - "Can you forgive me daughter?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6827 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Julio González, Study for Sculpture, 1937, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38216 Pablo Picasso, Two Acrobats with a Dog, 1905, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35378 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Arthur Streeton, Princess & 'Burke & Wills', 1889, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445775 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Arthur Streeton, Malham Cove, 1911, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487821 Pablo Picasso, Guitar, Céret, spring 1913, Cut-and-pasted newspaper, wallpaper, paper, ink, chalk, charcoal, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38359 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228 Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420 Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236 Colin Lanceley, Siegfried, 1967, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38826 Sidney Nolan, Rite of Spring: Decor study for the ballet, (1962), Metallic paint, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38442 Joan Miró, Drawing-Collage, 1933, Conté crayon, postcards, sandpaper, and cut-and-pasted printed paper on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36332 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Arthur Streeton, The Spirit of the drought, 1896, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736854 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Pablo Picasso, Bathers in a Forest, 1908, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33370 Anna Ticho, Landscape behind Rocks, (1951), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37116 Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876 Julio González, Study for Cagoulard, 1935, Ink, crayon, and pencil on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33120 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Francisco Goya, Señora Sabasa Garcia, c. 1806/1811, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/95 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Arthur Streeton, From McMahon's Point - fare one penny, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736818 Arthur Streeton, Sandridge, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797403 Francisco Goya, The Marquesa de Pontejos, c. 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/92 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Arthur Streeton, A road to the ranges, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487880 Anna Ticho, Jerusalem, 1969, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33714 Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445 Jacob El Hanani, [Untitled], 1978, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38273 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Alberto Giacometti, [Untitled], 1949, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36473 Pablo Picasso, Meditation (Contemplation), (late 1904), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33823 Alberto Giacometti, [Untitled], 1949, Sepia and black ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36483 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Margaret Preston, Banksia and Flannel Flowers, 1938, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443148 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35643 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33141 Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Salvador Dalí, Studies of Horsemen, 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35278 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Bartolomé Esteban Murillo, The Virgin of the Immaculate Conception, c. 1660 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.286 Arthur Streeton, Cremorne pastoral, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487795 Inge King, Forward Surge, 1976. https://dartabase.art/cite/wikidata/Q27477315 Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710 Fred Williams, Desert Dust Storm, Tibooburra, 1967, Gouache and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35081 John Longstaff, Portrait of John Ford Paterson, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444733 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Luis Quintanilla, Air Raid in Country District, 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37680 Augusto Giacometti, Color Abstraction, 1903, Pastel on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36786 Pablo Picasso, The Balcony, (1933), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33843 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Eugene von Guerard, Mount Kosciusko, seen from the Victorian border (Mount Hope Ranges), 1866, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20441297 Juan Gris, Glass and Bottle, 1913, Ink, gouache, watercolor, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34512 Francisco José de Goya y Lucientes, A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334726 Arthur Streeton, Sydney Harbour, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442846 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952 Juan Gris, Breakfast (Le Petit déjeuner), 1914, Gouache, oil, and crayon on cut-and-pasted printed paper on canvas with oil and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35572 Joan Miró, Woman (Opera Singer), 1934, Pastel and pencil on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37242 Richard Boix, Da-Da (New York Dada Group), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34704 Pablo Picasso, Female Head, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33051 Julio González, Study for Head, 1936, Gouache, crayon, and ink on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38075 Alberto Giacometti, Study for The Palace at 4 a.m., 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35103 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Arthur Streeton, Above us the great grave sky, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736968 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427 Eugene von Guerard, Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand, 1877, Auckland Art Gallery Toi o Tāmaki, Auckland. https://dartabase.art/cite/wikidata/Q27884947 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160 Sidney Nolan, Snake, 1970, Museum of Old and New Art, Hobart. https://dartabase.art/cite/wikidata/Q66580072 Pablo Picasso, Two Nudes, 1906, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35372 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 Arthur Streeton, Sydney Harbour from Penshurst (Cremorne), 1907, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487806 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 John Longstaff, Portrait of Sir John Sulman, 1931, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444611 Salvador Dalí, Studies of a Nude, 1935, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38241 Julio González, Head of Montserrat Grieving No. 2, 1938, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36181 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Pablo Picasso, Head of the Medical Student (Study for Les Demoiselles d'Avignon), 1907, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33169 Frederick McCubbin, A ti-tree glade, 1897, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794232 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Julio González, Standing Figure, c. 1941, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35448 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196 Julio González, Study for Woman Combing Her Hair, 1936, Pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38747 Pedro de Mena, Saint Peter of Alcántara, c. 1663–70, painted wood, with ivory and glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/168194 Arthur Streeton, The Gloucester Buckets, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487789 Arthur Streeton, The selector's hut (Whelan on the log), 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794058 Joan Miró, The Family, 1924, Charcoal, chalk, and conté crayon on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36647 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36486 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Pablo Picasso, Guitar, Paris, early 1919, Oil, charcoal and pinned paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36613 Eugene von Guerard, Mount William and part of the Grampians in West Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442759 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Jean Tinguely, 50 RPM, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35860 Arthur Streeton, At Templestowe, 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794054 Arthur Streeton, Spring, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442308 John Longstaff, Mr Maurice Moscovitch, 1925, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443571 Arthur Streeton, The railway station, Redfern, 1893, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487778 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Peter Booth, [Untitled], 1986, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35634 Frederick McCubbin, On the Wallaby Track, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q7091582 Will Dyson, Evil Tidings in B Flat, 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6826 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 John Longstaff, Banjo Paterson, 1935, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444673 Arthur Streeton, Pastoral, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736744 Frederick McCubbin, The Pioneer, 1904, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q7757227 Pablo Picasso, Bather, 1908, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34049 Jost Amman, The Ptolemaic System, 1579, Etching and engraving on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5326 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Pablo Picasso, Pipe, Glass, Bottle of Rum, 1914, Cut-and-pasted colored paper, printed paper, and painted paper, pencil, and gouache on prepared board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36008 Julio González, Head of Montserrat Crying, No. 1, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36188 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 John Longstaff, Julian Ashton, 1898, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443960 Christof Murer, Lot and His Daughters, 1581, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5327 Julio González, Gold and Red Person, 1941, Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38217 Alberto Giacometti, The Studio (Two Pieces of Sculpture), 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38593 Eugene von Guerard, Warrenheip Hills near Ballarat, 1854, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20470339 Pablo Picasso, Still Life with Fan, 1910, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35501 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Arthur Streeton, Blue Pacific, 1890. https://dartabase.art/cite/wikidata/Q20991666 Arthur Streeton, Sydney Harbour, 1907. https://dartabase.art/cite/wikidata/Q26735903 Juan Gris, Portrait of Pablo Picasso, January–February 1912, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8624 Arthur Streeton, Sydney Harbour (1921), 1921, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050121 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744