Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Giovanni Paolo Panini, Interior of the Pantheon, Rome, c. 1734, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/165 Carlo Bugatti, Coffee Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150161 Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297 Giuseppe Ghislandi, Portrait of a Young Man, after 1720, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/243 Arthur Streeton, The Hot Road, 1896. https://dartabase.art/cite/wikidata/Q104157689 Arthur Streeton, Settler's Camp, 1888. https://dartabase.art/cite/wikidata/Q104157116 Salvator Rosa, Scenes of Witchcraft: Morning, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149105 Italian 17th Century, Busts of Man and Woman, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1353 Saracchi Workshop, Altar Cross, c. 1590 (foot); mid to late 19th century (cross and its mounts), rock crystal, enameled gold, 3 beryls, 46 spinels, and 11 emeralds, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1454 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190739 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Italian 17th Century, The Parable of Lazarus and the Rich Man, 1618/1628, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/229 Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745 Arthur Streeton, The Bathers (1891), 1891, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050646 Arthur Streeton, From my camp (Sirius Cove), 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487865 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 Eugene von Guerard, Tea Trees near Cape Schanck, Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445755 Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684 Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352 Arthur Streeton, Boulogne, 1918, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487830 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286 Francesco Guardi, View on the Cannaregio Canal, Venice, c. 1775–1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/254 Guercino (Giovanni Francesco Barbieri), Madonna mit Kind, 1621–1622, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102204 Frederick McCubbin, At the falling of the year, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794253 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194 William H. Constable, Design for an Aboriginal Ballet, II, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37291 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Lucio Fontana, [Untitled], 1956, Ink on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37632 Caravaggio, The Crucifixion of Saint Andrew, 1606–7, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148758 Will Dyson, "And grant, oh Lord, a little temptation be yet it is too late-", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6828 Mario Merz, Che Fare?, 1968–73, Aluminium, wax and neon lights, Tate, London. https://dartabase.art/cite/tate/AR00598 Jean-Baptiste Nini, [Untitled], 1776–1883, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/480 Andrea Andreani, The Triumph of Julius Caesar [no.1 and 2 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8692 Eugene von Guerard, Sydney Heads, 1865, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20488893 Italian 16th Century, Christ and the Adulteress [recto], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8643 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028 Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941 Giovanni Battista Tiepolo, Singende und musizierende Engel, c. 1726, Feder in Dunkelbraun und Aquarell über grauem Stift, Einfassungslinie mit grauem Stift, auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/15411 Marino Marini, Nude, (1949), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38249 Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881 Giovanni Battista Tiepolo, Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334651 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 Frederick McCubbin, Eliza Hall, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442563 Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076 Frederick McCubbin, Lost, 1886, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443250 Frederick McCubbin, The North wind, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20482268 Pietro Rotari, A Girl with a Flower in Her Hair, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/249 Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204 Giuseppe Maria Crespi, Cupids Disarming Sleeping Nymphs, c. 1690/1705, oil on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/203 Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344 Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Jean-Baptiste Nini, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/471 Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1623 Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832 Massimo Campigli, Mosaic Design for Floor of Teatro Metropolitano, Rome, (1943), Gouache and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37068 Jan Lebenstein, Axial Figure, 1961, Felt-tip pen on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33172 John Longstaff, Gippsland, Sunday night, February 20th, 1898, 1898, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442848 Arthur Streeton, Hoddle St., 10 p.m., 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797402 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Lucio Fontana, Concetto Spaziale (Teatrino), plate 4, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18821 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Arthur Streeton, Liverpool (c.1909-11), 1910, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050426 Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354 Eugene von Guerard, Castle Rock, Cape Schanck, 1865, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801733 Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348 Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831 Amedeo Modigliani, Seated Nude, 1914, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33375 Arthur Streeton, Australia Felix, 1907, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794055 Frederick McCubbin, Girl with bird at the King Street bakery, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794233 Corrado Cagli, The Concentration Camp of Buchenwald, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34924 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Italian 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4765 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Francesco Guardi, Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/270 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 Eugene von Guerard, Stony Rises, Lake Corangamite, 1857, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801734 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Italian 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4060 Arthur Streeton, Pastoral in yellow and grey: a colour impression of Templestowe, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736829 Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347 Gian Lorenzo Bernini, Sketches for a Wall Tomb with Skeletons, 1630–40, Pen and brown ink over black chalk (recto); black chalk (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334681 Giovanni Battista Cipriani, The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334673 Italian 17th/19th Century, Andiron with Figure of Juno, 17th/19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1283 Carlo Bugatti, Tea Table, c. 1907, inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156112 Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343 Italian 19th Century, Mucius Scaevola, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9488 Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113 Italian 17th Century, The Triumph of Religion, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1360 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Carlo Bugatti, Salver, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156113 Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144 Mario Sironi, Mannequin, (c. 1918), Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34812 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385 Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136390 Italian 17th Century, Burial of a Saint, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1365 Federico Barocci, Quintilia Fischieri, probably c. 1600, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/306 John Longstaff, Dr Alexander Leeper, 1928, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442918 Zbigniew Makowski, [Untitled], 1964, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38583 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Italian 18th/19th Century, Samson Slaying the Philistine, 18th/early 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1241 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Carlo Bugatti, Tray, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150157 Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167 Italian 17th Century, The Triumph of Poverty, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1359 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18819 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Italian 16th Century, The Birth of Christ [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8950 Arthur Streeton, Golden Summer, Eaglemont, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q18165620 Frederick McCubbin, Down on His Luck, 1889, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q5302978 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Arthur Streeton, The three liners, Circular Quay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736778 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35653 Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Italian 16th Century, Abraham Entertaining the Angels [verso], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8644 Eugene von Guerard, Yalla-y-Poora, 1864, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20446032 Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251 Andrea Andreani, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8694 Salvator Rosa, Scenes of Witchcraft: Evening, c. 1645–49, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149107 Italian 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4766 John Longstaff, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443597 Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Eugene von Guerard, Bush fire between Mount Elephant and Timboon, 1857. https://dartabase.art/cite/wikidata/Q74832709 Patricia Piccinini, Project Graham, 2016. https://dartabase.art/cite/wikidata/Q106855493 Arthur Streeton, Residence of J. Walker, Esq., Gembrook, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443020 Eugene von Guerard, Waterfall on the Clyde River, Tasmania, 1877, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q67204173 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Italian 16th Century, Pentecost [recto], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4763 Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185 Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943 Pietro Damini, Saints Prosdocimus, Justina, Daniel, and Anthony of Padua in Glory with a View of the Prato della Valle, Padua, c. 1617–1619, Oil on copper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5265 Zbigniew Makowski, [Untitled], 1964, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37655 Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18820 Frederick McCubbin, Self portrait, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443478 Arthur Streeton, Land of the Golden Fleece, 1926, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736803 Zbigniew Makowski, [Untitled], 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38584 Eugene von Guerard, From the verandah of Purrumbete, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794173 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Arthur Streeton, Early summer, gorse in bloom, 1888, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794056 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Eugene von Guerard, Mount William as from Mount Dryden in the Grampians, Victoria, 1892. https://dartabase.art/cite/wikidata/Q65995829 Corrado Cagli, The Bridge at Worms, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34913 Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324 Italian 16th Century, The Worship of the Golden Calf, c. 1594, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/321 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907 Salvator Rosa, Scenes of Witchcraft: Night, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149108 Alessandro Algardi, Baptism of Christ, designed 1645–46, probably made 1650–55, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141932 Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868 Gianfranco Baruchello, Assez Donc! (Enough!), 1963, Synthetic polymer paint, white-out, pencil, charcoal, pastel, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37496 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Amedeo Modigliani, Caryatid: Rose and Blue, 1912–14, Watercolor, with pen and black ink, graphite, and touches of brown crayon on tan wove paper (pieced), laid down on tan wove paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45257 Carlo Bugatti, Creamer, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150158 Italian 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4061 Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991 Giuseppe Caletti, Portrait of a Man as Saint George, c. 1620s, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/239 Arthur Streeton, Early light Windsor Castle (1903), 1903, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111033984 Jan Lebenstein, Figure, 1962, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37823 Arthur Streeton, Circular Quay, 1892, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736758 John Longstaff, Breaking the News, 1887, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q4959610 Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Fausto Pirandello, Women's Quarters (Gineceo), 1950, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36231 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197 Alessandro Algardi, The Holy Family with Two Angels, 1598–1654, Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334747 Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937 Italian 17th Century, Arabesque Band Carpet, c. 1650, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1654 Fred Williams, Aboriginal Graves, Tibooburra, No. 1, 1967, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38556 Louis Marcoussis, Zither, Bottle, Pipe and Sheet Music, 1919, Watercolor, oil, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35042 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Brett Whiteley, Deya, Mallorca Day, (1967), Ink, cut paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35073 Arthur Streeton, Fire's on, 1891, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487774 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1619 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744 Frederick McCubbin, Falls Bridge, Melbourne, 1882, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442491 Antonio Canova, Terpsichore Lyran (Muse of Lyric Poetry), 1816, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143775 Gaspare Diziani, Dawn, 1709, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436203 John Longstaff, Henry Lawson, 1900, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443962 Marino Marini, Horseman, 1949, Ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38247 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Italian 16th Century, Madonna of the Hernleberg, 1592, woodcut, hand-colored, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3869 Sisto Badalocchio, Christus mit der Samariterin am Brunnen, c. 1609–1610, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1259 Giovanni Battista Crespi gen. Il Cerano, Taufe Christi, 1601, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1513 Arthur Streeton, The Grand Canal, 1908. https://dartabase.art/cite/wikidata/Q106549467 Arnaldo Pomodoro, Study, 1960, Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33223 Arthur Streeton, Valley, Wandiligong (1928), 1928, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111034159 Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358 Cesare Dandini, Charity, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436078 Sebastiano Ricci, The Exaltation of the True Cross, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/213 Umberto Boccioni, Study for Elasticity, 1912, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35857 Italian 16th Century, Noli Me Tangere [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4764 Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346 Arthur Streeton, Tulips (1930), 1930, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111049892 Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550 Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357 Eugene von Guerard, North-east view from the northern top of Mount Kosciusko, 1863, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794178 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936 Arthur Streeton, Ariadne, 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736878 Arthur Streeton, The Point Wharf, Mosman Bay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736700 Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189 Mario Merz, Lingotto, 1968, Brush-wood, beeswax and steel, Tate, London. https://dartabase.art/cite/tate/AR00608 Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205 Arthur Streeton, Sunlight (Cutting on a hot road), 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736865 Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Italian 19th Century, Coronation of the Virgin, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9482 Frederick McCubbin, Afterglow (Summer evening), 1912, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50707929 John Longstaff, Portrait of Australian Brigadier-General (later Major-General) Walter Adams Coxen, 1919, Australian War Memorial, Canberra. https://dartabase.art/cite/wikidata/Q139752598 Arthur Streeton, Still glides the stream, and shall for ever glide, 1890, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487771 Andrea Andreani, The Triumph of Julius Caesar [no.3 and 4 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8693 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Arthur Streeton, Sunrise on Santa Maria della Salute, 1908, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442081 Jean-Baptiste Nini, [Untitled], 1778, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/489 Will Dyson, "Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances...", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6829 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Sebastiano Conca, Allegory of Spring, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1724 Carlo Maratti, Portrait of Francesca Gommi Maratti, c. 1701, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/307326 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Florentine 19th Century, Madonna and Child, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/121 Jacopo Palma the Younger, Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso), 1600–14, Brush with brown and white oil paint, over black chalk (recto); black chalk and charcoal (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334695 Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277 Orazio Gentileschi, Danaë, c. 1623, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145463 Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Sebastiano Ceccarini, Portrait of a Noblewoman, c. 1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.410 Italian 17th Century, Covered Cup with Serpent Handle, c. 1620/1630 (all but stem and mounts); late 16th century (stem); late 19th century (mounts), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1457 Eugene von Guerard, Purrumbete from across the lake, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797418 Arthur Streeton, Rain over Sydney Harbour, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736767 Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Arthur Streeton, Fireman's funeral, George Street, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487783 Giovanni Battista Foggini, Ferdinando II de' Medici, Grand Duke of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1268 Arthur Streeton, Orange, blue and white (portrait of Keith), 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28797572 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Arthur Streeton, Land of the golden fleece, 1926, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443273 Toba Khedoori, Untitled (Doors), 1995, Oil, wax, and pencil on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35555 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35676 Fred Williams, Flinders Island, 1968, Gouache and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35087 Will Dyson, "Why Did I Do It?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6830 Arthur Streeton, The creek, 1925, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487878 Frederick McCubbin, The old stone crusher (The quarry), 1911, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794255 Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328 Corrado Cagli, Troubadours, 1946, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34068 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Henryk Berlewi, First State of the Mechano-Faktura (I Stade de la Mécano-Facture), 1923, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38181 Arthur Streeton, The purple noon's transparent might, 1896, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443605 Eugene von Guerard, Dandenong Ranges from ?Beleura?, 1870, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794170 Arthur Streeton, Prospect reservoir, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487799 Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350 Arthur Streeton, The national game, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487752 Arthur Streeton, Near Heidelberg, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443046 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 John Longstaff, The Hon W A Holman, KC, 1929. https://dartabase.art/cite/wikidata/Q99851972 Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312 Arthur Streeton, Afternoon light, Goulburn Valley, Victoria, 1927, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736409 Ivo Pannaggi, Collage, 1926, Parcel post wrapping, stamps, ink, and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33036 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Alessandro Algardi, Portrait of Pope Innocent X Pamphili, designed 1647–48; cast 1650–1700, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134949 Giovanni Bastianini, Portrait of a Lady, "Giovanna Albizzi", c. 1860, gesso and polychrome over wood and mixed media, National Gallery of Art, Washington. https://dartabase.art/cite/nga/136 Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025 Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509 Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156 Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220 Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344 Italian 17th Century, Vase with Two Handles, c. 1600 (vase); 19th century (handles), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1461 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Jean-Baptiste Nini, [Untitled], 1776–1800, Galvonplast (probably galvano-reproduction), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/488 Eugene von Guerard, View of Geelong, 1856, Geelong Art Gallery, Geelong. https://dartabase.art/cite/wikidata/Q7928775 Giacomo Porzano, The Riot, 1961, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34042 Gino Severini, Oval Composition, 1913, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38346 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Francesco Guardi, Grand Canal with the Rialto Bridge, Venice, probably c. 1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1166 Italian 17th Century, Model of an Escutcheon, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1432 Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600 Giuseppe Maria Crespi, Heimsuchung Mariens, c. 1710–1720, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/123 Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893 Italian 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7449 Andrzej J. Wroblewski, Instrument #3, 1962, Colored ink and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37075 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Will Dyson, "Can you forgive me Father?" - "Can you forgive me daughter?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6827 Tanzio da Varallo, Saint Sebastian, c. 1620/1630, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/332 Alessandro Magnasco, Interior of a Synagogue, c. 1725–35, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111691 Carlo Labruzzi, Ruin of an Aqueduct on the Road to Cori, Italy, 1789, Watercolor and graphite on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5363 Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930 Italian 17th Century, Polonaise Carpet, first half 17th century, silk pile and metal brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1651 Arthur Streeton, Princess & 'Burke & Wills', 1889, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445775 Arthur Streeton, Malham Cove, 1911, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487821 Salvator Rosa, Scenes of Witchcraft: Day, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149106 Alessandro Magnasco, Folterszene, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1474 Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271 Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932 Amedeo Modigliani, Caryatid, 1914, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36904 Aleksander Kobzdej, Conflict, 1959, Casein and oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33730 Italian 17th Century, Polonaise Rug, first half 17th century, silk pile with gold and silver brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1652 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Miroslaw Balka, Moulting, 1988, Pencil, colored pencil, gesso, and pine needles on paper installed with pile of pine needles on floor, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38459 Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942 Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937 Carlo Bugatti, Tea Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150160 Colin Lanceley, Siegfried, 1967, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38826 Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319 Annibale Carracci, Ruhende Venus, c. 1602, Feder und Pinsel in zwei Brauntönen über schwarzer Kreide, mit weißer Kreide gehöht, auf blauem Büttenpapier, ganzflächig auf festem, rückseitig bedrucktem Papier aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7062 Magdalena Abakanowicz, Body 81F, 1981, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35178 Sidney Nolan, Rite of Spring: Decor study for the ballet, (1962), Metallic paint, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38442 Arthur Streeton, The Spirit of the drought, 1896, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736854 Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304 Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353 Francesco Monti ("Il Brescianino delle Battaglie"), Cavalry Engagement, 1646–1712, Pen and brown ink, blue-gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334868 Andrea Andreani, The Triumph of Julius Caesar [no.7 and 8 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8695 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Michele Rocca, Rinaldo and Armida, 1720–1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.879 Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Arthur Streeton, From McMahon's Point - fare one penny, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736818 Arthur Streeton, Sandridge, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797403 Angelo Caroselli, Saint Jerome in the Wilderness, c. 1620–1630 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1910 Andrea Andreani, The Triumph of Julius Caesar: Title Page, 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8691 Arthur Streeton, A road to the ranges, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487880 Jan Lebenstein, Axial Figure, 1960, Watercolor, ink, and ballpoint pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37821 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683 Bartolommeo Letterini, En mandlig helgen vaskes og plejes af engle, mens han lytter til en kvindelig helgen, der sidder foran en læsepult og peger opad. Den Hl.Sebastian hos den Hl.Irene?, 1669–1731, Sortkridt, rødkridt, pen, mørkebrunt blæk og brun lavering, forhøjet med hvidt på blågråt papir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS11137 Italian 17th Century, At the Dram Well, 17th century, pen and brown ink with brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4596 Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939 Andrea Andreani, The Triumph of Julius Caesar [no.9 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8696 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1622 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Carlo Bugatti, Covered Sugar Bowl, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150159 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Margaret Preston, Banksia and Flannel Flowers, 1938, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443148 Tarquinio Jacometti, Madonna of Loreto, c.1625, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1395 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35643 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Italian 17th Century, Scenic Animal Carpet, c. 1625, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1653 Arthur Streeton, Cremorne pastoral, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487795 Inge King, Forward Surge, 1976. https://dartabase.art/cite/wikidata/Q27477315 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Fred Williams, Desert Dust Storm, Tibooburra, 1967, Gouache and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35081 John Longstaff, Portrait of John Ford Paterson, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444733 Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944 Possibly Italy, Console table, c. 1775–1800, Gilded wood and marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.32a%2C%20b Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Bartolomeo Schedoni, The Infant Christ Sleeping, c. 1600–1615 (Baroque), oil on wood (walnut) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.611 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767 Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1 Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947 Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940 Louis Marcoussis, Stairway with Figure, 1930, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36794 Eugene von Guerard, Mount Kosciusko, seen from the Victorian border (Mount Hope Ranges), 1866, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20441297 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Andrea Vicentino (Andrea Michieli), King Solomon Beholds the Ark of the Covenant Being Brought to the Temple, 1604, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334680 Arthur Streeton, Sydney Harbour, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442846 Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626 Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358 Alessandro Magnasco, Peinliches Verhör, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1473 Giuseppe Penone, [Untitled], 1974, Gelatin silver prints (4), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230004 Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Canaletto, Ansicht des Bacino di San Marco in Venedig, 1730–1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/847 Domenichino (Domenico Zampieri), Landscape with Moses and the Burning Bush, 1610–16, Oil on copper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436205 Jean-Baptiste Nini, [Untitled], 1776–1800, Ceramic, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/491 Arthur Streeton, Above us the great grave sky, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736968 Eugene von Guerard, Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand, 1877, Auckland Art Gallery Toi o Tāmaki, Auckland. https://dartabase.art/cite/wikidata/Q27884947 Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Sidney Nolan, Snake, 1970, Museum of Old and New Art, Hobart. https://dartabase.art/cite/wikidata/Q66580072 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Arthur Streeton, Sydney Harbour from Penshurst (Cremorne), 1907, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487806 Sebastiano Ricci, A Miracle of Saint Francis of Paola, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/212 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 John Longstaff, Portrait of Sir John Sulman, 1931, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444611 Pietro Rotari, A Sleeping Girl, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/248 Cesare Peverelli, The Room, 1962, Tempera and pencil on textured paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34577 Frederick McCubbin, A ti-tree glade, 1897, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794232 Giovanni Domenico Tiepolo, Pulcinella führt seine Braut nach Hause, c. 1797, Feder und Pinsel in Gelbbraun über schwarzem Stift, zwei Einfassungslinien mit der Feder über Grafitstift, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20247 Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938 Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118 Medardo Rosso, The Concierge, (1883/cast c. 1899–1910), Beeswax over plaster; 14 5/8 x 12 3/8 x 6 3/8 in. (37.0 x 31.5 x 16.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862445-0 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681 Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344 Arthur Streeton, The Gloucester Buckets, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487789 Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000 Pier Leone Ghezzi, Hovedet af en engel, efter Raphael, 1674–1755, Blygriffel, pen og mørkebrunt blæk, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb5774 Arthur Streeton, The selector's hut (Whelan on the log), 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794058 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Giovanni Battista Foggini, David Victorious over Goliath, 1722, terracotta, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142294 Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356 Italian 17th/19th Century, Andiron with Figure of Jupiter, 17th/19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1282 Sebastiano Conca, Allegory of Winter, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1791 Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207 Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097 Jean-Baptiste Nini, [Untitled], 1777, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/490 Italian 16th Century, The Adoration of the Kings [recto], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8949 Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359 Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351 Cigoli (Ludovico Cardi), Design in Elevation for the Façade of a Building, 1590–1610, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334713 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Giuseppe Maria Crespi, Flucht nach Ägypten, c. 1710–1725, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/122 attributed to Francesco Stringa, Allegorical Still Life with Bernini's Bust of Duke Francesco I d'Este, c. 1660, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.38 Tancredi (Tancredi Parmeggiani), Springtime (Primavera), 1952, Gouache and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35181 Eugene von Guerard, Mount William and part of the Grampians in West Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442759 Giovanni Battista Tiepolo, Study for a Ceiling with the Personification of Counsel, before c. 1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/241 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Arthur Streeton, At Templestowe, 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794054 Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825 Arthur Streeton, Spring, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442308 John Longstaff, Mr Maurice Moscovitch, 1925, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443571 Arthur Streeton, The railway station, Redfern, 1893, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487778 Peter Booth, [Untitled], 1986, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35634 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Frederick McCubbin, On the Wallaby Track, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q7091582 Will Dyson, Evil Tidings in B Flat, 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6826 Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349 Jan Lebenstein, Axial Figure, 1960, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36323 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Bernardo Bellotto, A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334682 John Longstaff, Banjo Paterson, 1935, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444673 Italian 17th Century, Medallion and Animal Carpet, c. 1600, wool pile on silk warp and wool and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1655 Arthur Streeton, Pastoral, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736744 Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935 Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Italian 17th Century, A Dancing Faun, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1259 Frederick McCubbin, The Pioneer, 1904, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q7757227 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 John Longstaff, Julian Ashton, 1898, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443960 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740 Eugene von Guerard, Warrenheip Hills near Ballarat, 1854, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20470339 Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Arthur Streeton, Blue Pacific, 1890. https://dartabase.art/cite/wikidata/Q20991666 Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766 Giovanni Battista Foggini, Vittoria della Rovere, Grand Duchess of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1269 Arthur Streeton, Sydney Harbour, 1907. https://dartabase.art/cite/wikidata/Q26735903 Lucio Fontana, Concetto Spaziale (Teatrino), plate 1, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18817 Arthur Streeton, Sydney Harbour (1921), 1921, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050121 Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555 Giuseppe Capogrossi, Composition, 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33066 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954