Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1602 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1748 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1779 Alberto Giacometti, [Untitled], (1965), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37264 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1663 Arthur Streeton, The Hot Road, 1896. https://dartabase.art/cite/wikidata/Q104157689 Chinese Qing Dynasty, Duck on Lotus Leaf, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1780 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1734 Arthur Streeton, Settler's Camp, 1888. https://dartabase.art/cite/wikidata/Q104157116 Chinese Qing Dynasty, Vase in the Shape of a Double Gourd, 18th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1730 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1760 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 China, Bottle, 1736–1795, Porcelain with pale celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.41 Louis Soutter, Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive ), c. 1930–35, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37518 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1677 Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 China, Vase, 1662–1722, Porcelain with starch blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.146 Louis Soutter, Esthètes juifs distants, c. 1930–1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37524 Arthur Streeton, The Bathers (1891), 1891, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050646 Arthur Streeton, From my camp (Sirius Cove), 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487865 Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776 Eugene von Guerard, Tea Trees near Cape Schanck, Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445755 Chinese Qing Dynasty, Bowl with "Rice Grain" Decoration, probably Qianlong period, 1736/1795, porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1729 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Arthur Streeton, Boulogne, 1918, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487830 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1709 Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1699 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1808 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 China, Bottle, 1662–1722, Porcelain with apple green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.203 Frederick McCubbin, At the falling of the year, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794253 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1793 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 William H. Constable, Design for an Aboriginal Ballet, II, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37291 China, Bottle, 1736–1795, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.43 China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1816 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824 Chinese Qing Dynasty, Vase, probably Yongzheng period, 1723/1735, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1728 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Will Dyson, "And grant, oh Lord, a little temptation be yet it is too late-", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6828 Eugene von Guerard, Sydney Heads, 1865, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20488893 Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1739 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1796 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1750 China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c China, Bottle, 1736–1795, Porcelain with aubergine glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.134 Frederick McCubbin, Eliza Hall, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442563 Lee Chun-Yi (Li Junyi) 李君毅, Rain-Swept Peaks, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5673 Frederick McCubbin, Lost, 1886, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443250 Frederick McCubbin, The North wind, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20482268 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1798 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343 Alberto Giacometti, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36478 China, Vase, 1723–1735, Porcelain with camellia leaf-green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.141 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1768 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1691 John Longstaff, Gippsland, Sunday night, February 20th, 1898, 1898, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442848 China, Water coupe, 1723–1735, Porcelain with clair de lune glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.15 Arthur Streeton, Hoddle St., 10 p.m., 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797402 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1708 Arthur Streeton, Liverpool (c.1909-11), 1910, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050426 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1809 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1660 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811 Eugene von Guerard, Castle Rock, Cape Schanck, 1865, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801733 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794 Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719 Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185 Lee Chun-Yi (Li Junyi) 李君毅, Dwelling in the Mountains, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5204 Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909 Chinese Qing Dynasty, Miniature Table, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1736 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1668 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1744 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1681 Chinese Qing Dynasty, Vase, Meiping Shape, second quarter 18th century, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1727 Arthur Streeton, Australia Felix, 1907, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794055 Frederick McCubbin, Girl with bird at the King Street bakery, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794233 Lee Chun-Yi (Li Junyi) 李君毅, Myriad Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5501 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793 China, Vase, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.151 Chinese Qing Dynasty, Reticulated Box, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1746 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1755 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1803 Eugene von Guerard, Stony Rises, Lake Corangamite, 1857, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801734 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 Arthur Streeton, Pastoral in yellow and grey: a colour impression of Templestowe, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736829 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks and Towering Pines Overlook Distant Paddy Fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5499 Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 Chinese Qing Dynasty, Vase, early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1721 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Alberto Giacometti, Man Reading a Book, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36488 Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks, Enveloping Mists, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5525 Chinese Qing Dynasty, Vase, Meiping Shape, mid/late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1714 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1757 Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1698 Chinese Qing Dynasty, Vase with Ringed Neck, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1679 John Longstaff, Dr Alexander Leeper, 1928, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442918 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Jean Tinguely, Sketch for Homage to New York, 1960, Felt-tip pen and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33838 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1700 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1781 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Chinese Qing Dynasty, Large Jar, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1807 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1690 Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821 Arthur Streeton, Golden Summer, Eaglemont, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q18165620 Frederick McCubbin, Down on His Luck, 1889, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q5302978 Arthur Streeton, The three liners, Circular Quay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736778 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1774 Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35653 Chinese Qing Dynasty, Vase in the Shape of an Archaic Bronze Fang Hu, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1791 Chinese Qing Dynasty, Shou Lao, the God of Longevity, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1770 Eugene von Guerard, Yalla-y-Poora, 1864, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20446032 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1731 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Bluff, Cascading Waterfall, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5222 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1801 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1604 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1692 John Longstaff, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443597 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1733 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Chinese Qing Dynasty, Covered Bowl, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1661 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1683 Eugene von Guerard, Bush fire between Mount Elephant and Timboon, 1857. https://dartabase.art/cite/wikidata/Q74832709 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823 Patricia Piccinini, Project Graham, 2016. https://dartabase.art/cite/wikidata/Q106855493 China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165 Arthur Streeton, Residence of J. Walker, Esq., Gembrook, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443020 Eugene von Guerard, Waterfall on the Clyde River, Tasmania, 1877, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q67204173 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819 Lee Chun-Yi (Li Junyi) 李君毅, Mists along a Mountain River, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5216 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1758 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Chinese Qing Dynasty, Square Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1794 Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1678 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1782 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1704 Frederick McCubbin, Self portrait, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443478 Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689 Arthur Streeton, Land of the Golden Fleece, 1926, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736803 Eugene von Guerard, From the verandah of Purrumbete, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794173 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1742 Arthur Streeton, Early summer, gorse in bloom, 1888, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794056 Eugene von Guerard, Mount William as from Mount Dryden in the Grampians, Victoria, 1892. https://dartabase.art/cite/wikidata/Q65995829 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1684 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1702 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Lee Chun-Yi (Li Junyi) 李君毅, Streams and Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4586 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1800 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1713 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1772 Chinese Qing Dynasty, "Beehive" Water Pot, late 19th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1680 Arthur Streeton, Early light Windsor Castle (1903), 1903, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111033984 China, Vase, 1662–1722, Porcelain with mirror black glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.153 Lee Chun-Yi (Li Junyi) 李君毅, What a Glorious Land!, 2005, Handscroll; ink on paper; with signature in clerical script (lishu) reading "Li Junyi ling wu" (Li Junyi '05); with colophon by Liu Guosong (b. 1932) dated 2006, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1429 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5502 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1752 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 China, Lamaist priest hat, Kangxi period, 1662–1722, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.131 Arthur Streeton, Circular Quay, 1892, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736758 China, Set of four bowls and two cups, 1790, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.53.1a-f John Longstaff, Breaking the News, 1887, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q4959610 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1667 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1778 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1703 Lee Chun-Yi (Li Junyi) 李君毅, Sunrise on Towering Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5218 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1751 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1674 Fred Williams, Aboriginal Graves, Tibooburra, No. 1, 1967, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38556 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1792 Brett Whiteley, Deya, Mallorca Day, (1967), Ink, cut paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35073 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1672 China, Box with lid, 1779, Cast and chased gold with rubies, sapphires and jade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.57.1a%2C%20b Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Arthur Streeton, Fire's on, 1891, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487774 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1682 Frederick McCubbin, Falls Bridge, Melbourne, 1882, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442491 John Longstaff, Henry Lawson, 1900, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443962 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 Alberto Giacometti, Portrait of a Man, 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38594 Arthur Streeton, The Grand Canal, 1908. https://dartabase.art/cite/wikidata/Q106549467 China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7 Arthur Streeton, Valley, Wandiligong (1928), 1928, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111034159 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1765 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1761 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1805 Arthur Streeton, Tulips (1930), 1930, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111049892 Lee Chun-Yi (Li Junyi) 李君毅, Melting-Glacier Water Cascading through a Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5144 Wang Yuanqi [Wang Yuan-ch'i], Free Spirits Among Streams and Mountains, 1684 (Qing), ink on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.198 Eugene von Guerard, North-east view from the northern top of Mount Kosciusko, 1863, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794178 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1673 China, Inkstick, Qianlong period, 1736–1795, Molded pine soot and animal glue, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.18.56 Arthur Streeton, Ariadne, 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736878 Arthur Streeton, The Point Wharf, Mosman Bay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736700 Arthur Streeton, Sunlight (Cutting on a hot road), 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736865 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1662 Wang Rusheng, Greeting the New Year, 1734, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.4 China (Jingdezhen), “Arms of Liberty” punch bowl, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.27 Frederick McCubbin, Afterglow (Summer evening), 1912, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50707929 John Longstaff, Portrait of Australian Brigadier-General (later Major-General) Walter Adams Coxen, 1919, Australian War Memorial, Canberra. https://dartabase.art/cite/wikidata/Q139752598 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812 Chinese Qing Dynasty, Large Fish Bowl, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1822 Arthur Streeton, Still glides the stream, and shall for ever glide, 1890, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487771 Arthur Streeton, Sunrise on Santa Maria della Salute, 1908, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442081 Will Dyson, "Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances...", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6829 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36480 Angelica Kauffmann, Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334892 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 China, Daoist priest’s robe (jiangyi), Kangxi Period, 1662–1722, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.296 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1695 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1802 Eugene von Guerard, Purrumbete from across the lake, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797418 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1771 Arthur Streeton, Rain over Sydney Harbour, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736767 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1670 Lee Chun-Yi (Li Junyi) 李君毅, Forested Peaks, Distant Waterfall, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5215 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1720 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1664 Arthur Streeton, Fireman's funeral, George Street, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487783 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1783 Arthur Streeton, Orange, blue and white (portrait of Keith), 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28797572 Arthur Streeton, Land of the golden fleece, 1926, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443273 Toba Khedoori, Untitled (Doors), 1995, Oil, wax, and pencil on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35555 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35676 Fred Williams, Flinders Island, 1968, Gouache and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35087 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Will Dyson, "Why Did I Do It?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6830 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1745 Arthur Streeton, The creek, 1925, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487878 China, Vase, 1723–1735, Porcelain with camellia green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.44 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723 Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368 Frederick McCubbin, The old stone crusher (The quarry), 1911, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794255 Arthur Streeton, The purple noon's transparent might, 1896, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443605 Eugene von Guerard, Dandenong Ranges from ?Beleura?, 1870, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794170 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1675 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1666 Arthur Streeton, Prospect reservoir, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487799 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1759 Arthur Streeton, The national game, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487752 Arthur Streeton, Near Heidelberg, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443046 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1747 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1753 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1817 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1799 John Longstaff, The Hon W A Holman, KC, 1929. https://dartabase.art/cite/wikidata/Q99851972 Arthur Streeton, Afternoon light, Goulburn Valley, Victoria, 1927, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736409 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 China, Bottle, 1736–1795, Porcelain with imperial yellow glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.133 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1694 Louis Soutter, Le catafalque sans pesanteur, c. 1937–1942, Fingermalerei in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17577 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1756 Sonja Sekula, Carco: La Rose au Balcon, 1942, Pen and ink drawing and dedication by Francis Carco and 3 postcards, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34580 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1707 Chinese Qing Dynasty, Vase, early/mid 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1716 Alberto Giacometti, The City Square, 1949, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38595 Eugene von Guerard, View of Geelong, 1856, Geelong Art Gallery, Geelong. https://dartabase.art/cite/wikidata/Q7928775 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1600 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1659 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1754 Lee Chun-Yi (Li Junyi) 李君毅, Mountains Towering over Rural Village and Paddy fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5524 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1766 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1737 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Lee Chun-Yi (Li Junyi) 李君毅, The Great Wall Snaking through the Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4615 Will Dyson, "Can you forgive me Father?" - "Can you forgive me daughter?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6827 Lee Chun-Yi (Li Junyi) 李君毅, Secluded Mountain Temple, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5217 China, Gallipot, 1723–1735, Porcelain with cherry red glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.166 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1687 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1789 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1763 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Arthur Streeton, Princess & 'Burke & Wills', 1889, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445775 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Arthur Streeton, Malham Cove, 1911, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487821 China, Plate, Kangxi period (1662–1722), Porcelain, famille verte, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.38 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Zhu Sheng, Bamboo and Rocks, 1688, Ink on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.5 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 China, Bottle, 1662–1722, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.156 Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 China, Bottle, 1662–1722, Porcelain with midnight blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.147 China, Vase, 1662–1722, Porcelain with overglaze enamel decor, Famille verte ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.18a%2C%20b Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1740 Chinese Qing Dynasty, Vase, called "The Flame", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1706 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818 Lee Chun-Yi (Li Junyi) 李君毅, Pines on Slender Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5219 Colin Lanceley, Siegfried, 1967, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38826 Sidney Nolan, Rite of Spring: Decor study for the ballet, (1962), Metallic paint, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38442 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711 Arthur Streeton, The Spirit of the drought, 1896, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736854 Chinese Qing Dynasty, Bottle Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels and carved decoration, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1787 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1790 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5368 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1785 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 China, “Peach bloom” vessel for a scholar’s desk, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.131.1a%2C%20b Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1784 Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825 Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1788 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1669 China, Vase, 1662–1722, Porcelain with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.143 Chinese Qing Dynasty, Gourd-Shaped Vase, late 17th/mid 18th century, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1657 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1764 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Dwelling, Majestic View, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5500 Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270 Arthur Streeton, From McMahon's Point - fare one penny, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736818 Arthur Streeton, Sandridge, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797403 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Arthur Streeton, A road to the ranges, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487880 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1815 Alberto Giacometti, [Untitled], 1949, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36473 Alberto Giacometti, [Untitled], 1949, Sepia and black ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36483 Lee Chun-Yi (Li Junyi) 李君毅, Fantastic Mountains in Western China, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4640 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks and Myriad Ravines, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5145 Margaret Preston, Banksia and Flannel Flowers, 1938, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443148 Chinese Qing Dynasty, Li Tieguai, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1775 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1676 Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35643 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1696 China, Snuff bottle, 1662–1722, Black lacquer with mother-of-pearl and metallic inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.112.4a%2C%20b Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Arthur Streeton, Cremorne pastoral, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487795 Chinese Qing Dynasty, Bowl, early Qianlong period, 1736/1750, porcelain with overglaze famille rose and famille noire enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1797 Inge King, Forward Surge, 1976. https://dartabase.art/cite/wikidata/Q27477315 Chinese Qing Dynasty, Rectangular Vase Illustrating Poems by Tao Qian and Su Shi, Kangxi period, 1662/1722, porcelain with famille jaune and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1786 Fred Williams, Desert Dust Storm, Tibooburra, 1967, Gouache and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35081 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1697 John Longstaff, Portrait of John Ford Paterson, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444733 Chinese Qing Dynasty, Dancing Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1776 China, Water pot, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.154a%2C%20b Chinese Qing Dynasty, Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1665 Augusto Giacometti, Color Abstraction, 1903, Pastel on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36786 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1795 Eugene von Guerard, Mount Kosciusko, seen from the Victorian border (Mount Hope Ranges), 1866, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20441297 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1599 Arthur Streeton, Sydney Harbour, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442846 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Chinese Qing Dynasty, Vase, called "The Fire Cloud", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1705 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1814 Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415 Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1686 Zhu Chang, Landscape at Han River Bamboo Hall, 1668, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.2 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1813 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5369 Alberto Giacometti, Study for The Palace at 4 a.m., 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35103 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Arthur Streeton, Above us the great grave sky, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736968 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Eugene von Guerard, Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand, 1877, Auckland Art Gallery Toi o Tāmaki, Auckland. https://dartabase.art/cite/wikidata/Q27884947 Sidney Nolan, Snake, 1970, Museum of Old and New Art, Hobart. https://dartabase.art/cite/wikidata/Q66580072 Chinese Qing Dynasty, Vase, 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1717 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308 Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352 Arthur Streeton, Sydney Harbour from Penshurst (Cremorne), 1907, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487806 John Longstaff, Portrait of Sir John Sulman, 1931, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444611 Chinese Qing Dynasty, Guanyin, the Bodhisattva of Compassion, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1773 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1762 Frederick McCubbin, A ti-tree glade, 1897, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794232 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Chinese Qing Dynasty, Vase, probably Qianlong period, 1736/1795, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1726 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1804 Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1601 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1603 Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947 Wang Chin-shen, Imperial Ink Cake, 1736–1795, Colors, gold and animal adhesive, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.154 Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037 Arthur Streeton, The Gloucester Buckets, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487789 Arthur Streeton, The selector's hut (Whelan on the log), 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794058 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36486 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Lee Chun-Yi (Li Junyi) 李君毅, Bend in the Mountain River Near the Bingling-Si Cave Temples, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5220 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1735 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1693 Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915 China, Bottle, 1736–1795, Porcelain with cucumber glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.206 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1732 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Trees on Rolling Hills, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5205 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1810 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1738 Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Eugene von Guerard, Mount William and part of the Grampians in West Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442759 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1671 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1701 Jean Tinguely, 50 RPM, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35860 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1749 Arthur Streeton, At Templestowe, 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794054 China, Amphora, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.207a%2C%20b Arthur Streeton, Spring, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442308 John Longstaff, Mr Maurice Moscovitch, 1925, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443571 Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Arthur Streeton, The railway station, Redfern, 1893, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487778 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1688 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Peter Booth, [Untitled], 1986, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35634 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821 Frederick McCubbin, On the Wallaby Track, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q7091582 Will Dyson, Evil Tidings in B Flat, 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6826 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499 John Longstaff, Banjo Paterson, 1935, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444673 Arthur Streeton, Pastoral, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736744 Lee Chun-Yi (Li Junyi) 李君毅, Sacrifice, 1990–91 and 2005–06, Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5189 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Lee Chun-Yi (Li Junyi) 李君毅, Mountains and Pines in Moonlight, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5221 Frederick McCubbin, The Pioneer, 1904, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q7757227 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 John Longstaff, Julian Ashton, 1898, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443960 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1806 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1685 Alberto Giacometti, The Studio (Two Pieces of Sculpture), 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38593 Eugene von Guerard, Warrenheip Hills near Ballarat, 1854, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20470339 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725 Arthur Streeton, Blue Pacific, 1890. https://dartabase.art/cite/wikidata/Q20991666 China, Vase, 1662–1722, Porcelain with molded chrysanthemum border and peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.149 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1689 Arthur Streeton, Sydney Harbour, 1907. https://dartabase.art/cite/wikidata/Q26735903 Chinese Qing Dynasty, Wine Ewer, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1741 Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718 Arthur Streeton, Sydney Harbour (1921), 1921, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050121 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1777