Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1602 Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Giovanni Paolo Panini, Interior of the Pantheon, Rome, c. 1734, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/165 Carlo Bugatti, Coffee Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150161 Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297 Arthur Streeton, The Hot Road, 1896. https://dartabase.art/cite/wikidata/Q104157689 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1734 Arthur Streeton, Settler's Camp, 1888. https://dartabase.art/cite/wikidata/Q104157116 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 China, Bottle, 1736–1795, Porcelain with pale celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.41 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205 Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745 Arthur Streeton, The Bathers (1891), 1891, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050646 Arthur Streeton, From my camp (Sirius Cove), 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487865 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776 Eugene von Guerard, Tea Trees near Cape Schanck, Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445755 Chinese Qing Dynasty, Bowl with "Rice Grain" Decoration, probably Qianlong period, 1736/1795, porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1729 Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Arthur Streeton, Boulogne, 1918, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487830 Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286 Francesco Guardi, View on the Cannaregio Canal, Venice, c. 1775–1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/254 Frederick McCubbin, At the falling of the year, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794253 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194 William H. Constable, Design for an Aboriginal Ballet, II, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37291 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 China, Bottle, 1736–1795, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.43 China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179 Lucio Fontana, [Untitled], 1956, Ink on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37632 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1816 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824 Will Dyson, "And grant, oh Lord, a little temptation be yet it is too late-", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6828 Mario Merz, Che Fare?, 1968–73, Aluminium, wax and neon lights, Tate, London. https://dartabase.art/cite/tate/AR00598 Jean-Baptiste Nini, [Untitled], 1776–1883, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/480 Eugene von Guerard, Sydney Heads, 1865, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20488893 Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028 Giovanni Battista Tiepolo, Singende und musizierende Engel, c. 1726, Feder in Dunkelbraun und Aquarell über grauem Stift, Einfassungslinie mit grauem Stift, auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/15411 Marino Marini, Nude, (1949), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38249 Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c China, Bottle, 1736–1795, Porcelain with aubergine glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.134 Frederick McCubbin, Eliza Hall, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442563 Lee Chun-Yi (Li Junyi) 李君毅, Rain-Swept Peaks, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5673 Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076 Frederick McCubbin, Lost, 1886, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443250 Frederick McCubbin, The North wind, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20482268 Pietro Rotari, A Girl with a Flower in Her Hair, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/249 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204 China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343 Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344 Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Jean-Baptiste Nini, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/471 Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832 Massimo Campigli, Mosaic Design for Floor of Teatro Metropolitano, Rome, (1943), Gouache and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37068 John Longstaff, Gippsland, Sunday night, February 20th, 1898, 1898, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442848 Arthur Streeton, Hoddle St., 10 p.m., 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797402 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Lucio Fontana, Concetto Spaziale (Teatrino), plate 4, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18821 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Arthur Streeton, Liverpool (c.1909-11), 1910, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050426 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811 Eugene von Guerard, Castle Rock, Cape Schanck, 1865, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801733 Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794 Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719 Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185 Lee Chun-Yi (Li Junyi) 李君毅, Dwelling in the Mountains, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5204 Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831 Amedeo Modigliani, Seated Nude, 1914, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33375 Chinese Qing Dynasty, Vase, Meiping Shape, second quarter 18th century, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1727 Arthur Streeton, Australia Felix, 1907, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794055 Frederick McCubbin, Girl with bird at the King Street bakery, 1886, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794233 Lee Chun-Yi (Li Junyi) 李君毅, Myriad Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5501 Corrado Cagli, The Concentration Camp of Buchenwald, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34924 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Francesco Guardi, Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/270 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 Eugene von Guerard, Stony Rises, Lake Corangamite, 1857, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28801734 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Arthur Streeton, Pastoral in yellow and grey: a colour impression of Templestowe, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736829 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks and Towering Pines Overlook Distant Paddy Fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5499 Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Giovanni Battista Cipriani, The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334673 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 Carlo Bugatti, Tea Table, c. 1907, inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156112 Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Italian 19th Century, Mucius Scaevola, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9488 Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks, Enveloping Mists, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5525 Chinese Qing Dynasty, Vase, Meiping Shape, mid/late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1714 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Carlo Bugatti, Salver, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156113 Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144 Mario Sironi, Mannequin, (c. 1918), Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34812 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385 Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982 John Longstaff, Dr Alexander Leeper, 1928, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442918 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Carlo Bugatti, Tray, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150157 Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18819 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821 Arthur Streeton, Golden Summer, Eaglemont, 1889, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q18165620 Frederick McCubbin, Down on His Luck, 1889, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q5302978 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Arthur Streeton, The three liners, Circular Quay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736778 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35653 Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Eugene von Guerard, Yalla-y-Poora, 1864, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20446032 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1731 Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Bluff, Cascading Waterfall, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5222 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 John Longstaff, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443597 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1733 Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Eugene von Guerard, Bush fire between Mount Elephant and Timboon, 1857. https://dartabase.art/cite/wikidata/Q74832709 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823 Patricia Piccinini, Project Graham, 2016. https://dartabase.art/cite/wikidata/Q106855493 China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165 Arthur Streeton, Residence of J. Walker, Esq., Gembrook, 1888, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443020 Eugene von Guerard, Waterfall on the Clyde River, Tasmania, 1877, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q67204173 Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819 Lee Chun-Yi (Li Junyi) 李君毅, Mists along a Mountain River, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5216 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185 Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18820 Frederick McCubbin, Self portrait, 1913, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443478 Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689 Arthur Streeton, Land of the Golden Fleece, 1926, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736803 Eugene von Guerard, From the verandah of Purrumbete, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794173 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Arthur Streeton, Early summer, gorse in bloom, 1888, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794056 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Eugene von Guerard, Mount William as from Mount Dryden in the Grampians, Victoria, 1892. https://dartabase.art/cite/wikidata/Q65995829 Corrado Cagli, The Bridge at Worms, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34913 Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Lee Chun-Yi (Li Junyi) 李君毅, Streams and Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4586 Gianfranco Baruchello, Assez Donc! (Enough!), 1963, Synthetic polymer paint, white-out, pencil, charcoal, pastel, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37496 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Amedeo Modigliani, Caryatid: Rose and Blue, 1912–14, Watercolor, with pen and black ink, graphite, and touches of brown crayon on tan wove paper (pieced), laid down on tan wove paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45257 Carlo Bugatti, Creamer, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150158 Chinese Qing Dynasty, "Beehive" Water Pot, late 19th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1680 Arthur Streeton, Early light Windsor Castle (1903), 1903, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111033984 Lee Chun-Yi (Li Junyi) 李君毅, What a Glorious Land!, 2005, Handscroll; ink on paper; with signature in clerical script (lishu) reading "Li Junyi ling wu" (Li Junyi '05); with colophon by Liu Guosong (b. 1932) dated 2006, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1429 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5502 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 Arthur Streeton, Circular Quay, 1892, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736758 China, Set of four bowls and two cups, 1790, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.53.1a-f John Longstaff, Breaking the News, 1887, Art Gallery of Western Australia, Perth. https://dartabase.art/cite/wikidata/Q4959610 Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Fausto Pirandello, Women's Quarters (Gineceo), 1950, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36231 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Lee Chun-Yi (Li Junyi) 李君毅, Sunrise on Towering Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5218 Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197 Fred Williams, Aboriginal Graves, Tibooburra, No. 1, 1967, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38556 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Brett Whiteley, Deya, Mallorca Day, (1967), Ink, cut paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35073 China, Box with lid, 1779, Cast and chased gold with rubies, sapphires and jade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.57.1a%2C%20b Arthur Streeton, Fire's on, 1891, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487774 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744 Frederick McCubbin, Falls Bridge, Melbourne, 1882, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442491 Antonio Canova, Terpsichore Lyran (Muse of Lyric Poetry), 1816, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143775 John Longstaff, Henry Lawson, 1900, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443962 Marino Marini, Horseman, 1949, Ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38247 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 Arthur Streeton, The Grand Canal, 1908. https://dartabase.art/cite/wikidata/Q106549467 Arnaldo Pomodoro, Study, 1960, Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33223 China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7 Arthur Streeton, Valley, Wandiligong (1928), 1928, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111034159 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Sebastiano Ricci, The Exaltation of the True Cross, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/213 Umberto Boccioni, Study for Elasticity, 1912, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35857 Arthur Streeton, Tulips (1930), 1930, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111049892 Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550 Lee Chun-Yi (Li Junyi) 李君毅, Melting-Glacier Water Cascading through a Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5144 Eugene von Guerard, North-east view from the northern top of Mount Kosciusko, 1863, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794178 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 China, Inkstick, Qianlong period, 1736–1795, Molded pine soot and animal glue, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.18.56 Arthur Streeton, Ariadne, 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736878 Arthur Streeton, The Point Wharf, Mosman Bay, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736700 Mario Merz, Lingotto, 1968, Brush-wood, beeswax and steel, Tate, London. https://dartabase.art/cite/tate/AR00608 Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205 Arthur Streeton, Sunlight (Cutting on a hot road), 1895, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736865 Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Wang Rusheng, Greeting the New Year, 1734, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.4 China (Jingdezhen), “Arms of Liberty” punch bowl, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.27 Italian 19th Century, Coronation of the Virgin, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9482 Frederick McCubbin, Afterglow (Summer evening), 1912, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50707929 John Longstaff, Portrait of Australian Brigadier-General (later Major-General) Walter Adams Coxen, 1919, Australian War Memorial, Canberra. https://dartabase.art/cite/wikidata/Q139752598 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812 Arthur Streeton, Still glides the stream, and shall for ever glide, 1890, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487771 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Arthur Streeton, Sunrise on Santa Maria della Salute, 1908, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442081 Jean-Baptiste Nini, [Untitled], 1778, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/489 Will Dyson, "Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances...", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6829 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Florentine 19th Century, Madonna and Child, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/121 Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277 Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Sebastiano Ceccarini, Portrait of a Noblewoman, c. 1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.410 Eugene von Guerard, Purrumbete from across the lake, 1858, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797418 Arthur Streeton, Rain over Sydney Harbour, 1893, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736767 Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Lee Chun-Yi (Li Junyi) 李君毅, Forested Peaks, Distant Waterfall, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5215 Arthur Streeton, Fireman's funeral, George Street, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487783 Arthur Streeton, Orange, blue and white (portrait of Keith), 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28797572 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Arthur Streeton, Land of the golden fleece, 1926, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443273 Toba Khedoori, Untitled (Doors), 1995, Oil, wax, and pencil on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35555 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35676 Fred Williams, Flinders Island, 1968, Gouache and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35087 Will Dyson, "Why Did I Do It?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6830 Arthur Streeton, The creek, 1925, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487878 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723 Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368 Frederick McCubbin, The old stone crusher (The quarry), 1911, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794255 Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328 Corrado Cagli, Troubadours, 1946, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34068 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Arthur Streeton, The purple noon's transparent might, 1896, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443605 Eugene von Guerard, Dandenong Ranges from ?Beleura?, 1870, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794170 Arthur Streeton, Prospect reservoir, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487799 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Arthur Streeton, The national game, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487752 Arthur Streeton, Near Heidelberg, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443046 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1817 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 John Longstaff, The Hon W A Holman, KC, 1929. https://dartabase.art/cite/wikidata/Q99851972 Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312 Arthur Streeton, Afternoon light, Goulburn Valley, Victoria, 1927, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736409 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 Ivo Pannaggi, Collage, 1926, Parcel post wrapping, stamps, ink, and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33036 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 China, Bottle, 1736–1795, Porcelain with imperial yellow glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.133 Giovanni Bastianini, Portrait of a Lady, "Giovanna Albizzi", c. 1860, gesso and polychrome over wood and mixed media, National Gallery of Art, Washington. https://dartabase.art/cite/nga/136 Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025 Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509 Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220 Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Jean-Baptiste Nini, [Untitled], 1776–1800, Galvonplast (probably galvano-reproduction), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/488 Eugene von Guerard, View of Geelong, 1856, Geelong Art Gallery, Geelong. https://dartabase.art/cite/wikidata/Q7928775 Giacomo Porzano, The Riot, 1961, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34042 Gino Severini, Oval Composition, 1913, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38346 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1600 Lee Chun-Yi (Li Junyi) 李君毅, Mountains Towering over Rural Village and Paddy fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5524 Francesco Guardi, Grand Canal with the Rialto Bridge, Venice, probably c. 1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1166 Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600 Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Lee Chun-Yi (Li Junyi) 李君毅, The Great Wall Snaking through the Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4615 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Will Dyson, "Can you forgive me Father?" - "Can you forgive me daughter?", 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6827 Lee Chun-Yi (Li Junyi) 李君毅, Secluded Mountain Temple, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5217 Carlo Labruzzi, Ruin of an Aqueduct on the Road to Cori, Italy, 1789, Watercolor and graphite on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5363 Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Arthur Streeton, Princess & 'Burke & Wills', 1889, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20445775 Arthur Streeton, Malham Cove, 1911, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487821 Alessandro Magnasco, Folterszene, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1474 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271 Amedeo Modigliani, Caryatid, 1914, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36904 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818 Lee Chun-Yi (Li Junyi) 李君毅, Pines on Slender Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5219 Carlo Bugatti, Tea Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150160 Colin Lanceley, Siegfried, 1967, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38826 Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319 Sidney Nolan, Rite of Spring: Decor study for the ballet, (1962), Metallic paint, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38442 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711 Arthur Streeton, The Spirit of the drought, 1896, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736854 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5368 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304 Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Dwelling, Majestic View, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5500 Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846 Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Arthur Streeton, From McMahon's Point - fare one penny, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736818 Arthur Streeton, Sandridge, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28797403 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Arthur Streeton, A road to the ranges, 1889, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487880 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Lee Chun-Yi (Li Junyi) 李君毅, Fantastic Mountains in Western China, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4640 Carlo Bugatti, Covered Sugar Bowl, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150159 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks and Myriad Ravines, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5145 Margaret Preston, Banksia and Flannel Flowers, 1938, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443148 Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574 Peter Booth, [Untitled], 1984, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35643 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Arthur Streeton, Cremorne pastoral, 1895, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487795 Chinese Qing Dynasty, Bowl, early Qianlong period, 1736/1750, porcelain with overglaze famille rose and famille noire enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1797 Inge King, Forward Surge, 1976. https://dartabase.art/cite/wikidata/Q27477315 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Fred Williams, Desert Dust Storm, Tibooburra, 1967, Gouache and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35081 John Longstaff, Portrait of John Ford Paterson, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444733 Possibly Italy, Console table, c. 1775–1800, Gilded wood and marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.32a%2C%20b Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1 Eugene von Guerard, Mount Kosciusko, seen from the Victorian border (Mount Hope Ranges), 1866, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20441297 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Arthur Streeton, Sydney Harbour, 1907, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442846 Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626 Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415 Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358 Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516 Alessandro Magnasco, Peinliches Verhör, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1473 Giuseppe Penone, [Untitled], 1974, Gelatin silver prints (4), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230004 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Canaletto, Ansicht des Bacino di San Marco in Venedig, 1730–1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/847 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5369 Jean-Baptiste Nini, [Untitled], 1776–1800, Ceramic, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/491 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Arthur Streeton, Above us the great grave sky, 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736968 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Eugene von Guerard, Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand, 1877, Auckland Art Gallery Toi o Tāmaki, Auckland. https://dartabase.art/cite/wikidata/Q27884947 Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Sidney Nolan, Snake, 1970, Museum of Old and New Art, Hobart. https://dartabase.art/cite/wikidata/Q66580072 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308 Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Arthur Streeton, Sydney Harbour from Penshurst (Cremorne), 1907, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487806 Sebastiano Ricci, A Miracle of Saint Francis of Paola, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/212 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 John Longstaff, Portrait of Sir John Sulman, 1931, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444611 Pietro Rotari, A Sleeping Girl, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/248 Cesare Peverelli, The Room, 1962, Tempera and pencil on textured paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34577 Frederick McCubbin, A ti-tree glade, 1897, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794232 Giovanni Domenico Tiepolo, Pulcinella führt seine Braut nach Hause, c. 1797, Feder und Pinsel in Gelbbraun über schwarzem Stift, zwei Einfassungslinien mit der Feder über Grafitstift, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20247 Chinese Qing Dynasty, Vase, probably Qianlong period, 1736/1795, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1726 Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938 Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118 Medardo Rosso, The Concierge, (1883/cast c. 1899–1910), Beeswax over plaster; 14 5/8 x 12 3/8 x 6 3/8 in. (37.0 x 31.5 x 16.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862445-0 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681 Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947 Wang Chin-shen, Imperial Ink Cake, 1736–1795, Colors, gold and animal adhesive, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.154 Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037 Arthur Streeton, The Gloucester Buckets, 1894, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487789 Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000 Arthur Streeton, The selector's hut (Whelan on the log), 1890, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q28794058 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Lee Chun-Yi (Li Junyi) 李君毅, Bend in the Mountain River Near the Bingling-Si Cave Temples, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5220 Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097 Jean-Baptiste Nini, [Untitled], 1777, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/490 Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915 China, Bottle, 1736–1795, Porcelain with cucumber glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.206 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Trees on Rolling Hills, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5205 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Tancredi (Tancredi Parmeggiani), Springtime (Primavera), 1952, Gouache and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35181 Eugene von Guerard, Mount William and part of the Grampians in West Victoria, 1865, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442759 Giovanni Battista Tiepolo, Study for a Ceiling with the Personification of Counsel, before c. 1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/241 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Arthur Streeton, At Templestowe, 1889, Art Gallery of South Australia, Adelaide. https://dartabase.art/cite/wikidata/Q28794054 Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825 Arthur Streeton, Spring, 1890, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20442308 John Longstaff, Mr Maurice Moscovitch, 1925, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20443571 Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Arthur Streeton, The railway station, Redfern, 1893, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20487778 Peter Booth, [Untitled], 1986, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35634 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821 Frederick McCubbin, On the Wallaby Track, 1896, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q7091582 Will Dyson, Evil Tidings in B Flat, 1880, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6826 Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 John Longstaff, Banjo Paterson, 1935, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20444673 Arthur Streeton, Pastoral, 1888, National Gallery of Australia, Canberra. https://dartabase.art/cite/wikidata/Q50736744 Lee Chun-Yi (Li Junyi) 李君毅, Sacrifice, 1990–91 and 2005–06, Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5189 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593 Lee Chun-Yi (Li Junyi) 李君毅, Mountains and Pines in Moonlight, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5221 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Frederick McCubbin, The Pioneer, 1904, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q7757227 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 John Longstaff, Julian Ashton, 1898, Art Gallery of New South Wales, Sydney. https://dartabase.art/cite/wikidata/Q20443960 Eugene von Guerard, Warrenheip Hills near Ballarat, 1854, National Gallery of Victoria, Melbourne. https://dartabase.art/cite/wikidata/Q20470339 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725 Arthur Streeton, Blue Pacific, 1890. https://dartabase.art/cite/wikidata/Q20991666 Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766 Arthur Streeton, Sydney Harbour, 1907. https://dartabase.art/cite/wikidata/Q26735903 Lucio Fontana, Concetto Spaziale (Teatrino), plate 1, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18817 Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718 Arthur Streeton, Sydney Harbour (1921), 1921, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/wikidata/Q111050121 Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555 Giuseppe Capogrossi, Composition, 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33066 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954