František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252

René Magritte, Perspective, (1963), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36809

Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699

René Magritte, The Thought Which Sees, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35714

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976

František Kupka, Girl with a Ball, c. 1908, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37352

Luis Fernando Benedit, Study for Proyecto Multiple, 1971, Felt-tip pen and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35706

Marcel Broodthaers, "M.B. M.B. M.B....", 1970, Ink on paper in artist's frames, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37802

Florent Willems, The Important Response, 19th century, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.140

Luc Tuymans, The Blue Oak (Die Blaue Eiche), 1998, Cut-and-pasted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37545

Théo van Rysselberghe, Self-Portrait, (1888–89), Pastel and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35486

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36968

Pierre Alechinsky, Outside James' Showcase, 1968, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32969

Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816

Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36477

Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34553

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35410

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955

Luc Tuymans, Yzer-Tower, 1995, Watercolor on newsprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35400

Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34568

Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761

Victor Magariños, [Untitled], c. 1964, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37451

Fernand Khnopff, Der Jagdaufseher, 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1790

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37443

Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, pencil, and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36962

Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910

Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806

George Minne, Kneeling Youth, 1896, dated 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36048

František Kupka, Admiration, c. 1899, Gouache, charcoal, watercolor, crayon, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33684

Alphonse Mucha, Rocks on the Shore, n.d., Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36941

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921

Ricardo Martinez, Colored Incomprehension, 1964, Colored ink and crayon on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35713

Jorge Tapia, Last Summer's Blues, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37912

Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36467

Henri Evenepoel, Im Café d'Harcourt in Paris, 1897, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1796

Aquiles Badi, School Tableau, San Martin's Birthday, 1935, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37675

Jirí Kolár, Stinova (Mrs. Stein), (1960's), Cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36697

Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770

František Kupka, Bather, (1906), Pastel and charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37271

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963

Jorge Demirjian, De la Pata del Caballo (From the Horse's Leg), 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38127

Antonio Segui, [Untitled], 1967, Gouache, crayon, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38164

Ernesto Deira, [Untitled], (1963), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33086

Victor Magariños, [Untitled], c. 1964, Colored ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37465

Georges Lemmen, Farmhouse in Flanders, 1890, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34891

Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671

Pierre Theunis, Namur Hrave les Autrichiens, 1913 (1914?), bronze; 2 3/4 in. (7.0 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-1

Emilio J. Renart, Bio Cosmica C, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35084

Pierre Alechinsky, Vanished in Smoke, 1962, Distemper, ink, gouache and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33616

James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448

Roberto Aizenberg, [Untitled], 1967–68, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38093

Pierre Theunis, Duc et Duchess de Brabant, 1926, bronze; 2 3/4 in. (6.9 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-0

Paul Delvaux, Composition (The Siesta), 1947, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36694

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910

Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851

Victor Magariños, [Untitled], c. 1964, Colored ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37458

Héctor Basaldua, Expresso Villalonga (El Calle), 1937, Tempera on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37689

Norah Borges de Torre, Children (Niñas españolas), 1933, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38089

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949

Pierre Alechinsky, One Day, the Night, 1960, Ink on transparentized paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37867

Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726

František Kupka, Replica of Fugue in Two Colors: Amorpha, 1912, (1946), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34761

František Kupka, Study in Verticals (The Cathedral), (1912), Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34122

Norah Borges de Torre, Holy Week (Semana Santa), 1935, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38088

Jorelle Bags, Beaded purse used by Dinah Washington, 1930s, glass beads, metal, and silk satin; H x W x D: 5 3/4 x 7 1/2 x 1 in. (14.6 x 19.1 x 2.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975005409-0

Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738

Marcel Broodthaers, Journal d'un voyage utopique, 1973, Ink, colored ink, and lithograph on four pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33475

Horacio A. Butler, Orpheus. Design for scenery for the play, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33078

Luc Tuymans, A Flemish Intellectual, 1995, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35394

Humberto Rivas, Desperate Self-Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35091

Georges Vantongerloo, 10 Origin, 1942, Portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19632

Georges Vantongerloo, XY = K Green and Red, 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35841

Alphonse Mucha, Head of a Child, (n.d.), Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36948

James Ensor, Mädchen mit Masken (Kommunion), 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3321

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696

Antonio Segui, Portrait, 1970, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35967

Antonio Segui, [Untitled], (1963–64), Pastel, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38163

Luc Tuymans, Untitled (Sculpture), 2000, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38540

Roberto Aizenberg, [Untitled], 1966, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38091

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37472

František Kupka, Replica (1946) of Vertical Planes, (1946), Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34788

Jorge de la Vega, Documentary, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38123

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35406

Pierre Alechinsky, The Complex of the Sphinx, 1967, Synthetic polymer paint, oil, and ink on Japanese paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37446

František Kupka, View from a Carriage Window, c. 1901, Gouache and watercolor on paper with cardboard overlay, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34108

Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836

Carlos Silva, Deyber, 1968, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38166

Georges Vantongerloo, Plate (folio 22) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19633

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36935

Jorge de la Vega, Parenthesis, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38125

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942

Belgium, Cap back, 18th century, Linen, bobbin lace (Point de Angleterre), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.7

František Kupka, [Untitled], c. 1925–30, Colored pencil, pencil, ink, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38250

František Kupka, An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31875

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928

Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36472

František Kupka, Study with Green, (c. 1912), Chalk and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38151

František Kupka, Prometheus, (1909), Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36018