Nancy Rubins, [Untitled], 1997, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35090

Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044

Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415

Alex Katz, 3 PM, November, 1997, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00011

Vija Celmins, Untitled (Web 4), 2002, Photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00479

Joyce Weinstein, Cityscape, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37849

Jenny Holzer, Phase III - Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01135

Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835

Allan McCollum, Collection of Thirty Drawings. (No. 14), (1988/1990), Pencil on board in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36490

Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297

Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899

Roy Lichtenstein, Study for Interior with Mobile, 1992, Tape with painted and printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35293

Robert Therrien, RED ROOM, 2000–7, Organ, radio, telephone, wall clock, grill, kitchen utensils, clothes, shoes and other materials, Tate, London. https://dartabase.art/cite/tate/AR00702

Raymond Pettibon, No Title (Houdini let your...), 1990, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33794

Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325

Edward Ruscha, Gardner & Sunset, 1998, Pencil and crayon on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34783

John Baldessari, [Untitled], (1988), Cut-and-taped printed paper with crayon, and ink and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36229

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37732

Raymond Pettibon, No Title (In my youth...), 1994, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33792

Raymond Pettibon, No Title (A recurrent dream...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33801

Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470

Ronald Bladen, Untitled (Abstract Drawing), 1984, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32970

Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37733

Kim Jones, [Untitled], (1991–94), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35172

Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482

Robert Motherwell, 18 October 1987 Sketchbook #4, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37656

Richard Prince, [Untitled], 1984 and 1990, Pencil and spray paint on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34782

Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699

Tom Otterness, The European Notebook, 1983, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35244

Vija Celmins, Night Sky 3, 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00485

Vija Celmins, Dark Galaxy, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01159

Elizabeth Peyton, John 1971, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38715

Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836

Glenn Ligon, Untitled (How It Feels to Be Colored Me), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35325

Louise Bourgeois, Paternity, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77685

Peoples Power Assemblies, Poster reading "Jail Darren Wilson 4 Murder" used at Baltimore protests, April 2015, ink on paper, tape and metal; H x W: 22 × 17 1/2 in. (55.9 × 44.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751320-0

Louise Bourgeois, Tree with Shoes, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78624

Jim Shaw, Dream Drawing (In Reno there was a Titanic mockup where a girl...), 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33374

Julia Fish, Garden #38, 1994, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36602

Paul McCarthy, Father with Shiny Shoes, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35001

Louise Bourgeois, Sleeping Man, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77688

Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5212

Louise Bourgeois, Sewing, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77683

Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387

Joy Jacobs, Sable Shadows Before the Dawn XI, 1991, Synthetic polymer paint and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35260

Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314

Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881

Raymond Pettibon, No Title (I Hope Mother...), 1982, Ink and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33129

Raymond Pettibon, No Title (The sketch is...), 1992, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33802

Louise Bourgeois, Hold Up, 1989, Suspender sewn on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35025

Agnes Martin, Untitled #5, 1994, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00177

Glenn Ligon, Backlash, Backlash..., 1991, Oilstick on heavy white wove card, ruled with graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151524

Louise Bourgeois, Amputee with Peg Leg, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78626

Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830

Edward Ruscha, DAILY PLANET, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00048

Ted Stamm, [Untitled], 1979, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36677

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37730

Julian Schnabel, Untitled (LO TANGO), 1990, Oil, gesso, and printed canvas on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37898

Vija Celmins, Ocean Surface Wood Engraving 2000, 2000, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/AR00473

Alex Katz, Road, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00014

Raymond Pettibon, No Title (Blue as all...), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33249

Keith Haring, [Untitled], 1982, Ink on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37162

Leon Polk Smith, [Untitled], 1979, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33746

Vija Celmins, Web #1, 1999, Charcoal on paper, Tate, London. https://dartabase.art/cite/tate/AR00164

John Morris, [Untitled], (1992–2000), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38709

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37318

Kevin Appel, House - South Rotation Red: 1 East, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35474

Alex Katz, City Night, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00012

Louise Bourgeois, Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, monotype, and embossing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11000

Jay Smith, Pink pleated bustier with ruffled hem, 1980s, cotton twill, synthetic crin, plastic, metal, and synthetic felt; Length (bust to hem): 17in (43.2 cm); Width (bust): 32 in. (81.3 cm); Waist: 25 1/2 in. (64.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1747135278264-1747135281222-1

Edward Ruscha, Blank Signs, 2004, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5672

Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38471

Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913

Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126

Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825

Richard Serra, Pittsburgh, (1985), Paintstik on paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33668

Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469

Louise Bourgeois, Children in Tub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77694

Bruce Conner, Inkblot Drawing, 1990, Ink, cut-and-pasted paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36282

Raymond Pettibon, No Title (In the midsts...), 1993, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35598

Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146

Raymond Pettibon, No Title (With his unshrinking...), 1987, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35571

Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318

Vito Acconci, Instant House #2, Drawing, 1980, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33062

Elizabeth Peyton, Liam, (1996), Ink wash and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38714

Matthew Barney, C5: Elbocsatas, 1998, Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36176

Joel Shapiro, [Untitled], (1979), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38347

Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613

M. Julian, Black and red leather jacket worn by Kurtis Blow, 1981, leather, synthetic fiber, metal, and elastic; H x W (flat): 26 × 23 in. (66 × 58.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750083-0

Louise Bourgeois, Toilette, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77682

Jasper Johns, [Untitled], 1983, Ink on plastic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34557

Alex Katz, Vincent, 1996, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00020

Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500

Richard Prince, Untitled ("A couple is driving..."), 1987, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34749

Edward Ruscha, RED ROOSTER, 1996, Acrylic paint and graphite on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00062

Jim Shaw, Dream Drawing (I'm teaching a class in which some black students...), 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33383

Bruce Nauman, Fist in Mouth, 1990, Cut-and-pasted printed paper and paper with watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33780

George Condo, [Untitled], 1989, Pastel and charcoal on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35614

Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248

Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496

Louise Bourgeois, Tree, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78621

Yvonne Jacquette, Verrazano Composite I, 1980, Crayon and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33660

Raymond Pettibon, No Title (Sweet ether. To...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33796

Robert Motherwell, 18 October 1987 Sketchbook #16, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37667

Christopher Wool, [Untitled], 1991, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37224

Jene Highstein, [Untitled], 1979, Oilstick and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33652

John Baldessari, Untitled II, (1991), Gouache, ink, and crayon on cut-and-taped printed paper on paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36250

Alex Katz, Kate, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00019

Richard Prince, Untitled ("My father was never home..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34748

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621

Robert Morris, Proposal for Anchorange Historical and Fine Arts Museum, Anchorage, Alaska, 1983, Brown ink and wash on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34036

Brice Marden, Rain, 1991, Ink and ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37195

Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900

Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564

Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77689

Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635

Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633

Edward Ruscha, The "E" Drawing, 1993, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34100

Kiki Smith, A Man, 1990, Printing ink on torn-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35538

Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768

Gabriel Orozco, XRTC 4, 1996, Rubbed graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34737

Carole Seborovski, Layered Rectangles, 1987, Cut-and-pasted paper on paper with charcoal on layered paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35399

Lari Pittman, Counting to Welcome One's Defrosting, (1990), Synthetic polymer paint and enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36307

Glenn Ligon, Study for Black Like Me #2, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35336

Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547

Brice Marden, Aphrodite (Negril) with Green, 1991–94, Stick and black and colored inks, with white gouache, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/136976

Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305

Vija Celmins, Ocean Surface Woodcut 1992, 1992, Woodcut on paper, Tate, London. https://dartabase.art/cite/tate/AR00484

Raymond Pettibon, No Title (Yes! This belonged...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33806

Vija Celmins, Night Sky 1 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00474

Raymond Pettibon, No Title (Not a single...), 1990, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35583

Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310

Louise Bourgeois, Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint and roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11006

Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907

Elizabeth Peyton, Daniel, Berlin, (1999), Watercolor and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38717

Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281

Jasper Johns, Perilous Night, 1982, Higgins ink on frosted mylar, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90300

Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073

Robert Motherwell, 18 October 1987 Sketchbook #22, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37678

Robert Motherwell, 18 October 1987 Sketchbook #13, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37664

Elizabeth Murray, Bed, Shoe and Cup, 1994, Collage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33770

Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834

Alex Katz, Penobscot, 1999, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00015

Raymond Pettibon, No Title (And where are...), 1995, Ink, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33798

Raymond Pettibon, No Title (Bible. Filling in...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33803

Ellen Phelan, Neighborhood, (1990), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35250

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290

Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35362

Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775

Robert Motherwell, 18 October 1987 Sketchbook #17, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37670

John Baldessari, Buildings=Guns=People:  Desire, Knowledge, and Hope (with Smog).  Study for Mural, Carnegie International, 1985, Cut-and-pasted paper with pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36184

Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166

Roni Horn, Untitled 683, 1986, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37475

Robert Gober, [Untitled], 1995, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34921

Gabriel Orozco, [Untitled], 1992, Pinched and rubbed notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35510

H. C. Westermann, Jack of Diamonds, 1981, Galvanized wire lath, galvanized sheet metal, galvanized corner beading, oak, pine, vermillion, and brass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270958

Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248

Robert Motherwell, Drunk with Turpentine #70, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37652

Martin Puryear, [Untitled], 1994, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35083

Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074

Louise Bourgeois, Scissors, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77686

John Pearson, Doubts #1: Reassess, 1985, Pastel, conté crayon, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34202

Julia Fish, Garden #9 (revised), 1993/95, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36595

Jim Nutt, Drawing for Fret, 1990, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34727

Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648

Agnes Martin, Happy Holiday, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00179

Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930

Sean Scully, Untitled 11.7.88, 1988, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35699

Michelle Stuart, Islas Encantadas Series: Materia Prima I, 1981, Earth from site (Galapagos Islands), graphite, and gelatin silver print on pieced paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35369

Robert Therrien, No title (Dutch-door drawing), (1995), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33480

Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618

Robert Motherwell, 18 October 1987 Sketchbook #20, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37676

Vija Celmins, Untitled (Web 2), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00477

Raymond Pettibon, No Title (I'm longing for...), 1997, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35589

Sean Scully, Untitled 7.12.90, 1990, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34819

Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753

Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324

Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712

Elyn Zimmerman, Ceremonial Jade II, 1992, Encaustic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35356

Raymond Pettibon, No Title (Under my thumb...), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33805

John Morris, [Untitled], (1993–99), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38707

Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804

Mel Bochner, Not Ttitled (DSO3), (1994), Gouache on eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36554

H. C. Westermann, Dovetailed House, 1979, Pine, enamel, plate glass, linoleum, and cast lead, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270964

Jim Shaw, Dream Drawing (We were waiting at a restaurant & 2 guys read an art tabloid...), 1997, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33362

John Baldessari, [Untitled], (1986), Pencil on cut-and-taped graph paper with colored crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36205

Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953

Louise Bourgeois, Empty Nest, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77692

Joel Shapiro, [Untitled], (1981), Charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36660

Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091

Julia Fish, Garden #42, 1994, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36606

Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38730

Raymond Pettibon, No Title (And his mouth...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33795

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37319

Vija Celmins, Alliance, 1983, Aquatint, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01161

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37734

David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535

Elizabeth Peyton, Matthew Smoking, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38716

George Condo, [Untitled], 1985, Charcoal, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35606

Edward Ruscha, The Final End, 1992, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00596

William Anastasi, 60 Minutes, 1987, Pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33397

Ellen Gallagher, Paper Cup, 1996, Ink on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00066

Carroll Dunham, Untitled 6/20/89, 1989, Green, yellow, and red wax crayon with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190291

Alex Katz, Sylvie, 1988, Charcoal and pencil on perforated colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36314

J. Crew, Suit worn by Dr. Jamal Harrison Bryant to a protest in Ferguson, Missouri, October 13, 2014, .1: wool cloth, rayon and polyester blend cloth, and plastic buttons;; .2: wool cloth, rayon cloth, plastic and metal fasteners; H x W x D (.1 flat): 32 3/4 × 26 3/4 × 1/4 in. (83.2 × 67.9 × 0.6 cm); H x W x D (.2 flat): 42 1/4 × 19 1/2 × 3/4 in. (107.3 × 49.5 × 1.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750076-0

Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125

Susan Rothenberg, [Untitled], (1990), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37331

Louise Bourgeois, Woman with Suitcase, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77693

John Baldessari, [Untitled], 1989, Cut-and-taped colored plastic sheet and cut-and-taped printed paper with crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36244

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5241

Soffe, Undershirt worn by Adm. Michelle Howard as rear admiral (lower half), 2009, cotton and polyester; H x W (flat): 28 × 17 1/4 in. (71.1 × 43.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748663-1

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5073

Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471

David Hammons, Out of Bounds, 1995–96, Dirt on paper in artist's frame, with basketball, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34932

Bruce Nauman, Partial Truth, 1997, Granite, Tate, London. https://dartabase.art/cite/tate/AR00575

Christopher Wool, [Untitled], 1991, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37228

Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615

Jenny Holzer, BLUE PURPLE TILT, 2007, 7 light emitting diode columns, Tate, London. https://dartabase.art/cite/tate/AR00082

Jackie Ferrara, D71 Wall Corner and Floor, 1983, Pencil, colored pencil, and felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36581

Louise Bourgeois, Woman in Bathtub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77691

Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093

Edward Ruscha, Pay Nothing Until April, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00047

Vija Celmins, Divided Night Sky, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01156

Jasper Johns, [Untitled], 1986, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36289

Louise Bourgeois, Birth, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77684

Vija Celmins, Untitled (Web 1), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00476

Jenny Holzer, Force at End of Phase III (If Required) violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01134

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37736

Jim Shaw, Stinking with Sin, (1981), Pencil and airbrush on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33353

Gabriel Orozco, Korean Air, 1997, Ink and colored pencil on cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34755

Edward Ruscha, BLVD.-AVE.-ST., 2006, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00049

Robert Wilson, Design for the play The Golden Windows, (1982), Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34843

Richard Prince, Untitled ("What it means...Do you know what..."), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34750

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37728

Elizabeth Peyton, Spencer, (1999), Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38718

Tom Otterness, The European Notebook, 1984, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35236

Terry Winters, [Untitled], 1990, Charcoal, with stumping and erasing, on off-white wove Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113993

Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828

Richard Serra, Two Rounds, 1991, Paintstik on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35338

Leon Polk Smith, [Untitled], 1980, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33736

Andrea Zittel, Functionally Fixed and Functionally Unfixed Panels, (1998), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36044

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087

Vija Celmins, Night Sky 2 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00475

Troy Brauntuch, [Untitled], 1981, White pencil on three sheets of black construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37721

Alex Katz, Design for the dance Water Music, (c. 1980), Felt-tip pen and crayon on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36923

Vija Celmins, Night Sky #19, 1998, Charcoal on paper, Tate, London. https://dartabase.art/cite/tate/AR00163

Bruce Nauman, Raw Material Washing Hands, Normal (A of A/B) Raw Material Washing Hands, Normal (B of A/B), 1996, Video, 2 monitors, colour and sound, Tate, London. https://dartabase.art/cite/tate/AR00579

Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970

Louise Bourgeois, Maman, 1999, Steel and marble, Tate, London. https://dartabase.art/cite/tate/T12625

Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980

Stuart Diamond, Human/Nature, 1988, Charcoal, pastel and metallic powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36116

Elaine Lustig Cohen, Topkapi, 1997, Pasted gelatin silver print, torn-and-pasted printed paper, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37157

Agnes Martin, Faraway Love, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00178

Joel Shapiro, [Untitled], (1988), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36348

James Rosenquist, Fahrenheit 1982°, 1982, Ink and pencil on synthetic polymer sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36333

Jenny Holzer, LAMENTS: THE NEW DISEASE CAME..., (1988–89), Ink transfer and pencil on transparentized paper in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37309

Louise Bourgeois, Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11002

Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483

Yvonne Jacquette, Diptych: Two Views from the Empire State Building, (1980), Each: Pastel on plastic vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37831

Christopher Wilmarth, [Untitled], 1987, Graphite, graphite wash, gesso and rabbit-skin glue on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35729

Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203

Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660

Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634

Robert Therrien, No Title (Table and Four Chairs), 2003, Aluminium, steel, wood and plastic, Tate, London. https://dartabase.art/cite/tate/AR00166

Louise Bourgeois, Untitled, plate 3 of 9, from the portfolio, Ode à ma mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11001

Edward Ruscha, SOAPY SMITH, 1996, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00061

Allyson Strafella, [Untitled], 1995, Typewriting on carbon paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36758

Louise Bourgeois, Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10998

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37731

Louise Bourgeois, Woman and Clock, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77687

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5213

Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345

Richard Prince, Untitled ("I've been married..."), 1986, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34747

Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017

James Rosenquist, Digits from the Wildwood, 1984, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33524

William Tucker, Study for Sculpture, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35720

John Baldessari, [Untitled], 1985, Crayon on printed paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36198

Alex Katz, Ocean View, 1992, Oil paint on fibreboard, Tate, London. https://dartabase.art/cite/tate/AR00007

Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312

Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975

Sara Sosnowy, Large Spiral Series #9, 1994, Charcoal and correction fluid on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35545

Robert Motherwell, 18 October 1987 Sketchbook #7, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37660

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090

Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018

Kevin Appel, House - South Rotation: 2 Northeast, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35475

Edward Ruscha, Hollywood is a Verb, 1983, Dry pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34112

Vija Celmins, Untitled (Source Materials), 1999, Iris print on paper, Tate, London. https://dartabase.art/cite/tate/AR00472

Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220

Mike Kelley, Monkey Island: Travelogue, 1982–83, Felt-tip pen on nine pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34990

Jenny Holzer, Protect Protect, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00083

Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743

Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626

Gabriel Orozco, Maria, Maria, Maria, 1992, Phone book page with erasures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35502

Raymond Pettibon, Popeye, 1991, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33110

Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991

Alan Saret, Jack Common Spring Entering, 1983, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36652

James Rosenquist, Hand Towel, 1984, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35361

Jenny Holzer, Phase I... Running Start Shape the Battlespace pewter, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01132

Vija Celmins, Starfield, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01160

Sol LeWitt, Wall Drawing #1136, 2004, Paint on wall, Tate, London. https://dartabase.art/cite/tate/AR00165

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299

Bruce Nauman, Setting a Good Corner (Allegory and Metaphor), 1999, Video, monitor, colour and sound (stereo), Tate, London. https://dartabase.art/cite/tate/AR00576

Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608

Eve Andrée Laramée, Approximate Locations Near Ingólfsfjall, Iceland, 1993, Charcoal, ballpoint pen, and colored pencil on printed map, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36631

Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824

Pat Steir, [Untitled], (1985), Graphite, powdered graphite, charcoal, gesso, pencil, and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37050

Kevin Appel, House - South Rotation Red: 4 West, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35477

Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893

Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330

Frederick Jones, Red straw hat with heart shaped brim, 1980s-1990s, straw, synthetic petersham ribbon, and adhesive; H x W x D x C: 6 × 16 1/2 × 15 × 22 in. (15.2 × 41.9 × 38.1 × 55.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1754382679069-1754382682074-0

Glenn Ligon, Untitled (I am an invisible man), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35345

Richard Prince, Untitled ("A friend of mine..."), 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34753

Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223

Michael Graves, Set design for the ballet Fire, 1982, Colored pencil and pencil on colored transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34495

Vija Celmins, Web Ladder, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01155

Ellen Gallagher, [Untitled], 2000, Synthetic polymer paint, modelling clay, ink, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38703

Jill Baroff, Blackbird, (1997), Graphite on cut-and-pasted Japanese paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37447

Suzan Frecon, [Untitled], (1992), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36612

Ellsworth Kelly, Tulip, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33675

Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829

Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255

Vija Celmins, Falling Stars, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01158

Jenny Holzer, Shape the Battlespace, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00084

Edward Ruscha, THE END #40, 2003, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00064

John Cage, River Rock and Smoke 4/13/90 #5, 1990, Soot and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37803

Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271

Louise Nevelson, Unbound plate from Nevelson's World, 1983, Screenprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18247

Robert Motherwell, 18 October 1987 Sketchbook #25, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37679

Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468

Robert Therrien, No Title (Beard Cart), 2004, Steel plate, stainless steel, plastic, wood, rubber, human hair and plaster, Tate, London. https://dartabase.art/cite/tate/AR01128

Vija Celmins, Night Sky Woodcut, 1997, Woodcut on paper mounted on paper, Tate, London. https://dartabase.art/cite/tate/AR00480

Alex Katz, West Palm Beach, 1997, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00010

Alan Saret, Mild Thunder Entering, 1983, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36655

Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887

Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792

David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828

Robert Rauschenberg, Rush 16 (Cloister), 1980, Transfer drawing, cut-and-pasted printed paper and cut-pasted fabric on painted wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35814

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638

Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979

COR Health Institute, Placard for the 300 Men March, 2015, ink on paper; H x W: 13 × 19 in. (33 × 48.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750032-1

Roni Horn, AS IV, 1987, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33198

Robert Therrien, No Title (Scrubbrush panel), 1997, Photograph, black and white, on paper with chalk, graphite and paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00168

Richard Serra, Dead Weight (Edfu), 1991, Paintstik on two sheets of paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35530

Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092

Allen Ruppersberg, Drawn from Life, 1981, Pencil and paint on board on velvet in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37487

Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304

Bruce Nauman, Face Mask, 1981, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35171

Katy Schimert, [Untitled], 1998, Watercolor, ink, and Plastalina on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36330

Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35368

Raymond Pettibon, No Title (A sweeping left...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33789

Robert Therrien, No Title (Oil Can), 2004, Stainless steel, Tate, London. https://dartabase.art/cite/tate/AR00167

Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005

Louise Bourgeois, Boy and Girl, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77695

Susan Rothenberg, [Untitled], 1984, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33530

Susan Rothenberg, Untitled (Dancer), 1985, Charcoal on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69024

Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837

Mel Bochner, Via Vanvitelli, 1987, Charcoal on four sheets of colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37303

Alex Katz, Night Branch, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00009

Matthew Barney, HYPERTROPHY (incline), (1991), Light-reflective vinyl, petroleum jelly, and pencil on paper sewn with thread to; self-lubricating plastic frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35186

Brice Marden, St. Barts 10, 1989–91, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35286

Chuck Close, Self-Portrait, 1997, Color instant print (Polaroid) mounted on foamcore with pressure-sensitive tape, ink, felt-tip pen, graphite and oil paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36049

Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181

Louise Bourgeois, Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11007

Allyson Strafella, [Untitled], 1994, Typewriting and chalk on painted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36678

Robert Morris, Untitled from the Firestorm series, 1982, Charcoal, ink, graphite, and airbrushed pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36279

Louise Bourgeois, Tree with Woman, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78623

Richard Diebenkorn, Untitled (Ocean Park), 1986, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36263

Louise Bourgeois, Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11005

Robert Morris, Blind Time III, 1985, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36976

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon and pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37317

Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468

Alex Katz, Green Shadow #2, 1998, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00013

Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017

Robert Therrien, No Title (Large Red Brick Drawing), 2003, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00169

Paul McCarthy, Father Operation with Dog, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35000

Jenny Holzer, Phase II... Running Start Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01133

Matthew Barney, Stadium, (1991), Pencil on paper with self lubricating plastic frame with ice packs, velcro and thread, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35196

Edward Ruscha, DEC. 30th, 2005, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00065

Roy Lichtenstein, Study for Interior with Mobile, 1991, Pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35284

Jake Berthot, For Adorno #5, (1989), Ink on torn paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35581

Louise Bourgeois, Mamelles, 1991, cast 2001, Rubber, fibreglass and wood, Tate, London. https://dartabase.art/cite/tate/T11916

Gary Simmons, boom, 1996/2003, White pigment and pastel on blackboard-paint primed panel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33390

Louise Bourgeois, Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11004

Glenn Ligon, Study for Frankenstein #1, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35355

Jim Dine, Cold Key West Winter, Summer 1983, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37729

Louise Bourgeois, Sculptress, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77690

Jake Berthot, For Adorno #4, (1989), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35580

Louise Bourgeois, Tree with Trunk, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78622

Alex Katz, Grey Marine, 2000, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00016

Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264

Raymond Pettibon, No Title (Last request with...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33148

Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320

Susan Rothenberg, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34806

Raymond Pettibon, No Title (Paint unspeakable.), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33797

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37735

Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985

Louise Bourgeois, Amputee, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78625

Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626

Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626

Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422

Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823

Raymond Pettibon, No Title (Learning to talk...), 1989, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33804

Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831

Abby Leigh, My Personal Atlas, 2004, Cotton paper, with inclusions, colored pencil and overlaid with watermarked abaca and ink, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4632

Ellen Driscoll, Spill, 2001, Watercolor, gouache, black chalk, and graphite on three joined sheets of white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5322

Vija Celmins, Untitled (Web 3), 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00478

Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38469

Vija Celmins, Drypoint - Ocean Surface, 1983, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00467

Raymond Pettibon, No Title (For this reason...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33791

Robert Motherwell, The Red and Black #51, 1987, Torn-and-pasted printed paper and handwritten music on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37697

Raymond Pettibon, No Title (Dumped in Arizona...), 1984, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35558

Robert Motherwell, 18 October 1987 Sketchbook #18, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37673

Louise Bourgeois, Blue Dress, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78628

Tom Levine, Opus 67 No. 1, 1987, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35267

Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906

Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37315

Ellen Driscoll, In the Net, 2001, Black ink, watercolor, black chalk, graphite, and white crayon on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5325

Robert Gober, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34687

Martin Puryear, [Untitled], 1989, Pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37214

Edward Ruscha, CROSSOVER DREAMS, 1991, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00060

Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089

Martin Puryear, Malediction, 1989, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37207

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635

David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807

Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827

Sol LeWitt, Black over Colors, 1992, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36636

Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833

Raymond Pettibon, No Title, 1991, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33230

John Baldessari, Study for Splattered Faces, (1990), Cut-and-taped printed paper with crayon, pencil, and felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36191

Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750

Edward Ruscha, HOPE, 1998, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00063

Richard Serra, Egypt, (1989), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35380

Louise Bourgeois, Amputee with Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78627

Louise Bourgeois, Untitled (Safety Pins), 1991, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77679

Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826

Vija Celmins, Constellation - Uccello, 1983, Aquatint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00606

Jim Dine, Cold Key West Winter, 1981, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37726

Kikuo Saito, [Untitled], 1980, Handmade paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37092

Carroll Dunham, [Untitled], 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33970

John Baldessari, [Untitled], (1989), Crayon on cut-and-taped printed paper on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36237

Jasper Johns, Spring, 1986, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35552

John Cage, Wild Edible Drawing # 6, 1990, Handmade paper of mulberry, burdock, hibiscus stems, barley, hijiki, and clover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36559

Louise Bourgeois, Tree with Red Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78629

Ellen Gallagher, [Untitled], 1998, Oil paint and enamel on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00067

Elizabeth Murray, Note for DIS PAIR, 1990, a: Crayon and traces of pencil on lined notebook paper. b: Pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37320

James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264

Louise Bourgeois, Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11003

Bruce Nauman, Model for Animal Pyramid II, 1989, Cut-and-taped gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34726

John Morris, [Untitled], (1992–2000), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38708

Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304

Kevin Appel, House - South Rotation: 3 Northwest, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35476

Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097

Brice Marden, Aphrodite Study, 1991–93, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37245

Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426

Tony Oursler, Camcorder 9, 1993, Watercolor and graphite on paper, laminated, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33094

Elizabeth Murray, Popeye, 1982, Pastel and charcoal on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36630

Raymond Pettibon, No Title (As a man...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33800

Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832

Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332

Win Knowlton, Plowman, 1984, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33619

Alan Cote, Bright Light, 1980, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36899

John Baldessari, [Untitled], (1986), Crayon and pressure-sensitive stickers on synthetic polymer sheet overlay on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36222

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6602

Raymond Pettibon, No Title (Make your deathbed...), 1991, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33793

Christopher Wool, [Untitled], 1989, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36509

Bruce Nauman, Untitled (Hand Circle), 1996, Bronze, silver solder and copper, Tate, London. https://dartabase.art/cite/tate/AR00580

Ellen Driscoll, Under the Roof, 2001, Ink and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5321

James Rosenquist, Drawing of Leakey, Ride for Dr. Leakey, 1985, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37021

Alex Katz, Daisies #2, 1992, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00006

Ellen Gallagher, Skinatural, 1997, Oil, pencil and modelling clay on magazine page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36063

Sue Williams, Bunnies, 2004, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4864

Robert Therrien, No Title (Stacked Plates), 2010, Plastic, Tate, London. https://dartabase.art/cite/tate/AR01127

Vija Celmins, Reverse Galaxy, 2010, Etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01157

H. C. Westermann, Death Ship, Out of San Pedro, Adrift, 1980, Ebony, brass, copper, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270951

Richard Prince, Untitled ("Black crows..."), 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34752

Paul McCarthy, Blessing, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34999

Louise Bourgeois, [Untitled], 1989, Ink, charcoal, and crayon on burned paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35104

Richard Prince, Untitled ("I wasn't invited here..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34751

John Cage, Wild Edible Drawing # 8, 1990, Handmade paper of milkweed, cattail, saffron, pokeweed, and hijiki, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36563

Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273

Raymond Pettibon, No Title (With all the...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33799

Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686

Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630

Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204

David Moreno, [Untitled], 1994, Ballpoint pen, synthetic polymer glue, and pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35032

Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38729

Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5072

Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432

Richard Serra, Videy Drawing XIX, 1991, Paintstik on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35347

Christopher Wool, [Untitled], 1986, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35386

Alex Katz, Winter Branch, 1993, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00008

Claes Oldenburg, Characters and Props from "Il Corso del Coltello" Along the Canale do San Marco, Coltello Ship in "Background - Version II", 1986, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37885

Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616

Richard Prince, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34769

Goldenvoice, Flier for The Beastie Boys with Fishbone at the Hollywood Palladium, February 7, 1987, ink on paper (fiber product); H x W: 8 3/8 × 10 13/16 in. (21.2 × 27.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752626-0