Nancy Rubins, [Untitled], 1997, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35090 Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044 Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415 Alex Katz, 3 PM, November, 1997, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00011 Vija Celmins, Untitled (Web 4), 2002, Photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00479 Joyce Weinstein, Cityscape, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37849 Jenny Holzer, Phase III - Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01135 Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835 Allan McCollum, Collection of Thirty Drawings. (No. 14), (1988/1990), Pencil on board in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36490 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899 Roy Lichtenstein, Study for Interior with Mobile, 1992, Tape with painted and printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35293 Robert Therrien, RED ROOM, 2000–7, Organ, radio, telephone, wall clock, grill, kitchen utensils, clothes, shoes and other materials, Tate, London. https://dartabase.art/cite/tate/AR00702 Raymond Pettibon, No Title (Houdini let your...), 1990, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33794 Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325 Edward Ruscha, Gardner & Sunset, 1998, Pencil and crayon on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34783 John Baldessari, [Untitled], (1988), Cut-and-taped printed paper with crayon, and ink and crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36229 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37732 Raymond Pettibon, No Title (In my youth...), 1994, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33792 Raymond Pettibon, No Title (A recurrent dream...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33801 Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470 Ronald Bladen, Untitled (Abstract Drawing), 1984, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32970 Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37733 Kim Jones, [Untitled], (1991–94), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35172 Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482 Robert Motherwell, 18 October 1987 Sketchbook #4, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37656 Richard Prince, [Untitled], 1984 and 1990, Pencil and spray paint on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34782 Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699 Tom Otterness, The European Notebook, 1983, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35244 Vija Celmins, Night Sky 3, 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00485 Vija Celmins, Dark Galaxy, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01159 Elizabeth Peyton, John 1971, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38715 Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836 Glenn Ligon, Untitled (How It Feels to Be Colored Me), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35325 Louise Bourgeois, Paternity, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77685 Peoples Power Assemblies, Poster reading "Jail Darren Wilson 4 Murder" used at Baltimore protests, April 2015, ink on paper, tape and metal; H x W: 22 × 17 1/2 in. (55.9 × 44.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751320-0 Louise Bourgeois, Tree with Shoes, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78624 Jim Shaw, Dream Drawing (In Reno there was a Titanic mockup where a girl...), 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33374 Julia Fish, Garden #38, 1994, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36602 Paul McCarthy, Father with Shiny Shoes, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35001 Louise Bourgeois, Sleeping Man, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77688 Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328 Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5212 Louise Bourgeois, Sewing, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77683 Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387 Joy Jacobs, Sable Shadows Before the Dawn XI, 1991, Synthetic polymer paint and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35260 Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314 Raymond Pettibon, No Title (I Hope Mother...), 1982, Ink and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33129 Raymond Pettibon, No Title (The sketch is...), 1992, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33802 Louise Bourgeois, Hold Up, 1989, Suspender sewn on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35025 Agnes Martin, Untitled #5, 1994, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00177 Glenn Ligon, Backlash, Backlash..., 1991, Oilstick on heavy white wove card, ruled with graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151524 Louise Bourgeois, Amputee with Peg Leg, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78626 Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830 Edward Ruscha, DAILY PLANET, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00048 Ted Stamm, [Untitled], 1979, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36677 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37730 Julian Schnabel, Untitled (LO TANGO), 1990, Oil, gesso, and printed canvas on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37898 Vija Celmins, Ocean Surface Wood Engraving 2000, 2000, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/AR00473 Alex Katz, Road, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00014 Raymond Pettibon, No Title (Blue as all...), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33249 Keith Haring, [Untitled], 1982, Ink on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37162 Leon Polk Smith, [Untitled], 1979, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33746 Vija Celmins, Web #1, 1999, Charcoal on paper, Tate, London. https://dartabase.art/cite/tate/AR00164 John Morris, [Untitled], (1992–2000), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38709 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37318 Kevin Appel, House - South Rotation Red: 1 East, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35474 Alex Katz, City Night, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00012 Louise Bourgeois, Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, monotype, and embossing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11000 Jay Smith, Pink pleated bustier with ruffled hem, 1980s, cotton twill, synthetic crin, plastic, metal, and synthetic felt; Length (bust to hem): 17in (43.2 cm); Width (bust): 32 in. (81.3 cm); Waist: 25 1/2 in. (64.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1747135278264-1747135281222-1 Edward Ruscha, Blank Signs, 2004, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5672 Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38471 Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913 Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126 Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825 Richard Serra, Pittsburgh, (1985), Paintstik on paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33668 Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469 Louise Bourgeois, Children in Tub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77694 Bruce Conner, Inkblot Drawing, 1990, Ink, cut-and-pasted paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36282 Raymond Pettibon, No Title (In the midsts...), 1993, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35598 Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146 Raymond Pettibon, No Title (With his unshrinking...), 1987, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35571 Vito Acconci, Instant House #2, Drawing, 1980, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33062 Elizabeth Peyton, Liam, (1996), Ink wash and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38714 Matthew Barney, C5: Elbocsatas, 1998, Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36176 Joel Shapiro, [Untitled], (1979), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38347 Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613 M. Julian, Black and red leather jacket worn by Kurtis Blow, 1981, leather, synthetic fiber, metal, and elastic; H x W (flat): 26 × 23 in. (66 × 58.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750083-0 Louise Bourgeois, Toilette, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77682 Jasper Johns, [Untitled], 1983, Ink on plastic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34557 Alex Katz, Vincent, 1996, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00020 Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500 Richard Prince, Untitled ("A couple is driving..."), 1987, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34749 Edward Ruscha, RED ROOSTER, 1996, Acrylic paint and graphite on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00062 Jim Shaw, Dream Drawing (I'm teaching a class in which some black students...), 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33383 Bruce Nauman, Fist in Mouth, 1990, Cut-and-pasted printed paper and paper with watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33780 George Condo, [Untitled], 1989, Pastel and charcoal on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35614 Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248 Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496 Louise Bourgeois, Tree, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78621 Yvonne Jacquette, Verrazano Composite I, 1980, Crayon and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33660 Raymond Pettibon, No Title (Sweet ether. To...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33796 Robert Motherwell, 18 October 1987 Sketchbook #16, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37667 Christopher Wool, [Untitled], 1991, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37224 Jene Highstein, [Untitled], 1979, Oilstick and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33652 John Baldessari, Untitled II, (1991), Gouache, ink, and crayon on cut-and-taped printed paper on paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36250 Alex Katz, Kate, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00019 Richard Prince, Untitled ("My father was never home..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34748 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621 Robert Morris, Proposal for Anchorange Historical and Fine Arts Museum, Anchorage, Alaska, 1983, Brown ink and wash on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34036 Brice Marden, Rain, 1991, Ink and ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37195 Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900 Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564 Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77689 Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635 Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633 Edward Ruscha, The "E" Drawing, 1993, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34100 Kiki Smith, A Man, 1990, Printing ink on torn-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35538 Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768 Carole Seborovski, Layered Rectangles, 1987, Cut-and-pasted paper on paper with charcoal on layered paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35399 Lari Pittman, Counting to Welcome One's Defrosting, (1990), Synthetic polymer paint and enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36307 Glenn Ligon, Study for Black Like Me #2, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35336 Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547 Brice Marden, Aphrodite (Negril) with Green, 1991–94, Stick and black and colored inks, with white gouache, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/136976 Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305 Vija Celmins, Ocean Surface Woodcut 1992, 1992, Woodcut on paper, Tate, London. https://dartabase.art/cite/tate/AR00484 Raymond Pettibon, No Title (Yes! This belonged...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33806 Vija Celmins, Night Sky 1 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00474 Raymond Pettibon, No Title (Not a single...), 1990, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35583 Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310 Louise Bourgeois, Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint and roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11006 Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907 Elizabeth Peyton, Daniel, Berlin, (1999), Watercolor and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38717 Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281 Jasper Johns, Perilous Night, 1982, Higgins ink on frosted mylar, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90300 Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073 Robert Motherwell, 18 October 1987 Sketchbook #22, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37678 Robert Motherwell, 18 October 1987 Sketchbook #13, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37664 Elizabeth Murray, Bed, Shoe and Cup, 1994, Collage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33770 Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834 Alex Katz, Penobscot, 1999, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00015 Raymond Pettibon, No Title (And where are...), 1995, Ink, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33798 Raymond Pettibon, No Title (Bible. Filling in...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33803 Ellen Phelan, Neighborhood, (1990), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35250 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290 Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35362 Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775 Robert Motherwell, 18 October 1987 Sketchbook #17, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37670 John Baldessari, Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog). Study for Mural, Carnegie International, 1985, Cut-and-pasted paper with pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36184 Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166 Roni Horn, Untitled 683, 1986, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37475 Robert Gober, [Untitled], 1995, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34921 H. C. Westermann, Jack of Diamonds, 1981, Galvanized wire lath, galvanized sheet metal, galvanized corner beading, oak, pine, vermillion, and brass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270958 Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248 Robert Motherwell, Drunk with Turpentine #70, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37652 Martin Puryear, [Untitled], 1994, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35083 Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074 Louise Bourgeois, Scissors, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77686 John Pearson, Doubts #1: Reassess, 1985, Pastel, conté crayon, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34202 Julia Fish, Garden #9 (revised), 1993/95, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36595 Jim Nutt, Drawing for Fret, 1990, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34727 Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648 Agnes Martin, Happy Holiday, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00179 Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930 Sean Scully, Untitled 11.7.88, 1988, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35699 Michelle Stuart, Islas Encantadas Series: Materia Prima I, 1981, Earth from site (Galapagos Islands), graphite, and gelatin silver print on pieced paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35369 Robert Therrien, No title (Dutch-door drawing), (1995), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33480 Robert Motherwell, 18 October 1987 Sketchbook #20, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37676 Vija Celmins, Untitled (Web 2), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00477 Raymond Pettibon, No Title (I'm longing for...), 1997, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35589 Sean Scully, Untitled 7.12.90, 1990, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34819 Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753 Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712 Elyn Zimmerman, Ceremonial Jade II, 1992, Encaustic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35356 Raymond Pettibon, No Title (Under my thumb...), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33805 John Morris, [Untitled], (1993–99), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38707 Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804 Mel Bochner, Not Ttitled (DSO3), (1994), Gouache on eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36554 H. C. Westermann, Dovetailed House, 1979, Pine, enamel, plate glass, linoleum, and cast lead, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270964 Jim Shaw, Dream Drawing (We were waiting at a restaurant & 2 guys read an art tabloid...), 1997, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33362 John Baldessari, [Untitled], (1986), Pencil on cut-and-taped graph paper with colored crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36205 Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953 Louise Bourgeois, Empty Nest, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77692 Joel Shapiro, [Untitled], (1981), Charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36660 Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091 Julia Fish, Garden #42, 1994, Ink on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36606 Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38730 Raymond Pettibon, No Title (And his mouth...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33795 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37319 Vija Celmins, Alliance, 1983, Aquatint, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01161 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37734 David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535 Elizabeth Peyton, Matthew Smoking, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38716 George Condo, [Untitled], 1985, Charcoal, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35606 Edward Ruscha, The Final End, 1992, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00596 William Anastasi, 60 Minutes, 1987, Pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33397 Ellen Gallagher, Paper Cup, 1996, Ink on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00066 Carroll Dunham, Untitled 6/20/89, 1989, Green, yellow, and red wax crayon with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190291 Alex Katz, Sylvie, 1988, Charcoal and pencil on perforated colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36314 J. Crew, Suit worn by Dr. Jamal Harrison Bryant to a protest in Ferguson, Missouri, October 13, 2014, .1: wool cloth, rayon and polyester blend cloth, and plastic buttons;; .2: wool cloth, rayon cloth, plastic and metal fasteners; H x W x D (.1 flat): 32 3/4 × 26 3/4 × 1/4 in. (83.2 × 67.9 × 0.6 cm); H x W x D (.2 flat): 42 1/4 × 19 1/2 × 3/4 in. (107.3 × 49.5 × 1.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750076-0 Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125 Susan Rothenberg, [Untitled], (1990), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37331 Louise Bourgeois, Woman with Suitcase, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77693 John Baldessari, [Untitled], 1989, Cut-and-taped colored plastic sheet and cut-and-taped printed paper with crayon on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36244 Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5241 Soffe, Undershirt worn by Adm. Michelle Howard as rear admiral (lower half), 2009, cotton and polyester; H x W (flat): 28 × 17 1/4 in. (71.1 × 43.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748663-1 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5073 Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471 David Hammons, Out of Bounds, 1995–96, Dirt on paper in artist's frame, with basketball, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34932 Bruce Nauman, Partial Truth, 1997, Granite, Tate, London. https://dartabase.art/cite/tate/AR00575 Christopher Wool, [Untitled], 1991, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37228 Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615 Jenny Holzer, BLUE PURPLE TILT, 2007, 7 light emitting diode columns, Tate, London. https://dartabase.art/cite/tate/AR00082 Jackie Ferrara, D71 Wall Corner and Floor, 1983, Pencil, colored pencil, and felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36581 Louise Bourgeois, Woman in Bathtub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77691 Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093 Edward Ruscha, Pay Nothing Until April, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00047 Vija Celmins, Divided Night Sky, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01156 Jasper Johns, [Untitled], 1986, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36289 Louise Bourgeois, Birth, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77684 Vija Celmins, Untitled (Web 1), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00476 Jenny Holzer, Force at End of Phase III (If Required) violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01134 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37736 Jim Shaw, Stinking with Sin, (1981), Pencil and airbrush on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33353 Edward Ruscha, BLVD.-AVE.-ST., 2006, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00049 Robert Wilson, Design for the play The Golden Windows, (1982), Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34843 Richard Prince, Untitled ("What it means...Do you know what..."), 1991, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34750 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37728 Pieter Laurens Mol, Vigilantia, 1996, Gelatin silver print distressed with red lead paint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35018 Elizabeth Peyton, Spencer, (1999), Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38718 Tom Otterness, The European Notebook, 1984, Pen and brown ink on paper in spiral sketchbook, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35236 Terry Winters, [Untitled], 1990, Charcoal, with stumping and erasing, on off-white wove Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/113993 Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828 Richard Serra, Two Rounds, 1991, Paintstik on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35338 Leon Polk Smith, [Untitled], 1980, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33736 Andrea Zittel, Functionally Fixed and Functionally Unfixed Panels, (1998), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36044 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087 Vija Celmins, Night Sky 2 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00475 Troy Brauntuch, [Untitled], 1981, White pencil on three sheets of black construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37721 Alex Katz, Design for the dance Water Music, (c. 1980), Felt-tip pen and crayon on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36923 Vija Celmins, Night Sky #19, 1998, Charcoal on paper, Tate, London. https://dartabase.art/cite/tate/AR00163 Bruce Nauman, Raw Material Washing Hands, Normal (A of A/B) Raw Material Washing Hands, Normal (B of A/B), 1996, Video, 2 monitors, colour and sound, Tate, London. https://dartabase.art/cite/tate/AR00579 Edward Ruscha, HOLLYWOOD TANTRUM, 1979, Pastel on paper, Tate, London. https://dartabase.art/cite/tate/AR00059 Sonia Gechtoff, Sea Window, II, 1979, Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38281 Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970 Louise Bourgeois, Maman, 1999, Steel and marble, Tate, London. https://dartabase.art/cite/tate/T12625 Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980 Stuart Diamond, Human/Nature, 1988, Charcoal, pastel and metallic powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36116 Elaine Lustig Cohen, Topkapi, 1997, Pasted gelatin silver print, torn-and-pasted printed paper, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37157 Agnes Martin, Faraway Love, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00178 Joel Shapiro, [Untitled], (1988), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36348 James Rosenquist, Fahrenheit 1982°, 1982, Ink and pencil on synthetic polymer sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36333 Jenny Holzer, LAMENTS: THE NEW DISEASE CAME..., (1988–89), Ink transfer and pencil on transparentized paper in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37309 Louise Bourgeois, Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11002 Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483 Yvonne Jacquette, Diptych: Two Views from the Empire State Building, (1980), Each: Pastel on plastic vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37831 Robert Motherwell, Drunk with Turpentine #8, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37648 Christopher Wilmarth, [Untitled], 1987, Graphite, graphite wash, gesso and rabbit-skin glue on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35729 Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203 Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660 Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634 Robert Therrien, No Title (Table and Four Chairs), 2003, Aluminium, steel, wood and plastic, Tate, London. https://dartabase.art/cite/tate/AR00166 Louise Bourgeois, Untitled, plate 3 of 9, from the portfolio, Ode à ma mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11001 Edward Ruscha, SOAPY SMITH, 1996, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00061 Allyson Strafella, [Untitled], 1995, Typewriting on carbon paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36758 Louise Bourgeois, Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10998 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37731 Louise Bourgeois, Woman and Clock, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77687 Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5213 Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345 Richard Prince, Untitled ("I've been married..."), 1986, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34747 Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017 Catherine Murphy, Winter in the Country, (1979), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37740 James Rosenquist, Digits from the Wildwood, 1984, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33524 United States Army, US Army subdued star insignia worn by General Colin L. Powell, 1979–1993, metal; H x W x D: 1 × 1 × 9/16 in. (2.5 × 2.5 × 1.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1699001299733-1699001313280-0 William Tucker, Study for Sculpture, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35720 John Baldessari, [Untitled], 1985, Crayon on printed paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36198 Sol LeWitt, Geometric Figures within Geometric Figures, 1979, Cut-and-pasted gelatin silver prints and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37079 Alex Katz, Ocean View, 1992, Oil paint on fibreboard, Tate, London. https://dartabase.art/cite/tate/AR00007 Richard Hunt, [Untitled], 1979, Copper resist on circuit board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38243 Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975 Sara Sosnowy, Large Spiral Series #9, 1994, Charcoal and correction fluid on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35545 Robert Motherwell, 18 October 1987 Sketchbook #7, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37660 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090 Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018 Kevin Appel, House - South Rotation: 2 Northeast, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35475 Edward Ruscha, Hollywood is a Verb, 1983, Dry pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34112 Lisa Hyatt, [Untitled], 1979, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38289 Vija Celmins, Untitled (Source Materials), 1999, Iris print on paper, Tate, London. https://dartabase.art/cite/tate/AR00472 Mike Kelley, Monkey Island: Travelogue, 1982–83, Felt-tip pen on nine pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34990 Jenny Holzer, Protect Protect, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00083 Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743 Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626 Raymond Pettibon, Popeye, 1991, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33110 Jonathan Borofsky, Double Self-Portrait with Moving Hands at 2,626,636, (1979–80), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35095 Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991 Alan Saret, Jack Common Spring Entering, 1983, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36652 James Rosenquist, Hand Towel, 1984, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35361 Jenny Holzer, Phase I... Running Start Shape the Battlespace pewter, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01132 Vija Celmins, Starfield, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01160 Sol LeWitt, Wall Drawing #1136, 2004, Paint on wall, Tate, London. https://dartabase.art/cite/tate/AR00165 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299 Bruce Nauman, Setting a Good Corner (Allegory and Metaphor), 1999, Video, monitor, colour and sound (stereo), Tate, London. https://dartabase.art/cite/tate/AR00576 Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608 Eve Andrée Laramée, Approximate Locations Near Ingólfsfjall, Iceland, 1993, Charcoal, ballpoint pen, and colored pencil on printed map, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36631 Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824 Pat Steir, [Untitled], (1985), Graphite, powdered graphite, charcoal, gesso, pencil, and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37050 Kevin Appel, House - South Rotation Red: 4 West, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35477 Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330 Frederick Jones, Red straw hat with heart shaped brim, 1980s-1990s, straw, synthetic petersham ribbon, and adhesive; H x W x D x C: 6 × 16 1/2 × 15 × 22 in. (15.2 × 41.9 × 38.1 × 55.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1754382679069-1754382682074-0 Glenn Ligon, Untitled (I am an invisible man), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35345 Richard Prince, Untitled ("A friend of mine..."), 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34753 Michael Graves, Set design for the ballet Fire, 1982, Colored pencil and pencil on colored transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34495 Vija Celmins, Web Ladder, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01155 Ellen Gallagher, [Untitled], 2000, Synthetic polymer paint, modelling clay, ink, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38703 Jill Baroff, Blackbird, (1997), Graphite on cut-and-pasted Japanese paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37447 Suzan Frecon, [Untitled], (1992), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36612 Ellsworth Kelly, Tulip, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33675 Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829 Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255 Robert Motherwell, Drunk with Turpentine #41, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37651 Vija Celmins, Falling Stars, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01158 Jenny Holzer, Shape the Battlespace, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00084 Edward Ruscha, THE END #40, 2003, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00064 John Cage, River Rock and Smoke 4/13/90 #5, 1990, Soot and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37803 Louise Nevelson, Unbound plate from Nevelson's World, 1983, Screenprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18247 Robert Motherwell, 18 October 1987 Sketchbook #25, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37679 Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468 Robert Therrien, No Title (Beard Cart), 2004, Steel plate, stainless steel, plastic, wood, rubber, human hair and plaster, Tate, London. https://dartabase.art/cite/tate/AR01128 Vija Celmins, Night Sky Woodcut, 1997, Woodcut on paper mounted on paper, Tate, London. https://dartabase.art/cite/tate/AR00480 Alex Katz, West Palm Beach, 1997, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00010 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Alan Saret, Mild Thunder Entering, 1983, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36655 David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828 Robert Rauschenberg, Rush 16 (Cloister), 1980, Transfer drawing, cut-and-pasted printed paper and cut-pasted fabric on painted wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35814 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638 Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979 COR Health Institute, Placard for the 300 Men March, 2015, ink on paper; H x W: 13 × 19 in. (33 × 48.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750032-1 Roni Horn, AS IV, 1987, Pigment and varnish on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33198 Robert Therrien, No Title (Scrubbrush panel), 1997, Photograph, black and white, on paper with chalk, graphite and paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00168 Richard Serra, Dead Weight (Edfu), 1991, Paintstik on two sheets of paper on thin fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35530 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092 Allen Ruppersberg, Drawn from Life, 1981, Pencil and paint on board on velvet in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37487 Bruce Nauman, Face Mask, 1981, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35171 Katy Schimert, [Untitled], 1998, Watercolor, ink, and Plastalina on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36330 Robert Longo, [Untitled], 1981, Charcoal and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35368 Raymond Pettibon, No Title (A sweeping left...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33789 Alex Katz, West Window, 1979, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00003 Robert Therrien, No Title (Oil Can), 2004, Stainless steel, Tate, London. https://dartabase.art/cite/tate/AR00167 Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005 Louise Bourgeois, Boy and Girl, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77695 Susan Rothenberg, [Untitled], 1984, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33530 Susan Rothenberg, Untitled (Dancer), 1985, Charcoal on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69024 Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837 Mel Bochner, Via Vanvitelli, 1987, Charcoal on four sheets of colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37303 Alex Katz, Night Branch, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00009 Matthew Barney, HYPERTROPHY (incline), (1991), Light-reflective vinyl, petroleum jelly, and pencil on paper sewn with thread to; self-lubricating plastic frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35186 Brice Marden, St. Barts 10, 1989–91, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35286 Chuck Close, Self-Portrait, 1997, Color instant print (Polaroid) mounted on foamcore with pressure-sensitive tape, ink, felt-tip pen, graphite and oil paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36049 Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181 Nancy Spero, Themis, 1979, Collage composed of cut and pasted papers with brush and black ink, metallic paints, and scraping, over traces of graphite, on off-white wove paper and printing in black ink on white wove paper, laid down on cream laid paper (pieced), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/197554 Louise Bourgeois, Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11007 Allyson Strafella, [Untitled], 1994, Typewriting and chalk on painted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36678 Robert Morris, Untitled from the Firestorm series, 1982, Charcoal, ink, graphite, and airbrushed pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36279 Louise Bourgeois, Tree with Woman, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78623 Richard Diebenkorn, Untitled (Ocean Park), 1986, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36263 Louise Bourgeois, Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11005 Robert Morris, Blind Time III, 1985, Graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36976 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon and pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37317 Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468 Alex Katz, Green Shadow #2, 1998, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00013 Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017 Robert Therrien, No Title (Large Red Brick Drawing), 2003, Print on paper, Tate, London. https://dartabase.art/cite/tate/AR00169 Paul McCarthy, Father Operation with Dog, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35000 Jenny Holzer, Phase II... Running Start Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01133 Matthew Barney, Stadium, (1991), Pencil on paper with self lubricating plastic frame with ice packs, velcro and thread, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35196 Edward Ruscha, DEC. 30th, 2005, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00065 Roy Lichtenstein, Study for Interior with Mobile, 1991, Pencil on tracing paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35284 Jake Berthot, For Adorno #5, (1989), Ink on torn paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35581 Louise Bourgeois, Mamelles, 1991, cast 2001, Rubber, fibreglass and wood, Tate, London. https://dartabase.art/cite/tate/T11916 Gary Simmons, boom, 1996/2003, White pigment and pastel on blackboard-paint primed panel, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33390 Leon Polk Smith, [Untitled], 1979, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33723 Jackie Ferrara, Drawing for A200 AJUT, 1979, Felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38541 Louise Bourgeois, Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11004 Glenn Ligon, Study for Frankenstein #1, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35355 Jim Dine, Cold Key West Winter, Summer 1983, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37729 Louise Bourgeois, Sculptress, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77690 Jake Berthot, For Adorno #4, (1989), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35580 Louise Bourgeois, Tree with Trunk, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78622 Alex Katz, Grey Marine, 2000, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00016 Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264 Raymond Pettibon, No Title (Last request with...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33148 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320 Susan Rothenberg, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34806 Raymond Pettibon, No Title (Paint unspeakable.), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33797 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37735 Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985 Louise Bourgeois, Amputee, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78625 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626 Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422 Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823 Raymond Pettibon, No Title (Learning to talk...), 1989, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33804 Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831 Abby Leigh, My Personal Atlas, 2004, Cotton paper, with inclusions, colored pencil and overlaid with watermarked abaca and ink, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4632 Ellen Driscoll, Spill, 2001, Watercolor, gouache, black chalk, and graphite on three joined sheets of white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5322 Vija Celmins, Untitled (Web 3), 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00478 Sol LeWitt, [Untitled], 1982, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38469 Vija Celmins, Drypoint - Ocean Surface, 1983, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00467 Raymond Pettibon, No Title (For this reason...), 1992, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33791 Robert Motherwell, The Red and Black #51, 1987, Torn-and-pasted printed paper and handwritten music on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37697 Raymond Pettibon, No Title (Dumped in Arizona...), 1984, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35558 Robert Motherwell, 18 October 1987 Sketchbook #18, 1987, Conté crayon on plastic sheet, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37673 Louise Bourgeois, Blue Dress, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78628 Tom Levine, Opus 67 No. 1, 1987, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35267 Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906 Elizabeth Murray, Note for DIS PAIR, 1989, Crayon on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37315 Ellen Driscoll, In the Net, 2001, Black ink, watercolor, black chalk, graphite, and white crayon on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5325 Robert Gober, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34687 Martin Puryear, [Untitled], 1989, Pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37214 Edward Ruscha, CROSSOVER DREAMS, 1991, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00060 Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089 Martin Puryear, Malediction, 1989, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37207 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635 David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807 Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827 Sol LeWitt, Black over Colors, 1992, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36636 Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833 Raymond Pettibon, No Title, 1991, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33230 John Baldessari, Study for Splattered Faces, (1990), Cut-and-taped printed paper with crayon, pencil, and felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36191 Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750 Edward Ruscha, HOPE, 1998, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00063 Richard Serra, Egypt, (1989), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35380 Louise Bourgeois, Amputee with Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78627 Louise Bourgeois, Untitled (Safety Pins), 1991, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77679 Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826 Vija Celmins, Constellation - Uccello, 1983, Aquatint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00606 Jim Dine, Cold Key West Winter, 1981, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37726 Kikuo Saito, [Untitled], 1980, Handmade paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37092 Carroll Dunham, [Untitled], 1998, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33970 John Baldessari, [Untitled], (1989), Crayon on cut-and-taped printed paper on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36237 Jasper Johns, Spring, 1986, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35552 John Cage, Wild Edible Drawing # 6, 1990, Handmade paper of mulberry, burdock, hibiscus stems, barley, hijiki, and clover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36559 Louise Bourgeois, Tree with Red Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78629 Ellen Gallagher, [Untitled], 1998, Oil paint and enamel on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00067 Elizabeth Murray, Note for DIS PAIR, 1990, a: Crayon and traces of pencil on lined notebook paper. b: Pencil on lined notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37320 James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264 Louise Bourgeois, Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11003 Bruce Nauman, Model for Animal Pyramid II, 1989, Cut-and-taped gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34726 John Morris, [Untitled], (1992–2000), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38708 Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304 Kevin Appel, House - South Rotation: 3 Northwest, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35476 Brice Marden, Aphrodite Study, 1991–93, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37245 Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426 Tony Oursler, Camcorder 9, 1993, Watercolor and graphite on paper, laminated, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33094 Elizabeth Murray, Popeye, 1982, Pastel and charcoal on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36630 Raymond Pettibon, No Title (As a man...), 1991, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33800 Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832 Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332 Win Knowlton, Plowman, 1984, Ink and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33619 Alan Cote, Bright Light, 1980, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36899 John Baldessari, [Untitled], (1986), Crayon and pressure-sensitive stickers on synthetic polymer sheet overlay on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36222 Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6602 Raymond Pettibon, No Title (Make your deathbed...), 1991, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33793 Christopher Wool, [Untitled], 1989, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36509 Bruce Nauman, Untitled (Hand Circle), 1996, Bronze, silver solder and copper, Tate, London. https://dartabase.art/cite/tate/AR00580 Ellen Driscoll, Under the Roof, 2001, Ink and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5321 James Rosenquist, Drawing of Leakey, Ride for Dr. Leakey, 1985, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37021 Alex Katz, Daisies #2, 1992, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00006 Ellen Gallagher, Skinatural, 1997, Oil, pencil and modelling clay on magazine page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36063 Sue Williams, Bunnies, 2004, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4864 Robert Therrien, No Title (Stacked Plates), 2010, Plastic, Tate, London. https://dartabase.art/cite/tate/AR01127 Vija Celmins, Reverse Galaxy, 2010, Etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01157 H. C. Westermann, Death Ship, Out of San Pedro, Adrift, 1980, Ebony, brass, copper, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270951 Richard Prince, Untitled ("Black crows..."), 1990, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34752 Paul McCarthy, Blessing, 1989–90, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34999 Louise Bourgeois, [Untitled], 1989, Ink, charcoal, and crayon on burned paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35104 Richard Prince, Untitled ("I wasn't invited here..."), 1986, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34751 John Cage, Wild Edible Drawing # 8, 1990, Handmade paper of milkweed, cattail, saffron, pokeweed, and hijiki, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36563 Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273 Raymond Pettibon, No Title (With all the...), 1987, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33799 Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630 Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204 David Moreno, [Untitled], 1994, Ballpoint pen, synthetic polymer glue, and pigment on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35032 Roy Lichtenstein, Study for Imperfect Painting, 1986, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38729 Richard Prince, [Untitled], 1991, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5072 Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432 Richard Serra, Videy Drawing XIX, 1991, Paintstik on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35347 Christopher Wool, [Untitled], 1986, Enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35386 Alex Katz, Winter Branch, 1993, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00008 Claes Oldenburg, Characters and Props from "Il Corso del Coltello" Along the Canale do San Marco, Coltello Ship in "Background - Version II", 1986, Pastel, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37885 Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616 Richard Prince, [Untitled], 1985, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34769 Goldenvoice, Flier for The Beastie Boys with Fishbone at the Hollywood Palladium, February 7, 1987, ink on paper (fiber product); H x W: 8 3/8 × 10 13/16 in. (21.2 × 27.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752626-0