Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878

Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900

Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899

Max Ernst, Natural History (Histoire naturelle), c. 1925, published 1926, Portfolio of thirty-four collotypes after frottage, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10056

Yves Tanguy, [Untitled], (c. 1949), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37009

Yves Tanguy, [Untitled], 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36823

Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893

Louise Bourgeois, Paternity, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77685

Louise Bourgeois, Tree with Shoes, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78624

Louise Bourgeois, Sleeping Man, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77688

Max Ernst, Sun and Forest (Soleil et forêt), 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36573

Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430

Louise Bourgeois, Sewing, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77683

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35924

Yves Tanguy, Letter to Paul Éluard, 1933, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37218

Yves Tanguy, The Great Mutation, 1942, Cut-and-pasted painted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35845

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35915

Yves Tanguy, [Untitled], 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34927

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242

Louise Bourgeois, Hold Up, 1989, Suspender sewn on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35025

Yves Tanguy, [Untitled], (c. 1938), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36863

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35916

Roberto Matta, Endless Nude, 1938, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35068

Louise Bourgeois, Amputee with Peg Leg, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78626

Yves Tanguy, [Untitled], 1938, Colored ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36855

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463

Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111

Marcel Duchamp, Monte Carlo Bond (No. 12), 1924, Cut-and-pasted gelatin silver prints on lithograph with letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32984

Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888

Louise Bourgeois, [Untitled], c. 1943, Crayon, ink, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35039

Yves Tanguy, [Untitled], 1942, Tempera on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35933

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35925

Louise Bourgeois, Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, monotype, and embossing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11000

André Masson, Automatic Drawing, (1924), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38201

Yves Tanguy, [Untitled], n.d., Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37047

Louise Bourgeois, Children in Tub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77694

André Masson, Caribbean Landscape, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34762

Joan Miró, Drawing - Collage, 1936, Crayon and decals on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35199

Jean (Hans) Arp, Mountain, Navel, Anchors, Table, 1925, Gouache on board with cutouts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33669

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050

Max Ernst, Helio Alcohodada, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38131

Yves Tanguy, [Untitled], 1939, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36876

Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621

Louise Bourgeois, [Untitled], 1943, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35046

Yves Tanguy, [Untitled], 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37000

Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), 1921, Gouache, ink, and pencil on printed paper on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35940

Max Ernst, [Untitled], 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33501

Max Ernst, Here Everything Is Still Floating (Hier ist noch alles in der Schwebe), 1920, Cut-and-pasted printed paper and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35971

Max Ernst, Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), 1946–47, Gouache on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37044

André Masson, Street Singer, 1941, Cut-and-pasted painted and printed paper with conté crayon, ink, pencil, gouache, leaf, insect wings, and sand on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34895

Louise Bourgeois, Toilette, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77682

Yves Tanguy, .a: Untitled (1932), .b: Untitled (1933), 1941, .a: Pencil, pen and ink, and cut-and-pasted printed paper; .b: Ink and cut-and-pasted printed, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36713

Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887

Yves Tanguy, [Untitled], 1939, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36888

Jean (Hans) Arp, Untitled (Automatic Drawing), 1917–18, dated 1916, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34023

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35927

Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899

Max Ernst, Forest and Sun, 1931, Graphite frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37053

Louise Bourgeois, Tree, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78621

Jean (Hans) Arp, Untitled (Collage with Squares Arranged according to the Law of Chance), 1916–17, Torn-and-pasted paper and colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37013

Henry Moore, Sculpture and Red Rocks, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33081

Max Ernst, Maternity (Study for Surrealism and Painting), 1942, Pencil and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36973

Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034

Yves Tanguy, [Untitled], 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36960

Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377

Jean (Hans) Arp, Plate (folio 4) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19631

Louise Bourgeois, [Untitled], 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35074

Balthus (Baltusz Klossowski de Rola), Study for Nude with Cat, (c. 1949), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36570

Yves Tanguy, [Untitled], 1942, Ink, colored ink and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35934

Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889

Yves Tanguy, Volière (Aviary), 1941, Cut-and-pasted paper, gouache, pencil, and watercolor on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36707

Yves Tanguy, [Untitled], n.d., Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37039

Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77689

Francis Picabia, A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31864

Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213

Salvador Dalí, Cavalier of Death, 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33037

Louise Bourgeois, [Untitled], 1946, Pencil on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35053

Yves Tanguy, [Untitled], 1942, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35932

Francis Picabia, Fuel Pump (Pompe à combustible), 1922, Pencil, ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33814

Louise Bourgeois, Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint and roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11006

Yves Tanguy, [Untitled], (c. 1942), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36972

Marcel Duchamp, Designs for Chessmen, c. 1920, Ink, pencil, and relief printing on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35308

Louise Bourgeois, [Untitled], 1951, signed 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36914

Yves Tanguy, Untitled (pages from Breton-Tanguy Notebook), 1941, White ink on colored paper (recto); Cut-and-pasted paper, gouache, pencil, and watercolor on colored paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36715

Yves Tanguy, [Untitled], 1931, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35711

Louise Bourgeois, [Untitled], 1965, Gouache on pink card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35089

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35920

Balthus (Baltusz Klossowski de Rola), A Young Girl, 1947, Chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33043

Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561

Max Ernst, Hypertrophic Trophy (hypertrophie trophäe, trophée hypertrophique), 1920, Line block print with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33629

Louise Bourgeois, Scissors, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77686

Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901

Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433

Yves Tanguy, [Untitled], 1926, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35802

Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364

Yves Tanguy, [Untitled], 1949, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33576

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490

Yves Tanguy, [Untitled], 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36846

Balthus (Baltusz Klossowski de Rola), Study for the painting La Chambre Turque, 1963, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37888

Max Ernst, Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), 1920, Gouache and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35951

Francis Picabia, New York, 1913, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34734

Marcel Duchamp, L.H.O.O.Q. Shaved, 1965, Playing card with colored ink on printed invitation, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37231

Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902

Max Ernst, Farewell My Beautiful Land of Marie Laurencin (Adieu mon beau pays de Marie Laurencin), 1920, Line block print with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35906

Max Ernst, The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), 1920, Gouache, pencil, and ink on printed wallpaper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35454

Marcel Duchamp, Handmade Stereopticon Slide, c. 1918–19, Pencil on gelatin silver prints mounted on black-paper-surfaced board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34823

Louise Bourgeois, Empty Nest, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77692

Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882

Yves Tanguy, [Untitled], 1936, Decalcomania (ink transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33159

Yves Tanguy, [Untitled], 1942, Ink, colored ink and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35923

Max Ernst, The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), 1950, Two etchings, one inkless, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12359

Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858

Balthus (Baltusz Klossowski de Rola), Illustrations for Bronte: Wuthering Heights. a) "...The Room is Haunted! I'm Afraid of Being Alone!". b) "Miss Cathy Seized Him Again", (1933), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35526

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35922

André Masson, Myself Drawing Dante, 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34533

Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895

Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897

Louise Bourgeois, Woman with Suitcase, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77693

Yves Tanguy, [Untitled], 1942, Ink, colored ink and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35930

André Masson, The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32010

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35917

Yves Tanguy, [Untitled], n.d., Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37058

Louise Bourgeois, Woman in Bathtub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77691

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35919

Louise Bourgeois, Birth, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77684

Max Ernst, Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste), 1931, Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35777

Yves Tanguy, .a: Untitled, .b: (untitled), 1941, .a: Cut-and-pasted paper, and gouache on colored paper; .b: Paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36717

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35929

Max Ernst, The Horse He's Sick (Un Peu malade le cheval), 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35468

Joan Miró, Collage (Study for Painting, June 13, 1933), 1933, Cut-and-pasted photomechanical reproductions and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34537

Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144

Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884

Yves Tanguy, .a: Les Attitudes Spectrales (1926), .b: Cinquantenaire de L'Hystérie (1927), 1941, .a: Ink and cut-and-pasted printed paper on paper; .b: Pencil, ink, cut-and-pasted paper, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36710

Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35928

Francis Picabia, Dada Movement (Mouvement Dada), 1919, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35993

Louise Bourgeois, Maman, 1999, Steel and marble, Tate, London. https://dartabase.art/cite/tate/T12625

Roberto Matta, Condors and Carrion (Condors y carroña), 1941, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33401

Yves Tanguy, [Untitled], (1945), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35859

Louise Bourgeois, Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11002

Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892

André Breton, Poème-Objet from VVV Portfolio, 1942, published 1943, Postcard, thread, sequins, and ink on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32001

Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057

Louise Bourgeois, Untitled, plate 3 of 9, from the portfolio, Ode à ma mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11001

Louise Bourgeois, Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10998

Louise Bourgeois, Woman and Clock, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77687

Yves Tanguy, [Untitled], 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36940

Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525

Francis Picabia, [Untitled], 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38301

Pablo Picasso, Studies of a Rooster, c. 1896, Colored chalk on beige antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5361

Yves Tanguy, [Untitled], 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34608

Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176

David Hare, Untitled from VVV Portfolio, c. 1941, published 1943, Gelatin silver print on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32009

Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898

Yves Tanguy, [Untitled], (c. 1942), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36977

Yves Tanguy, [Untitled], 1939, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36872

Louise Bourgeois, Amoeba, 1963–5, cast 1984, Bronze, Tate, London. https://dartabase.art/cite/tate/T07780

Henry Moore, Studies for Sculpture, 1934, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33657

Yves Tanguy, [Untitled], 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37005

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35926

Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949

Yves Tanguy, [Untitled], (c. 1949), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37019

Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877

Roberto Matta, [Untitled], 1942, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38253

Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894

André Masson, Birth of Birds, (c. 1925), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35616

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228

Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420

André Masson, Prisoner of the Mirror: Transfiguring Your Death, (1939), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34912

Joan Miró, Drawing-Collage, 1933, Conté crayon, postcards, sandpaper, and cut-and-pasted printed paper on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36332

Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061

Yves Tanguy, [Untitled], (c. 1938), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36866

Yves Tanguy, [Untitled], 1939, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36882

Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757

Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008

Louise Bourgeois, Boy and Girl, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77695

Yves Tanguy, [Untitled], n.d., Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37054

Roberto Matta, [Untitled], 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35228

Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880

Yves Tanguy, [Untitled], 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35691

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35931

Louise Bourgeois, Avenza, 1968–9, cast 1992, Plaster and latex, Tate, London. https://dartabase.art/cite/tate/T07781

Louise Bourgeois, Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11007

Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445

Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890

Max Ernst, The Hat Makes the Man (C'est le chapeau qui fait l'homme), 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35478

Yves Tanguy, .a: Untitled (page from Breton-Tanguy Notebook), .b: Untitled (page from Breton-Tanguy Notebook), 1941, .a: Ink, pencil, and colored pencil on paper; .b: Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36708

Yves Tanguy, [Untitled], 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36987

Louise Bourgeois, Tree with Woman, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78623

Louise Bourgeois, Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11005

Yves Tanguy, [Untitled], 1939, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36869

Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017

Louise Bourgeois, Mamelles, 1991, cast 2001, Rubber, fibreglass and wood, Tate, London. https://dartabase.art/cite/tate/T11916

Salvador Dalí, Studies of Horsemen, 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35278

André Breton, [Untitled], 1935, Decalcomania (ink transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33058

Max Ernst, Alice in 1941, 1941, Oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38542

Yves Tanguy, [Untitled], 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36933

Yves Tanguy, [Untitled], 1945, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34937

André Breton, Poème-Objet from VVV Portfolio, c. 1942, Postcard, thread, sequins, and ink on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33217

Louise Bourgeois, Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11004

Louise Bourgeois, Sculptress, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77690

Louise Bourgeois, Tree with Trunk, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78622

Max Ernst, Butterflies (Papillons), 1931, Cut-and-pasted printed and painted paper, cellophane, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35461

Balthus (Baltusz Klossowski de Rola), a) Study for Cathy Dressing b) Study for The Street, (1933), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35769

Yves Tanguy, [Untitled], 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36829

Yves Tanguy, [Untitled], n.d., Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37062

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35918

Louise Bourgeois, Amputee, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78625

André Masson, Praying Mantis, c. 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37492

André Masson, Gérard de Nerval, 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34548

Yves Tanguy, [Untitled], 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36834

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35914

Yves Tanguy, [Untitled], 1940, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36926

Francis Picabia, Self-Portrait, (1923), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38310

Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952

André Masson, Pasiphaë, 1945, Pastel on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36754

Joan Miró, Woman (Opera Singer), 1934, Pastel and pencil on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37242

André Masson, Werewolf, (1944), Pastel and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34438

Louise Bourgeois, Blue Dress, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78628

Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427

Yves Tanguy, [Untitled], (c. 1949), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37014

Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160

Yves Tanguy, [Untitled], 1947, Gouache, ink, and crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34467

Louise Bourgeois, [Untitled], 1950, Gouache, pencil, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35082

Max Ernst, The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), 1950, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10140

Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011

Roberto Matta, Fiery Landscape (Paysage Flammifére), 1940, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37663

Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879

Louise Bourgeois, [Untitled], c. 1965, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35096

Salvador Dalí, Studies of a Nude, 1935, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38241

Marcel Duchamp, Sundays, 1909, Conté crayon, ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37779

Marcel Duchamp, Conversation, 1909, Pen and ink and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37774

Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646

Louise Bourgeois, Amputee with Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78627

Louise Bourgeois, Untitled (Safety Pins), 1991, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77679

Henry Moore, Seated Figures, II, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33648

Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885

Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414

Yves Tanguy, .a: Untitled (1936), .b: Aspect Zénithal de Jacques Vaché (1937), 1941, .a: Pencil, pen and ink, and cut-and-pasted printed paper; .b: Ink and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36714

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196

Yves Tanguy, [Untitled], 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36954

Francis Picabia, Portrait (Possibly Raymond Radiquet), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38507

Yves Tanguy, [Untitled], 1947, Gouache, ink, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36303

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35921

Louise Bourgeois, Tree with Red Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78629

Yves Tanguy, [Untitled], 1926, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35945

Joan Miró, The Family, 1924, Charcoal, chalk, and conté crayon on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36647

Balthus (Baltusz Klossowski de Rola), Study for The Street, (1929), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37490

Balthus (Baltusz Klossowski de Rola), Study for The Room, 1949, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35652

Jean (Hans) Arp, Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31859

Louise Bourgeois, Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11003

Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507

André Masson, Battle of the Fishes, (1927), Chalk, charcoal, conté crayon, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38251

Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891

Louise Bourgeois, Throbbing Pulse, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35031

Yves Tanguy, .a: Untitled, .b: Untitled, 1941, .a: Pencil on colored paper; .b: Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36711

Yves Tanguy, [Untitled], 1942, Ink and colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35912

Balthus (Baltusz Klossowski de Rola), Study of a Nude, (1964), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37884

Louise Bourgeois, [Untitled], 1947, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35065

Jean (Hans) Arp, Untitled (Squares Arranged According to the Laws of Chance), 1917, Cut-and-pasted colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37166

Louise Bourgeois, [Untitled], 1989, Ink, charcoal, and crayon on burned paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35104

Roberto Matta, Joan of Arc, 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36247

André Masson, Furious Suns, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35670

Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896

Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560

Yves Tanguy, [Untitled], (c. 1942), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36967