Paul Sérusier, Kleine Landschaft mit Tangfischern, c. 1889, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3249

František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252

Auguste Rodin, Nude with Serpent, (c. 1900–05), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35331

Paul Gauguin, L'Esprit veille, c. 1899–1900, Monotypie (Druckzeichnung) in Schwarz und Braun, geringfügig braun aquarelliert, auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/99081

Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734

Edvard Munch, Jealousy I, 1896, printed after 1906, Lithograph in black on ivory Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/160076

Auguste Rodin, Two Figures, (n.d.), Watercolor and pencil on paper; 11 7/8 x 8 1/16 in. (30.2 x 20.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862415-1

Edvard Munch, Boys Bathing, 1896, Color burnished aquatint, inked à la poupée, on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59772

Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19811

Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736

Georges Rouault, Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16788

Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243

Aristide Maillol, Frau mit Krabbe, 1900–1909 (vor 1913), Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4600

Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723

Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633

František Kupka, Girl with a Ball, c. 1908, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37352

Auguste Rodin, Tanzende mit nach hinten geworfenem Kopf, Rückansicht, c. 1890–1917, Bleistift und Aquarell auf rosa getöntem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11474

Georges Rouault, Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16706

Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905

Vasily Kandinsky, Plate (folio 12) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19637

Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547

Georges Rouault, Trial proof for It is Hard to Live..., plate XII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16661

Gustav Klimt, Three Courtesans (Drei stehende Frauenakte), c.1907–10, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33119

Paul Gauguin, Portrait of Meijer de Haan, 1889, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37805

Pierre Puvis de Chavannes, Work, c. 1863, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1194

Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11638

Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504

Georges Rouault, Woman at a Table (The Procuress), 1906, Watercolor and pastel on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37216

Alfred Kubin, Christ's Entry into Jerusalem (Der Einzug in Jerusalem), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37522

Auguste Rodin, Leaving the Earth, 1900/05, Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66961

Hans von Marées, Jünglinge in einer Landschaft ("Zwei Jünglinge"), c. 1875, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3138

Alfred Kubin, Homecoming (Heimkehr), (c. 1924), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37536

Auguste Rodin, The Walking Man, Modeled 1877–1900, cast before 1917, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/69852

Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991

Edvard Munch, Eifersucht, 1913, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2776

Georges Rouault, Trial proof for Eternally Scourged..., plate III from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16567

Vasily Kandinsky, Round Poetry (Runde Dichtung), 1933, Watercolor, opaque watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38631

Auguste Rodin, Adam, Modeled 1881, cast c. 1924, Bronze with dark brown patina, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11320

Georges Rouault, Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16605

Auguste Rodin, Stretching Figure, c. 1900–1906, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35633

Vasily Kandinsky, Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment), 1919 (published 1920), Complete set of eight issues of periodical, with line block reproductions in most, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16449

Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), 1898–1899, woodcut on very thin Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7343

Georges Rouault, Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16663

Auguste Rodin, Standing Nude with Draperies, n.d., Watercolor and graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66956

Alfred Kubin, Untitled (The Eternal Flame) (Die ewige Flamme), c. 1900, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37516

Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14926

Henri Fantin-Latour, Debut from "Paradise and the Peri" (2nd plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6846

Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/109819

Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061

Paul Gauguin, L'Esprit veille, c. 1899–1900, Blaue Kreide und Aquarell über Bleistift auf dünnem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102558

Henri Fantin-Latour, Pastoral, 1896, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6848

Georges Rouault, Trial proof for Abandoned, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19822

Georges Rouault, Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere, c. 1922–1927, Lift ground aquatint and aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24653

Gustav Klimt, Two Reclining Nudes, 1905–1906, Colored pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334899

Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908

Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050

Auguste Rodin, The Embrace, 1900–1910, Graphite, watercolor, and gouache, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334656

Georges Rouault, Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16824

Eugène Carrière, Der Schlaf, 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/109085

Vasily Kandinsky, Watercolor No. 14 (Aquarell No. 14), 1913, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34914

Georges Rouault, Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, 1923, Aquatint and lift ground aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16284

Auguste Rodin, Bust of Balzac, 19th-20th century, Bronze with black-brown patina, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5137

Fernand Khnopff, Der Jagdaufseher, 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1790

Georges Rouault, Entretien avec M. Clot, n.d., Watercolor, crayon, ink, gilt paint, and turpentine wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37870

Alfred Kubin, In a Dream (Im Traum), c. 1903, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36916

Gustav Klimt, Standing Woman (Stehende Schwangere mit reich ornamentiertem Gewand nach rechts), c. 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32979

Georges Rouault, The Three Judges, 1913, Gouache and oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33219

Auguste Rodin, Head of Balzac, 1895–1896, cast c. 1902–1910, Bronze with black-brown patina, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5494

Georges Rouault, Trial proof for Street of the Lonely, plate XXIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16675

Vasily Kandinsky, Untitled (Ohne Titel), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36657

Pierre Puvis de Chavannes, Maria Magdalena in der Wüste (Madeleine à la Sainte-Baume), 1869, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1444

Gustav Klimt, Two Women Reclining, c. 1905–06, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334902

Vasily Kandinsky, The Horseman (Reiter), 1916, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33992

Paul Gauguin, Maruru (Thank You), 1894, printed 1941, woodcut on coated wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7352

Auguste Rodin, Reclining Woman, c. 1900–06, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35622

Alfred Kubin, The Last King (Der Letzte König), (c. 1900–03), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37543

František Kupka, Admiration, c. 1899, Gouache, charcoal, watercolor, crayon, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33684

Georges Rouault, Trial proof for The Condemned is Led Away..., plate XVIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16670

Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014

Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250

Georges Rouault, Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16665

Gustave Doré, Alpine Landschaft mit Wildbach, nach 1870, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1539

Henri Fantin-Latour, Evocation of Kundry (2nd plate), 1883, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6850

Vasily Kandinsky, Kallmünz - Hellgrüne Berge, 1903, Öl auf vorgrundierter Leinwand, auf Karton kaschiert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128291

Georges Rouault, Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16701

Vasily Kandinsky, Black Relationship (Schwarze Beziehung), 1924, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36689

Hans von Marées, Zwei sitzende Kinder, 1885–1887, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1971

Henri Fantin-Latour, Manfred and Astarte (1st plate), 1879, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6842

Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16281

Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966

Georges Rouault, Trial proof for Old Mother, Now Cries Alone, c. 1922–1927., Lift ground aquatint, aquatint, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/21924

Paul Gauguin, Te Atua (The Gods) Small Plate [verso], in or after 1895, woodcut in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7347

Auguste Rodin, Eve after the Fall, Modeled 1883, carved c. 1886, Marble, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16963

Vasily Kandinsky, Watercolor No. 13 (Aquarell No. 13), 1913, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34897

Georges Rouault, Trial proof for Jesus Mocked..., plate II from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16551

Alfred Kubin, Polar Bear (Eisbär), 1901–02, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38778

Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925

Vasily Kandinsky, Study for Painting with White Form (Entwurf zu Bild mit weisser Form), 1913, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34885

Edvard Munch, Boys Bathing, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17267

Georges Rouault, Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere, 1922, Aquatintand drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16651

Henri Fantin-Latour, Siegfried and the Rhine Maidens, 1836, black crayon on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6847

Eugène Carrière, Portrait of Paul Verlaine, 1896, Lithograph in black from two stones on China paper, laid down on cream wove paper (chine collé), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27729

Georges Rouault, Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere, c. 1922–1927, Aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12335

Henri Fantin-Latour, Blumenstillleben: Herbstchrysanthemen in einer weißen Vase, 1889, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2029

Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895

František Kupka, Bather, (1906), Pastel and charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37271

Gustav Klimt, Standing Nude, 1906–07, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334898

Auguste Rodin, Sorrow, Modeled 1882, cast c. 1913–23, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13600

Gustave Doré, Don Quixote and Sancho Panza Entertained by Basil and Quiteria, 1863?, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436207

Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843

Georges Rouault, Man with Spectacles, 1917, Watercolor and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34664

Georges Rouault, Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16668

Pierre Puvis de Chavannes, Rest, c. 1863, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1193

Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236

Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220

Hans Thoma, In der Hängematte, 1876, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2864

Hans Thoma, Unter dem Flieder, 1871, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3760

James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448

Henri Fantin-Latour, Stillleben mit Stiefmütterchen, 1892, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1886

Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7351

Gustav Klimt, Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334896

Auguste Rodin, Nude Study, (c. 1890–92), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35263

Gustav Klimt, Profile of a Girl (Study for 'Thalia and Melpomene') (Brustbild eines Mädchens mit langem Haar im Profil nach links), 1898–99, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38245

Pierre Puvis de Chavannes, Summer, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95287

Auguste Rodin, Pivoting Nude, Seen from Above, 1896/1900, Watercolor and graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4841

Georges Rouault, Circus Trainer, 1915, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37601

Eugène Carrière, Rodin Sculpting, 1900, Lithograph from two stones, with scraping on stone, on tan wove paper, lined with linen, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105773

Auguste Rodin, The Age of Bronze, 1875–76, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/98627

Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728

Vasily Kandinsky, Improvisation, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33718

Henri Fantin-Latour, Weeper: Study of a Nude Woman, Seated with Profile to Right, 1899, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6844

Paul Gauguin, I Raro Te Oviri (Under the Pandanus), 1891, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.4

Vasily Kandinsky, Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), 1931, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37596

Gustav Klimt, Reclining Nude, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334906

Henri Fantin-Latour, Manfred and Astarte (2nd plate), 1881, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6843

Edvard Munch, Man Bathing, 1899, Color woodcut from two blocks on grayish ivory card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17265

Henri Fantin-Latour, Duet from "The Trojans" (6th plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6845

Alfred Kubin, The Reciter (Der Rezitator), (c. 1923), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38685

Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876

Auguste Rodin, Seated Woman, 1900–06, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35605

Henri Fantin-Latour, Marie-Yolande de Fitz-James, 1867, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150851

Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823

Giovanni Segantini, Alpenlandschaft bei Sonnenuntergang, 1895–1898, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1545

Auguste Rodin, Eva, 1881, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4585

Paul Gauguin, Mahana Atua (Day of the Gods), 1894, printed 1921, woodcut on China paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7344

Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927

František Kupka, Replica of Fugue in Two Colors: Amorpha, 1912, (1946), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34761

Georges Rouault, Circus Act, 1905, Pastel, charcoal, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34911

Paul Gauguin, Human Misery (Misères humaines), 1898–1899, woodcut on Japan paper, perimeter mounted, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7349

František Kupka, Study in Verticals (The Cathedral), (1912), Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34122

Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901

Edvard Munch, In der Schenke, 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3215

Gustav Klimt, Reclining Nude with Drapery, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334903

Auguste Rodin, Faun; Der alte Baum; Die alte Eiche, c. 1885, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4423

Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089

Eugène Carrière, Paul Verlaine, 1849, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5909

Gustave Moreau, Pietà, 1867, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1363

Paul Gauguin, In the Waves (Dans les Vagues), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149410

Auguste Rodin, Sunset, n.d., Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66958

Georges Rouault, Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, 1923, Lift ground aquatint, etching, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14925

James Ensor, Mädchen mit Masken (Kommunion), 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3321

Henri Fantin-Latour, Tannhäuser, 1886, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95265

Hans Thoma, „Die Öd“ (Blick auf den Holzhausenpark), 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3109

Auguste Rodin, Heroic Head of Pierre de Wissant, One of the Burghers of Calais, 1886, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/100824

Hans Thoma, Bildnis Ida Müller, geb. Scholderer, 1877, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3501

Georges Rouault, Trial proof for The Bay Of The Dead, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12360

Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149

Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7345

Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171

Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904

František Kupka, Replica (1946) of Vertical Planes, (1946), Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34788

Vasily Kandinsky, Church at Murnau (Kirche in Murnau), 1909, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36284

Alfred Kubin, On the Tower Stairs (Auf der Turmtreppe), (n.d.), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37553

Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873

František Kupka, View from a Carriage Window, c. 1901, Gouache and watercolor on paper with cardboard overlay, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34108

Alfred Kubin, Government (Der Staat), 1901, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33912

Paul Gauguin, The Call, 1902, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123168

Ferdinand Hodler, Profile of  Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827

Hans Thoma, Der Krieg, 1907, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1984

Paul Gauguin, Te Atua (The Gods) Small Plate [recto], in or after 1895, woodcut in black on very thin Japan paper, mounted face down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7346

František Kupka, [Untitled], c. 1925–30, Colored pencil, pencil, ink, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38250

František Kupka, An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31875

Georges Rouault, Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16924

Georges Rouault, Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, 1923, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16620

Hans Thoma, Selbstbildnis vor Birkenwald, 1899, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1360

Eugène Carrière, Sleep, 1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5908

Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7350

Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278

Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164

Georges Rouault, Trial proof for "With Tooth and Nail," plate L from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16884

František Kupka, Study with Green, (c. 1912), Chalk and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38151

Vasily Kandinsky, Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31873

Auguste Rodin, Two Female Figures Embracing, n.d., Pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37848

Paul Gauguin, The Large Tree, 1891, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148297

Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665

Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057

Auguste Rodin, Kneeling Woman, 1900–06, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35613

Auguste Rodin, Nude Woman Standing, Seen from the Back with Her Hands on Her Hips, 1898/1900, Graphite with stumping, watercolor and pen and black ink on cream wove paper prepared with a light blue wash, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241755

Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127115

František Kupka, Prometheus, (1909), Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36018

Paul Gauguin, Te Atua (The Gods) Small Plate, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7348

Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464