Jean Antoine Watteau, Head of a Man, c. 1718, Red and black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334650 François Boucher, Tête-à-tête, 1764, black chalk heightened with white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1835 François Boucher, Soldat Chinois, 1738–1745, Etching on laid paper, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399896997-0 Jean Antoine Watteau, Two Studies of a Dancer, Raising Her Skirt in Her Two Hands, 1712/13, Red chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158393 Jean Honoré Fragonard, Nymph Astride a Satyr (Jeune fille a califourchon sur un satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7284 Thomas Gainsborough, John, 4th Earl of Darnley, 1785, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1161 George Romney, Bildnis eines jungen Mannes an seinem Lesetisch, 1775 - c. 1795, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1327 Thomas Gainsborough, Mountain Landscape with Bridge, c. 1783/1784, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/114 Thomas Gainsborough, Georgiana, Duchess of Devonshire, 1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/100 George Romney, Mrs. Alexander Blair, 1787–1789, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1216 George Romney, Miss Juliana Willoughby, 1781–1783, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/111 George Romney, Mrs. Thomas Scott Jackson, c. 1770/1773, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/101 Jean Antoine Watteau, Study for "The Romancer" (Le Conteur), c. 1716, red chalk; red and black chalk (upper left figure), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110060 Jean Honoré Fragonard, The Satyrs' Dance (Danse de satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2935 François Boucher, Apollo and Clytie, 1747–67, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.16 Thomas Gainsborough, Rocky, Wooded Landscape with a Dell and Weir, c. 1782–1783, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152006 Jean Antoine Watteau, Stehende männliche Figur (Bildnis des Nicolas Vleughels), c. 1718–1719, Rötel und Bleigriffel, Einfassungslinie mit der Feder in Braun (Tinte), auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8040 Jean Honoré Fragonard, Le concours/Kinderszene: Wettbewerb oder Unterweisung im Lesen, c. 1780–1785, Aquarell über schwarzer Kreide, grau und braun laviert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7431 Jean Honoré Fragonard, Nymph Supported by Two Satyrs (Nymphe s'asseyant sur les mains de deux satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7282 Jean Honoré Fragonard, The Little Park (Le petit parc), c. 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2966 Jean Antoine Watteau, Die Einschiffung nach Kythera, c. 1709–1710, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2134 François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008 George Romney, Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, c. 1776, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/186402 Thomas Gainsborough, Portrait of George Pitt, First Baron Rivers, 1769, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145999 Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431 George Romney, Mrs. Davies Davenport, 1782–1784, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/112 François Boucher, Drawing for "La Colonne Trajane", 18th century, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334847 François Boucher, Aurora and Cephalus, c. 1766, brown chalk with stumping on light beige laid paper, with later framing line in brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2156 François Boucher, The Chinese Fair, designed 1742 (woven 1743–1745), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.14 Jean Honoré Fragonard, The Satyr's Family (La famille du satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2933 François Boucher, Die Wasserfälle von Tivoli, 1730, Schwarze und weiße Kreide auf blauem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8049 François Boucher, Drawing for "La Colonne Trajane", 18th century, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334848 Jean-Marc Nattier, Bildnis der Anna Elisabeth Leerse (1698-1776), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1198 Jean-Marc Nattier, Portrait of a Woman, c. 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125951 Thomas Gainsborough, The Hon. Mrs. Thomas Graham, c. 1775/1777, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1160 Jean Honoré Fragonard, Nymph Astride a Satyr, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334643 Thomas Gainsborough, Portrait of Mary Wise, c. 1774, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/124080 Thomas Gainsborough, Mrs. Paul Cobb Methuen, c. 1776/1777, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1159 Jean Honoré Fragonard, Nymph Supported by Two Satyrs, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334641 George Romney, Prospero, Miranda, and Caliban, from The Tempest, c. 1786, Graphite on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/116239 Jean Honoré Fragonard, The Satyrs' Dance, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334644 Thomas Gainsborough, Miss Catherine Tatton, 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/106 Jean-Marc Nattier, Portrait of a Woman and her Dog, 1750, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.895 Jean Honoré Fragonard, Nymph Astride a Satyr (Jeune fille a califourchon sur un satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2934 Jean-Marc Nattier, Bildnis des Frankfurter Bankiers Johann Georg Leerse (1691-1762), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1197 François Boucher, Fountain with Two Tritons Blowing Conch Shells, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130150 Jean Honoré Fragonard, The Satyr's Family (La famille du satyre), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7285 George Romney, Figure of a Woman, c. 1776, Brush and brown ink on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51382 François Boucher, Venus appuyee sur son cher Adonis ..., 1767, black and white chalk on faded blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2216 George Romney, Sketchbook, 1793/94, Book with eleven graphite drawings on cream wove paper, bound in colored marble paperboard cover with brown leather spine and gold stamps, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11883 Jean-Marc Nattier, Portrait of a Woman as Diana, 1752, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122347 Jean Honoré Fragonard, The Tax Collectors (Les traitants), 1778, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2967 François Boucher, Academic Study of a Reclining Male Nude, c. 1750, Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196175 Thomas Gainsborough, Mrs. John Taylor, c. 1778, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/107 Jean Honoré Fragonard, The Armoire, 1778, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2931 Jean Honoré Fragonard, The Satyr's Family, 1763, Etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334642 Jean Honoré Fragonard, The Supper at Emmaus, 1760/61, Black chalk on ivory laid paper, laid down on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/221187 George Romney, Lady Arabella Ward, 1783–1788, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1217 Thomas Gainsborough, Mrs. Richard Brinsley Sheridan, 1785–1787, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/99 Jean Honoré Fragonard, The Satyrs' Dance (Danse de satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7283 Jean Honoré Fragonard, Nymph Supported by Two Satyrs (Nymphe s'asseyant sur les mains de deux satyres), 1763, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2932