Otto Dix, Passer-By (Schreitende), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34917

Otto Dix, Self-Portrait (Selbstporträt), 1922, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34693

George Grosz, The Christmas Brothers, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36787

George Grosz, Fit for Active Service (Kriegsverwendungsfähig), 1918, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35441

George Grosz, Anna Peter, 1926–27, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32996

Otto Dix, A Riddled Wall (Zerschossene Mauern), (1916), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35838

George Grosz, "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35058

George Grosz, Max Herrmann-Neisse, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35233

George Grosz, Seated Girl (Sitzendes Mädchen), 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37552

George Grosz, Methusalem. Costume design for the play Methusalem, 1922, Watercolor, ink, metallic paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34705

Otto Dix, Beautiful Mally (Die schöne Mally), 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37043

George Grosz, An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33882

George Grosz, Café, c. 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33203

George Grosz, Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso), c. 1920, Ink on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33002

Otto Dix, Café Couple (Paar im Café), 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34237

George Grosz, At the Circus Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37491

George Grosz, Metropolis (Grossstadt), 1917, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34605

Otto Dix, Old Woman ( Alte Dame ), 1932, Silverpoint and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35561

Otto Dix, A Soldier Writing (Schreibender Soldat), 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35853

Otto Dix, At the Café (Im Café), 1922, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33053

George Grosz, Air Attack (Fliegerbombe), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33173

Otto Dix, Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust), 1920, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38377

George Grosz, Punishment (Strafe), 1934, Watercolor and opaque watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35002

George Grosz, The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], 1913, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33054

George Grosz, Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), 1924, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38684

George Grosz, The End of the Day, c. 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33080

George Grosz, Republican Automatons (Republikanische Automaten), 1920, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34169

George Grosz, At the Cirque Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37484

George Grosz, The Last Soldier, 1937, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34670

George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643

Otto Dix, This is Ursus Dix (Das ist Ursus Dix), 1933, Silverpoint on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35683

George Grosz, Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33869