Otto Dix, Passer-By (Schreitende), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34917 Otto Dix, Self-Portrait (Selbstporträt), 1922, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34693 Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734 Käthe Kollwitz, Schwangere Frau, 1910, Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28015 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19811 Käthe Kollwitz, Bread (Brot), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8197 Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736 Käthe Kollwitz, Brustbild einer Arbeiterfrau mit blauem Tuch, 1903, Kreide- und Pinsellithografie von zwei Steinen in Blau (Zeichenstein) über Hellbraun (Tonstein), mit Schabeisen im Zeichenstein, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27995 Käthe Kollwitz, Losbruch, 1902–1903, Strichätzung, Kaltnadel, Aquatinta, Reservage sowie Vernis Mou mit Durchdruck von zwei Stoffen und Zieglerschem Umdruckpapier in Braun, mit dem Pinsel in brauner und weißer Deckfarbe sowie Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28121 Käthe Kollwitz, Schlafende mit Kind, 1929, Holzschnitt in Schwarz auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28104 Paula Modersohn-Becker, Mädchenkopf, c. 1905, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3998 Georges Rouault, Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16788 Marc Chagall, Maternity, 1912, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35553 Georges Rouault, Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16706 Vasily Kandinsky, Plate (folio 12) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19637 Ernst Ludwig Kirchner, Wildboden, c. 1924, Aquarell und Gouache über Bleistift auf Velinkarton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10679 Ernst Ludwig Kirchner, Bildnis Dr. Carl Hagemann, 1928–1933, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2042 Ernst Ludwig Kirchner, Sailor Saying Goodbye (Matrose sich verabschiedend), (1914), Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33951 Emil Nolde, Magicians (Zauberer), (1931–35), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37718 Emil Nolde, Amaryllis and Anemone (Amaryllis und Anemone), (c. 1930), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33097 Georges Rouault, Trial proof for It is Hard to Live..., plate XII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16661 Ernst Ludwig Kirchner, Mondnacht; Handorgler in Mondnacht, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2062 Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145 Marc Chagall, Eiffel Tower from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32007 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11638 Georges Rouault, Woman at a Table (The Procuress), 1906, Watercolor and pastel on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37216 Ernst Ludwig Kirchner, Szene im Café, c. 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114801 Käthe Kollwitz, Beggars, 1924, charcoal, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8141 Käthe Kollwitz, Ruf des Todes, 1937?, Kreidelithografie auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28145 Georges Rouault, Trial proof for Eternally Scourged..., plate III from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16567 Vasily Kandinsky, Round Poetry (Runde Dichtung), 1933, Watercolor, opaque watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38631 Käthe Kollwitz, Frauenakt, 1910?, Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28019 Georges Rouault, Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16605 Ernst Barlach, Standing Figure with Extinguished Torches, 1922, charcoal on green-gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4144 Vasily Kandinsky, Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment), 1919 (published 1920), Complete set of eight issues of periodical, with line block reproductions in most, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16449 Ernst Ludwig Kirchner, Zwei Frauen mit Waschbecken; Die Schwestern, 1913, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2050 Ernst Ludwig Kirchner, Street Scene (Strassenszene), 1914, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36343 Marc Chagall, Standing Nude, (1904), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36854 Georges Rouault, Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16663 Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14926 Ernst Ludwig Kirchner, Traurige Frau; Stehender weiblicher Akt; Nacktes Mädchen, 1921, Arvenholz bemalt, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4343 Georges Rouault, Trial proof for Abandoned, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19822 Ernst Ludwig Kirchner, Fehmarn-Häuser, 1908, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2441 Georges Rouault, Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere, c. 1922–1927, Lift ground aquatint and aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24653 Otto Dix, A Riddled Wall (Zerschossene Mauern), (1916), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35838 Ernst Ludwig Kirchner, Tänzerin, c. 1933, Bleistift auf kalandriertem Velinkarton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11726 Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908 Georges Rouault, Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16824 Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612 Ernst Barlach, The Hornblower (Der Hornbläser), 1927, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32975 Vasily Kandinsky, Watercolor No. 14 (Aquarell No. 14), 1913, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34914 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 Käthe Kollwitz, Märzfriedhof, 1913, Kreidelithografie (Umdruck) in Schwarz auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28023 Georges Rouault, Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, 1923, Aquatint and lift ground aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16284 Georges Rouault, Entretien avec M. Clot, n.d., Watercolor, crayon, ink, gilt paint, and turpentine wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37870 Lovis Corinth, Self-Portrait with Reflections, 1925, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33361 Georges Rouault, The Three Judges, 1913, Gouache and oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33219 Georges Rouault, Trial proof for Street of the Lonely, plate XXIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16675 Ernst Ludwig Kirchner, Seated Woman with Hat (Sitzende mit Hut), 1908–09, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34549 Vasily Kandinsky, Untitled (Ohne Titel), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36657 Lovis Corinth, Slaughtered Pig (Geschlachtetes Schwein), 1906–07, Chalk and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37429 Käthe Kollwitz, Germany's Children are Hungry! (Deutschlands Kinder Hungern!), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8199 Ernst Ludwig Kirchner, Akt im Atelier, c. 1910, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2418 Käthe Kollwitz, Self-Portrait at the Table (Selbstbildnis am Tisch), probably 1893, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8182 Vasily Kandinsky, The Horseman (Reiter), 1916, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33992 Käthe Kollwitz, Beim Dengeln, 1905, Strichätzung, Kaltnadel, Schmirgel sowie Vernis mou mit Durchdruck von Bütten in Schwarz, mit Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28156 Ernst Ludwig Kirchner, Varieté, c. 1909–1910, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2135 Käthe Kollwitz, Bettelnde (Begging), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8150 Lovis Corinth, Walchensee im Winter, 1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3992 Georges Rouault, Trial proof for The Condemned is Led Away..., plate XVIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16670 Georges Rouault, Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16665 Otto Dix, Beautiful Mally (Die schöne Mally), 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37043 Lovis Corinth, Wolfgang Gurlitt, (1917), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37434 Vasily Kandinsky, Kallmünz - Hellgrüne Berge, 1903, Öl auf vorgrundierter Leinwand, auf Karton kaschiert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128291 Georges Rouault, Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16701 Vasily Kandinsky, Black Relationship (Schwarze Beziehung), 1924, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36689 Käthe Kollwitz, Drei Männer in der Gaststube, 1891–1892 ?, Strichätzung und Kaltnadel in Schwarz auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27963 Marc Chagall, Untitled from My Life, 1922, published 1923 (hand additions executed 1946), Title page with hand additions from a portfolio of twenty etchings, fifteen with drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/22273 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16281 Georges Rouault, Trial proof for Old Mother, Now Cries Alone, c. 1922–1927., Lift ground aquatint, aquatint, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/21924 Lovis Corinth, Selbstbildnis, 1923, Aquarell auf rauem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/13571 Ernst Ludwig Kirchner, Das Leben, 1928–1932, Gewebte Wolle, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2095 Vasily Kandinsky, Watercolor No. 13 (Aquarell No. 13), 1913, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34897 Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105 Georges Rouault, Trial proof for Jesus Mocked..., plate II from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16551 Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925 Vasily Kandinsky, Study for Painting with White Form (Entwurf zu Bild mit weisser Form), 1913, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34885 Georges Rouault, Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere, 1922, Aquatintand drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16651 Otto Dix, Café Couple (Paar im Café), 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34237 Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312 Lovis Corinth, Woman Carrying a Basket (recto); Untitled (Study for Portrait of Frau Luther) (verso), c. 1910, Pencil on paper (recto); Pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37438 Georges Rouault, Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere, c. 1922–1927, Aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12335 Ernst Ludwig Kirchner, Längmatte bei Monduntergang, 1919, Farbholzschnitt von mehreren (nach Schiefler vier zerteilten) Stöcken in Hellblau, Rosa, Dunkelblau, Grün, Gelb, Orangerot, Dunkelrot und Weiß auf glattem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/99384 Lovis Corinth, Carmencita, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2048 Ernst Barlach, The Miser (Der Geizige), 1922, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33060 Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843 Käthe Kollwitz, Nie wieder Krieg, 1924, Kreide- und Pinsellithografie (Umdruck) in Schwarz auf Velinpapier (braunes Affichenpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28081 Georges Rouault, Man with Spectacles, 1917, Watercolor and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34664 Georges Rouault, Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16668 Ernst Ludwig Kirchner, Liegender weiblicher Akt, c. 1923, Pinsel in Schwarz über Bleistift auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20595 Otto Dix, Old Woman ( Alte Dame ), 1932, Silverpoint and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35561 Ernst Ludwig Kirchner, Lake with Sailboats, c. 1912, Graphite and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5365 Ernst Ludwig Kirchner, Liegende Frau in weißem Hemd, c. 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3983 Lovis Corinth, Leonid Osipovich Pasternak, (1923), Crayon and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37270 Marc Chagall, Homage to Gogol. Design for curtain for Gogol festival, 1917, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33623 Ernst Ludwig Kirchner, Bildnis Erna mit Hut, c. 1917, Rohrfeder in blaugrauer Tinte, Blindlinien (trockene Rohrfeder?) und Bleistift auf weiß gestrichenem Velin-Karton (halbmatt), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11768 Käthe Kollwitz, Die Klage, 1938–1941, Bronze (Wachsausschmelzverfahren), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4346 Ernst Ludwig Kirchner, Self-Portrait with Pipe (Selbstbildnis mit Pfeife), (July 23, 1914), Ink, crayon, watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37232 Georges Rouault, Circus Trainer, 1915, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37601 Ernst Ludwig Kirchner, Port Scene (Hafenbild), 1908, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8103 Marc Chagall, Golgotha, 1912, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33331 Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728 Vasily Kandinsky, Improvisation, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33718 Lovis Corinth, Self-Portraits (Selbstbildnisse), 1902, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38265 Vasily Kandinsky, Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), 1931, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37596 Käthe Kollwitz, Frau mit totem Kind, 1903, Strichätzung, Kaltnadel, Schmirgel sowie Vernis mou mit Durchdruck von geripptem Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/100108 Otto Dix, A Soldier Writing (Schreibender Soldat), 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35853 Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927 Georges Rouault, Circus Act, 1905, Pastel, charcoal, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34911 Otto Dix, At the Café (Im Café), 1922, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33053 Ernst Ludwig Kirchner, Stehender Akt mit Hut, 1910, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4028 Otto Dix, Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust), 1920, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38377 Georges Rouault, Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, 1923, Lift ground aquatint, etching, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14925 Ernst Ludwig Kirchner, Berliner Straßenszene, c. 1914, Pastellkreiden und Kohle auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11716 Lovis Corinth, The Artist's Wife Asleep, 1902–03, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33352 Ernst Ludwig Kirchner, Two Nudes in a Landscape (Zwei Akte im Freien), c. 1908–10, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35352 Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000 Käthe Kollwitz, Heraus mit unsern Gefangenen, 1919, Kreide- und Pinsellithografie (Umdruck) in Schwarz mit gelbem Tonstein auf dünnem Papier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/133477 Georges Rouault, Trial proof for The Bay Of The Dead, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12360 Käthe Kollwitz, Die Carmagnole, 1901, Strichätzung, Kaltnadel, Aquatinta bzw. Pinselätzung und Schmirgel in Braun auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27987 Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737 Vasily Kandinsky, Church at Murnau (Kirche in Murnau), 1909, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36284 Ernst Ludwig Kirchner, Szene im Wald (Moritzburger Teiche), c. 1909–1925, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2417 Ernst Ludwig Kirchner, Bucht an der Fehmarnküste, 1913, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2767 Ernst Ludwig Kirchner, Wrestlers in a Circus, 1909, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142792 Käthe Kollwitz, The End (Ende), 1897, aquatint, etching, and emery stone pencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8229 Georges Rouault, Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16924 Georges Rouault, Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, 1923, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16620 Otto Dix, This is Ursus Dix (Das ist Ursus Dix), 1933, Silverpoint on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35683 Ernst Ludwig Kirchner, Drehende Tänzerin, c. 1931–1932, Aquarell und Pinsel in Schwarz über Bleistift auf glattem Velinkarton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/11780 Emil Nolde, Papuan Head (Papua-Kopf), 1914, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35944 Käthe Kollwitz, Die Freiwilligen, 1921–1922, Holzschnitt in Schwarz auf Japanpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28063 Ernst Ludwig Kirchner, Mutter und Kind; Frau und Mädchen, 1924, Arvenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4655 Käthe Kollwitz, Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn), 1910, etching and drypoint in black-brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8218 Georges Rouault, Trial proof for "With Tooth and Nail," plate L from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16884 Lovis Corinth, Self-Portrait (Selbstbildnis), 1922, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37306 Vasily Kandinsky, Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31873 Ernst Ludwig Kirchner, Frankfurter Westhafen, 1916, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3981 Ernst Ludwig Kirchner, Brandenburger Tor, 1929, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2813 Ernst Ludwig Kirchner, Cover of the Fourth Yearbook of the Artist Group the Brucke, 1909, woodcut in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8104 Käthe Kollwitz, Inspiration, 1904–1905, Strichätzung, Kaltnadel, Reservage, Schmirgel und Vernis mou mit Durchdruck von Bütten in Braun, mit Bleistift, schwarzer und brauner Kreide überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28003 Marc Chagall, Vaslaw Nijinsky, (1911), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37234 Otto Mueller, Adam und Eva, c. 1913–1922, Leimfarben auf Rupfen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2004 Ernst Ludwig Kirchner, Nackte Frau am Fenster, 1922–1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3982 Marc Chagall, Study for Birthday, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36449 Emil Nolde, Gypsy Girl (Zigeunermädchen), (1920–21), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33285 Paula Modersohn-Becker, Liegender Mann unter blühendem Baum, 1903, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2197