Morris Graves, Joyous Young Pine, 1944, Watercolor and gouache on paper on fabric, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34637 Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734 George Grosz, The Christmas Brothers, 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36787 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19811 Morris Graves, Little-Known Bird of the Inner Eye, 1941, Tempera on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33282 Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736 Georges Rouault, Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16788 Marc Chagall, Maternity, 1912, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35553 George Grosz, Fit for Active Service (Kriegsverwendungsfähig), 1918, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35441 Georges Rouault, Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16706 Vasily Kandinsky, Plate (folio 12) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19637 Georges Rouault, Trial proof for It is Hard to Live..., plate XII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16661 George Grosz, Anna Peter, 1926–27, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32996 Marc Chagall, Eiffel Tower from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32007 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11638 Georges Rouault, Woman at a Table (The Procuress), 1906, Watercolor and pastel on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37216 Georges Rouault, Trial proof for Eternally Scourged..., plate III from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16567 Vasily Kandinsky, Round Poetry (Runde Dichtung), 1933, Watercolor, opaque watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38631 Georges Rouault, Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16605 Vasily Kandinsky, Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment), 1919 (published 1920), Complete set of eight issues of periodical, with line block reproductions in most, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16449 Marc Chagall, Standing Nude, (1904), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36854 Georges Rouault, Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16663 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14926 Georges Rouault, Trial proof for Abandoned, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19822 Morris Graves, Fledgling, 1940, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34729 Georges Rouault, Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere, c. 1922–1927, Lift ground aquatint and aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24653 Morris Graves, Bat Dancing for a Slug, 1943, Watercolor and gouache on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33729 Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908 Georges Rouault, Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16824 Vasily Kandinsky, Watercolor No. 14 (Aquarell No. 14), 1913, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34914 Georges Rouault, Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, 1923, Aquatint and lift ground aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16284 Georges Rouault, Entretien avec M. Clot, n.d., Watercolor, crayon, ink, gilt paint, and turpentine wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37870 George Grosz, "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35058 George Grosz, Max Herrmann-Neisse, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35233 Georges Rouault, The Three Judges, 1913, Gouache and oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33219 Georges Rouault, Trial proof for Street of the Lonely, plate XXIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16675 Vasily Kandinsky, Untitled (Ohne Titel), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36657 Morris Graves, Roman Nightfall Piece, 1938, Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33322 Vasily Kandinsky, The Horseman (Reiter), 1916, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33992 George Grosz, Seated Girl (Sitzendes Mädchen), 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37552 Morris Graves, Crow, 1942, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35904 Morris Graves, Snake and Moon, 1938–39, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33333 George Grosz, Methusalem. Costume design for the play Methusalem, 1922, Watercolor, ink, metallic paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34705 Morris Graves, The Individual State of the World, 1947, Tempera on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32986 Georges Rouault, Trial proof for The Condemned is Led Away..., plate XVIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16670 Georges Rouault, Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16665 Vasily Kandinsky, Kallmünz - Hellgrüne Berge, 1903, Öl auf vorgrundierter Leinwand, auf Karton kaschiert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128291 Georges Rouault, Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16701 Vasily Kandinsky, Black Relationship (Schwarze Beziehung), 1924, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36689 Marc Chagall, Untitled from My Life, 1922, published 1923 (hand additions executed 1946), Title page with hand additions from a portfolio of twenty etchings, fifteen with drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/22273 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16281 Georges Rouault, Trial proof for Old Mother, Now Cries Alone, c. 1922–1927., Lift ground aquatint, aquatint, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/21924 George Grosz, An Orderly. Costume design for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33882 George Grosz, Café, c. 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33203 Vasily Kandinsky, Watercolor No. 13 (Aquarell No. 13), 1913, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34897 Georges Rouault, Trial proof for Jesus Mocked..., plate II from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16551 Morris Graves, German Nightfall Piece, 1938, Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33233 Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925 Vasily Kandinsky, Study for Painting with White Form (Entwurf zu Bild mit weisser Form), 1913, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34885 George Grosz, Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso), c. 1920, Ink on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33002 Georges Rouault, Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere, 1922, Aquatintand drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16651 George Grosz, At the Circus Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37491 Georges Rouault, Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere, c. 1922–1927, Aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12335 Morris Graves, Bird Singing in the Moonlight, 1938–39, Tempera and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33165 Morris Graves, Owl of the Inner Eye, 1941, Tempera on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33310 Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843 Morris Graves, Nestling, 1940, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33296 Georges Rouault, Man with Spectacles, 1917, Watercolor and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34664 Georges Rouault, Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16668 George Grosz, Metropolis (Grossstadt), 1917, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34605 Marc Chagall, Homage to Gogol. Design for curtain for Gogol festival, 1917, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33623 Georges Rouault, Circus Trainer, 1915, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37601 Marc Chagall, Golgotha, 1912, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33331 Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728 Vasily Kandinsky, Improvisation, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33718 Vasily Kandinsky, Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), 1931, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37596 Morris Graves, English Nightfall Piece, 1938, Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33202 Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927 Georges Rouault, Circus Act, 1905, Pastel, charcoal, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34911 George Grosz, Air Attack (Fliegerbombe), 1915, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33173 Georges Rouault, Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, 1923, Lift ground aquatint, etching, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14925 Morris Graves, French Nightfall Piece, 1938, Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33215 George Grosz, Punishment (Strafe), 1934, Watercolor and opaque watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35002 Georges Rouault, Trial proof for The Bay Of The Dead, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12360 George Grosz, The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], 1913, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33054 George Grosz, Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), 1924, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38684 George Grosz, The End of the Day, c. 1919, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33080 Morris Graves, In the Moonlight, 1938–39, Tempera and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33267 George Grosz, Republican Automatons (Republikanische Automaten), 1920, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34169 Vasily Kandinsky, Church at Murnau (Kirche in Murnau), 1909, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36284 George Grosz, At the Cirque Medrano (Im Zirkus Medrano), 1924, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37484 Morris Graves, Blind Bird, 1940, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33183 Morris Graves, Woodpeckers, 1941, Gouache and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33355 George Grosz, The Last Soldier, 1937, Watercolor, opaque watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34670 George Grosz, Circe (recto); Untitled (verso), 1927, Watercolor and ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33643 Georges Rouault, Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16924 Georges Rouault, Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, 1923, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16620 Morris Graves, Unnamed Bird of the Inner Eye, 1941, Tempera and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33345 Georges Rouault, Trial proof for "With Tooth and Nail," plate L from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16884 Vasily Kandinsky, Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31873 George Grosz, Fritzke and Birkholz. Costume designs for the play The Case of Sergeant Grischa (Der Streit um den Sergeanten Grischa), c. 1930, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33869 Marc Chagall, Vaslaw Nijinsky, (1911), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37234 Marc Chagall, Study for Birthday, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36449