Max Ernst, Natural History (Histoire naturelle), c. 1925, published 1926, Portfolio of thirty-four collotypes after frottage, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10056

Max Ernst, Sun and Forest (Soleil et forêt), 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36573

Jean (Hans) Arp, Mountain, Navel, Anchors, Table, 1925, Gouache on board with cutouts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33669

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Max Ernst, Helio Alcohodada, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38131

Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), 1921, Gouache, ink, and pencil on printed paper on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35940

Max Ernst, [Untitled], 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33501

Max Ernst, Here Everything Is Still Floating (Hier ist noch alles in der Schwebe), 1920, Cut-and-pasted printed paper and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35971

Max Ernst, Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), 1946–47, Gouache on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37044

Jean (Hans) Arp, Untitled (Automatic Drawing), 1917–18, dated 1916, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34023

Max Ernst, Forest and Sun, 1931, Graphite frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37053

Jean (Hans) Arp, Untitled (Collage with Squares Arranged according to the Law of Chance), 1916–17, Torn-and-pasted paper and colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37013

Max Ernst, Maternity (Study for Surrealism and Painting), 1942, Pencil and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36973

Jean (Hans) Arp, Plate (folio 4) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19631

Francis Picabia, A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31864

Francis Picabia, Fuel Pump (Pompe à combustible), 1922, Pencil, ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33814

Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561

Max Ernst, Hypertrophic Trophy (hypertrophie trophäe, trophée hypertrophique), 1920, Line block print with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33629

Max Ernst, Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), 1920, Gouache and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35951

Francis Picabia, New York, 1913, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34734

Max Ernst, Farewell My Beautiful Land of Marie Laurencin (Adieu mon beau pays de Marie Laurencin), 1920, Line block print with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35906

Max Ernst, The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), 1920, Gouache, pencil, and ink on printed wallpaper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35454

Max Ernst, The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), 1950, Two etchings, one inkless, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12359

Max Ernst, Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste), 1931, Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35777

Max Ernst, The Horse He's Sick (Un Peu malade le cheval), 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35468

Francis Picabia, Dada Movement (Mouvement Dada), 1919, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35993

Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525

Francis Picabia, [Untitled], 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38301

Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008

Max Ernst, The Hat Makes the Man (C'est le chapeau qui fait l'homme), 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35478

Max Ernst, Alice in 1941, 1941, Oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38542

Max Ernst, Butterflies (Papillons), 1931, Cut-and-pasted printed and painted paper, cellophane, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35461

Francis Picabia, Self-Portrait, (1923), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38310

Max Ernst, The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), 1950, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10140

Francis Picabia, Portrait (Possibly Raymond Radiquet), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38507

Jean (Hans) Arp, Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31859

Jean (Hans) Arp, Untitled (Squares Arranged According to the Laws of Chance), 1917, Cut-and-pasted colored paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37166