Antoine Caron, The Feast [central part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/464

Italy, Band, 17th century, Linen, silk, appliqué embroidery on knotted net, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.45

Astor Lace & Trimmings, Length of white machine lace and cardboard spool, mid-late 20th century, synthetic net lace, cardboard, and adhesive; a: length of lace; Length (a: end to end): 304 in. (772.2 cm); Width: 5 in. (12.7 cm); b: cardboard spool; Length (b: cardboard spool): 8 in. (20.3 cm); Width: 12 in. (30.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1768644485034-1768644488008-0

Italy, Panel from a Chasuble, 18th century, Silk and metallic threads, lampas weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.20

Designer: attributed to Laurent Guyot, Heralds on Horseback, designed 1610–1612 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.5

France (Arras), The Falconers, 1435–45, Wool, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.34

Jay Smith, Pink pleated bustier with ruffled hem, 1980s, cotton twill, synthetic crin, plastic, metal, and synthetic felt; Length (bust to hem): 17in (43.2 cm); Width (bust): 32 in. (81.3 cm); Waist: 25 1/2 in. (64.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1747135278264-1747135281222-1

Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159

Antoine Caron, The Riding Lesson, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.7

Royal Savonnerie Manufactory, Chaillot Workshops, Panel: Spring, c. 1715, Savonnerie knotted-pile (144 symmetrical rug knots per square inch); wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129250

Ann Lowe, Dress designed by Ann Lowe, c. 1960, silk, chiffon, taffeta, net, metal, and elastic; H x W x D (On form): 42 1/2 × 24 × 16 1/2 in. (108 × 61 × 41.9 cm); Waist: 24 in. (61 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742547-0

France, Lacework in progress, 18th century, Linen, paper, point d'Alençon, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.32

Royal Savonnerie Manufactory, Chaillot Workshops, Louis XV Savonnerie Carpet with Royal Arms, c. 1740–50, Savonnerie knotted pile (symmetrical ruf knot), wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128056

Wilton, Racing shirt for the New York Pioneer Club worn by Ted Corbitt, 1950s, fleece on cotton; H x W: 23 1/4 × 15 3/8 in. (59 × 39 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750078-0

François Boucher, Apollo and Clytie, 1747–67, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.16

Italian 16th Century, Silk Medallion Rug, late 16th century, silk pile on silk warp and weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1656

United States (New York), Rose of Sharon quilt, c. 1850, Cotton, hand appliquéd and pieced, quilted, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.260

Italian 17th Century, Arabesque Band Carpet, c. 1650, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1654

J. Crew, Suit worn by Dr. Jamal Harrison Bryant to a protest in Ferguson, Missouri, October 13, 2014, .1: wool cloth, rayon and polyester blend cloth, and plastic buttons;; .2: wool cloth, rayon cloth, plastic and metal fasteners; H x W x D (.1 flat): 32 3/4 × 26 3/4 × 1/4 in. (83.2 × 67.9 × 0.6 cm); H x W x D (.2 flat): 42 1/4 × 19 1/2 × 3/4 in. (107.3 × 49.5 × 1.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750076-0

Soffe, Undershirt worn by Adm. Michelle Howard as rear admiral (lower half), 2009, cotton and polyester; H x W (flat): 28 × 17 1/4 in. (71.1 × 43.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748663-1

Raoul Dufy, Les Fruits D'Afrique (The Fruits of Africa), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13066

Italy, Cuffs, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.535a%2C%20b

France, Panel, c. 1730, Silk, metallic threads, complex weave with discontinuous weft patterning, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.24.4

United States, Trellis-back side chair, 1800–10, Mahogany, maple, silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.15.8

Italy, Pillow Slip, 16th century, Linen, silk, embroidered, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.144a%2C%20b

François Boucher, The Chinese Fair, designed 1742 (woven 1743–1745), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.14

Mississippi Freedom House Co-Op, Male doll with tan clothing, c. 1965, cotton (textile); H x W x D: 16 1/2 x 12 x 2 in. (41.9 x 30.5 x 5.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743854-0

Antoine Caron, Exercise in the Assault and Defense of a Bastion, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.8

Italian 17th Century, Polonaise Carpet, first half 17th century, silk pile and metal brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1651

Italian 17th Century, Polonaise Rug, first half 17th century, silk pile with gold and silver brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1652

Fruit of Islam, Fruit of Islam uniform, c. 1960, polyester with cotton (textile) , patent leather, National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743189-0

France, Band, 18th century, Linen, point d'Alençon, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.86

France, Panel, 1825, Cotton, copperplate or roller-printed fabric, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.5

France, The Virgin and Saint John, c. 1520, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.13

France, Edging, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.27

Henri de Toulouse-Lautrec, The Laundress, 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129221

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86365

Possibly France (Nantes), The Hunts, first half of the 19th century, Roller printed, cotton, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.39

Italian 17th Century, Scenic Animal Carpet, c. 1625, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1653

Designer: Jean-Baptiste Monnoyer and collaborators, The Camel, designed 1686–1688 (woven 1688–1695), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.39

Linda Page, Black fur hat with woven trim and bow, 1960s-1970s, fur felt, rayon Petersham ribbon, silk, and adhesive; H x W x D: 5 1/2 × 14 × 13 × 21 in. (14 × 35.6 × 33 × 53.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1743503106385-1743503109015-0

Possibly France, Edging, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.25.17

Italy, Band, 18th century, Silk, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.531

Italy, Border, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.119

Italy, Band, 16th–17th century, Linen, silk, cotton, embroidery on knotted net (lacis), lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.69

France, Lappet, 18th century, Lace, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.12

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86373

Designer: Central design attributed to Antoine Caron, or an artist of his generation, The Education of the Young King, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.6

Central design and cartoon by an unidentified painter, active in France, The Coronation Sacrifice, designed c. 1610 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.3

Italian 17th Century, Medallion and Animal Carpet, c. 1600, wool pile on silk warp and wool and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1655

Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164

Nicolas Besnier, Dream of Rinaldo, c. 1751, tapestry: undyed wool warp; dyed wool and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1612

Jean Baptiste Huet, Egyptian Monuments (Les monuments de l'Egypte), 19th century, Cotton, roller print; Textiles - Surface Ornamentation - Printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.43

Antoine Caron, The Petitions [right part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/463

Antoine Caron, The Queen’s Entry into the Harbor of Rhodes, designed 1562–68, Wool, silk, silver, silver-gilt yarns, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.9