China, Imperial Curtain Hanging, mid 18th century, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.310

Bian Wenyu, Scenic Beauty Along Rivers and Mountains, 1614, Ink and colors on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.38.1

Antoine Caron, The Feast [central part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/464

China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179

Designer: attributed to Laurent Guyot, Heralds on Horseback, designed 1610–1612 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.5

China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343

France (Arras), The Falconers, 1435–45, Wool, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.34

Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159

Antoine Caron, The Riding Lesson, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.7

Royal Savonnerie Manufactory, Chaillot Workshops, Panel: Spring, c. 1715, Savonnerie knotted-pile (144 symmetrical rug knots per square inch); wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129250

Thomas Hope, Settee, c. 1802–07, gilt-wood, reproduction wool upholstery, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169465

France, Lacework in progress, 18th century, Linen, paper, point d'Alençon, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.32

Royal Savonnerie Manufactory, Chaillot Workshops, Louis XV Savonnerie Carpet with Royal Arms, c. 1740–50, Savonnerie knotted pile (symmetrical ruf knot), wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128056

China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165

François Boucher, Apollo and Clytie, 1747–67, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.16

Yan Hui, The Lantern Night Excursion of Zhong Kui, late 1200s–early 1300s, handscroll; ink and slight color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136668

China, Lamaist priest hat, Kangxi period, 1662–1722, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.131

Mi Youren, Cloudy Mountains, 1130, Handscroll; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/113945

Raoul Dufy, Les Fruits D'Afrique (The Fruits of Africa), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13066

China, The monk Hva Shang, early 19th century, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.17.1

China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7

France, Panel, c. 1730, Silk, metallic threads, complex weave with discontinuous weft patterning, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.24.4

China, Daoist priest’s robe (jiangyi), Kangxi Period, 1662–1722, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.296

François Boucher, The Chinese Fair, designed 1742 (woven 1743–1745), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.14

China, The Abbot Mkhas-grub Rje, late 18th century–19th century, Silk brocade (thag-drub-ma), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.17.2

China, Rug, 19th century, Cotton, metallic threads, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.19

Antoine Caron, Exercise in the Assault and Defense of a Bastion, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.8

China, Daoist Priest's Robe (jiang yi), Late 18th century, Embroidered and appliqued satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.1

Zhu Sheng, Bamboo and Rocks, 1688, Ink on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.5

France, Band, 18th century, Linen, point d'Alençon, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.86

France, Panel, 1825, Cotton, copperplate or roller-printed fabric, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.5

France, The Virgin and Saint John, c. 1520, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.13

France, Edging, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.27

Henri de Toulouse-Lautrec, The Laundress, 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129221

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86365

Possibly France (Nantes), The Hunts, first half of the 19th century, Roller printed, cotton, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.39

Designer: Jean-Baptiste Monnoyer and collaborators, The Camel, designed 1686–1688 (woven 1688–1695), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.39

Possibly France, Edging, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.25.17

China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308

France, Lappet, 18th century, Lace, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.12

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86373

Designer: Central design attributed to Antoine Caron, or an artist of his generation, The Education of the Young King, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.6

Central design and cartoon by an unidentified painter, active in France, The Coronation Sacrifice, designed c. 1610 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.3

Nicolas Besnier, Dream of Rinaldo, c. 1751, tapestry: undyed wool warp; dyed wool and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1612

Jean Baptiste Huet, Egyptian Monuments (Les monuments de l'Egypte), 19th century, Cotton, roller print; Textiles - Surface Ornamentation - Printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.43

Antoine Caron, The Petitions [right part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/463

Antoine Caron, The Queen’s Entry into the Harbor of Rhodes, designed 1562–68, Wool, silk, silver, silver-gilt yarns, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.9