China, Imperial Curtain Hanging, mid 18th century, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.310

Bian Wenyu, Scenic Beauty Along Rivers and Mountains, 1614, Ink and colors on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.38.1

Formerly attributed to Mi Fu (傳)米芾 (1052-1107), Landscape: rain in a mountain gorge, 16th century?, Ink on silk; H x W (image): 92.3 × 39.1 cm (36 3/8 × 15 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390189973-0

Federal Works Agency, "Florida Pictorial" Quilt, 1939/1943, Appliquéd and embroidered quilt; dyed and printed cotton plain and satin weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158419

Laura Lange, Panel (Curtain Fabric), 1920s, Cotton, machine-made lace: twist net; machine embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35463

Anne Wilson, Dispersions (no. 20), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223145

Wiener Werkstätte, Waldfee (Fairy of the Woods) (Dress or Furnishing Fabric), 1912/17, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11989

Antoine Caron, The Feast [central part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/464

Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86367

Kano Tsunenobu 狩野常信 (1636-1713), Geese, moon and water-plants, mid 17th-early 18th century, Ink on silk; H x W (image): 38.9 × 70.9 cm (15 5/16 × 27 15/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390182904-0

Designer: Central design attributed to Henry Lerambert, Soldiers With Vases and a Litter, designed 1600–1606 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.2

Flanders (Tournai), The Ship of Virtues, c. 1528–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.15

Italy, Band, 17th century, Linen, silk, appliqué embroidery on knotted net, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.45

Formerly attributed to Mi Fu (傳)米芾 (1052-1107), Riverside pavilion, 1368–1644, Album leaf; ink on silk; H x W (image): 28.2 x 19.8 cm (11 1/8 x 7 13/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390187886-0

Lia Cook, Facing Touch, 2011, Cotton and rayon, weaving on digital hand loom, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/234539

Workshop of Daniel IV Leyniers, Procession of the Fat Ox from a Teniers Series, 1729–1768, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8 mm
Weft: Count: varies from 22 to 48 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.5–0.8 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.3–0.8 mm; wool and silk: three yarns, one yarn of S-ply of two Z-spun wool elements and two yarns of S-ply of two Z-twisted silk elements; diameters: 0.6–0.9 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73269

Astor Lace & Trimmings, Length of white machine lace and cardboard spool, mid-late 20th century, synthetic net lace, cardboard, and adhesive; a: length of lace; Length (a: end to end): 304 in. (772.2 cm); Width: 5 in. (12.7 cm); b: cardboard spool; Length (b: cardboard spool): 8 in. (20.3 cm); Width: 12 in. (30.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1768644485034-1768644488008-0

Workshop of Gerard Peemans, The Massacre at Jerusalem from The Story of Titus and Vespasian, 1650/75, Wool and silk; slit, dovetailed, and double interlocking tapestry weave
Warp: Count: 9 warps per cm; wool: S-ply of four Z-spun elements; diameters: 0.7–0.8 mm
Weft: Count: varies from 20 to 38 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.5–1.0 mm; silk: pairs and three yarns of S-ply of two Z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.8–1.0 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/78965

China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179

Italy, Panel from a Chasuble, 18th century, Silk and metallic threads, lampas weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.20

Claire Zeisler, Breakwater, 1968, Jute and wool, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/30659

Yvonne Palmer Pacanovsky Bobrowicz, Panel (Upholstery Fabric), 1951, Cotton, rayon, and polyolefin, float weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65133

Nana Tiko, Wrapper, Early-late 19th century, Silk, synthetic dye; H x W: 154 x 65.2 cm (60 5/8 x 25 11/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621406536-0

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110682

Hans Krondahl, Kyoto (Furnishing Fabric), 1965, Cotton, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51368

William Morris, Utrecht Velvet, Design c. 1871, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121947

Circle of Bernard van Orley, July, before 1528, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: varies from 8 to 10 warps per cm; wool; S-ply of six Z-spun elements; diameters: 0.4–0.7 mm
Weft: Count: varies from 22 to 44 wefts per cm; wool: S-ply of two Z-spun elements; S-ply of three Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.2–1.0 mm; silk; pairs of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted elements; diameters; 0.15–0.5 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73059

Wilda A. Rice, Collier's Magazine Cover Art Quilt, 1932, Painted, embroidered and pieced quilt; dyed and undyed cotton plain weave fabrics; paint and cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/185332

England, Embroidered panel, mid 17th century, Wrapped wire, silk and metallic threads, raised work embroidery, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.12.15

Designer: attributed to Laurent Guyot, Heralds on Horseback, designed 1610–1612 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.5

Anne Wilson, Dispersions (no. 22), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223146

Workshop of Jan van Tieghem, The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob, 1560/68, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 5 warps per cm; wool: S-ply of three Z-spun elements; diameter: 1.2 mm
Weft: Count: varies from 20 to 34 wefts per cm; wool: S-ply of two Z-spun elements; diameters; 0,4–1.2 mm; silk: S-ply of two Z-twisted elements; diameters: 0.5–1.5 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79796

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73172

China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343

Maria Monaci Gallenga, Panel, 1920/30, Cotton, plain weave with supplementary pile warps forming cut solid velvet; stenciled, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76769

France (Arras), The Falconers, 1435–45, Wool, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.34

Wauters Workshop, Orpheus Playing the Lyre to Hades and Persephone, from Orpheus and Eurydice or The Metamorphoses, c. 1685, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.8–1.0 mm
Weft: Count: varies from 18 to 40 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.4–1.1 mm; silk: Z-ply of two S-twisted elements; diameters: 0.4–0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/78969

Michael Olszewski, The Clearing, 2008, Silk and paper, crochet and crochet variations; appliquéd with silk, plain weaves, some printed, dyed, hole-punched, and discharge dyed and appliquéd with silk, ribbon; embroidered with silk; metal wire wrapped with silk; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217519

Amish, Amish "Four Patch" or "Bow Tie" Variation Quilt, c. 1900, Wool, cotton; appliquéd and quilted, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/281763

Dagobert Peche, Krone (Crown) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11992

Workshop of Elisabeth van Zuylen, Tubular Skirt (Sarong), 1900/25, Cotton, plain weave; hand-drawn wax resist dyed (batik tulis), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180384

Josef Hoffmann, Fragment, 1895/1915, Cotton and wool, plain weave with multi-color supplementary pile warps forming cut solid velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/137030

Jay Smith, Pink pleated bustier with ruffled hem, 1980s, cotton twill, synthetic crin, plastic, metal, and synthetic felt; Length (bust to hem): 17in (43.2 cm); Width (bust): 32 in. (81.3 cm); Waist: 25 1/2 in. (64.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1747135278264-1747135281222-1

Joseph Beuys, La Rivoluzione Siamo Noi, 1972, Silkscreen, ink and stamp on paper, Tate, London. https://dartabase.art/cite/tate/AR00624

Jennie C. Trein, "Sunday School Picnic" Quilt, 1932, Appliquéd, pieced and embroidered quilt; dyed and printed cotton, linen and rayon plain, twill, satin and patterned weave fabrics; cotton, silk and rayon embroidery fabrics; plastic liberty bell charm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158426

Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159

Francis Jourdain, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111433

Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887

Ella Maria Deacon, Friendship Quilt, 1842, Appliquéd and pieced quilt; dyed and printed plain weave cotton fabrics; ink inscriptions, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54071

Antoine Caron, The Riding Lesson, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.7

Royal Savonnerie Manufactory, Chaillot Workshops, Panel: Spring, c. 1715, Savonnerie knotted-pile (144 symmetrical rug knots per square inch); wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129250

Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" followed by two seals of the artist reading "Tae Wŏn Kun Chang" and "Sŏk P'a"; and with an additional seal of the artist at the far left reading "Tam Tam Ryu Su Ŭi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5855

India (Kashmir), Shawl (kussaba), 18th century, Wool, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.62.4

Designer: Central design and cartoon by a painter active in France, about 1610-1617, The Philosophers, c. 1611–27, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.1

Kim Yu-sŏng (also known as Sŏ-am), Landscape, dated 1764, Hanging scroll; ink and light colors on silk; with signature of the artist reading "So-chung-hwa Sŏ-am sa", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5109

Alfred Fehr, Student Notebook Containing Notes, Diagrams and Swatches, c. 1898–1900, Bound notebook of technical notes and weave samples: fabrics for clothing and mixed goods, ribbed and twill cottons, and jacquard; 176 pages, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230315

Norway, The Wise and Foolish Virgins, 17th century, Wool, bast fiber, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.18

Thomas Hope, Settee, c. 1802–07, gilt-wood, reproduction wool upholstery, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169465

Ann Lowe, Dress designed by Ann Lowe, c. 1960, silk, chiffon, taffeta, net, metal, and elastic; H x W x D (On form): 42 1/2 × 24 × 16 1/2 in. (108 × 61 × 41.9 cm); Waist: 24 in. (61 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742547-0

Netherlandish 16th Century, The Triumph of Christ ("The Mazarin Tapestry"), c. 1500, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1606

India (Kashmir), Embroidered Tablecover, 19th century, Wool, silk and gold threads, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.151

Formerly attributed to Liu Lüzhong (12th century), The Immortal Liu Hai, 16th-17th century, Ink on silk; H x W (image): 146.8 x 82 cm (57 13/16 x 32 5/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390191171-0

Charles Le Brun, Autumn, from The Seasons, 1700/20, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96698

France, Lacework in progress, 18th century, Linen, paper, point d'Alençon, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.32

Pieter Pannemaker I, The Crucifixion, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1608

Workshop of H. Mohammed Masina, Hip Wrapper (Kain Panjang), c. 1970, Cotton, plain weave; hand-drawn wax resist dyed (batik tulis), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/180391

Formerly attributed to Li You (11th or 12th century), Hawk on a leafless branch, 1279–1368, Ink and color on silk; H x W (image): 32.6 x 26.2 cm (12 13/16 x 10 5/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390186606-1

Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Silk, satin weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86371

Royal Savonnerie Manufactory, Chaillot Workshops, Louis XV Savonnerie Carpet with Royal Arms, c. 1740–50, Savonnerie knotted pile (symmetrical ruf knot), wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128056

Laura Lange, Panel (Dress or Furnishing Fabric), 1922/1928, Cotton, plain weave, block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35339

Lucy Goffin, Black and White Apertures, 1990, Pieced and embroidered quilt; dyed cotton, silk and polyester plain, patterned, twill and satin weaves; cotton and polyester embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145410

Freer, A royal barge at sea, 16th-17th century, Ink and color on silk; H x W (image): 23.7 x 31 cm (9 5/16 x 12 3/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390189073-0

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73186

Weaver: attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and Françoi, The Queen Distributing the Booty, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.10

Flanders (Bruges), Allegorical Millefleurs Tapestry with Animals, c. 1530–45, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.4

Wilton, Racing shirt for the New York Pioneer Club worn by Ted Corbitt, 1950s, fleece on cotton; H x W: 23 1/4 × 15 3/8 in. (59 × 39 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750078-0

Turkey, Panel, late 16th century, Silk, cotton, metallic thread, voided velvet on gold ground, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.4

Freer, Portrait of Manjushri (Monju), 15th century, Color and gold on silk; H x W (image): 83.5 × 35.5 cm (32 7/8 × 14 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390183772-0

Flanders, Cuffs, 17th–18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.81a-d

Nancy Hemenway Barton, Elements I, 1978, Lamb's wool, plain weave; appliquéd with mohair; plain weave with warp fringe; folded, molded, and tucked; embroidered with lamb's wool, alpaca, mohair, and karabul in buttonhole, chain, feather, running, satin, and stem stitches; laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58476

Laura Lange, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35342

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73196

India, Man's coat, 19th century, Silk, gold thread, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.38

Dagobert Peche, Regenbogen (Rainbow) (Dress or Furnishing Fabric), 1919, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86386

Flanders, One of the Three Magi on a Millefleurs Ground, early 16th century, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.1

China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165

India, Ceremonial cloth and sacred heirloom, Late 19th century, Cotton, natural dyes, mordants, mordant block printed and pigment painting, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/22.37

England, Pillar print, c. 1830, Cotton: roller and block printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.25

Ling Po, Panel (Design 104), 1955, Rayon and silk, plain weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100200

Netherlandish 16th Century, Christ and the Woman Taken in Adultery, c. 1500/1599, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1605

François Boucher, Apollo and Clytie, 1747–67, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.16

Yan Hui, The Lantern Night Excursion of Zhong Kui, late 1200s–early 1300s, handscroll; ink and slight color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136668

Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, Set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" on the scroll at the far left; with one large seal of the artist on each scroll and with two additional seals of the artist following the signature on the scroll at the far left, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6260

Willem de Pannemaker, Christ Appearing to Mary Magdalene (Noli Me Tangere), 1540–1545, Wool and silk; slit, single, and double interlocking tapestry weave
Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.85 mm
Weft: Count: varies from 32 to 56 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–0.85 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.4–0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96697

Florence Elizabeth Marvin, 'Crazy Quilt' with Animals, 1886, Pieced and embroidered “crazy” quilt; dyed and printed silk, cotton, wool and metallic plain, twill, satin, velvet and patterned weave fabrics and ribbons; silk, cotton and metallic embroidery threads, raised work embroidered appliques, glass beads, metal spangles, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/181720

Dagobert Peche, Storchenschnabel (Stork's or Crane's Bill) (Furnishing or Dress Fabric), 1911/17, Silk, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11983

Dorothy Liebes, Sample (Upholstery Fabric), 1948, Cotton, plain weave with supplementary pile warps forming uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/155105

Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1

Mathevon et Bouvard, Panel, 1860/80, Silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110679

Flanders (Brussels), Deer Hunt with the Story of Diana and Actaeon, c. 1580–1620, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.208

Michael Olszewski, Fields, 2004, Two panels: linen, cotton, silk, nylon, polyester, leaf fiber (probably abaca), wool, ramie, synthetic foam, and paper; crochet variations, running stitches and knotting; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217520

Cartoonist: Francesco Salviati, The Meeting of Dante and Virgil, 1546–49, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.35

Larsen Design Studio, Conquistador (Furnishing Fabric), 1966, Cotton, plain weave; supplementary pile warps forming cut, solid velvet; resist-dyed (batik); printed selvedge, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103432

Italian 16th Century, Silk Medallion Rug, late 16th century, silk pile on silk warp and weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1656

Greece, Panel, 19th century, Linen, silk thread, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.7.2

Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545

China, Lamaist priest hat, Kangxi period, 1662–1722, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.131

Syria, Square, 18th century, Linen, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.163

Elizabeth Wells Robertson, Child's Crib Quilt, c. 1950, Appliquéd and embroidered quilt; dyed and undyed cotton plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111592

Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35438

Franz Wiedl, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35383

Belle Wright, Quilt, c. 1930, Pieced and embroidered quilt; dyed and undyed cotton satin and plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153634

Arthur Silver, Panel, 1896, Cotton, twill weave with supplementary pile wefts forming cut velvet; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/72905

United States (New York), Rose of Sharon quilt, c. 1850, Cotton, hand appliquéd and pieced, quilted, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.260

Italian 17th Century, Arabesque Band Carpet, c. 1650, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1654

J. Crew, Suit worn by Dr. Jamal Harrison Bryant to a protest in Ferguson, Missouri, October 13, 2014, .1: wool cloth, rayon and polyester blend cloth, and plastic buttons;; .2: wool cloth, rayon cloth, plastic and metal fasteners; H x W x D (.1 flat): 32 3/4 × 26 3/4 × 1/4 in. (83.2 × 67.9 × 0.6 cm); H x W x D (.2 flat): 42 1/4 × 19 1/2 × 3/4 in. (107.3 × 49.5 × 1.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750076-0

Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884

Formerly attributed to Zhou Fang (傳)周昉 (ca. 730-ca. 800), Girl seated at an embroidery frame, 15th century, Ink and color on silk; H x W: 21 x 29 cm (8 1/4 x 11 7/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390189290-0

Soffe, Undershirt worn by Adm. Michelle Howard as rear admiral (lower half), 2009, cotton and polyester; H x W (flat): 28 × 17 1/4 in. (71.1 × 43.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398748663-1

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86368

Workshop of Jan II Leyniers, The Offering of the Boar's Head from The Story of Meleager and Atalanta, 1673/86, Wool and silk; slit, dovetailed, and double interlocking tapestry weave
Warp: Count: 9 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.6–0.8 mm
Weft: Count: varies from 32 to 36 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–0.9 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.2–0.6 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/40724

Lorenzo Lippi, Medici Armorial, 1643/44, Wool, silk, and gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with wrapping outlining wefts and areas of 4:4 plain interlacing of gilt-metal-strip-wrapped silk wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50905

India (Gujarat), Woman's veil (Odhani), 19th century, Silk, mirrors, tied resist, embroidery, dyed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.377

Khamseh, Khamseh Carpet, c. 1890, Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Turkish (Ghiordes) knots", Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/226149

Formerly attributed to Qiao Zhongchang (active first-half 12th century), Returning Home after Harvest, 14th-15th century, Ink and color on silk; H x W (image): 21.3 x 82 cm (8 3/8 x 32 5/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390191177-0

Nicolaas van Orley, Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great, c. 1600, Wool and silk; slit, dovetailed, and double interlocking tapestry weave
Warp: Count; 6 warps per cm; wool: S-ply of three Z-spun elements; diameter: 1.5 mm
Weft: Count: varies from 17 to 28 wefts per cm; wool; S-ply of two Z-spun elements; pairs of S-ply ol two Z-spun elements; diameters: 0.5–1.5 mm; silk: S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; diameters: 0.35–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameter: 0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22248

Mi Youren, Cloudy Mountains, 1130, Handscroll; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/113945

Anne Wilson, Dispersions (no. 9), 2013, Linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223144

Chŏng Sul-wŏn (also known as Tu-san), Mountainous Landscape with a Scholar Riding a Donkey and Approaching a Village Nestled in a Grove of Trees, early-mid 20th century, One leaf from a set of six album leaves; ink and light colors on silk; with inscription and two seals of the artist, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5858

Raoul Dufy, Les Fruits D'Afrique (The Fruits of Africa), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13066

Charlotte Guerin, Sampler, 1765/66, Linen, plain weave; embroidered with silk in cross, herringbone, stem, satin, and chain stitches; edged with cotton, plain weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215917

Josef Hillerbrand, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35394

China, The monk Hva Shang, early 19th century, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.17.1

Lissy Funk, Wie das Gras (Like the Grass), 1977, Linen, plain weave; backed with cotton, plain weave; embroidered with silk and linen and gilt-metal-strip-wrapped silk in stem, satin, long and short, padded satin and variations on buttonhole stitches; French knots; laid work and couching; glass beads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215631

China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7

Italy, Cuffs, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.535a%2C%20b

France, Panel, c. 1730, Silk, metallic threads, complex weave with discontinuous weft patterning, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.24.4

Richard Lisker, Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35432

Sarah Ann Wilson, Album Quilt, 1854, Appliquéd, pieced and embroidered quilt; dyed, undyed and printed cotton plain weave fabrics and cotton and silk velvet fabric; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153633

United States, Trellis-back side chair, 1800–10, Mahogany, maple, silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.15.8

Mathevon et Bouvard, Panel, 1860/80, Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73174

Tommi Parzinger, Panel (Curtain Fabric), Mid–1920s, Cotton, machine-made lace: twist net; machine embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35456

Mariano Fortuny y Madrazo, Panel, 1906/49 (based on 15th–century Venetian design), Silk, plain weave with supplementary pile warps forming cut, solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105112

China, Daoist priest’s robe (jiangyi), Kangxi Period, 1662–1722, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.296

Lulu Bennett, "Mother-in-Law" Quilt, c. 1930, Appliquéd and embroidered quilt; dyed and printed cotton, silk, rayon and acetate plain, twill and satin weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158439

Miss Virginia Brush, Scrapbook of textile swatches, 19th century, Medium: cotton Technique: printed; 464 pages, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399902412-0

Barbara Palzewicz, "Dorothy's Quilt", 2000/01, Appliquéd and embroidered quilt; dyed and printed cotton and polyester plain weave fabrics; cotton embroidery threads; printed, embroidered and edged cotton handkerchiefs, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158445

Anonymous Artist, The Deposition, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1609

Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1850/70, Bast fiber, 2 strand weft-twining; with wool and cornhusk, supplementary weft-twining (false-embroidery), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228243

Uzbekistan, Suzani, 19th century, Linen, silk, embroidered, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.26

Italy, Pillow Slip, 16th century, Linen, silk, embroidered, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.144a%2C%20b

Lodewijk van Schoor, Abundantia from The Four Continents and Related Allegories, c. 1680/1700, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm
Weft: Count: varies from 28 to 44 wefts per cm; wool: single S-spun elements; S-ply of two Z-spun elements; diameters: 0.2–0.8 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.6–0.8 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/14696

Karel van Mander, II, The Crossing of the Granicus from The Story of Alexander the Great, 1619, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/65167

François Boucher, The Chinese Fair, designed 1742 (woven 1743–1745), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.14

Mississippi Freedom House Co-Op, Male doll with tan clothing, c. 1965, cotton (textile); H x W x D: 16 1/2 x 12 x 2 in. (41.9 x 30.5 x 5.1 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743854-0

Tibet, Frontal for a Buddhist altar, late 19th century, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.159

Noda Tetsuya, Diary: Nov. 7th '68 (#2), 1968, Woodblock and silkscreen prints, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99365

Franz von Zülow, "Narcissus" Dress Fabric, 1910/12, Silk, plain weave; block-printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11986

Deutsche Werkstätten GmbH., Panel (Dress or Furnishing Fabric), c. 1925, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35347

John Henry Dearle, Florence, Design c. 1890, made 1890–1917, Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/145349

Pottier and Stymus Manufacturing Company, Armchair, c. 1870–75, Rosewood, prickly juniper veneer, gilding, brass, original tapestry upholstery, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/237

Osborne & Little (Firm), Rambouillet (Furnishing Fabric), 1990, Cotton, plain weave with supplementary pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149447

Eileen Hunter, Panel, 1933/39, Cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150593

George Washington Maher, Portière, 1901, Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/37097

Syria, Ecclesiastical Stole, n.d., Silk, metallic threads, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.167

Designer: Central design possibly by Guillaume Dumée, with modifications by Laurent Guyot, The Gifts, designed 1610–1617 (woven 1611–1622), Wool, silk, silver and silver-gilt yarns, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.4

Horse Trapping, late 19th century, Wool, weft-wrapped brocade (soumak), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.81.10

China, The Abbot Mkhas-grub Rje, late 18th century–19th century, Silk brocade (thag-drub-ma), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.17.2

China, Rug, 19th century, Cotton, metallic threads, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.19

Tibet, Thangka of Vajrakila and Diptachakra, late 19th century, Ink colors and gold on sized cotton, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.150.3

Gertrude Rapp, Fragment, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77594

Designer: Unknown designers and cartoonists, Flanders, Women Hunting the Fox, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.2

Rug, 19th century, wool, cotton, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.81.16

Persia (Iran), Shawl, c. 1870, Tapestry weave, wool, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.36

Freer, Textile cover, 1615–1868, Silk; H x W: 10 x 10 cm (3 15/16 x 3 15/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390189750-0

Bobbi Shortlidge, 3-D Squares, 1989, Wool, plain weave; double cloth, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/90981

Josef Hillerbrand, Panel (Curtain Fabric), 1924, Cotton, machine-made lace: twist net; machine- embroidered laid work and couching, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35508

Antoine Caron, Exercise in the Assault and Defense of a Bastion, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.8

Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223

China, Daoist Priest's Robe (jiang yi), Late 18th century, Embroidered and appliqued satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.1

Italian 17th Century, Polonaise Carpet, first half 17th century, silk pile and metal brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1651

Pakistan, Table Cover, 19th century, linen, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.84

India (Gujarat), Sari, 19th century, Silk, double ikat, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.138

Zhu Sheng, Bamboo and Rocks, 1688, Ink on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.5

Italian 17th Century, Polonaise Rug, first half 17th century, silk pile with gold and silver brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1652

Designer: Unknown designers and cartoonists, Flanders, Hunting the Hare, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.3

Flanders (Brussels), Edging, 18th century, Linen, needlelace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.16

Guy-Louis Vernansal, The Emperor Sailing from The Story of the Emperor of China, 1716/22, Wool, silk, and silvered- and-gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with some areas of 2:2 plain interlacings of silvered-and-gilt-metal wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/189775

Flanders (Brussels), Lappet of Point d’Angleterre à vrai réseau, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.17

Fruit of Islam, Fruit of Islam uniform, c. 1960, polyester with cotton (textile) , patent leather, National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743189-0

Flanders, The Journey and Temptations of the Prodigal Son, c. 1507–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/37.17

Luigi Bevilacqua, Panel (Furnishing Fabric), 1875/1925, Silk, cotton and gilt strip, plain weave with supplementary patterning wefts and pile warps forming cut and uncut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/58027

England, Mirror Frame, mid 17th century, Silk and metal threads, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.28

Claire Zeisler, Necklace, 1960s-70s, Wool and jute; knotting (double buttonhole knots) with extended double knot fringe; silver medallions, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229422

Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363

Maya Romanoff, Kyoto Evergreen (Furnishing Fabric), 1989, Rayon, plain weave with supplementary pile warps forming cut solid velvet; tie-dyed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76776

Panel, 19th century, Silk, wool, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.155

Erasmus de Pannemaker, I, Pluto and Proserpina with Falconry, c. 1600, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm
Weft; Count: varies from 19 to 60 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.4–1.5 mm; silk; S-ply of two elements with no appreciable twist; paired elements with no appreciable twist; diameters: 0.3–1.0 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/135326

France, Band, 18th century, Linen, point d'Alençon, lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.86

Maria Monaci Gallenga, Panel from a Lady's Evening Tunic, c. 1920, Silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105095

Noda Tetsuya, Diary: Nov. 7th '68 ( #1), 1968, Woodblock and silkscreen prints, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99366

France, Panel, 1825, Cotton, copperplate or roller-printed fabric, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.5

Jacques Geubels, I, Venus and Adonis (?) with the Duck Hunt, c. 1600, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm
Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.5–1.2 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.5–1.2. mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/2581

Atelier Martine, Panel (Dress or Furnishing Fabric), 1920s, Cotton and linen; plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86364

Theresa Zett Smith, "Top Sheets" Tobacco Premium Quilt, 1913, Pieced and embroidered quilt; napped and printed cotton plain and twill weave fabrics and silk satin weave fabric; silk embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76263

Formerly attributed to Zhang Zeduan (late 11th-early 12th century), Spring festival on the river, 18th century, Ink and color on silk; H x W (image): 28.5 x 689 cm (11 1/4 x 271 1/4 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390188959-0

France, The Virgin and Saint John, c. 1520, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.13

Ruth Hildegard Geyer-Raack, Panel (Dress or Furnishing Fabric), 1920s, Cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/35420

France, Edging, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.27

Sample book of swatches, 19th c., Sample book of swatches: cotton, plain weave, block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229401

Michael Olszewski, Mourning, 1989, Silk, plain weave, pleated; appliquéd with layers of silk, plain weaves, some resist dyed, some printed, some dyed; embroidered with silk; blocked, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/217521

Henri de Toulouse-Lautrec, The Laundress, 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129221

Jorelle Bags, Beaded purse used by Dinah Washington, 1930s, glass beads, metal, and silk satin; H x W x D: 5 3/4 x 7 1/2 x 1 in. (14.6 x 19.1 x 2.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975005409-0

Pieter Pannemaker I, The Garden of Gethsemane, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1607

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86365

Possibly France (Nantes), The Hunts, first half of the 19th century, Roller printed, cotton, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.39

Bertha Stenge, "American Holidays" Quilt, 1948, Appliquéd, pieced and embroidered quilt; dyed and printed cotton plain and satin weave fabrics; machine made lace; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/193445

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86378

Dawn Zero Erickson, The Tables Have Turned, 1989, Cotton, plain weave; roller and screen printed; two attached borders, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74683

Italian 17th Century, Scenic Animal Carpet, c. 1625, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1653

Mizrahi, Man's Hat, 20th century, Cotton, plain weave, embroidered with silk and cotton; pieced and lined, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/279748

Circle of Andrea Mantegna, The Annunciation, 1484/1519, Wool, silk, and gilt- and silvered-metal-strip-wrapped silk, slit, dovetailed and interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111307

Bangladesh, Jamdani Sari, 1870, Cotton, metallic thread, supplementary weft patterning, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.191

B. Altman and Company, Ivory button down dress with wide collar, 1970s, synthetic satin crepe, plain weave cellulose acetate, and metal; Length (shoulder to hem): 43 in. (109.2 cm); Width (shoulder to shoulder): 16 3/4 in. (42.5 cm); Chest (full): 40 1/2 in. (102.9 cm); Waist (full): 30 in. (76.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1767262347358-1767262350123-1

Workshop of Albert Auwercx, Cyrus Defeats Spargapises from The Story of Cyrus, c. 1670, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of two Z-spun elements; diameters: 0.7–0.8 mm
Weft: Count: varies from 18 to 30 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.45–1.0 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.4–0.55 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151988

Freer, Landscape: a man under a pine, 1368–1644, Ink and slight color on silk; H x W (image): 24.2 x 26.5 cm (9 1/2 x 10 7/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390186576-0

Hubert von Herkomer, Panel, 1890 (produced 1890/94), Silk and cotton, plain weave with supplementary pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121994

James Bassler, A Weaving, 2012, Cotton, linen, silk, wild silk, nettle fiber (ramie), rayon, and wool, plain weave and slit tapestry weave with eccentric wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228240

Designer: Jean-Baptiste Monnoyer and collaborators, The Camel, designed 1686–1688 (woven 1688–1695), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.39

Linda Page, Black fur hat with woven trim and bow, 1960s-1970s, fur felt, rayon Petersham ribbon, silk, and adhesive; H x W x D: 5 1/2 × 14 × 13 × 21 in. (14 × 35.6 × 33 × 53.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1743503106385-1743503109015-0

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86405

Possibly France, Edging, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.25.17

Francis Jourdain, Panel (Dress or Furnishing Fabric), c. 1920, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86401

Circle of Bernard van Orley, February, before 1528, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of six Z-spun elements; ; diameters: 0.8–1.0 mm
Weft: Count: varies from 26 to 60 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.2–1.0 mm; silk: pairs of S-ply of two Z-twisted elements; diameters; 0.25–0.7 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73058

Italy, Band, 18th century, Silk, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.531

Formerly attributed to Guo Xi (傳)郭熙 (ca. 1001-1090), Approaching the winter shore, 1368–1644, Ink and color on silk; H x W (image): 26.1 x 30.4 cm (10 1/4 x 11 15/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390187873-0

Germany, Dalmatic, 16th century, Voided velvet with woven orphrey, silk, linen, and metallic thread, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.157

Italy, Border, 18th century, Linen, needle lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.119

Italy, Band, 16th–17th century, Linen, silk, cotton, embroidery on knotted net (lacis), lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.69

Designer: Unknown designers and cartoonists, Flanders, The End of the Hunt, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.4

Atelier Martine, Panel (Dress or Furnishing Fabric), c. 1920, Silk, satin weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86376

China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308

France, Lappet, 18th century, Lace, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.12

Tibet, Formal court robe altered for Lamaist ritual dance, late 19th century, Silk brocade and damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.291

Egypt, Cartonnage of Lady Tashat, 945–712 BCE, Painted and varnished linen, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.414

Raoul Dufy, Panel (Dress or Furnishing Fabric), c. 1918, Cotton and linen, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86373

India, Shawl (Kussaba), 19th century, wool, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.51

Charles Frederick Worth, Panel (from a Dress), 1875/1925, Silk, satin weave with supplementary pile warps forming cut, voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/107742

June Groff, Spice Garden (Furnishing Fabric), 1981, Cotton, plain weave; supplementary pile warps forming cut, solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103431

Workshop of Gillis Ydens, The Diversion of the Euphrates from The Story of Cyrus, c. 1670, Wool and silk, slit and single interlocking tapestry weave
Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.6–1.0 mm
Weft: Count: varies from 19 to 44 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.5 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.15–0.5 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27849

Designer: Central design attributed to Antoine Caron, or an artist of his generation, The Education of the Young King, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.6

Sicily, Band, 16th century, Linen, drawn-thread work embroidery (Punto Tirato), lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.369

Hanabusa Itcho 英一蝶 (1652-1724), Woman stretching cloth to dry; two children at play, late 17th-early 18th century, Ink and light color on silk; H x W (image): 30 × 47.9 cm (11 13/16 × 18 7/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184338-0

Angelo Testa, Sportsmen's Blues (Furnishing Fabric), Designed 1942; produced c. 1947, Cotton, plain weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/97081

Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, relief seal reading "Yang Tŭk Pu Saeng Il Se Ch'o", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6259

Undetermined artist, Caftan, Mid-19th century, Silk, cotton, metal wrapped thread; H x W: 135.7 x 152.8 cm (53 7/16 x 60 3/16 in.), National Museum of African Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643621402936-1643621403198-0

Flanders (Tournai), Esther and Ahasuerus, c. 1460–85, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.721

Belgium, Cap back, 18th century, Linen, bobbin lace (Point de Angleterre), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.7

Mildred Jacobs Chappell, "The Settling of the West" Quilt, March 1931/September 1932, Appliquéd and embroidered quilt; dyed cotton plain weave fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153632

Indonesia, Panel, 18th-19th century, Cotton, dyed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.40.7

India, Woman's Shirt, 18th century, Silk, small mirror discs, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.371.1

Claire Zeisler, Sling Bag, 1960s-70s, Jute, hemp, and wool; plain crochet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/229419

Turkey, Rug, late 17th century, Wool on cotton warp, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.42.3

Designer: E. W. (Edward William) Godwin, Greek-style side chair, c. 1885, Walnut and reproduction silk upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.43a%2C%20b

Workshop of Gaspard (Jasper) van der Borcht, Village Fete (Saint George's Fair) from a Teniers series, c. 1710, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–1.0 mm
Weft: Count: varies from 24 to 40 wefts per cm; wool: S-ply of two Z-spun elements; three yarns of S-ply of two Z-spun elements; diameters: 0.5–1.0 mm; silk: Z-ply of two yarns of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted elements; diameters: 0.6–0.9 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–0.7 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/78972

Annie Ensminger Kready, "Garfield and Arthur" Quilt, c. 1880, Pieced quilt; printed, cotton plain and twill weave fabrics; printed, cotton plain weave handkerchief, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158431

Bertha Stenge, "Quilt Show" Quilt, 1943, Appliquéd and pieced quilt; dyed and printed plain and patterned weave cotton fabrics; cotton embroidery threads, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/143689

Central design and cartoon by an unidentified painter, active in France, The Coronation Sacrifice, designed c. 1610 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.3

Shibata, Group of deva and devi, 14th-15th century, Ink and color on silk; H x W (image): 115.8 x 56.7 cm (45 9/16 x 22 5/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184805-0

Rahul Jain, Panel (Hanging), 2007, Silk, satin weave with two-color supplementary pile warps forming cut velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/195731

Nez Perce (Nimíipuu), ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1860/80, Bast fiber, two-strand weft-twining; with cornhusk supplementary weft-twining (false-embroidery);
drawstring (possibly suede), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228242

Italian 17th Century, Medallion and Animal Carpet, c. 1600, wool pile on silk warp and wool and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1655

Paul Fehér, Muse with Violin Screen, 1930, Steel, brass; silver and gold plating, cotton velveteen, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/173164

Spain, Dalmatic, 16th century, Linen, silk, metallic threads, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.65

Nicolas Besnier, Dream of Rinaldo, c. 1751, tapestry: undyed wool warp; dyed wool and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1612

Hans Bol, Diana and Her Nymphs with the Ox Hunt, c. 1600, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6–7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.8–1.0 mm
Weft: Count: varies from 20 to 34 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.1 mm; silk; S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted silk elements; diameters: 0.7–1.2 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7957

Wauters Workshop, Pygmalion from Stories from Ovid, c. 1675, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–1.0 mm
Weft: Count: varies from 16 to 32 wefts per cm; wool: pairs of S-ply of two Z-spun elements; diameters: 0.6–1.2 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.7–1.0 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79537

Jean Baptiste Huet, Egyptian Monuments (Les monuments de l'Egypte), 19th century, Cotton, roller print; Textiles - Surface Ornamentation - Printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.43

Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877

Mrs.  Howard C. Blake, Upholstery Fabric for the Fisher Theater, c. 1928, Cotton and wool, plain weave with supplementary pile warps forming cut solid velvet; printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/149696

Guido Cadorin, Panel, c. 1935, Cotton, silk and silvered-metal strip, plain weave with supplementary patterning wefts and pile warps forming cut voided velvet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/121930

Antoine Caron, The Petitions [right part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/463

Josef Hoffmann, Santa Sofia, 1910/12, Silk and cotton, plain weave; block printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11995

Antoine Caron, The Queen’s Entry into the Harbor of Rhodes, designed 1562–68, Wool, silk, silver, silver-gilt yarns, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.9