Max Beckmann, Adam und Eva, 1936, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4237

British 18th Century, Rearing Horse, late 18th or 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1261

Adam Lenckhardt, Descent from the Cross, 1653, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143152

Richard Cosway, Self-Portrait, c. 1770–75, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435994

Otto Freundlich, Composition, 1933, Bronze, schwarz patiniert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/105842

Samuel Cotes, Portrait of a Woman, 1767, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435999

Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253

David Roentgen, Writing Table with Mechanical Fittings (table mécanique or schreibtisch), partly c. 1779, partly 19th century, oak carcass; pictorial marquetry principally of sycamore, rosewood, applewood with some traces of coloring, and boxwood; table veneered principally with tulipwood, amboyna, ebony, and boxwood; interior fittings of Cuban mahogany; gilded bronze and brass mounts; steel mechanical fitments, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1576

Richard Crosse, Portrait of a Woman, possibly c. 1780, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436058

British 18th Century, Andiron: Apollo with the Serpent, 18th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3151

Richard Cosway, Ensign Lionel Robert Tollemache (1774–1793), 1762, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435996

Jean-François Oeben, Writing and Toilet Table (table mécanique), c. 1750/1755, veneered on oak with marquetry of tulipwood, kingwood, sycamore, ebony, boxwood, and other woods, some of them stained green and with traces of other colors; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1573

Max Klinger, Cassandra, (1886–1895/cast 1895–1904), Bronze; 23 1/2 x 13 1/2 X 13 1/2 in. (57 x 34.3 x 34.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860887-1

Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1571

Richard Collins, George Howard (1773–1848), Lord Morpeth, 1775, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435919

Otto Freundlich, Ascension, 1929, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4385

Giambologna, Fata Morgana, c. 1572, Marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/687583

Anonymous Flemish 15th Century, Christ in Tomb with Virgin and Saint John, 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1357

Max Beckmann, Tänzerin, 1935, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4904

British 18th Century, Andiron: Vulcan with His Anvil, 18th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3152

Franz von Stuck, Reitende Amazone, 1897, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4276

Käthe Kollwitz, Die Klage, 1938–1941, Bronze (Wachsausschmelzverfahren), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4346

Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169

Georg Kolbe, Frauenraub, 1916–1919, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4395

Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1572

Tilman Riemenschneider, Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495, alabaster, traces of polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125103

German 19th Century, Bacchanal, 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1247

Max Klinger, Bildnis Büste Friedrich Nietzsche, 1903–1904, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4244

Franz von Stuck, Amazon, 1897 (cast after 1905), Bronze, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4995

Hans Reinhart the Elder, Double-headed Eagle, Charged with Shield [reverse], 1537, bronze, partially gilded, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1327

Samuel Collins, Portrait of a Man, 1755, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435920

Hans Reinhart the Elder, Charles V, 1500-1558, King of Spain 1516-1556, Holy Roman Emperor 1519 [obverse], 1537, bronze, partially gilded, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1326