Elie Nadelman, Classical Figure, c. 1909–1910, Marble; 34 5/8 x 13 1/2 x 15in. (87.9 x 34.3 x 38.1cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861717-0

Louise Bourgeois, Cell (Eyes and Mirrors), 1989–93, Steel, limestone and glass, Tate, London. https://dartabase.art/cite/tate/T06899

Max Beckmann, Adam und Eva, 1936, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4237

Abastenia St. Leger Eberle, Old Woman Picking Up Coal, 1906, Bronze; 11 1/2 x 10 5/8 x 6 in. (29.2 x 27 x 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859744-1

Adam Lenckhardt, Descent from the Cross, 1653, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143152

Samuel Murray, The Boxer (Elwood Mc Closkey), COPYRIGHT: DECEMBER 14, 1900, Bronze; 16 7/8 x 5 7/8 X 9 3/8 in. (42.6 x 14.9 x 23.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861690-1

Challinor, Taylor and Company, Boot with Spur, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/564

Saul Steinberg, Cowboys, 1951, Pen and black ink on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220503

Otto Freundlich, Composition, 1933, Bronze, schwarz patiniert, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/105842

United Spanish War Veterans, Medal for United Spanish War Veterans, after 1904, bronze and ribbon; 2 5/8 x 7/8 x 1/4 in. (6.7 x 2.2 x 0.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744152-0

Challinor, Taylor and Company, Bowl, 1870–85, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/790

Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2811

William Rudolf O'Donovan, Marie Heimlicher, (1884), Bronze; 10 3/8 x 8 x 1/4 in. (26 x 20.3 x 0.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399861871-0

David Roentgen, Writing Table with Mechanical Fittings (table mécanique or schreibtisch), partly c. 1779, partly 19th century, oak carcass; pictorial marquetry principally of sycamore, rosewood, applewood with some traces of coloring, and boxwood; table veneered principally with tulipwood, amboyna, ebony, and boxwood; interior fittings of Cuban mahogany; gilded bronze and brass mounts; steel mechanical fitments, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1576

Enrico Glicenstein, Hermes, (1898), Bronze; 13 3/8 x 9 3/4 x 10 3/8 in. (33.8 x 24.6 x 26.1 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860208-0

Bruce Nauman, Partial Truth, 1997, Granite, Tate, London. https://dartabase.art/cite/tate/AR00575

Jean-François Oeben, Writing and Toilet Table (table mécanique), c. 1750/1755, veneered on oak with marquetry of tulipwood, kingwood, sycamore, ebony, boxwood, and other woods, some of them stained green and with traces of other colors; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1573

Max Klinger, Cassandra, (1886–1895/cast 1895–1904), Bronze; 23 1/2 x 13 1/2 X 13 1/2 in. (57 x 34.3 x 34.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399860887-1

Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1571

Harriet Goodhue Hosmer, The Sleeping Faun, modeled 1864, carved c. 1870, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159838

Otto Freundlich, Ascension, 1929, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4385

Louise Bourgeois, Maman, 1999, Steel and marble, Tate, London. https://dartabase.art/cite/tate/T12625

Universal Negro Improvement Association, Bronze African Redemption Medal of the Universal Negro Improvement Association, c. 1920, bronze and leather; 2011.57.18a: 1 3/4 × 1 5/8 × 1/16 in. (4.5 × 4.2 × 0.2 cm); 2011.57.18b: 6 5/16 × 11/16 × 13/16 in. (16 × 1.8 × 2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398745206-0

H. C. Westermann, World's Strongest Glue, 1966, Solid cast bronze, brass, and paint, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270968

Max Beckmann, Tänzerin, 1935, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4904

Franz von Stuck, Reitende Amazone, 1897, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4276

Louise Bourgeois, Amoeba, 1963–5, cast 1984, Bronze, Tate, London. https://dartabase.art/cite/tate/T07780

Käthe Kollwitz, Die Klage, 1938–1941, Bronze (Wachsausschmelzverfahren), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4346

Thomas Eakins, Knitting, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 3 3/8 in. (47 x 37.9 x 8.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859679-1

Saul Steinberg, Two Fighting Women, 1945, Pen and black ink on ivory card (recto and verso), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220489

Challinor, Taylor and Company, Bowl, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/789

Challinor, Taylor and Company, Cup, 1870–90, Pressed purple marble glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/2810

Georg Kolbe, Frauenraub, 1916–1919, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4395

Thomas Eakins, Spinning, (1882–1883)/(cast 1930), Bronze; 18 1/2 x 15 x 2 1/2 in. OVAL (46.8 x 37.9 x 6.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859680-0

Joseph Baumhauer, Chest of Drawers (commode), probably between 1767 and 1772 but possibly a decade earlier, oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1572

Tilman Riemenschneider, Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495, alabaster, traces of polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125103

Clara Wolcott Driscoll, Peony Floor Lamp with a Bamboo Base, c. 1905–10, Leaded glass, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/296869

H. C. Westermann, Little Egypt, 1969, Douglas fir, pine, oak and bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270956

German 19th Century, Bacchanal, 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1247

Edmonia Lewis, Indian Combat, 1868, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169187

Max Klinger, Bildnis Büste Friedrich Nietzsche, 1903–1904, Bronze, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4244

Bruce Nauman, Untitled (Hand Circle), 1996, Bronze, silver solder and copper, Tate, London. https://dartabase.art/cite/tate/AR00580

Franz von Stuck, Amazon, 1897 (cast after 1905), Bronze, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4995

Isamu Noguchi, Trinity, 1945, cast 1974, Bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/259192

Hans Reinhart the Elder, Double-headed Eagle, Charged with Shield [reverse], 1537, bronze, partially gilded, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1327

Hans Reinhart the Elder, Charles V, 1500-1558, King of Spain 1516-1556, Holy Roman Emperor 1519 [obverse], 1537, bronze, partially gilded, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1326