Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Hans Lützelburger, Adam bawgt die erden (Adam Ploughing), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7771 Heinrich Aldegrever, Dancing Children, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3514 Heinrich Aldegrever, David Casting Off His Robes at the News of the Death of His Son, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3433 Sebald Beham, Satyr Playing the Lyre, c. 1530/1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4276 Sebald Beham, Double Goblet with Two Genii at the Base, 1531, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4341 Sebald Beham, Sun, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4282 Heinrich Aldegrever, Design for a Dagger Sheath with Cain and Abel, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3536 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Käthe Kollwitz, Schwangere Frau, 1910, Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28015 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Albrecht Altdorfer, Crouching Venus, c. 1525/1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3616 Sebald Beham, The Shepherd, 1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4314 Otto Piene, Plate (folio 9) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14782 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Hans Baldung Grien, The Bewitched Groom, 1544, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4141 Heinrich Aldegrever, John, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3454 Albrecht Dürer, The Virgin and Child Crowned by One Angel, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6664 Sebald Beham, Ornament with a Couple of Tritons Blowing Horns, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6311 Albrecht Altdorfer, Joshua and Caleb, in or after 1520, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/680 Käthe Kollwitz, Bread (Brot), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8197 Sebald Beham, Cimon and Pero, 1544, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4428 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Barthel Beham, King Ferdinand I, 1531, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4087 Käthe Kollwitz, Losbruch, 1902–1903, Strichätzung, Kaltnadel, Aquatinta, Reservage sowie Vernis Mou mit Durchdruck von zwei Stoffen und Zieglerschem Umdruckpapier in Braun, mit dem Pinsel in brauner und weißer Deckfarbe sowie Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28121 Sebald Beham, The Justice of Trajan, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4435 Sebald Beham, Saint John, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4418 Sebald Beham, Dido, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4433 Max Klinger, Death as Savior, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4950 Sebald Beham, Coat of Arms of the Kress von Kressenstein Family, c. 1530, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6813 Paul Klee, Der Verliebte (The Loved One), 1923, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8107 Barthel Beham, Titus Gracchus, 1528, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4093 Albrecht Altdorfer, Hercules Overcoming the Nemean Lion, c. 1520/1525, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3619 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Max Klinger, Ex Libris Hildegard Heyne, 1918, Etching and aquatint printed in black ink on off-white paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4901 Albrecht Dürer, Ulrich Varnbüler, 1522 (published c. 1620), chiaroscuro woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6805 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Albrecht Altdorfer, Putto Holding a Shield with the Monogram of Altdorfer, c. 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3626 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3488 Sebald Beham, Triumphal Procession of the Noble Glorious Women, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4294 Heinrich Aldegrever, The Good Samaritan Placing the Traveler on a Mule, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3441 Barthel Beham, Madonna with Flower Vase, c. 1528/1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4101 Sebald Beham, Temperancia (Temperance), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6310 Sebald Beham, The Last Supper, 1522, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4364 Heinrich Aldegrever, Cross Panel with Vine in Center and Tritons' Couple, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3517 Hans Lützelburger, The Judge, c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7767 Sebald Beham, Saint Matthew, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4410 Wilhelm Lehmbruck, Woman's Dream (Der Traum des Weibes), 1914, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8465 Albrecht Altdorfer, The Holy Kinship, in or after 1520, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3581 Sigmar Polke, Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus), 1971, Offset lithograph from an illustrated book with suite of three screenprints, two offset lithographs, and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9044 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Sebald Beham, Two Profile Studies of a Woman's Head, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4317 Paul Klee, Perseus (Der Witz hat über das Leid gesiegt) [Perseus-The Triumph of Brain over Body], 1904, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8109 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4635 Barthel Beham, King Ferdinand I, 1531, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4088 Augustin Hirschvogel, The Opening of the Seventh Seal, 1549, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7752 Barthel Beham, Foot Soldier in Front of a Tree, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4095 Hanns Lautensack, Ulrich Schwaiger (?), 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7662 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3478 Sebald Beham, The Justice of Trajan, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4434 Andreas Bretschneider III, Exempel und Lehr Jetziger Welt Lauf, published 1622, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5274 Sebald Beham, Hercules Killing Antaeus, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4275 Hans Baldung Grien, The Bewitched Groom, 1544, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/678 Hanns Lautensack, View of Nuremberg from the East [left section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8254 Max Klinger, Poor Family, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4951 Sebald Beham, The Judgment of Paris, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4265 Heinrich Aldegrever, Large Dagger Sheath with Nude Couple, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3535 Master IB, The Triumph of Bacchus, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8719 Sebald Beham, Cimon and Pero, 1544, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4429 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4638 Franz Marc, Animal Legend (Tierlegende), 1912, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8677 Sebald Beham, Mars, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4281 Hans Baldung Grien, Group of Seven Horses, 1534, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/677 Sebald Beham, Christ on the Cross, 1521, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4370 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Jonas Silber, Bacchus Seated on a Barrel and Holding Grapes, 1582, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8735 Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145 Sebald Beham, Christ and the Woman of Samaria, c. 1538/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4390 Sebald Beham, The Betrayal of Christ, 1535, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4366 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3491 Sebald Beham, Venus, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4283 Otto Piene, Plate (folio 10) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14783 Max Beckmann, The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9085 Hans Lützelburger, Vßtribung Ade Eue (Expulsion of Adam and Eve), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7770 Heinrich Aldegrever, The Two Elders Convicted by the Testimony of Daniel, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3437 Sebald Beham, Medal of King Ferdinand of Hungary and Bohemia, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4374 Jonas Silber, Triumphal Procession of Bacchus, 1572–1589, engraving and punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8734 Sebald Beham, Ornament Panel with a Large Bearded Mask, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/831 Hanns Lautensack, View of a Town near a River with a Church on the Right, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8249 Max Klinger, Road, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4954 Barthel Beham, Sovende barn med timeglas og tre kranier, 1529, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4016 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3490 Otto Piene, Plate (folio 6) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14779 Heinrich Aldegrever, The Creation of Eve, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3427 Heinrich Aldegrever, Three Buckles of Girdles Side by Side, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3516 Barthel Beham, Child with Three Skulls, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4107 Jakob Binck, Portrait of Reinneir, 1525, Engraving and etching in black on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60948 Sebald Beham, Ornament with One Male and Two Female Figures, c. 1524/1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4351 Sebald Beham, Saint Jerome with the Angel, 1521, engraving (etching?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/4422 Sebald Beham, Ornament with Two Genii Riding on Two Chimeras, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4334 Sebald Beham, Battle Scene, with Castor and Pollux Abducting the Daughters of Leukippos, c. 1528/1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4271 Sebald Beham, Satyr Sounding a Horn, c. 1530/1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4277 Heinrich Aldegrever, Matthew, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3451 Heinrich Aldegrever, Ornament with Vase and Two Female Figures, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3526 Käthe Kollwitz, Frauenakt, 1910?, Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28019 Sebald Beham, Double Cup with Two Genii Riding on Dolphins, 1526, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4336 Hans Brosamer, Solomon Worshipping Idols, 1545, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5272 Heinrich Aldegrever, Titus Manlius Beheading His Son, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3458 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Thomas Hirschmann, Hans Brosamer, 1611, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5270 Heinrich Aldegrever, Adam and Eve Hide Themselves, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3430 Master NW, Man and Woman Embracing, 1640?, punch engraving? on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8770 Max Klinger, Night, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4928 Sebald Beham, Moses and Aaron, 1526, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4436 Sebald Beham, Ornament with Three Satyrs, c. 1540/1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4329 Albrecht Dürer, Saint Simon, 1523, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6667 Heinrich Aldegrever, Ornament with Foliage and a Child in the Center, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3518 Max Zachmann, Two Nude Dancers in a Landscape, c. 1913, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7740 Sebald Beham, Three Soldiers and a Dog, c. 1540/1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4304 Sebald Beham, Standard Bearer and Drummer, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4305 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614 German 19th Century, Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4079 Heinrich Aldegrever, Traveler among Thieves, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3439 Master IS, Judgment of Paris, 1534, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8777 Sebald Beham, Expulsion from Paradise, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4379 Sebald Beham, Christ at the Table of Simon the Pharisee, c. 1538/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4391 Hanns Lautensack, View of a City near a River, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8253 Albrecht Dürer, Philip Melanchthon, 1526, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4115 Sebald Beham, Peasant Woman at Market, c. 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4373 Hans Lützelburger, Der Bapst (The Pope), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7768 Sebald Beham, Ornament with a Vase Between Two Genii, c. 1525/1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4330 Sebald Beham, Ornament with Palmette and Two Dophin Heads, c. 1540/1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4333 Albrecht Dürer, Cardinal Albrecht of Brandenburg ("Large Cardinal"), 1523, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6668 Johannes Hanias, Bow Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6468 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3494 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Sebald Beham, Ornament Panel with a Large Bearded Mask, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4327 Sebald Beham, Departure of the Prodigal Son, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4397 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4634 Paul Klee, Garden of Passion (Garten der Leidenschaft), 1913, etching in black on ivory wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8111 Sebald Beham, Domitia Calvilla, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4263 Matthäus Greuter, Sommer, 1566–1638, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21483 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Hanns Lautensack, Georg Roggenbach, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8250 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3489 Sebald Beham, Allegory of Christianity, c. 1540/1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4286 Otto Piene, Plate (folio 7) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14780 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3479 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Sebald Beham, Cleopatra Seated, c. 1540/1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4431 Heinrich Aldegrever, Ornament with Mask, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3522 Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612 Barthel Beham, Emperor Charles V, 1531, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4108 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 Adam Elsheimer, Tobias and the Angel, 1578, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6839 Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983 Sebald Beham, The Good Shepherd, 1527, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4372 Sebald Beham, Mask Held by Two Genii, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4325 Hans Lützelburger, Die Greffinn (The Countess), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7762 Sebald Beham, Saint Peter, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4403 Albrecht Dürer, Saint Christopher Facing Left, 1521, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6665 Sebald Beham, Fool and Two Bathing Women, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4312 Johannes Hanias, Star Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6469 Wols (A. O. Wolfgang Schulze), Frontispiece from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16502 Mathis Zündt, Louis III de Bourbon, prins af Condé, 1568, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22349 Jonas Silber, Saturn, 1582, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8736 Sebald Beham, Melencolia (Melancholy), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4295 Hanns Lautensack, View of Nuremberg from the East [center section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8255 Heinrich Aldegrever, The Virgin Seated, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3449 Barthel Beham, Judith with the Head of Holofernes, c. 1525/1527, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4103 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Sebald Beham, Fortitudo (Fortitude), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6309 Heinrich Aldegrever, Dancing Children, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/826 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Lucas Cranach the Younger, Saint John in a Landscape, 1540, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6064 Mathis Zündt, Portræt af Joannes de Valeta, 1566, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22351 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Sebald Beham, Venus and Cupid, c. 1526/1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4266 Sebald Beham, Charitas (Charity), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4289 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Otto Piene, Plate (folio 11) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14784 Georg Pencz, The Triumph of Time, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5904 Max Klinger, Sailors, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4956 Sebald Beham, The Wedding at Cana, c. 1538/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4389 Jodocus Bickart, Saint Mark, 1660–1684, mezzotint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4633 Barthel Beham, Madonna with Skull, c. 1528/1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4100 Sebald Beham, Fortuna (Fortune), 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4291 Sebald Beham, Triumphal Procession, c. 1528/1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4293 Sebald Beham, Cognicio (Cognition), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4288 Käthe Kollwitz, Germany's Children are Hungry! (Deutschlands Kinder Hungern!), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8199 Willi Baumeister, [Untitled], 1943, Lithographic crayon, charcoal, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36878 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3484 Sebald Beham, Mercury, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4284 Heinrich Aldegrever, Expulsion from Paradise, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3431 Sebald Beham, Achilles and Hector, c. 1528/1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4376 Käthe Kollwitz, Self-Portrait at the Table (Selbstbildnis am Tisch), probably 1893, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8182 Paul Klee, Day Music (Musique diurne) from Art d'Aujourd'hui, Maîtres de l'Art Abstrait (Art of Today, Masters of Abstract Art), Album I, 1953 (original executed in 1940), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31874 Wilhelm Lehmbruck, Three Kneeling Women (Drei Frauen knied), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8466 Sebald Beham, Genius on a Dolphin, Riding to the Right, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4269 Master IB, Sheath with Warrior, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8721 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3482 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Sebald Beham, The Return of the Prodigal Son, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4400 Albrecht Dürer, Coat of Arms of the German Empire and Nuremberg City, 1521, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6803 Sebald Beham, Two Lover Seated in Front of a Fence, 1522, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4360 Käthe Kollwitz, Bettelnde (Begging), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8150 Sebald Beham, Saint Simon, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4413 Monogrammist FG, Mutius Scaevola, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8780 Sebald Beham, Christ on the Globe, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4395 Jeremias Falck, Albrecht Altdorfer, 1619, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3639 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Albrecht Altdorfer, Martin Luther, c. 1525, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3606 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Hans Lützelburger, Die Hertzoginn (The Duchess), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7772 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 Otto Piene, Plate (folio 12) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14785 Barthel Beham, Leonhard von Eck, 1527, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4085 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Otto Piene, Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14781 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Augustin Hirschvogel, Conrad Schall, 1547, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7754 Sebald Beham, Capital and Base of a Column, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4343 Heinrich Aldegrever, Ornament with a Child on the Back of a Sphinx, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3515 Albrecht Dürer, Ulrich Varnbüler, 1522, printed c. 1620, Woodcut in black on ivory laid paper with added brown and sepia tone blocks, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36035 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Sebald Beham, Ornament with Female Demon, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4322 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Sebald Beham, Pacientia (Patience), 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4290 Hans Brosamer, Samson and Delilah, 1545, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5273 Sebald Beham, Bust of an Old Bearded Man, 1546, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4361 Sebald Beham, Spes (Hope), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6308 Max Klinger, Child, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4953 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Sebald Beham, Jupiter, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4280 Sebald Beham, Joseph and Potiphar's Wife, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4384 Sebald Beham, Saint James the Less, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4405 Albrecht Dürer, Philip Melanchthon, 1526, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6670 Sebald Beham, Ornament with Eagle and Two Genii, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4321 Daniel Hopfer, Interior of the Church of Saint Katherine with Parable of the Pharisee and the Publican, c. 1530, etching (iron) with open biting, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8001 Sebald Beham, Double Goblet with Oval Decorations, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4339 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Paul Klee, A Genius Serves a Small Breakfast (Ein Genius serviert ein kleines Frühstück), 1920, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8108 Heinrich Aldegrever, The Good Samaritan Ministering to the Traveler, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3440 Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105 Georg Pencz, The Triumph of Love, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5901 Sebald Beham, Justicia (Justice), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6307 Hans Lützelburger, Der Alt man (The Old Man), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7763 Heinrich Guttenberg, Le mercure de France, 1784, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2808 Johannes Hanias, Cross Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6471 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3493 Heinrich Aldegrever, Ornament, 1552, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3524 Sebald Beham, Saint Bartholomew, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4408 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3486 Lucas Cranach the Elder, Luther as 'Junker Jorg', 1522, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6051 Sebald Beham, The Death of Regulus, c. 1525/1528, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4427 Sebald Beham, Saint James the Great, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4411 Sebald Beham, Saturn, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4279 Albrecht Dürer, Ulrich Varnbüler, 1522, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6804 Max Klinger, Sea, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4955 Barthel Beham, Der Welt Lauf (Sleeping Justice), 1525, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4094 Sebald Beham, The Agony in the Garden, 1522, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4365 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3487 Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312 Johann Ladenspelder, The Holy Trinity, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8242 Georg Pencz, The Triumph of Eternity, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5906 Sebald Beham, Capital and Base of a Column, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4344 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Sebald Beham, Lucretia Standing, c. 1539/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4432 Paul Klee, Small World (Kleinwelt), 1914, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8110 Sebald Beham, Coat of Arms of Hector Pömer, 1525, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6816 Sebald Beham, Profile Study of Two Horse Heads, c. 1528/1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4315 Sebald Beham, Lichas Presenting Nessus' Tunic to Hercules, 1542/1548, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4272 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Heinrich Aldegrever, Ornament, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3527 Albrecht Dürer, Erasmus of Rotterdam, 1526, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4118 Heinrich Aldegrever, The Good Samaritan Paying for the Lodgings of the Traveler, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3442 Heinrich Aldegrever, Portræt af Philipp Melanchthon, 1540, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb7583 Barthel Beham, Judith Seated on the Body of Holofernes, 1525, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4104 Mathis Zündt, Louis III de Bourbon, prins af Condé, 1568, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22350 Sebald Beham, The Holy Family Under a Tree, 1521, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4363 Barthel Beham, Cleopatra, 1524, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4106 Wols (A. O. Wolfgang Schulze), Plate 2 from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16456 Georg Pencz, Virginius Killing His Daughter, c. 1546/1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9510 Monogrammist FG, Mutius Scaevola, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8716 Sebald Beham, Standard Bearer, 1526, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4306 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Sebald Beham, Death and the Maiden, 1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4298 Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2799 Hans Holbein the Younger, Saint Paul with Book and Sword, 1540, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7774 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Albrecht Dürer, Frederick the Wise, Elector of Saxony, 1524, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6669 Johann Martin Bernigeroth, Lucas Cranach, 1761, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4649 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3492 Sebald Beham, Venus and Cupid, c. 1535/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4267 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4637 Monogrammist AS, Fortuna, 1540, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3996 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Albrecht Dürer, Erasmus of Rotterdam, 1526, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6672 Sebald Beham, Eve Standing, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4378 Sebald Beham, Three Women in a Bathroom, 1548, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4310 Master IB, Sol (The Sun), 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8729 Sebald Beham, Coat of Arms with a Cock, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4347 Heinrich Aldegrever, Christ on the Cross, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3447 Master IB, Marcus Curtius, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8730 Max Klinger, On the Tracks, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4952 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Augustin Hirschvogel, Christian II of Denmark, 1546, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7757 Sebald Beham, The Penance of Saint John Chrysostom, c. 1525/1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4313 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Sebald Beham, Infortunium (Misfortune), 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4292 Sebald Beham, The Penance of Saint John Chrysostom, c. 1525/1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/830 Albrecht Dürer, The Last Supper, 1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6806 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Sebald Beham, The Prodigal Son Wasting His Fortune, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4398 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3477 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Sebald Beham, Ornament with a Couple of Tritons Blowing Horns, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4319 Sebald Beham, Christ Bearing the Cross, 1521, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4369 Sebald Beham, Trajan, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4262 Sebald Beham, Two Couples and a Fool, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4311 Sebald Beham, Genius with Alphabet, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4326 Sebald Beham, Ornament with Male Half Figure Between Two Genii, c. 1525/1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4332 Heinrich Aldegrever, Martin Luther, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3498 Heinrich Aldegrever, Ornament with Mask, Eagle between Satyrs Below, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3520 Franz Brun, Three Months, 1584, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4590 Sebald Beham, Adam Standing, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4377 Hans Lützelburger, Der Schiffman (The Sailor), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7764 Ernst Ludwig Kirchner, Port Scene (Hafenbild), 1908, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8103 Sebald Beham, Moon, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4285 Paul Klee, The Tight Rope Walker (Seiltänzer), 1923, lithograph in black and pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8106 Sebald Beham, Saint Andrew, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4404 Sebald Beham, Saint Thomas, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4409 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Sebald Beham, Coat of Arms of Sebald Beham, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4345 Heinrich Aldegrever, The Night, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3497 Max Beckmann, Day and Dream, 1946, Portfolio of 15 lithographs, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5547 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3476 Heinrich Aldegrever, Mark, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3452 Johannes Hanias, Pendant Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6470 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Sebald Beham, Saint Sebald, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4260 Barthel Beham, King Ferdinand I, 1531, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4089 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Heinrich Aldegrever, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3435 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Paul Flindt the Younger, A Cup with Rams' Heads at the Foot, 1594, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6853 Philipp Andreas Kilian, Albrecht Altdorfer, 1714, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6296 Sebald Beham, Goblet with Medallions, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4338 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Sebald Beham, Saint Philip, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4407 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Albrecht Dürer, The Last Supper, 1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/603 Hans Lützelburger, Der Edelmann (The Nobleman), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7759 Sebald Beham, Ornament with Armour and Two Genii, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6312 Sebald Beham, Lot and His Daughters, c. 1526, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4380 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Sebald Beham, Cleopatra Standing, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4430 Wilhelm Lehmbruck, Four Women; Three Standing, One Sitting (VierFrauen; drei stehend, eine sitzend), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8464 Sebald Beham, Saint Matthias, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4414 Sebald Beham, Saint John, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4406 Heinrich Aldegrever, Sol og Faeton, 1533, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20623 Sebald Beham, Ornament with a Vase Between Two Genii, c. 1525/1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4331 Hanns Lautensack, Landskab med et slot på en klippe, 1553, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4443 Heinrich Aldegrever, Ornament with Mask, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3521 Max Beckmann, Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9075 Hanns Lautensack, View of Nuremberg from the East [right section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8256 Albrecht Dürer, Eobanus Hess, 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6808 Sebald Beham, Panel of Ornament with Candelabra Supported by Two Blindfolded Women, 1527, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4342 Sebald Beham, Two Profile Studies of a Man's Head, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4316 Hans Lützelburger, The Arms of Death, c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7760 Hanns Lautensack, Landscape with Three Men, c. 1558/1559, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8251 Sebald Beham, Saint Matthew, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4415 Wilhelm Lehmbruck, Large Resurrection (Grosse Auferstehung), 1913, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8468 Sebald Beham, Hercules Abducting Iole, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/828 Sebald Beham, Ornament with Palmette and Two Dophin Heads, c. 1540/1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/832 Sebald Beham, Ecclesia Antichristi, 1530, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4352 Heinrich Aldegrever, The Two Elders Stoned by the People, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3438 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Max Beckmann, Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9107 Barthel Beham, Erasmus Balderman, 1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4086 Georg Pencz, The Triumph of Chastity, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5902 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Sebald Beham, Saint Luke, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4417 Sebald Beham, Double Goblet with Oval Medallions of Knights, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4337 Sebald Beham, Saint Judas Thaddaeus, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4412 Heinrich Aldegrever, The Virgin with the Child on the Crescent, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3448 Master IB, Emblem with Hope, Tribulation, Envy, and Tolerance, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8724 Heinrich Aldegrever, Commemoration of the Dead, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3528 Albrecht Dürer, Justice, Truth and Reason in the Stocks with the Seated Judge and Sleeping Piety, probably 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6807 Sebald Beham, Prudencia (Prudence), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6305 Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching with retouching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3105 Albrecht Dürer, Saint Christopher Facing Right, 1521, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6678 Hans Baldung Grien, Group of Seven Horses in Woods, 1534, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4123 Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000 Sebald Beham, Coat of Arms with a Rampant Lion, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4346 Heinrich Aldegrever, Madonna in a Landscape Sitting on a Cushion, 1527, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3450 Sebald Beham, Job Conversing with His Friends, 1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4385 Hans Lützelburger, Skeletons Making Music, c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7769 Hanns Lautensack, Johann Aventinus (Johann Turmair), 1554, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8252 Otto Piene, Plate (folio 5) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14777 Heinrich Aldegrever, Adam and Eve at Work, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3432 Master IB, Martin Luther, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8731 Käthe Kollwitz, Die Carmagnole, 1901, Strichätzung, Kaltnadel, Aquatinta bzw. Pinselätzung und Schmirgel in Braun auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27987 Sebald Beham, Capital and Base of a Column, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6314 Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737 Sebald Beham, Saint Anthony the Hermit, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4423 Sebald Beham, Fides (Faith), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4287 Moritz Steinla, Lucas Cranach, 1791, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9156 Heinrich Aldegrever, The Temptation by the Snake, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3429 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Sebald Beham, Leda and the Swan, 1548, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4278 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3485 Otto Piene, Rose or Star (Rose oder Stern), 1964–65, published 1965, Portfolio of eight screenprints on white and colored paper, four pages of poetry, two pages of text, and one title page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14778 Hans Lützelburger, The Last Judgment, c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7761 Albrecht Dürer, Saint Philip, 1526, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6671 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Heinrich Aldegrever, The Rich Man on His Death Bed, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3444 Heinrich Aldegrever, The Rich Man at the Table, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3443 Sebald Beham, The Prodigal Son Tending the Swine, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4399 Sebald Beham, Capital and Base of a Column, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6313 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Heinrich Aldegrever, Skededesign med Kain og Abel, 1539, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb6458 Sebald Beham, Saint Sebald, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4424 Heinrich Aldegrever, The Two Elders Before the Judge, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3436 Albrecht Dürer, The Triumphal Chariot of Maximilian I (The Great Triumphal Car), 1523 (Latin ed.), woodcut//Eight joined plates, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6810 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Heinrich Aldegrever, Luke, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3453 Heinrich Aldegrever, Design for a Dagger Sheath with Cain and Abel, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3537 Georg Pencz, The Triumph of Fame, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5903 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Augustin Hirschvogel, Herberstein's Journey to Denmark, 1546, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7756 Sebald Beham, The Entombment, 1521, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4371 Albrecht Altdorfer, Venus after the Bath, c. 1525/1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3617 Sebald Beham, The Impossible, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4296 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Wilhelm Lehmbruck, Kneeling, Small (Kniende, klein), 1910, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8463 Sebald Beham, Hercules Abducting Iole, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4273 Heinrich Aldegrever, Sophonisba, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3483 Sebald Beham, Saint Mark, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4416 Sebald Beham, Charitas (Charity), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6306 Heinrich Aldegrever, High Fruits with Ornaments, 1552, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3525 Käthe Kollwitz, The End (Ende), 1897, aquatint, etching, and emery stone pencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8229 Barthel Beham, Riding Standard Bearer and Foot Soldier, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4091 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Sebald Beham, Judith Seated in an Arch, 1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4383 Sebald Beham, Two Street Players and a Girl, c. 1525/1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4302 Sebald Beham, The Virgin and Child with a Parrot, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4388 Sebald Beham, Frieze with Centaurs, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4270 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3495 Max Beckmann, Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess), (1917, published 1918), Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13621 Max Klinger, Herod, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4930 Sebald Beham, Coat of Arms with an Eagle, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4348 Sebald Beham, Christ before Caiaphas, 1535, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4367 Heinrich Aldegrever, God Forbids to Eat from the Tree, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3428 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Max Klinger, Farmer, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4929 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3480 Wilhelm Lehmbruck, Passion II (Leidenschaft II), 1914, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8467 Käthe Kollwitz, Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn), 1910, etching and drypoint in black-brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8218 Martin Kippenberger, [Untitled], 1989, Cut-and-pasted-printed paper and cut-and-pasted synthetic sheeting on photo offset lithograph in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35644 Heinrich Aldegrever, Ornament with Trophy of Arms, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3523 Barthel Beham, Peasant Woman with Two Jugs, 1524, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4098 German 19th Century, Christ on the Cross with Angels, 19th century, woodcut, hand-colored in blue, green, tan, brown, yellow, carmine, and gray-blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3753 Hanns Lautensack, Landscape with a Vineyard, 1559, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8248 Sebald Beham, Ecce Homo, 1522, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4368 Sebald Beham, Solon and Two Peasants, c. 1525/1528, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4309 Sebald Beham, The Lady and Death, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4297 Sebald Beham, Genius on a Dolphin, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4268 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Paul Klee, The Friends (Die Freundinnen), 1909, Ink on monotype on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36676 Ernst Ludwig Kirchner, Cover of the Fourth Yearbook of the Artist Group the Brucke, 1909, woodcut in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8104 Veit Specklin, Erasmus of Rotterdam, c. 1538, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7773 Hans Lützelburger, Der Fürsprach (The Lawyer), c. 1526, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7766 Sebald Beham, Hercules Carrying the Columns of Gades, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4274 Jakob Binck, Sea-God on a Dolphin Riding to the Left, after 1525, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4092 Sebald Beham, Ornament Panel with a Large Bearded Mask, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4328 Georg Pencz, The Triumph of Death, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5905 Sebald Beham, Peasant at Market, c. 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4301 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3481 Paul Klee, Blick auf einen Fluss (View on a River), 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8112 Heinrich Aldegrever, Three Musicians, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3475 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4636 Heinrich Aldegrever, Alphabet, c. 1525/1555, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3503