Ugo da Carpi, Peters fiskedræt, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22411 Marcantonio Raimondi, Raphael's Dream, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/649 Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in mauve purple, vermilion, gray-blue, probably by stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3780 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Marcantonio Raimondi, The Man with Two Trumpets, c. 1510–1527, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/648 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938 Master I.I.CA, The Nativity, c. 1500/1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8778 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Italian 15th Century, The Lamentation, c. 1480/1500, woodcut, hand-colored in red, green, and yellow on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4031 Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22416 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Italian 15th Century, Saint Francis Receiving the Stigmata, c. 1480, woodcut, hand-colored in brown, yellow, green, blue, and tan, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3818 Italian 15th Century, The Mass of Saint Gregory [recto], c. 1490, woodcut, hand-colored in red, yellow, cinnamon, lilac, possibly with stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3824 Master of 1515, Hercules and Cacus, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8764 Italian 15th Century, Christ as the Man of Sorrows, c. 1480, woodcut, hand-colored in green, yellow, red and brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4048 Italian 16th Century, The Adoration of the Magi, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5898 Giovanni Pietro Birago, Ornament Panel: Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3656 Italian 15th Century, The Cross, c. 1500, woodcut, hand-colored in red, pink, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3976 Italian 15th Century, Bishop of Augsburg with Three Coats of Arms, c. 1485, hand-colored woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3873 Italian 15th Century, Saint Andrew, c. 1480, woodcut, hand-colored in rose, green, yellow, blue, gold, and red-orange, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4053 Italian 15th Century, Allegory of the Eucharist, 1480/1500, woodcut, hand-colored in orange, green, tan, pink,lt. blue, and red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4027 Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Italian 16th Century, Christ Consoling the Centurion, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5897 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Italian 15th Century, Bookplate of Hilprand Brandenburg of Bibrach, in or after 1500, woodcut, hand-colored in green, rose, light blue, red, and yellow on laid paper, mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3863 Italian 15th Century, The Flight into Egypt, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7777 Benedetto Montagna, Birth of Adonis, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9171 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Italian 15th Century, Christ on the Cross, c. 1490, woodcut, hand-colored in red, light blue, and gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3697 Andrea Andreani, The Triumph of Julius Caesar [no.1 and 2 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8692 Italian 16th Century, Christ and His Disciples III, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3308 Italian 15th Century, Gerson as Pilgrim, 1489, woodcut, touched with red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3865 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Andrea Mantegna, The Virgin and Child, c. 1490, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8702 Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Italian 15th Century, The Crucifixion, c. 1500, woodcut, hand-colored in blue, green, yellow, and brown [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3848 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 Andrea Mantegna, The Triumph of Caesar: Soldiers Carrying Trophies, c. 1497/1498, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8701 Italian 15th Century, Christ as the Man of Sorrows, 1480/1500, woodcut, hand-colored in red lake, green, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3743 Italian 15th Century, The Crucifixion, c. 1485, woodcut on vellum touched with red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3943 Italian 15th Century, Friedrich Count of Schaumberg - Bishop of Salzburg, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3874 Italian 16th Century, Christ Stilling the Storm, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5896 Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in light purple, rose carmine, gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3778 Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in brown, red, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3777 Italian 15th Century, Christ on the Cross with Angels, 1490/1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3750 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Italian 15th Century, Saint Catherine, c. 1480, woodcut in brown, hand-colored in red lake, blue, green, yellow, gold, and orange, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4057 Italian 15th Century, The Descent of the Holy Ghost, 1480/1490, woodcut, hand-colored in red lake, blue, green, gray, and gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3726 Italian 15th Century, Christ Child with Bird, 1480, woodcut in brown, hand-colored in blue, yellow, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3736 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Marcantonio Raimondi, Orpheus and Eurydice, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/643 Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue-green, vermilion, lavender, brown, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3703 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354 Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9174 Italian 15th Century, A Monk with an Angel, 1480/1490, woodcut, hand-colored in red, olive-gray, light green, olive, blue, yellow, and pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3970 Master of the Beheading of St. John the Baptist, Allegorical Theme: Combat of Animals, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/589 Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348 Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8740 Italian 15th Century, Franciscan, Pelbartus of Temesvar, in a Garden, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3872 Italian 15th Century, Madonna and Child in a Rosary, c. 1480, woodcut, hand-colored in red lake, yelllow, black,green, brown, and rose on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3779 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22405 Marcantonio Raimondi, Two Women with the Zodiac, 1480, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/652 Italian 15th Century, The Lamentation, c. 1480/1490, woodcut in dark brown, hand-colored in red-lake, blue, green, yellow, tan, gold, and orange, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3707 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22422 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [left], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6015 Italian 15th Century, Christ on the Cross, c. 1500, woodcut, hand-colored in blue, green, lavender, yellow, brown, red, and orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3696 Italian 15th Century, Fourteen Auxiliary Saints, c. 1500, woodcut, hand-colored in pink-red, green, blue, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3936 Benedetto Montagna, The Nativity, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9173 Ugo da Carpi, Den hellige Peter forkynder evangeliet, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22414 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Giovanni Antonio da Brescia, Ornamental Panel Inscribed "Victoria Augusta", c. 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6084 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Italian 15th Century, Good Shepherd, c. 1480, woodcut in warm black, hand-colored in yellow, green-gray, and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3742 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, engraving, hand-colored in red, tan, violet, green and flesh; pasted into an initial "O" on an illuminated vellum sheet, torn from a book, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3967 Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Andrea Mantegna, Hercules and Antaeus, c. 1495, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/587 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Italian 15th Century, The Adoration of the Magi, probably 1486, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3666 Italian 15th Century, The Adoration of the Magi Set in a Border, c. 1480, woodcut, hand-colored in red, lt. green, brown, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4077 Italian 15th Century, Saints Christopher, Sebastian, and Roche, c. 1495, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3947 Italian 15th Century, The Flagellation, 1480/1500, woodcut in dark brown, hand-colored in vermilion, gray-blue, purple, peach, and tan, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3683 Italian 15th Century, Saint Bridget, c. 1480/1490, woodcut, hand-colored in orange-pink, green, yellow, green-blue, and white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3807 Italian 15th Century, Saint Jerome in Penitence, with Two Ships in a Harbor, c. 1480/1500, engraving [restrike, probably late 18th century impression], National Gallery of Art, Washington. https://dartabase.art/cite/nga/4548 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22423 Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue, red, vermillion, olive, green, yellow, and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3702 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347 Giuseppe Maria Moretti, Sibyl, 1573, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5992 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Andrea Zoan, Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/590 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Giovanni Antonio da Brescia, The Entombment, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3651 Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343 Italian 15th Century, The Sacred Monogram, c. 1500, woodcut with hand coloring in orange-red and gray-blue on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3851 Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5855 Italian 15th Century, Saint Veronica with the Sudarium, c. 1500, woodcut, hand-colored in yellow, blue, red, green and gold on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3971 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Domenico Campagnola, The Shepherd and the Old Warrior, 1517, engraving in red-brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5861 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Italian 15th Century, Christ on the Cross, c. 1485, woodcut, hand-colored in blue, light blue, green, red lake, brown, and tan on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3694 Ugo da Carpi, Læsende sibylle, vendt mod venstre, 1510–1530, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22409 Italian 15th Century, Saint Anne, The Madonna and Child and Saints Christopher, Sebastian, Clara and Roche, c. 1500/1525, woodcut, hand-colored in blue, yellow, and cinnamon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3946 Italian 15th Century, Saint Anne, The Madonna and Child, and a Franciscan Monk, c. 1500, woodcut, hand-colored red lake, green, rose, yellow, and gray, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3794 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Italian 15th Century, Christ and the Woman of Samaria, probably 1485, woodcut, hand-colored in red lake, yellow, green, blue, brown, and gray, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3670 Italian 15th Century, Saint Alto, c. 1500, woodcut, hand colored in burgundy, blue-green, orange, brown, red, and yellow-green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3793 Italian 15th Century, Christ in the Tomb with Two Angels, 1490/1500, woodcut, hand-colored in red, orange-yellow, blue-green, green, and gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3761 Italian 15th Century, Christ Falling Under the Weight of the Cross, 1480/1490, woodcut, hand-colored in yellow ochre, tan, green, and red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3748 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Italian 15th Century, Initial A and a New Year's Wish, 1483, woodcut, hand-colored in olive green, rose, orange, green, brown, and yellow-green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3856 Italian 15th Century, Bookplate of Dominicus Frauenfelder, c. 1500, woodcut, hand-colored in yellow, green, black, and brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5005 Italian 15th Century, The Agony in the Garden, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8243 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8699 Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut, hand-colored in blue, yellow, orange, green, brown, carmine, and gold on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3755 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Italian 15th Century, Saint Ottilia, c. 1480, woodcut in brown, hand-colored in black, green, red, yellow, blue, gold, and orange with tarnished silver leaf on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4082 Agostino dei Musi, The Barc, 1515–1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9150 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6018 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Andrea Andreani, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8694 Ugo da Carpi, Legende amoriner. Allegori over kærligheden, 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22407 Italian 15th Century, The Head of Christ, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3734 Italian 16th Century, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3434 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Italian 15th Century, The Man of Sorrows with a Franciscan, 1490–1500, woodcut, hand-colored in red, blue, green-yellow, gray, and flesh, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3749 Italian 15th Century, The Coronation of the Virgin, 1480/1490, woodcut in brown, hand-colored in red lake, blue, tan, green, rose, gold, orange, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4012 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Italian 15th Century, Monogram JHS in a Flaming Circle, c. 1500, woodcut, hand-colored in red, green, yellow, and lavender-pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4047 Francesco di Lorenzo Rosselli, The Last Judgment, c. 1480/1490, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4550 Italian 15th Century, Miracle at Seefeld, 1484, woodcut, hand-colored in red, blue, yellow, purple, brown, gray, and lavender, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3857 Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/592 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5856 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22404 Giovanni Pietro Birago, Nereid Ridden by Two Children, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/591 Marcantonio Raimondi, Hercules and Antaeus, c. 1520–1522, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/647 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Italian 15th Century, Christ on the Cross, c. 1480/1500, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4034 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13020 Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Jacopo de' Barbari, Two Philosophers, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4159 Benedetto Montagna, Shepherd with a Platerspiel, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9179 Italian 15th Century, Christ Showing His Wounds to Peter, the Magdalene and the Good Thief, 1480/1490, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3751 Ottavio Leoni, Self-Portrait, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/929 Italian 16th Century, Christ and His Disciples II, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3307 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Andrea Zoan, Ornament Panel: Triton Ridden by a Child, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3654 Italian 15th Century, The Visitation, c. 1480/1490, woodcut in dark brown, hand-colored in red, yellow, green, lt. blue, pink, blue, gold, orange, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4039 Italian 16th Century, Madonna and Child, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4020 Jacopo de' Barbari, Victory Reclining Amid Trophies, c. 1500/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4156 Italian 16th Century, Self-Portrait, 1525, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8561 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6017 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [right], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6016 Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868 Ugo da Carpi, Peters fiskedræt, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22410 Italian 15th Century, Joseph and the Christ Child, c. 1500, engraving, hand-colored in red and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3961 Marcantonio Raimondi, The Birth of Venus, 1506, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/644 Italian 15th Century, The Man of Sorrows, c. 1490, hand-colored woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4021 Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991 Andrea Mantegna, Virtus Combusta: An Allegory of Virtue, 1500/1505, engraving on laid paper by Giovanni Antonio da Brescia, National Gallery of Art, Washington. https://dartabase.art/cite/nga/579 Domenico Campagnola, Venus Reclining in a Landscape, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5862 Giovanni Antonio da Brescia, Christ before Pilate, c. 1500/1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3650 Domenico Campagnola, The Assumption of the Virgin, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5854 Giovanni Antonio da Brescia, The Entombment with Three Birds, c.1500/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8700 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Ugo da Carpi, Korsnedtagelsen, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22413 Italian 16th Century, Saint Jerome in Penitence, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4549 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Diana Scultori, Christ Making Saint Peter Head of the Church, c.1567, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7357 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Italian 15th Century, Ecce Homo, c. 1480/1490, woodcut, hand-colored in green, brown, lt. yellow, blue, red, and gold leaf, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4043 Antonio da Trento, Augustus og den tiburtinske sibylle, 1500–1550, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5261 Italian 15th Century, The Transportation of the Holy House of Loreto, 1494, woodcut, hand-colored in tan, dark gray-green, orange, and purple; the green and orange may have been applied by means of a stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3937 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Italian 15th Century, Saint Francis and Saint Clara, c. 1480, woodcut, hand-colored in brown, rose, green, black, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3826 Benedetto Montagna, The Agony in the Garden, c. 1506/1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9178 Italian 16th Century, The Rich Man in Hell, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3446 Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937 Italian 15th Century, Christ before Pilate, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8745 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/593 Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586 Giulio Campagnola, Christ and the Samaritan Woman, c. 1510, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53294 Italian 15th Century, The Nativity, 1490/1500, woodcut, hand-colored in red, brown, slate blue, ochre, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3665 Italian 15th Century, Treason of Judas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8189 Benedetto Montagna, Man Seated by a Palm Tree, c. 1510/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9175 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Italian 15th Century, Madonna with the Rosary, 1485, woodcut, hand-colored in red lake, green, brown, yellow, tan, gray, rose, and black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3776 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Italian 16th Century, Madonna of the Hernleberg, 1592, woodcut, hand-colored, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3869 Marcantonio Raimondi, The Vision of Saint Helena, 1515–1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/655 Agostino dei Musi, Pope Paul III, 1534, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9152 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Ottavio Leoni, Paolo Giordano Orsini II, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/934 Italian 15th Century, Saint Barbara, c. 1500, woodcut, hand-colored in brown, lavender, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4032 Giovanni Antonio da Brescia, Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6081 Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358 Italian 16th Century, Christ with Three of His Apostles, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5899 Italian 16th Century, Young Man Drinking Water (Rebecca and Eliezer?), 1500, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4597 Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346 Italian 15th Century, The Way of Salvation, c. 1490, woodcut in brown, hand-colored in green, yellow, red lake, blue, brown, and orange (border), National Gallery of Art, Washington. https://dartabase.art/cite/nga/3854 Domenico Campagnola, Lamentation of Christ, 1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5863 Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Andrea Mantegna, Bacchanal with Silenus, before 1481, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8705 Italian 16th Century, Christ and His Disciples V, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3310 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Nicoletto da Modena, Fate of an Evil Tongue, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/595 Andrea Andreani, The Triumph of Julius Caesar [no.3 and 4 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8693 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Italian 15th Century, Christ on the Cross, c. 1485, woodcut, hand-colored in brown, tan, ochre, olive,and red on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3951 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Italian 15th Century, Christ on the Cross with a Grape Vine, c. 1490/1500, woodcut with hand-coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4018 Italian 16th Century, Ornament - Large Goblet, 1500, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4594 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Italian 15th Century, The Trinity, c. 1500, woodcut, hand-colored in blue, orange, yellow, green, white, black, gold, and silver, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4051 Italian 15th Century, Border from an Almanac, c. 1489, woodcut, hand-colored in green, brown, rose, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3940 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Nicolò Boldrini, Venus and Cupid, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4152 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Andrea Mantegna, Bacchanal with a Wine Vat, before 1481, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/583 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Giovanni Antonio da Brescia, Discovery of Joseph's Cup, c. 1521/1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6083 Italian 15th Century, Saint Alto, Saint Bridget and the Founders of the Mariamunster, c. 1500, woodcut, hand-colored in green, red lake, brown, gray, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3792 Italian 15th Century, Allegory of the Eagle and Emperor Maximilian I, 1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3858 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Jacopo de' Barbari, Custodi Nos Dormientes (The Guardian Angel), c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4160 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Italian 15th Century, Mocking of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4167 Italian 16th Century, Portrait of Petrarch, first half 16th century, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4546 Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350 Giovanni Antonio da Brescia, Holy Family with Saint Elizabeth and the Infant Saint John, c. 1495/1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6079 Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Nicoletto da Modena, Saint George, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/596 Italian 15th Century, Council of High Priests, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4166 Italian 15th Century, A Monstrance Held by Two Angels, 1495/1500, woodcut, hand-colored in green, brown, rose, and olive, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3973 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Giovanni Battista Palumba, Saint George and the Dragon, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8732 Italian 15th Century, Scourging of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8792 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in yellow, ochre, brown and indian red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3744 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Italian 15th Century, Saint Francis Receiving the Stigmata, 1500/1510, woodcut, hand-colored in green, yellow, indian red, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3819 Italian 15th Century, Two Peasants, 1490s, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4543 Italian 15th Century, The Nativity, c. 1500, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3941 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Ugo da Carpi, David skiller hovedet fra Goliats krop, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22412 Marcantonio Raimondi, Mars, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/646 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22415 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22421 Marcantonio Raimondi, The Judgment of Paris, c. 1510/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/641 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Domenico Campagnola, Beheading of Saint Catherine, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5857 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Andrea Andreani, Allegory on Death, 1558, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4071 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Ottavio Leoni, Giacomo Antonio Mannini, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/928 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Italian 15th Century, The Adoration of the Magi (Virgin in the Grotto), c. 1500, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4532 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Andrea Zoan, Ornament Panel: Four Children Playing, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3659 Italian 15th Century, Christ as the Man of Sorrows, 1507, woodcut, hand-colored in red lake, orange, blue, yellow, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3745 Andrea Mantegna, Battle of the Sea Gods [right half], before 1481, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/585 Marcantonio Raimondi, God Appearing to Noah, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/636 Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930 Domenico Campagnola, Shepherds in a Landscape, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5859 Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9177 Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932 Italian 15th Century, Christ Washing the Apostles' Feet, c. 1490, woodcut, hand-colored in tan, green, rose, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4036 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Marcantonio Raimondi, Poetry, c. 1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/650 Italian 15th Century, Christ on the Cross, 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3690 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Italian 15th Century, Before Caiaphas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8707 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Valerio Belli, Mars, Minerva, Venus, and Cupid, early 1500s, rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/166197 Benedetto Montagna, Woman and Satyr with Two Cupids, c. 1506/1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9172 Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933 Italian 15th Century, Saint George (?), c. 1490, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3957 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353 Andrea Andreani, The Triumph of Julius Caesar [no.7 and 8 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8695 Italian 15th Century, Christ on the Cross, c. 1490, hand-colored woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3867 Jacopo de' Barbari, Holy Family, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4161 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Italian 15th Century, Christ Appearing to Mary Magdalene, c. 1500, woodcut, hand-colored in maroon, orange, yellow, blue-green, mauve, and flesh on laid paper, possibly applied with stencils, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3709 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/837 Giovanni Antonio da Brescia, Man Seated Holding a Forked Staff, c. 1514/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6082 Andrea Mantegna, Battle of the Sea Gods [left half], before 1481, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/584 Andrea Andreani, The Triumph of Julius Caesar: Title Page, 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8691 Ugo da Carpi, Overraskelsen, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22417 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Italian 15th Century, Christ as Salvator Mundi, c. 1485, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3741 Jacopo Francia, Holy Family with Saint Elizabeth and the Infant Saint John the Baptist, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7286 Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Andrea Andreani, The Triumph of Julius Caesar [no.9 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8696 Italian 15th Century, Christ lead to Prison, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8669 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Italian 15th Century, Christ on the Mount of Olives, c. 1490, woodcut, hand-colored in green, carmine, rose, yellow, gray, blue, and brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3677 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Italian 15th Century, Madonna in a Rosary with Saints, c. 1500, woodcut, hand-colored in red, ochre, green, gray, and tan, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3766 Italian 15th Century, Saint Martin and the Beggar, c. 1490, woodcut with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3953 Italian 16th Century, The Hour of Death, 1500, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4437 Italian 15th Century, The Crucifixion, c. 1490/1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3956 Italian 15th Century, Song to the Madonna, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3939 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Italian 15th Century, A Warning Against Playing Dice, c. 1500, woodcut [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3860 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Antonio da Brescia, Saint Jerome in His Study, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4547 Italian 16th Century, Martin Luther, Half-Length to the Left with a Book in his Hands, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6050 Andrea Zoan, Ornament Panel: Satyr Holding a Violin, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3661 Marcantonio Raimondi, The Lamentation of the Virgin, 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/637 Italian 15th Century, Madonna in a Wreath of Roses, 1490/1500, woodcut, hand-colored in red lake, green, and gray-yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3765 Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947 Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940 Jacopo de' Barbari, Apollo and Diana, c. 1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/582 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Domenico Campagnola, The Virgin and Child with Saints, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5860 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in dark brown, tan and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3746 Italian 15th Century, The Adoration of the Magi, c. 1485, woodcut, hand-colored in orange, green, and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3667 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Master NA.DAT with the Mousetrap, The Two Armies at the Battle of Ravenna, probably c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8739 Italian 15th Century, Christ Child on Donkey, c. 1500, woodcut, hand-colored in yellow, rose, and brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3737 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Italian 15th Century, Christ on the Cross with Angels, 1481, woodcut, faintly touched in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3756 Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Giovanni Antonio da Brescia, Hercules and Antaeus, after 1507, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6080 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Italian 16th Century, Madonna and Child, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3960 Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9176 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Italian 15th Century, Christ on the Cross, 1485, woodcut, hand-colored in blue, light blue, ocher, green, red, tan, and cinnamon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3692 Italian 15th Century, Christ on the Cross, c. 1500, woodcut with hand-coloring in blue, green, brown, tan, ocher, olive, and pale blue with gold leaf on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3691 Marcantonio Raimondi, Dance of Cupids, c. 1517–1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/639 Jacopo Francia, Bacchus and His Attendants, c. 1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7288 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Marcantonio Raimondi, Il Morbetto (The Plague), c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/654 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Italian 15th Century, Divine Infant with the Globe in a Circle with Four Angels, probably c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4024 Italian 15th Century, Christ Bearing the Cross, c. 1500, woodcut, hand-colored in mauve, red, blue, green, ochre, yellow, black, white, and gold, on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3685 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Italian 15th Century, Saint George, c. 1500, woodcut, hand-colored in brown-red, green, and vermilion, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3822 Marcantonio Raimondi, Vulcan, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/645 Italian 15th Century, David Playing the Harp, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4042 Italian 15th Century, Saint Sebastian, c. 1490, woodcut, hand-colored in green, red lake, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3841 Domenico Campagnola, Battle of Nude Men, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5858 Marcantonio Raimondi, Venus Appearing to Aeneas, c. 1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/642 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344 Italian 15th Century, Baptism, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8005 Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/588 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Italian 15th Century, Presentation, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7398 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Marcantonio Raimondi, Two Fauns Carrying a Child, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/640 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Italian 15th Century, Betrayal, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8462 Italian 16th Century, Christ and His Disciples IV, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3309 Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356 Italian 16th Century, The Rich Man Being Carried Away by the Devil, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3445 Italian 16th Century, Alphabet for a Primer, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4064 Andrea Zoan, Ornament Panel with Dragons, Masks, and Instruments of War, c. 1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3653 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Italian 15th Century, The Man of Sorrows and His Mother, c. 1500, woodcut, hand-colored in rose, blue, lilac, vermilion, mustard yellow, white, brown, and silver on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3747 Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359 Italian 15th Century, Faun Battling a Snake, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8715 Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Italian 15th Century, Man Walking Towards a Grave, c. 1495, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4045 Diana Scultori, Latona Giving Birth to Apollo and Diana on the Island of Delos, 1561–1565, engraving on laid paper (with offset of Diana Scultori's "Snake Charmer" [B.44] on verso), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7358 Italian 15th Century, The Crucifixion, c. 1490/1500, woodcut, hand-colored, on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3875 Italian 16th Century, The Circumcision, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5895 Jacopo de' Barbari, Satyr's Family, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4157 Italian 16th Century, Christ and His Disciples I, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3306 Italian 15th Century, The Pietà, 1485/1490, woodcut in brown, hand-colored in yellow ochre, green, rose, and gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3757 Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3754 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Italian 15th Century, Gerson as Pilgrim with Town in Background, in or before 1488, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3864 Marcantonio Raimondi, Dido, c. 1510, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/638 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Italian 16th Century, "El Gran Capitanio", c. 1516/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4544 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Italian 16th Century, Jesus Preaching in the Temple, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5900 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Agostino dei Musi, Hieronymus Alexander, Archbishop of Brindisi, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9151 Andrea Zoan, Page from Livius Historiabum Libri, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3652 Italian 15th Century, The Head of Christ, probably 1500/1510, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3733 Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935 Italian 15th Century, Bookplate of Wilhelm von Zell, in or after 1500, woodcut on laid paper mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3861 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Jacopo de' Barbari, Judith Holding the Head of Holofernes, c. 1501/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4162 Lorenzo Costa, Presentation of Christ, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4542 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Italian 15th Century, Christ Stripped, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8720 Italian 15th Century, Christ on the Cross, 1486/1488, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3284 Italian 15th Century, Purgatory, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3975 Italian 15th Century, Holy Kinship, 1490/1500, woodcut, hand-colored in green, yellow, red lake, and light brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3850 Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7287 Italian 15th Century, Morris Dancer, c. 1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4050 Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355 Italian 15th Century, Song to the Virgin, c. 1500, woodcut, hand-colored in rose and ochre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3952 Enea Vico, Old Woman with a Distaff, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/597 Jacopo de' Barbari, Apollo and Diana, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4158 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954