Ugo da Carpi, Peters fiskedræt, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22411 Philip Galle, Justice, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5279 Marcantonio Raimondi, Raphael's Dream, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/649 Lucas van Leyden, The Tribute Money, c. 1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4755 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Marcantonio Raimondi, The Man with Two Trumpets, c. 1510–1527, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/648 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938 Lucas van Leyden, Abraham and the Three Angels, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8534 Master I.I.CA, The Nativity, c. 1500/1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8778 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22416 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Lucas van Leyden, Joseph Interprets His Dream to Jacob, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8585 Lucas van Leyden, Saint Joachim Embracing Saint Anna, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8579 Master of 1515, Hercules and Cacus, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8764 Johannes van Doetechum the Elder, Magdalena Poenitens (The Penitent Magdalene), c. 1555/1557, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5282 Willem van Swanenburgh, Andromeda, 1610, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22235 Italian 16th Century, The Adoration of the Magi, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5898 Lucas van Leyden, The Baptism of Christ in the Jordan, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8543 Giovanni Pietro Birago, Ornament Panel: Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3656 Lucas van Leyden, Abraham Repudiating Hagar, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8586 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8783 Lucas van Leyden, The First Prohibition, 1529, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8592 Italian 15th Century, The Cross, c. 1500, woodcut, hand-colored in red, pink, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3976 Lucas van Leyden, Saint Christopher at the Border of a River, c. 1505/1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8619 Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352 Lucas van Leyden, The Fool and the Woman, 1520, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8594 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Italian 16th Century, Christ Consoling the Centurion, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5897 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Italian 15th Century, Bookplate of Hilprand Brandenburg of Bibrach, in or after 1500, woodcut, hand-colored in green, rose, light blue, red, and yellow on laid paper, mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3863 Benedetto Montagna, Birth of Adonis, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9171 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Lucas van Leyden, Hector of Troy, Alexander of Macedon, Julius Caesar, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8631 Andrea Andreani, The Triumph of Julius Caesar [no.1 and 2 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8692 Italian 16th Century, Christ and His Disciples III, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3308 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941 Lucas van Leyden, Solomon's Idolatry, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8625 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Conrad Goltzius, Johannes Døberen i ørkenen, 1588–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20907 Italian 15th Century, The Crucifixion, c. 1500, woodcut, hand-colored in blue, green, yellow, and brown [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3848 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8591 Lucas van Leyden, Temperancia (Temperance), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8566 Italian 16th Century, Christ Stilling the Storm, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5896 Lucas van Leyden, David Praying, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8580 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Marcantonio Raimondi, Orpheus and Eurydice, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/643 Lucas van Leyden, The Scoffing of Christ, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8539 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354 Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9174 Master of the Beheading of St. John the Baptist, Allegorical Theme: Combat of Animals, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/589 Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348 Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8740 Italian 15th Century, Franciscan, Pelbartus of Temesvar, in a Garden, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3872 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22405 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Lucas van Leyden, Caritas (Charity), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8569 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22422 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [left], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6015 Italian 15th Century, Christ on the Cross, c. 1500, woodcut, hand-colored in blue, green, lavender, yellow, brown, red, and orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3696 Italian 15th Century, Fourteen Auxiliary Saints, c. 1500, woodcut, hand-colored in pink-red, green, blue, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3936 Lucas van Leyden, Potiphar's Wife Accusing Joseph, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8583 Benedetto Montagna, The Nativity, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9173 Ugo da Carpi, Den hellige Peter forkynder evangeliet, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22414 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Johannes van Doetechum the Elder, Nundinae Rusticorum (Rustic Market), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/727 Lucas van Leyden, Christ and the Woman of Samaria, 1521/1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8622 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Giovanni Antonio da Brescia, Ornamental Panel Inscribed "Victoria Augusta", c. 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6084 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Lucas van Leyden, Saint Sebastian, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8616 Lucas van Leyden, Saint Anthony, c. 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8615 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, engraving, hand-colored in red, tan, violet, green and flesh; pasted into an initial "O" on an illuminated vellum sheet, torn from a book, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3967 Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Lucas van Leyden, Ecce Homo, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8577 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22423 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347 Giuseppe Maria Moretti, Sibyl, 1573, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5992 Lucas van Leyden, Saint Mary Magdalene in the Desert, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8613 Lucas van Leyden, Ornament with Two Sphinxes and a Winged Man, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8604 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Lucas van Leyden, Pallas Athene, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8610 Andrea Zoan, Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/590 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Giovanni Antonio da Brescia, The Entombment, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3651 Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343 Italian 15th Century, The Sacred Monogram, c. 1500, woodcut with hand coloring in orange-red and gray-blue on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3851 Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5855 Italian 15th Century, Saint Veronica with the Sudarium, c. 1500, woodcut, hand-colored in yellow, blue, red, green and gold on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3971 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Lucas van Leyden, The Dentist, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8605 Domenico Campagnola, The Shepherd and the Old Warrior, 1517, engraving in red-brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5861 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Ugo da Carpi, Læsende sibylle, vendt mod venstre, 1510–1530, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22409 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8550 Italian 15th Century, Saint Anne, The Madonna and Child and Saints Christopher, Sebastian, Clara and Roche, c. 1500/1525, woodcut, hand-colored in blue, yellow, and cinnamon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3946 Italian 15th Century, Saint Anne, The Madonna and Child, and a Franciscan Monk, c. 1500, woodcut, hand-colored red lake, green, rose, yellow, and gray, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3794 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Italian 15th Century, Saint Alto, c. 1500, woodcut, hand colored in burgundy, blue-green, orange, brown, red, and yellow-green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3793 Lucas van Leyden, The Dance of Saint Mary Magdalene, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8551 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Lucas van Leyden, Christ in Gethsemane (Agony in the Garden), 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8542 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Lucas van Leyden, The Virgin and Child on the Crescent, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8573 Italian 15th Century, Bookplate of Dominicus Frauenfelder, c. 1500, woodcut, hand-colored in yellow, green, black, and brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5005 Lucas van Leyden, Venus and Cupid, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8563 Lucas van Leyden, Saint John the Baptist in the Desert, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8618 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Agostino dei Musi, The Barc, 1515–1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9150 Lucas van Leyden, The Two Couples in the Forest, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8595 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6018 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Lucas van Leyden, The Mouth of Truth, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8626 Andrea Andreani, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8694 Ugo da Carpi, Legende amoriner. Allegori over kærligheden, 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22407 Lucas van Leyden, Saint Francis of Assisi Receiving the Stigmata, c. 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8614 Lucas van Leyden, Christ Carrying the Cross, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8558 Italian 15th Century, The Head of Christ, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3734 Italian 16th Century, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3434 Jan Wellens de Cock, The Stragglers, c. 1520–1530, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8627 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Lucas van Leyden, Adam and Eve, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8623 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Italian 15th Century, Monogram JHS in a Flaming Circle, c. 1500, woodcut, hand-colored in red, green, yellow, and lavender-pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4047 Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/592 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5856 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22404 Giovanni Pietro Birago, Nereid Ridden by Two Children, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/591 Marcantonio Raimondi, Hercules and Antaeus, c. 1520–1522, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/647 Lucas van Leyden, A Nobleman and a Lady Seated in a Landscape, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8609 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Philip Galle, Hope, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5280 Jan Gossaert, Cain Killing Abel, c. 1525, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7443 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13020 Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Jacopo de' Barbari, Two Philosophers, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4159 Lucas van Leyden, Prudencia (Prudence), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8568 Benedetto Montagna, Shepherd with a Platerspiel, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9179 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8536 Lucas van Leyden, Saint Luke, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8621 Lucas van Leyden, Joshua, David, Judas Maccabees, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8630 Ottavio Leoni, Self-Portrait, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/929 Italian 16th Century, Christ and His Disciples II, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3307 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Andrea Zoan, Ornament Panel: Triton Ridden by a Child, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3654 Lucas van Leyden, The Last Supper, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8578 Italian 16th Century, Madonna and Child, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4020 Jacopo de' Barbari, Victory Reclining Amid Trophies, c. 1500/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4156 Italian 16th Century, Self-Portrait, 1525, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8561 Netherlandish 16th Century, Saint Jerome, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4591 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8785 Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6017 Lucas van Leyden, The Musicians, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8607 Peter Maes, Hercules and Antaeus, 1577, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8775 Netherlandish 16th Century, Christ in the Wine Press, 16th century, woodcut, hand-colored in burgundy red, pink, dull green, dull orange, brown, tan and white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3945 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [right], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6016 Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868 Lucas van Leyden, Two Boys with a Helmet and a Standard, 1527, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8603 Ugo da Carpi, Peters fiskedræt, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22410 Italian 15th Century, Joseph and the Christ Child, c. 1500, engraving, hand-colored in red and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3961 Lucas van Leyden, Saints Peter and Paul with the Vernicle, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8620 Marcantonio Raimondi, The Birth of Venus, 1506, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/644 Lucas van Leyden, Mars, Venus, and Cupid, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8564 Lucas van Leyden, The Pilgrims, in or before 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8593 Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991 Andrea Mantegna, Virtus Combusta: An Allegory of Virtue, 1500/1505, engraving on laid paper by Giovanni Antonio da Brescia, National Gallery of Art, Washington. https://dartabase.art/cite/nga/579 Domenico Campagnola, Venus Reclining in a Landscape, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5862 Lucas van Leyden, Spes (Hope), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8548 Giovanni Antonio da Brescia, Christ before Pilate, c. 1500/1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3650 Lucas van Leyden, Jael Killing Sisera, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8624 Domenico Campagnola, The Assumption of the Virgin, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5854 Giovanni Antonio da Brescia, The Entombment with Three Birds, c.1500/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8700 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Ugo da Carpi, Korsnedtagelsen, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22413 Italian 16th Century, Saint Jerome in Penitence, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4549 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Lucas van Leyden, The Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8538 Diana Scultori, Christ Making Saint Peter Head of the Church, c.1567, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7357 Lucas van Leyden, Lot and His Daughters, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8533 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Antonio da Trento, Augustus og den tiburtinske sibylle, 1500–1550, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5261 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Benedetto Montagna, The Agony in the Garden, c. 1506/1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9178 Italian 16th Century, The Rich Man in Hell, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3446 Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Lucas van Leyden, Christ Crowned with Thorns, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8537 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/593 Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586 Giulio Campagnola, Christ and the Samaritan Woman, c. 1510, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53294 Lucas van Leyden, The Captivity, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8541 Benedetto Montagna, Man Seated by a Palm Tree, c. 1510/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9175 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8535 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Italian 16th Century, Madonna of the Hernleberg, 1592, woodcut, hand-colored, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3869 Marcantonio Raimondi, The Vision of Saint Helena, 1515–1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/655 Agostino dei Musi, Pope Paul III, 1534, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9152 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Ottavio Leoni, Paolo Giordano Orsini II, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/934 Italian 15th Century, Saint Barbara, c. 1500, woodcut, hand-colored in brown, lavender, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4032 Giovanni Antonio da Brescia, Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6081 Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358 Italian 16th Century, Christ with Three of His Apostles, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5899 Italian 16th Century, Young Man Drinking Water (Rebecca and Eliezer?), 1500, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4597 Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346 Domenico Campagnola, Lamentation of Christ, 1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5863 Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357 Johannes van Doetechum the Elder, Milites Requiescentes (Soldiers at Rest), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5283 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Lucas van Leyden, Esther before Ahasuerus, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8546 Italian 16th Century, Christ and His Disciples V, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3310 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20901 Nicoletto da Modena, Fate of an Evil Tongue, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/595 Andrea Andreani, The Triumph of Julius Caesar [no.3 and 4 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8693 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Lucas van Leyden, Triton and Siren in Tendrils, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8601 Italian 16th Century, Ornament - Large Goblet, 1500, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4594 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Lucas van Leyden, The Temptation of Saint Anthony, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8552 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Italian 15th Century, The Trinity, c. 1500, woodcut, hand-colored in blue, orange, yellow, green, white, black, gold, and silver, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4051 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Lucas van Leyden, The Adoration of the Magi, 1513, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8544 Lucas van Leyden, The Savior Standing with the Globe and Cross in His Left Hand, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8598 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Nicolò Boldrini, Venus and Cupid, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4152 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Giovanni Antonio da Brescia, Discovery of Joseph's Cup, c. 1521/1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6083 Italian 15th Century, Saint Alto, Saint Bridget and the Founders of the Mariamunster, c. 1500, woodcut, hand-colored in green, red lake, brown, gray, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3792 Lucas van Leyden, Justicia (Justice), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8567 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/865 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Jacopo de' Barbari, Custodi Nos Dormientes (The Guardian Angel), c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4160 Lucas van Leyden, Arthur, Charles the Great (Charlemagne), Godfry of Bouillon, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8629 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Italian 16th Century, Portrait of Petrarch, first half 16th century, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4546 Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350 Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Nicoletto da Modena, Saint George, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/596 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Lucas van Leyden, The Poet Virgil Suspended in a Basket, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/748 Lucas van Leyden, Saint Catherine, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8612 Giovanni Battista Palumba, Saint George and the Dragon, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8732 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in yellow, ochre, brown and indian red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3744 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Italian 15th Century, Saint Francis Receiving the Stigmata, 1500/1510, woodcut, hand-colored in green, yellow, indian red, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3819 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Ugo da Carpi, David skiller hovedet fra Goliats krop, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22412 Marcantonio Raimondi, Mars, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/646 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22415 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Philip Galle, Prudence, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5275 Marcantonio Raimondi, The Judgment of Paris, c. 1510/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/641 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Lucas van Leyden, Saint John, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8570 Domenico Campagnola, Beheading of Saint Catherine, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5857 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Netherlandish 16th Century, The Masquerade of Ourson and Valentin, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/730 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Andrea Andreani, Allegory on Death, 1558, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4071 Jan Baptist de Wael, Den fortabte søns hjemkomst, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19594 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Ottavio Leoni, Giacomo Antonio Mannini, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/928 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Andrea Zoan, Ornament Panel: Four Children Playing, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3659 Italian 15th Century, Christ as the Man of Sorrows, 1507, woodcut, hand-colored in red lake, orange, blue, yellow, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3745 Marcantonio Raimondi, God Appearing to Noah, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/636 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1443 Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930 Domenico Campagnola, Shepherds in a Landscape, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5859 Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9177 Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Marcantonio Raimondi, Poetry, c. 1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/650 Lucas van Leyden, Christ Crowned with Thorns, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8555 Lucas van Leyden, Pyramus and Thisbe, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8611 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Lucas van Leyden, Solomon's Idolatry, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8547 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Lucas van Leyden, Saint Jerome in a Landscape, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8617 Lucas van Leyden, Golgotha, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8554 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Benedetto Montagna, Woman and Satyr with Two Cupids, c. 1506/1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9172 Philip Galle, Temperance, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5276 Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933 Lucas van Leyden, The Explusion from Paradise, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8590 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8781 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353 Andrea Andreani, The Triumph of Julius Caesar [no.7 and 8 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8695 Lucas van Leyden, Cain Killing Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8589 Abraham de Bruyn, Venus, 1569, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5287 Lucas van Leyden, The Virgin in the Niche, c. 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8574 Jacopo de' Barbari, Holy Family, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4161 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/837 Giovanni Antonio da Brescia, Man Seated Holding a Forked Staff, c. 1514/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6082 Andrea Andreani, The Triumph of Julius Caesar: Title Page, 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8691 Ugo da Carpi, Overraskelsen, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22417 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Lucas van Leyden, The Crucifixion, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8557 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Lucas van Doetechum, Euntes in Emaus (The Pilgrims to Emmaus), c.1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5285 Jacopo Francia, Holy Family with Saint Elizabeth and the Infant Saint John the Baptist, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7286 Lucas van Leyden, The Surgeon, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8606 Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Andrea Andreani, The Triumph of Julius Caesar [no.9 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8696 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Lucas van Leyden, Two Cupids Seated on Clouds in Two Circles, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8600 Lucas van Leyden, The Virgin and Child with Two Angels, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8572 Lucas van Leyden, Adam and Eve Lamenting the Death of Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8588 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Lucas van Leyden, The Triumph of Mordecai, 1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8545 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Antonio da Brescia, Saint Jerome in His Study, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4547 Lucas van Leyden, Abraham Going to Sacrifice Isaac, 1517/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8628 Andrea Zoan, Ornament Panel: Satyr Holding a Violin, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3661 Marcantonio Raimondi, The Lamentation of the Virgin, 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/637 Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947 Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940 Jacopo de' Barbari, Apollo and Diana, c. 1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/582 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Domenico Campagnola, The Virgin and Child with Saints, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5860 Netherlandish 16th Century, Christ at the Mount of Olives, after 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8556 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8587 Lucas van Leyden, The Virgin and Saint Anna, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8575 Lucas van Leyden, The Promenade, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8596 Lucas van Leyden, The Old Woman with Grapes, c. 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8608 Lucas van Leyden, Fides (Faith), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8549 Master NA.DAT with the Mousetrap, The Two Armies at the Battle of Ravenna, probably c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8739 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8786 Philip Galle, Faith, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5277 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Giovanni Antonio da Brescia, Hercules and Antaeus, after 1507, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6080 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Lucas van Leyden, Jezebel and Ahab, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/762 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9176 Philip Galle, Fortitude, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5278 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Marcantonio Raimondi, Dance of Cupids, c. 1517–1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/639 Jacopo Francia, Bacchus and His Attendants, c. 1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7288 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Lucas van Leyden, Joseph Escaping Potiphar's Wife, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8584 Lucas van Leyden, Ecce Homo, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8576 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Marcantonio Raimondi, Il Morbetto (The Plague), c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/654 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Marcantonio Raimondi, Vulcan, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/645 Lucas van Leyden, Two Naked Children Supporting a Blank Shield, c. 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8602 Domenico Campagnola, Battle of Nude Men, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5858 Lucas van Leyden, Muhammed og munken Sergius, 1508, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20370 Lucas van Leyden, Christ before Annas, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8540 Marcantonio Raimondi, Venus Appearing to Aeneas, c. 1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/642 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Lucas van Leyden, Emperor Maximilian I, 1520, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8562 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Lucas van Leyden, Joseph Interprets the Dreams in Prison, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8582 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Marcantonio Raimondi, Two Fauns Carrying a Child, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/640 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356 Lucas van Leyden, Ecce Homo, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8559 Lucas van Leyden, Saint Luke, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8571 Italian 16th Century, The Rich Man Being Carried Away by the Devil, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3445 Andrea Zoan, Ornament Panel with Dragons, Masks, and Instruments of War, c. 1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3653 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359 Lucas van Leyden, A Young Man with Eight Armed Men, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8597 Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Diana Scultori, Latona Giving Birth to Apollo and Diana on the Island of Delos, 1561–1565, engraving on laid paper (with offset of Diana Scultori's "Snake Charmer" [B.44] on verso), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7358 Jacopo de' Barbari, Satyr's Family, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4157 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8782 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Marcantonio Raimondi, Dido, c. 1510, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/638 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Italian 16th Century, "El Gran Capitanio", c. 1516/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4544 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8784 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Jan Baptist de Wael, Den fortabte søn som svinehyrde, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19593 Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349 Willem van Swanenburgh, Neptun ridende på to delfiner, 1603–1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb3579 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Agostino dei Musi, Hieronymus Alexander, Archbishop of Brindisi, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9151 Andrea Zoan, Page from Livius Historiabum Libri, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3652 Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Jacopo de' Barbari, Judith Holding the Head of Holofernes, c. 1501/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4162 Lorenzo Costa, Presentation of Christ, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4542 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Johannes van Doetechum the Elder, Euntes in Emaus (The Pilgrims to Emmaus), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/728 Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7287 Philip Galle, Charity, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5281 Lucas van Leyden, Two Cupids in Two Circles, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8599 Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355 Lucas van Leyden, David Playing the Harp before Saul, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8532 Enea Vico, Old Woman with a Distaff, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/597 Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686 Jacopo de' Barbari, Apollo and Diana, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4158 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954