Jean-Louis Forain, Le repos du modèle (2e planche) (The Model's Rest) (second plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6885 Jean-Louis Forain, Le decavé (Cleared Out), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6995 Jean-Louis Forain, Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes), 1909, drypoint in brown on wove Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6906 Jean Lurçat, Harlequin and his Shadow (plate, folio 13) from Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16700 Pierre Bonnard, The Bath, c. 1925, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73386 Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734 Henri de Toulouse-Lautrec, VIII. Saluant le Public, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334741 Pierre-Auguste Renoir, Ambroise Vollard from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30165 Félix-Hilaire Buhot, La Petite Marine - Souvenir de Medway, 1879, etching, drypoint, aquatint, and roulette in black on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4446 Käthe Kollwitz, Schwangere Frau, 1910, Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28015 Otto Piene, Plate (folio 9) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14782 Auguste Lepère, Old Foot-bridge, Banks of the Small Morin (Vieille passerelle, bords du petit morin), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8490 Jean-Louis Forain, Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed), 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6946 Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6975 Henri-Gabriel Ibels, Anna Thibaud, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125986 Jean-Louis Forain, Portrait de Renoir (1ère planche) (Portrait of Renoir) (first plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6983 Jean Lurçat, Plate (folio 6) from the illustrated book Toupies, 1925, Drypoint and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16693 Jean-Louis Forain, Fille-mère (1ère planche) (Unwed Mother) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6870 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19811 Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1917, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8493 Albert Besnard, The Sick Mother (La mère malade), 1889, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4609 Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893, etching with aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8505 Käthe Kollwitz, Bread (Brot), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8197 Albert Besnard, Small Donkey at Berck (Un petit ane à Berck), 1897, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4621 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7659 Jean-Louis Forain, Portrait de Renoir (3e planche) (Portrait of Renoir) (third plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6985 Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736 Maurice Denis, Le chevalier n'est pas mort à la croisade, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6538 Jean-Louis Forain, Danseuse accotée contre un portant (avec des figurants) (Dancer Leaning against an Upright (with extras)), c. 1897, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6982 Käthe Kollwitz, Losbruch, 1902–1903, Strichätzung, Kaltnadel, Aquatinta, Reservage sowie Vernis Mou mit Durchdruck von zwei Stoffen und Zieglerschem Umdruckpapier in Braun, mit dem Pinsel in brauner und weißer Deckfarbe sowie Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28121 Jean-Louis Forain, Le repos en Egypte (The Rest in Egypt), 1909, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6941 Jean-Louis Forain, La madone et les enfants (The Madonna and the Children), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6900 Jean-Louis Forain, Le miraculé devant l'ostensoir (4e planche) (The Miracle before the Blessed Sacrament) (fourth plate), 1912/1913, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6951 Georges Rouault, Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16788 Jean-Louis Forain, Etude de femme nue, les bras abaissés (Study of a Nude Woman, with Lowered Arms), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6996 Max Klinger, Death as Savior, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4950 Albert Besnard, The Feathered Turban (Le turban à aigrette), 1901, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4626 Paul Klee, Der Verliebte (The Loved One), 1923, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8107 Jean-Louis Forain, Forain gravant (1ère planche) (Forain Etching) (first plate), 1912, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6944 Max Klinger, Ex Libris Hildegard Heyne, 1918, Etching and aquatint printed in black ink on off-white paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4901 Auguste Lepère, Sur la Seine, la nuit, 1888, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8521 Georges Rouault, Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16706 Auguste Lepère, View of St.-Jean-de-Mont, Vendee (Vue de St.-Jean-de-Mont, Vendee), 1892, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8510 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Vasily Kandinsky, Plate (folio 12) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19637 Jean-Louis Forain, Salle de jeu (Gambling Room), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7003 Wilhelm Lehmbruck, Woman's Dream (Der Traum des Weibes), 1914, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8465 Sigmar Polke, Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus), 1971, Offset lithograph from an illustrated book with suite of three screenprints, two offset lithographs, and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9044 Henri de Toulouse-Lautrec, III. Pessima, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334734 Maurice Denis, Les attitudes sont faciles et chastes, 1892/1899, published 1911, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6531 Paul Klee, Perseus (Der Witz hat über das Leid gesiegt) [Perseus-The Triumph of Brain over Body], 1904, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8109 Jean-Louis Forain, The End - Verdun, c. 1916, drypoint and etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7136 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7672 Jean-Louis Forain, Le retour au foyer (The Return Home), c. 1915, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6942 Pierre-Auguste Renoir, Woman by the Grapevine, Fourth Variant (Femme au cep de vigne, 4e variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30169 Max Klinger, Poor Family, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4951 Jean-Louis Forain, L'avocat pourchassé (The Lawyer Pursued), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7013 Jean-Louis Forain, Pietà (3e planche) (Pietà) (third plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6928 Georges Rouault, Trial proof for It is Hard to Live..., plate XII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16661 Jean-Louis Forain, La route d'Emmaüs (1ère planche) (The Road to Emmaus) (first plate), 1902/1907, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6890 Jean-Louis Forain, Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6933 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7662 Franz Marc, Animal Legend (Tierlegende), 1912, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8677 Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1891, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8522 Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145 Albert Besnard, Confidences, 1900, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4623 Otto Piene, Plate (folio 10) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14783 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11638 Auguste Lepère, The House of the Woodcutter, Vendee (La maison du bucheron, Vendee), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8471 Félix-Hilaire Buhot, L'Hiver à Paris (Winter in Paris), 1879, etching, aqautint, spit-bite etching, soft-ground etching, drypoint, and scraping on light green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4463 Max Beckmann, The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9085 Félix-Hilaire Buhot, Liseuse à la Lampe (Woman Reading by Lamplight), 1879, etching with scraping and burnishing in black on thin tissue paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4454 Jean Lurçat, Harlequin General , plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16694 Jean Lurçat, Dancing Harlequin, plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16692 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7644 Max Klinger, Road, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4954 Jean-Louis Forain, Avant le repas à Emmaus (1ère planche) (Before the Supper at Emmaus) (first plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6915 Jean-Louis Forain, Danseuse et Maître d'hôtel (Dancer and Headwaiter), 1908, soft-ground etching, drypoint, and aquatint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6867 Jean-Louis Forain, "J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much."), c. 1892, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6957 Jean-Louis Forain, C'est fini!...(grande planche) (It is Finished!...) (large plate), 1910, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6926 Jean-Louis Forain, Portrait de Forain (Portrait of Forain), 1912, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6943 Auguste Lepère, Gobelins Quarter (Le quartier des Gobelins), 1893, etching with aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8506 Jean Lurçat, Harlequin Mime , plate (folio 8) from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16695 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7666 Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6879 Auguste Lepère, Parliament at 9 o'Clock in the Evening - London (Le parlement a 9 heures du soir - Londres), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8525 Otto Piene, Plate (folio 6) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14779 Jean-Louis Forain, Evanouissement à l'audience (Fainting at the Hearing), 1910, etching and drypoint on on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6924 Auguste Lepère, Dockman, Pier at La Gare (Le debardeur, quai de La Gare), 1894, etching with aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8507 Jean-Louis Forain, La repos en Egypte (The Rest in Egypt), c. 1916, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6931 Jean-Louis Forain, Le prévenu et l'enfant (The Prisoner and the Child), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6881 Jean-Louis Forain, Le cabinet particulier (5e planche) (The Private Room) (fifth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6963 Georges Rouault, Trial proof for Eternally Scourged..., plate III from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16567 Jean-Louis Forain, Le Christ dépouillé de se vêtements (Christ Stripped of His Clothes), 1909, transfer lithograph on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7010 Jean-Louis Forain, Après la saisie (After the Seizure), 1908, etching (zinc) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6868 Käthe Kollwitz, Frauenakt, 1910?, Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28019 Auguste Lepère, Clisson (Lower Loire), 1909, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8495 Henri de Toulouse-Lautrec, Sybil Sanderson, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334743 Georges Rouault, Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16605 Albert Besnard, La Flore de le Gros, 1899, etching, drypoint, and printed tone on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4622 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8514 Jean-Louis Forain, Dans le parc de Versailles (1ère planche) (In the Park at Versailles) (first plate), 1909, drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6912 Auguste Lepère, Rouen Cathedral (La Cathedral de Rouen), 1888, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8526 Jean-Louis Forain, Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate), 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6990 Henri de Toulouse-Lautrec, Paula Brébion, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20321 Max Klinger, Night, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4928 Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), 1898–1899, woodcut on very thin Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7343 Max Zachmann, Two Nude Dancers in a Landscape, c. 1913, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7740 Georges Rouault, Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16663 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7650 Pierre-Auguste Renoir, Woman by the Grapevine, Third Variant (Femme au cep de vigne, 3e variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30168 Jean-Louis Forain, Femme nue passant sa chemise (Nude Woman Taking Off Her Chemise), c. 1910, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6921 Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14926 Jean-Louis Forain, Femme nue, assise sur son lit, de face (Nude Woman, Seated on Her Bed, Front View), 1909, etching and drypoint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6873 Henri Fantin-Latour, Debut from "Paradise and the Peri" (2nd plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6846 Jean-Louis Forain, Portrait de Renoir (4e planche) (Portrait of Renoir) (fourth plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6986 Auguste Lepère, Images (Les images), 1889, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8520 Henri-Gabriel Ibels, Emilienne d'Alençon Rehearsing at the Folies-Bergère, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125985 Pierre-Auguste Renoir, Stone with Three Sketches (La Pierre au trois croquis) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30173 Jean-Louis Forain, Croquis de femme en buste (Sketch of a Woman in Half-Length), c. 1900, lithograph on Arches wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5296 Pierre-Auguste Renoir, Woman by the Grapevine, Second Variant (Femme au cep de vigne, 2e variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30167 Henri Fantin-Latour, Pastoral, 1896, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6848 Henri de Toulouse-Lautrec, Cover for Babylone d'Allemagne, 1894, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11784 Jean (Hans) Arp, Plate (folio 4) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19631 Georges Rouault, Trial proof for Abandoned, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19822 Auguste Lepère, Under the Bridge of Bercy (Sous le pont de Bercy), 1894, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8508 Albert Gleizes, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1945), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31871 Jean-Louis Forain, Le cabinet particulier (4e planche) (The Private Room) (fourth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6962 Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7000 Georges Rouault, Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere, c. 1922–1927, Lift ground aquatint and aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24653 Paul Klee, Garden of Passion (Garten der Leidenschaft), 1913, etching in black on ivory wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8111 Auguste Rodin, Les Amours Conduisant le Monde (Love Turning the World), 1881, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1033 Francis Picabia, A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31864 Félix-Hilaire Buhot, Un Débarquement en Angleterre (Landing in England), 1879, etching, drypoint, aquatint (dust ground and spirit ground), roulette, and burnishing in black on oatmeal paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4451 Auguste Lepère, Wreckers, Saint-Jean-de-Monts (Pilleurs d'epaves, Saint-Jean-de-Monts), 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8488 Auguste Lepère, Rue de la Montagne-Sainte-Genevieve, Paris, 1906, etching, aquatint, and (drypoint?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/8470 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Jean-Louis Forain, En cabinet particulier (1ère planche) (In a Private Room) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6893 Otto Piene, Plate (folio 7) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14780 Jean-Louis Forain, Les Folies-Bergère (planche refusée, 2e planche) (The Folies Bergère) (refused plate, second plate), 1880 and 1886, etching on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6860 Odilon Redon, Closed Eyes, 1890, lithograph on China paper laid on wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109147 Jean-Louis Forain, Le départ de l'enfant prodigue (1ère planche, en hauteur) (The Departure of the Prodigal Son) (first plate, vertical), probably 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6934 Jean Lurçat, Harlequin and the Gardener , plate from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16698 Jean Lurçat, Harlequin Hamlet , plate from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16688 Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908 Félix-Hilaire Buhot, Westminster Bridge, 1884, etching, drypoint, roulette, aquatint, and spit-bite etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4464 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in blue and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7268 Auguste Lepère, Reclined Woman Sleeping (Femme couchee sommeillant), 1892, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8509 Georges Rouault, Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16824 Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612 Albert Besnard, Cardinal Mercier, 1916, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4630 Henri de Toulouse-Lautrec, Lucien Guitry, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334746 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 Henri de Toulouse-Lautrec, At the Ambassadeurs—Singer at the Café-concert, from the sixth album of L'Estampe originale, 1894, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/74662 Albert Besnard, La Muse Accoudée, 1884, etching on JCA France laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4629 Jean-Louis Forain, Le repas à Emmaus (2e planche) (The Supper at Emmaus) (second plate), 1910, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6916 Jean-Louis Forain, La rencontre sous la voute (3e planche) (The Meeting under the Arch) (third plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6920 Henri de Toulouse-Lautrec, Coquelin Aîné, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334745 Jean-Louis Forain, Le Bon Feu (The Good Fire), c. 1916, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7278 Georges Rouault, Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, 1923, Aquatint and lift ground aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16284 Auguste Lepère, Images (Les images), 1889, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8519 Wols (A. O. Wolfgang Schulze), Frontispiece from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16502 Albert Besnard, Intimacy (Intimité), 1889, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4614 Auguste Lepère, Amsterdam Seen from Victoria Hotel (Amsterdamvue de Victoria Hotel), 1901, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8502 Pierre-Auguste Renoir, Study of a Nude Woman, Seated (Étude de femme nue, assise) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30174 Jean-Louis Forain, L'avocat parlant au prévenu (2e planche) (The Lawyer Talking to the Prisoner) (second plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6883 Auguste Rodin, Buste de Bellone, 1883, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1034 Jean-Louis Forain, Le calvaire (2e planche) (Calvary) (second plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6889 Henri de Toulouse-Lautrec, Yvette Guilbert, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21092 Jean-Louis Forain, Servir (To Serve), 1913, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7277 Georges Rouault, Trial proof for Street of the Lonely, plate XXIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16675 Otto Piene, Plate (folio 11) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14784 Pierre-Auguste Renoir, Claude Renoir, Facing Left (Claude Renoir, Tourné à gauche) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30172 Max Klinger, Sailors, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4956 Sonia Delaunay, Plate (folio 8) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19635 Jean-Louis Forain, En cabinet particulier (1ère planche) (In a Private Room) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6892 Alphonse Legros, Dr. Louis Vintras, 1904, lithograph in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8340 Odilon Redon, The Heart Has Its Reasons, (c. 1887), Lithographic tusche and lithographic crayon on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35776 Jean-Louis Forain, La rencontre sous la voute (2e planche) (The Meeting under the Arch) (second plate), 1910, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6919 Käthe Kollwitz, Germany's Children are Hungry! (Deutschlands Kinder Hungern!), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8199 Willi Baumeister, [Untitled], 1943, Lithographic crayon, charcoal, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36878 Maurice Denis, Le bouquet matinal, les larmes, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6536 Jean-Louis Forain, Sur le lit (On the Bed), c. 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6894 Jean-Louis Forain, a) Au théâtre (At the Theatre) (recto); (b) Untitled (verso), c. 1892, a) lithograph on wove Arches vellum paper; b) crayon in purple on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6958 Käthe Kollwitz, Self-Portrait at the Table (Selbstbildnis am Tisch), probably 1893, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8182 Jean-Louis Forain, Le bon samaritain (The Good Samaritan), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6875 Paul Klee, Day Music (Musique diurne) from Art d'Aujourd'hui, Maîtres de l'Art Abstrait (Art of Today, Masters of Abstract Art), Album I, 1953 (original executed in 1940), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31874 Auguste Lepère, Paris under Snow, View from St.-Gervais (Paris sous la neige, vu du haut de St.-Gervaais), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8523 Auguste Lepère, The Wash-house (Le lavoir), 1891, etching [touched proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8517 Wilhelm Lehmbruck, Three Kneeling Women (Drei Frauen knied), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8466 Henri-Gabriel Ibels, Kam-Hill, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125982 Edgar Degas, Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880, soft-ground etching, drypoint, aquatint, and etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6484 Auguste Lepère, Path from St.-Gilles, St.-Jean-de-Monts (La route de St.-Gilles, St.-Jean-de-Monts), 1911, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8477 Albert Besnard, The Dancer of Tanjore (La bayadère of Tanjore), 1914, etching, drypoint, and printed tone on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4627 Auguste Lepère, Les toits de Saint-Severin, 1889, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8518 Jean-Louis Forain, Chez l'huissier (At the Bailiff's), c. 1891, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6959 Käthe Kollwitz, Bettelnde (Begging), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8150 Jean-Louis Forain, Avocat compulsant un dossier (Lawyer Going through a Brief), 1909, etching in blue on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6903 Jean-Louis Forain, Le femme adultère (3e planche) (The Adulteress) (third plate), 1910, drypoint in brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6930 Jean-Louis Forain, Le cabinet particulier (3e planche) (The Private Room) (third plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6961 Paul Gauguin, Maruru (Thank You), 1894, printed 1941, woodcut on coated wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7352 Jean-Louis Forain, Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate), 1908, etching and soft-ground etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6865 Jean-Louis Forain, Le repos du modèle (4e planche) (The Model's Rest) (fourth plate), 1909, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6911 Albert Besnard, Madame Besnard, 1884, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4607 Félix-Hilaire Buhot, La Place des Martyrs et La Taverne du Bagne (The Place des Martyrs and the Jailhouse Tavern), 1885, etching, aquatint, lift-ground aquatint, and drypoint in blue-black on brown laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4442 Jean-Louis Forain, Scène de cabinet particulier (planche en hauteur) (Scene in a Private Room) (vertical plate), c. 1905, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7002 Paul Cezanne, The Bathers (Small Plate), 1897, colored lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5947 Otto Piene, Plate (folio 12) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14785 Max Ernst, The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), 1950, Two etchings, one inkless, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12359 Henri de Toulouse-Lautrec, VII. Linger Longer, Loo, 1898, Lithograph printed with beige tint stone on vellum, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334740 Henri de Toulouse-Lautrec, Cover - Yvette Guilbert, 1898, Lithograph on blue wove paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334688 Georges Rouault, Trial proof for The Condemned is Led Away..., plate XVIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16670 Otto Piene, Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14781 Jean-Louis Forain, Femme nue vue de dos (Nude Woman Seen from the Back), 1910, drypoint and etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6922 Georges Rouault, Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16665 Albert Besnard, The Flirt (Le flirt), c. 1886, etching on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4617 Jean-Louis Forain, Le repos du modèle (1ère planche) (The Model's Rest) (first plate), 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6884 Félix-Hilaire Buhot, Convoi Funèbre au Boulevard de Clichy (Funeral Procession on the Boulevard de Clichy), 1887, heliogravure, etching, aquatint, and drypoint with burnishing in blue-green and brown-black on toned wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4439 Suzanne Valadon, Woman at Her Bath, 1908, Drypoint and etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3433 Jean-Louis Forain, First Exhibition of the Humorists, Palace of Style, 1911, lithograph [poster] in red and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7272 Jean-Louis Forain, Femme nue, s'essuyant les pieds (planche en hauteur) (Nude Woman Drying Her Feet) (vertical plate), c. 1895, lithograph with crayon additions in yellow and green on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6969 Jean Lurçat, Homosexual Harlequin , plate from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16691 Henri de Toulouse-Lautrec, VI. Soularde, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334739 Henri Fantin-Latour, Evocation of Kundry (2nd plate), 1883, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6850 Georges Rouault, Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16701 Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6483 Albert Besnard, La Femme (frontispiece), c. 1886, etching and aquatint on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4608 Max Klinger, Child, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4953 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7653 Jean-Louis Forain, Les couloirs du Palais (The Corridors of the Palace of Justice), 1908, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6863 Marc Chagall, Untitled from My Life, 1922, published 1923 (hand additions executed 1946), Title page with hand additions from a portfolio of twenty etchings, fifteen with drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/22273 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16281 Georges Rouault, Trial proof for Old Mother, Now Cries Alone, c. 1922–1927., Lift ground aquatint, aquatint, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/21924 Jean-Louis Forain, En soirée (At an Evening Party), c. 1896, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6972 Jean-Louis Forain, Le Christ portant sa croix (4e planche) (Christ Carrying the Cross) (fourth plate), 1910, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6925 Henri de Toulouse-Lautrec, Mary Hamilton, from Le Café-Concert, 1893, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8803 Paul Gauguin, Te Atua (The Gods) Small Plate [verso], in or after 1895, woodcut in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7347 Auguste Lepère, Le Christ au matin de rameaux, 1918, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8472 Paul Klee, A Genius Serves a Small Breakfast (Ein Genius serviert ein kleines Frühstück), 1920, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8108 Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105 Pierre-Auguste Renoir, Claude Renoir, Looking Down (La Tête baissée) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30171 Jean-Louis Forain, Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes), 1909, drypoint and etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6907 Auguste Lepère, Summer in Saint-Martin, the Past Nuptials (Ete de la Saint-Martin, la noce qui passe), 1908, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8475 Georges Rouault, Trial proof for Jesus Mocked..., plate II from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16551 Jean-Louis Forain, Témoins à l'audience (1ère planche) (Evidence at the Hearing) (first plate), 1908, soft-ground etching (zinc) in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6864 Edgar Degas, Nude Woman Standing, Drying Herself, 1891–92, Transfer lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96775 Pierre-Auguste Renoir, Woman by the Grapevine, First Variant (Femme au cep de vigne, 1re variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30177 Jean-Louis Forain, Une saisie (A Seizure), c. 1891, lithograph printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6955 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7657 Auguste Lepère, Angers - Panoramic View (Angers - Vue panoramique), 1912, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8494 Auguste Rodin, Victor Hugo, De Trois Quarts, 1884, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1035 Jean-Louis Forain, Baignoire au théatre (Lower Box at the Theater), 1909, etching and aquatint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6872 Jean-Louis Forain, Avocat compulsant un dossier (Lawyer Going through a Brief), 1909, etching and drypoint in brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6904 Georges Rouault, Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere, 1922, Aquatintand drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16651 Jean-Louis Forain, Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed), 1912/1913, etching and drypoint on Van Gelder laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6936 Jean-Louis Forain, J.L. Forain, c. 1912, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6945 Jean-Louis Forain, Croquis de femme nue, la tête contre l'oreiller (1ère plance) (Sketch of a Nude Woman, Her Head Against a Pillow) (1st plate), c. 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6896 Jean-Louis Forain, Scène de cabinet particulier (planche en largeur) (Scene in a Private Room) (horizontal plate), c. 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7009 Max Klinger, Sea, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4955 Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6981 Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312 Eugène Carrière, Portrait of Paul Verlaine, 1896, Lithograph in black from two stones on China paper, laid down on cream wove paper (chine collé), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27729 Fernand Léger, Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1919), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31861 Albert Besnard, Pony (Le poney), 1892, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4616 Auguste Lepère, Amiens Cathedral (Cathedrale d'Amiens - Jour d'inventaire), 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8492 Jean-Louis Forain, Un caboulet à montmartre (A Dive at Montmartre), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6905 Jean-Louis Forain, Sur le lit (On the Bed), c. 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6895 Paul Klee, Small World (Kleinwelt), 1914, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8110 Albert Besnard, The Silk Gown (La robe de soie), 1887, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4619 Auguste Lepère, Corpus Christi Procession at Nantes (Procession de la Fete Dieu a Nantes), 1901, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8524 Georges Rouault, Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere, c. 1922–1927, Aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12335 Auguste Lepère, Route from La Houssoye, Crevecoeur-le-Grand (Route de La Houssoye, Crevecoeur), 1913, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8487 Jean-Louis Forain, Femme à sa toilette avec sa femme de chambre (2e planche en largeur) (Woman at Her Toilette with Her Maid) (second horizontal plate), c. 1895, lithograph in red on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6970 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7675 Henri de Toulouse-Lautrec, Woman Washing—The Toilet, plate five from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36003 Jean-Louis Forain, First Exhibition of the Humorists, Palace of Style, 1911, lithograph [poster] in black and red on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7273 Jean Lurçat, Jesuit Harlequin , plate (folio 9) from the illustrated book Toupies, 1925, Etching and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16696 Jean Lurçat, Harlequin's Lust , plate (folio 10) from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16697 Auguste Lepère, The Falling Balloon, in Pre-Saint-Gervais (Lebaloon qui tombe, au Pre-Saint-Gervais), 1910, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8486 Jean Lurçat, Harlequin Diplomat , plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16689 Auguste Lepère, Pier of Bercy (Embarcadere, quai de Bercy), 1891, etching and drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8515 Albert Besnard, Self-Portrait, 1919, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4631 Jean-Louis Forain, Les notables (grande planche) (The Notables) (large plate), c. 1915, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6938 Auguste Lepère, Provins (Seine et Marne), 1910, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8483 Wols (A. O. Wolfgang Schulze), Plate 2 from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16456 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Auguste Lepère, Spring Tide, Rocks of Zion (Grande maree, rochers de Sion, Vendee), 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8480 Jean-Louis Forain, Pietà (1ère planche) (Pietà) (first plate), 1910, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6927 Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6878 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7640 Auguste Lepère, Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen), 1901, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8528 Pierre-Auguste Renoir, Louis Valtat from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30170 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8511 Auguste Lepère, Shelter for the Poor, Vendee (Le nid de pauvres, Vendee), 1909, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8482 Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843 Henri de Toulouse-Lautrec, Sarah Bernhardt, 1898, Crayon lithograph on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334742 Henri de Toulouse-Lautrec, I. Sur la Scene, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334732 Georges Rouault, Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16668 Paul Cezanne, Small Bathers, 1896–97, Color lithograph on ivory China paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82071 Jean-Louis Forain, Ambroise Vollard, quatre esquisses (Ambroise Vollard, four sketches), c. 1910, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7011 Henri de Toulouse-Lautrec, Jane Avril (from Le Café Concert), 1893, Brush and spatter lithograph printed in black on wove paper; only state, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334730 Auguste Lepère, Old Houses at Amiens (Vieilles maisons a Amiens), 1907, etching on light green paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8485 Jean-Louis Forain, Lourdes, la miraculée (2e planche) (Lourdes, the Miracle) (second plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6932 Henri de Toulouse-Lautrec, Edmée Lescot, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4596 Albert Besnard, The End, 1883, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4650 Jean-Louis Forain, L'audience (3e planche) (The Hearing) (third plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6974 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7685 Jean-Louis Forain, Le Traite des blanches (The White Slave Trade), 1886 and 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6862 Max Klinger, On the Tracks, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4952 Odilon Redon, The Closed Eyes, (c. 1890), Conté crayon and lithographic tusche on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35690 Auguste Lepère, American Quarries, near Paris (Carrieres d'Amerique, pres Paris), 1898, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8503 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching retouched with graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8512 Henri de Toulouse-Lautrec, IV. A Menilmontant de Bruant, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334735 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7351 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Color lithograph, with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7679 Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6980 Jean-Louis Forain, L'Allemand expulsé (The German Expelled), 1919, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6993 Pierre-Auguste Renoir, Woman by the Grapevine (Femme au cep de vigne) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30176 Jean-Louis Forain, Portrait de Renoir (2e planche) (Portrait of Renoir) (second plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6984 Henri-Gabriel Ibels, Jeanne Bloch, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125987 Ernst Ludwig Kirchner, Port Scene (Hafenbild), 1908, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8103 Henri de Toulouse-Lautrec, Woman Fastening a Corset, Passing Conquest, plate nine from Elles, 1896, Color lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36010 Eugène Carrière, Rodin Sculpting, 1900, Lithograph from two stones, with scraping on stone, on tan wove paper, lined with linen, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/105773 Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728 Jean-Louis Forain, La loge de la danseuse (2e planche) (The Dancer's Dressing Room) (second plate), 1894, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6965 Paul Klee, The Tight Rope Walker (Seiltänzer), 1923, lithograph in black and pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8106 Félix Bracquemond, The Old Cock, 1882, etching printed in brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5046 Henri Fantin-Latour, Weeper: Study of a Nude Woman, Seated with Profile to Right, 1899, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6844 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Jean-Louis Forain, Pèlerins d'Emmaüs (Pilgrims at Emmaus), 1912/1913, etching, drypoint, and white and brown wash with graphite additions on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6952 Jean-Louis Forain, Les notables (petite planche) (The Notables) (small plate), 1915, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6937 Auguste Lepère, The Wash-house (Le lavoir), 1891, etching in brown on buff paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8516 Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6876 Félix Bracquemond, The Old Cock, 1882, etching on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5263 Henri de Toulouse-Lautrec, American Singer, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7615 Auguste Lepère, Pont Neuf, 1901, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8500 Félix-Hilaire Buhot, Ex-Libris pour "L'Ensorcelée" (Bookplate for "L'Ensorcelée"), c. 1883/1885, etching, drypoint, and aquatint in black-brown on cream laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4448 Edgar Degas, Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6485 Max Beckmann, Day and Dream, 1946, Portfolio of 15 lithographs, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5547 Henri Fantin-Latour, Manfred and Astarte (2nd plate), 1881, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6843 Henri Fantin-Latour, Duet from "The Trojans" (6th plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6845 Paul Cezanne, The Bathers (Large Plate), 1896–1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5946 Jean-Louis Forain, A la table de jeu (1ère planche) (At the Gambling Table) (first plate), 1909, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6898 Jean-Louis Forain, Au restaurant (At the Restaurant), 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6953 Jean-Louis Forain, En cabinet particulier (3e planche) (In a Private Room) (third plate), 1910, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6923 Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8513 Félix-Hilaire Buhot, La Chapelle Saint-Michel à l'Estre (The Chapel Saint-Michel at l'Estre), 1881, etching, drypoint and roulette on light blue-green laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4461 Henri-Gabriel Ibels, Polin, from Le Café-Concert, 1893, Lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125981 Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate with wash), c. 1896, lithograph in brown and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6973 Jean-Louis Forain, Le calvaire (1ère planche) (Calvary) (first plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6887 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7683 Jean-Louis Forain, L'avocat parlant au prévenu (1ère planche) (The Lawyer Talking to the Prisoner) (first plate), 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6882 Félix-Hilaire Buhot, Le Port aux Mouettes (Port with Seagulls), 1886, etching, drypoint, aquatint, and sandpaper ground in black on beige laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4458 Pierre-Auguste Renoir, Study of a Nude Woman, Seated, Variant (Étude de femme nue, assise, variante) from Twelve Original Lithographs by Pierre-Auguste Renoir (Douze lithographies originales de Pierre-Auguste Renoir), c. 1904, published 1919, One from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/30175 Paul Gauguin, Mahana Atua (Day of the Gods), 1894, printed 1921, woodcut on China paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7344 Jean-Louis Forain, Après l'apparition (2e planche) (After the Vision) (second plate), 1902/1907, drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6910 Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927 Albert Besnard, Woman in a Cape (La femme à la pèlerine), 1889, etching, drypoint, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4613 Odilon Redon, On the Backdrop of Our Nights, c. 1887, Lithographic crayon on transfer paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35801 Auguste Lepère, Angers - The House of the King of Poland (Angers - La maison du roi de Pologne), 1912, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8476 Paul Gauguin, Human Misery (Misères humaines), 1898–1899, woodcut on Japan paper, perimeter mounted, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7349 Auguste Lepère, Unloading, Canal St. Martin (Les dechargeurs de platre, Canal Saint-Martin), 1890, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8498 Jean-Louis Forain, Le repas à Emmaus (3e planche) (The Supper at Emmaus) (third plate), 1910, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6917 Wilhelm Lehmbruck, Four Women; Three Standing, One Sitting (VierFrauen; drei stehend, eine sitzend), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8464 Jean-Louis Forain, Femme assise, la tête dans la main droite (Seated Woman with Her Head Resting on Her Right Hand), 1897, lithograph in red and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6979 Auguste Lepère, Poultry Market at St.-Jean-de-Mont (Marche a la volaille, a St.-Jean-de-Mont), 1892, etching, with aquatint and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8529 Jean-Louis Forain, a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso), c. 1893, a) lithograph on wove Arches vellum paper; b) graphite on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6964 Jean-Louis Forain, Le calvaire (1ère planche) (Calvary) (first plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6886 Jean-Louis Forain, Lourdes, la miraculée (1ère planche) (Lourdes, the Miracle) (first plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6950 Max Beckmann, Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9075 Jean-Louis Forain, Eventail (pour le bal Gavarni) (Fan (for the Gavarni Ball)), 1903, color transfer lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6988 Auguste Lepère, Banks of the Somme at Amiens (Bords de la Somme a Amiens), 1907, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8496 Auguste Herbin, Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31872 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7638 Albert Besnard, Morphine Addicts (Morphinomanes), 1887, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4624 Jean-Louis Forain, La fraction du pain (The Breaking of the Bread), 1902/1907, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6914 Henri de Toulouse-Lautrec, Ducarre at the Ambassadeurs, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7611 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7271 Jean-Louis Forain, a) Scène de grève (3e planche) (Scene of a Strike) (third plate) (recto); b) Untitled (verso), c. 1897, a) lithograph on laid paper; b) black lithographic crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6978 Wilhelm Lehmbruck, Large Resurrection (Grosse Auferstehung), 1913, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8468 Edgar Degas, After the Bath (large version), 1891–92, Transfer lithograph in black on ivory wove plate paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88384 Max Beckmann, Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9107 Jean-Louis Forain, Lourdes, l'imploration devant la Grotte (4e planche) (Lourdes, Imploring before the Grotto) (fourth plate), 1912/1913, etching on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6989 Jean-Louis Forain, Le bain (planche en hauteur) (The Bath) (vertical plate), c. 1896, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6976 Georges Rouault, Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, 1923, Lift ground aquatint, etching, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14925 Jean-Louis Forain, Le gros cigare (The Big Cigar), 1909, soft-ground etching and drypoint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6871 Jean-Louis Forain, Le cabinet particulier (1ère planche) (The Private Room) (first plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6960 Jean-Louis Forain, Trois dessins sur une feuille (Three Drawings on a Sheet), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6968 Alphonse Legros, Self-Portrait, 3rd plate, 1880, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8282 Henri de Toulouse-Lautrec, A Spectator, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36036 Félix-Hilaire Buhot, La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay), 1886/1890, heliogravure, etching, drypoint, roulette, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4460 Jean-Louis Forain, Le petit déjeuner (planche en largeur) (Breakfast) (horizontal plate), 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6967 Félix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead), 1885, etching, roulette, drypoint, lift ground, aquatint, scraping and burnishing on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4465 Jean-Louis Forain, Après la saisie (After the Seizure), 1908, etching (zinc) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6869 Auguste Lepère, Reims Cathedral (Cathedrale de Reims), 1911, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8474 Jean-Louis Forain, Servir (To Serve), 1913, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7276 Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000 Jean-Louis Forain, Danseuse rattachant son chausson (Dancer Tying Her Slipper), c. 1891, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6954 Jean-Louis Forain, Le Christ portant sa croix (5e planche) (Christ Carrying the Cross) (fifth plate), c. 1910, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6935 Jean-Louis Forain, Le calvaire (2e planche) (Calvary) (second plate), 1902, etching with graphite and lithographic crayon additions on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6888 Jean-Louis Forain, Le retour de l'enfant prodigue (3e planche) (The Return of the Prodigal Son) (third plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6874 Georges Rouault, Trial proof for The Bay Of The Dead, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12360 Otto Piene, Plate (folio 5) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14777 Jean-Louis Forain, A la table de jeu (1ère planche) (At the Gambling Table) (first plate), 1909, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6897 Jean-Louis Forain, Un tableau de papa! (1ère planche) (A Painting of Daddy's!) (first plate), c. 1897, transfer lithograph printed chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6991 Jean-Louis Forain, A la table de jeu (At the Gambling Table), c. 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6994 Käthe Kollwitz, Die Carmagnole, 1901, Strichätzung, Kaltnadel, Aquatinta bzw. Pinselätzung und Schmirgel in Braun auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27987 Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7345 Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737 Albert Besnard, In the Embers (Dans les cendres), 1887, etching, drypoint, and roulette on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4620 Otto Piene, Rose or Star (Rose oder Stern), 1964–65, published 1965, Portfolio of eight screenprints on white and colored paper, four pages of poetry, two pages of text, and one title page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14778 Auguste Lepère, The Poulterer, Vendee (Le Poulailler, Vendee), 1908, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8481 Albert Besnard, A Family (Une famille), 1890, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4632 Henri de Toulouse-Lautrec, Cléo de Mérode, 1898, Crayon lithograph with scraper on china paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334744 Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6877 Jean-Louis Forain, Pietà (3e planche) (Pietà) (third plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6929 Auguste Lepère, Provins (Seine et Marne), 1910, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8484 Jean-Louis Forain, Rue Laffitte (Laffitte Street), c. 1892, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6956 Max Ernst, The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), 1950, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10140 Albert Besnard, La Biarrote, 1901, etching, drypoint, and printed tone on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4625 Jean-Louis Forain, "1er Salon des Humoristes, Palais des Modes (First Exhibition of the Humorists, Palace of Style), 1911, lithograph [poster] in black and red on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7275 Auguste Lepère, Burial in the Vendeen Marsh (Un enterrement dans le marais Vendeen), 1901, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8527 Jean-Louis Forain, The Miracle before the Blessed Sacrament (fourth plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6940 Albert Besnard, Bathing at Talloires (La baignade à Talloires), 1888, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4611 Alphonse Legros, Phrenology Course, 2nd plate (Le cours de phrenologie), 1906, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8295 Henri de Toulouse-Lautrec, Portrait of Aristide Bruant, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54723 Jean-Louis Forain, Avocat parlant à sa cliente (Lawyer Talking to His Client), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7012 Maurice Denis, Les crépuscules ont une douceur d'ancienne peinture, 1892/1899, color lithograph on thin yellowish/cream wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6537 Jean-Louis Forain, Femme assise de profil (Woman Seated in Profile), 1909, etching (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6913 Jean-Louis Forain, La route d'Emmaüs (2e planche) (The Road to Emmaus) (second plate), 1902/1907, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6939 Henri de Toulouse-Lautrec, Yvette Guilbert, 1894, Lithograph with letterpress, on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7669 Wilhelm Lehmbruck, Kneeling, Small (Kniende, klein), 1910, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8463 Jean-Louis Forain, La rencontre sous la voute (1ère planche) (The Meeting under the Arch) (first plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6918 Jean-Louis Forain, La Borne - Verdun (The End - Verdun), c. 1916, drypoint and etching on on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7155 Jean Lurçat, Title page from Toupies, 1925, Pochoir and lithograph from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16686 Käthe Kollwitz, The End (Ende), 1897, aquatint, etching, and emery stone pencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8229 Jean-Louis Forain, Femme mettant son bas (Woman Putting On Her Stockings), c. 1909, etching and aquatint on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6891 Jean (Hans) Arp, Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31859 Jean-Louis Forain, En Grèce (In Greece), 1897, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6977 Paul Gauguin, Te Atua (The Gods) Small Plate [recto], in or after 1895, woodcut in black on very thin Japan paper, mounted face down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7346 Sonia Delaunay, Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1950), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31870 Jean-Louis Forain, Suspension d'audience (Recess of the Hearing), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7014 Jean Lurçat, Harlequin General , plate from the illustrated book Toupies, 1925, Etching, aquatint, and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16699 Henri de Toulouse-Lautrec, II. Dans la Glu, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334733 Jean-Louis Forain, L'avocat invectivé (The Lawyer Abused), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7008 Henri-Gabriel Ibels, Paulus, from Le Café-Concert, 1893, Lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/125990 Félix Bracquemond, Portrait of Edmond de Goncourt, 1882, Etching in black on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28675 Alphonse Legros, Self-Portrait, 3rd plate, 1880, etching? and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8281 Jean-Louis Forain, Le prévenu et l'enfant (The Prisoner and the Child), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6880 Jean-Louis Forain, A la table de jeu (2e planche) (At the Gambling Table) (second plate), 1909, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6899 Jean-Louis Forain, Paysage des environs de Versailles (Landscape in the Neighborhood of Versailles), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6901 Georges Rouault, Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16924 Georges Rouault, Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, 1923, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16620 Max Beckmann, Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess), (1917, published 1918), Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13621 Max Klinger, Herod, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4930 Jean-Louis Forain, Le Christ aux outrages (The Mocking of Christ), 1909, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6908 Jean-Louis Forain, Le colporteur juif (The Jewish Peddler), c. 1900, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6987 Jean-Louis Forain, Le Christ portant sa croix (7e planche) (Christ Carrying the Cross) (seventh plate), c. 1910, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6949 Jean-Louis Forain, Avocat parlant à sa cliente (Lawyer Talking to His Client), 1915, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7006 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in blue and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7269 Auguste Lepère, Return of the Procession to Nante Cathedral (Rentree de la Procession a la Cathedral de Nantes), 1901, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8501 Auguste Lepère, Bridge of Arts (Le pont des Arts), 1890, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8504 Félix-Hilaire Buhot, La Maison Maudite (The House of the Damned), c. 1883/1885, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4440 Max Klinger, Farmer, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4929 Jean-Louis Forain, Etude de femme assise, en buste de profil (Study of a Seated Woman, Half-Length in Profile), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6998 Wilhelm Lehmbruck, Passion II (Leidenschaft II), 1914, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8467 Käthe Kollwitz, Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn), 1910, etching and drypoint in black-brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8218 Martin Kippenberger, [Untitled], 1989, Cut-and-pasted-printed paper and cut-and-pasted synthetic sheeting on photo offset lithograph in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35644 Eugène Carrière, Sleep, 1897, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5908 Auguste Lepère, In the Deluged Marsh - The Shepherd (Au marais inonde - Le berger), 1911, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8469 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7350 Jean Lurçat, Harlequin Knight of Malta , plate from the illustrated book Toupies, 1925, Etching with roulette and pochoir from a portfolio with fourteen etching and pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16690 Jean-Louis Forain, Suspension d'audience (Recess of the Hearing), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7007 Jean-Louis Forain, Après l'apparition (2e planche) (After the Vision) (second plate), 1902/1907, drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6909 Albert Besnard, A Martyr (Un martyre), 1883, etching on Canson & Mongolfier laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4618 Jean-Louis Forain, Portrait d'Ambroise Vollard (Portrait of Ambroise Vollard), c. 1910, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7005 Georges Rouault, Trial proof for "With Tooth and Nail," plate L from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16884 Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph in black and red on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7001 Jean-Louis Forain, La route de Rocquencourt (The Road to Rocquencourt), 1909, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6902 Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in green and black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7270 Jean-Louis Forain, Etude de femme nue, les mains croisées au-dessous de la tête (Study of a Nude Woman, Her Hands Crossed behind Her Head), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6997 Auguste Lepère, Watering-place behind Notre-Dame (L'abreuvoirderriere Notre-Dame), 1897, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8497 Vasily Kandinsky, Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31873 Henri de Toulouse-Lautrec, V. Chanson Ancienne, 1898, Lithograph printed with beige tint stone on laid paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334738 Jean-Louis Forain, Etude de femme, en buste de face (Study of a Woman, Half-Length Facing Front), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6999 Paul Klee, The Friends (Die Freundinnen), 1909, Ink on monotype on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36676 Jean-Louis Forain, Salle de jeu (Gambling Room), 1914, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7004 Ernst Ludwig Kirchner, Cover of the Fourth Yearbook of the Artist Group the Brucke, 1909, woodcut in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8104 Henri de Toulouse-Lautrec, Mademoiselle Lender and Baron, 1893, Crayon, brush, and spatter lithograph printed in sanguine on wove paper; only state, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334731 Jean-Louis Forain, First Exhibition of the Humorists, Palace of Style, 1911, lithograph [poster] in black and red on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7274 Paul Cezanne, Large Bathers, 1896–c. 1898, Color lithograph with hand-coloring on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/39508 Jean-Louis Forain, Scène d'audience (les deux avocats) (Scene of a Hearing (The Two Lawyers)), c. 1915, lithograph on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6992 Jacques Villon, Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31867 Albert Besnard, Eve, 1886, etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4615 Paul Klee, Blick auf einen Fluss (View on a River), 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8112 Jean-Louis Forain, Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate), 1908, etching and soft-ground etching on laid Van Gelder paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6866 Paul Gauguin, Te Atua (The Gods) Small Plate, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7348 Albert Besnard, Woman Reading in the Studio (La Lecture dans l'atelier), 1887, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4610 Jean-Louis Forain, Dans la salle de bains (In the Bathroom), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6971