Ugo da Carpi, Peters fiskedræt, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22411

Johann Theodor de Bry, Fountain of Youth, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6472

Marcantonio Raimondi, Raphael's Dream, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/649

Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in mauve purple, vermilion, gray-blue, probably by stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3780

Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878

Johann Theodor de Bry, Army Train and Death, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6475

Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900

Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769

Marcantonio Raimondi, The Man with Two Trumpets, c. 1510–1527, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/648

Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938

Master I.I.CA, The Nativity, c. 1500/1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8778

Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22416

Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451

Italian 15th Century, The Mass of Saint Gregory [recto], c. 1490, woodcut, hand-colored in red, yellow, cinnamon, lilac, possibly with stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3824

Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629

Master of 1515, Hercules and Cacus, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8764

Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448

Italian 16th Century, The Adoration of the Magi, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5898

Giovanni Pietro Birago, Ornament Panel: Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3656

Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983

Italian 15th Century, The Cross, c. 1500, woodcut, hand-colored in red, pink, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3976

Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352

Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479

Italian 16th Century, Christ Consoling the Centurion, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5897

Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6457

Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953

Italian 15th Century, Bookplate of Hilprand Brandenburg of Bibrach, in or after 1500, woodcut, hand-colored in green, rose, light blue, red, and yellow on laid paper, mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3863

Italian 15th Century, The Flight into Egypt, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7777

Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893

Benedetto Montagna, Birth of Adonis, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9171

Italian 15th Century, Christ on the Cross, c. 1490, woodcut, hand-colored in red, light blue, and gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3697

Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550

Andrea Andreani, The Triumph of Julius Caesar [no.1 and 2 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8692

Italian 16th Century, Christ and His Disciples III, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3308

Italian 15th Century, Gerson as Pilgrim, 1489, woodcut, touched with red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3865

Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862

Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941

Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6462

Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590

Italian 15th Century, The Crucifixion, c. 1500, woodcut, hand-colored in blue, green, yellow, and brown [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3848

Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767

Andrea Mantegna, The Triumph of Caesar: Soldiers Carrying Trophies, c. 1497/1498, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8701

Italian 15th Century, Friedrich Count of Schaumberg - Bishop of Salzburg, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3874

Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554

Italian 16th Century, Christ Stilling the Storm, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5896

Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in light purple, rose carmine, gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3778

Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in brown, red, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3777

Italian 15th Century, Christ on the Cross with Angels, 1490/1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3750

Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771

Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345

Jan Rombouts the Elder, The Holy Family in a Landscape, c. 1520/1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8765

Master FVB, Saint Simon, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3410

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6447

Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888

Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502

Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766

Marcantonio Raimondi, Orpheus and Eurydice, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/643

Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue-green, vermilion, lavender, brown, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3703

Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354

Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9174

Master of the Beheading of St. John the Baptist, Allegorical Theme: Combat of Animals, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/589

Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348

Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8740

Italian 15th Century, Franciscan, Pelbartus of Temesvar, in a Garden, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3872

Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22405

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6454

Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775

Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980

Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982

Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759

Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22422

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [left], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6015

Italian 15th Century, Christ on the Cross, c. 1500, woodcut, hand-colored in blue, green, lavender, yellow, brown, red, and orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3696

Italian 15th Century, Fourteen Auxiliary Saints, c. 1500, woodcut, hand-colored in pink-red, green, blue, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3936

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982

Benedetto Montagna, The Nativity, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9173

Ugo da Carpi, Den hellige Peter forkynder evangeliet, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22414

Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137

Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706

Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965

Theodor de Bry, Venus, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4357

Giovanni Antonio da Brescia, Ornamental Panel Inscribed "Victoria Augusta", c. 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6084

Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776

Italian 15th Century, Christ as the Man of Sorrows, c. 1500, engraving, hand-colored in red, tan, violet, green and flesh; pasted into an initial "O" on an illuminated vellum sheet, torn from a book, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3967

Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945

Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749

Andrea Mantegna, Hercules and Antaeus, c. 1495, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/587

Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950

Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887

Italian 15th Century, The Adoration of the Magi, probably 1486, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3666

Italian 15th Century, Saints Christopher, Sebastian, and Roche, c. 1495, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3947

Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22423

Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue, red, vermillion, olive, green, yellow, and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3702

Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347

Giuseppe Maria Moretti, Sibyl, 1573, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5992

Spanish (Castile), Massacre of the Firstborn and Egyptian Darkness, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3930

Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899

Andrea Zoan, Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/590

Giovanni Antonio da Brescia, The Entombment, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3651

Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343

Italian 15th Century, The Sacred Monogram, c. 1500, woodcut with hand coloring in orange-red and gray-blue on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3851

Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5855

Italian 15th Century, Saint Veronica with the Sudarium, c. 1500, woodcut, hand-colored in yellow, blue, red, green and gold on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3971

Domenico Campagnola, The Shepherd and the Old Warrior, 1517, engraving in red-brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5861

Ugo da Carpi, Læsende sibylle, vendt mod venstre, 1510–1530, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22409

Italian 15th Century, Saint Anne, The Madonna and Child and Saints Christopher, Sebastian, Clara and Roche, c. 1500/1525, woodcut, hand-colored in blue, yellow, and cinnamon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3946

Italian 15th Century, Saint Anne, The Madonna and Child, and a Franciscan Monk, c. 1500, woodcut, hand-colored red lake, green, rose, yellow, and gray, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3794

Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952

Theodor de Bry, Sun, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4356

Italian 15th Century, Saint Alto, c. 1500, woodcut, hand colored in burgundy, blue-green, orange, brown, red, and yellow-green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3793

Italian 15th Century, Christ in the Tomb with Two Angels, 1490/1500, woodcut, hand-colored in red, orange-yellow, blue-green, green, and gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3761

Master FVB, Saint Judas Thaddaeus, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3411

Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889

Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6455

Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958

Pieter Balten, The Dissolute Household, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4593

Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883

Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979

Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868

Italian 15th Century, Bookplate of Dominicus Frauenfelder, c. 1500, woodcut, hand-colored in yellow, green, black, and brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5005

Italian 15th Century, The Agony in the Garden, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8243

Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635

Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981

Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8699

Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut, hand-colored in blue, yellow, orange, green, brown, carmine, and gold on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3755

Agostino dei Musi, The Barc, 1515–1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9150

Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6018

Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141

Andrea Andreani, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8694

Ugo da Carpi, Legende amoriner. Allegori over kærligheden, 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22407

Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985

Italian 15th Century, The Head of Christ, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3734

Italian 16th Century, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3434

Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970

Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6441

Italian 15th Century, The Man of Sorrows with a Franciscan, 1490–1500, woodcut, hand-colored in red, blue, green-yellow, gray, and flesh, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3749

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6444

Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835

Italian 15th Century, Monogram JHS in a Flaming Circle, c. 1500, woodcut, hand-colored in red, green, yellow, and lavender-pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4047

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980

Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/592

Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778

Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5856

Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22404

Giovanni Pietro Birago, Nereid Ridden by Two Children, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/591

Marcantonio Raimondi, Hercules and Antaeus, c. 1520–1522, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/647

Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773

Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901

Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586

Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13020

Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943

Jacopo de' Barbari, Two Philosophers, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4159

Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509

Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433

Benedetto Montagna, Shepherd with a Platerspiel, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9179

Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6459

Ottavio Leoni, Self-Portrait, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/929

Italian 16th Century, Christ and His Disciples II, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3307

Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966

Andrea Zoan, Ornament Panel: Triton Ridden by a Child, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3654

Italian 16th Century, Madonna and Child, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4020

Jacopo de' Barbari, Victory Reclining Amid Trophies, c. 1500/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4156

Italian 16th Century, Self-Portrait, 1525, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8561

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979

Frans Crabbe van Espleghem, Christ as the Man of Sorrows, c. 1522–25, Engraving and etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334663

Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862

Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6448

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6017

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [right], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6016

Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868

Ugo da Carpi, Peters fiskedræt, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22410

Italian 15th Century, Joseph and the Christ Child, c. 1500, engraving, hand-colored in red and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3961

Marcantonio Raimondi, The Birth of Venus, 1506, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/644

Italian 15th Century, The Man of Sorrows, c. 1490, hand-colored woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4021

Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902

Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991

Andrea Mantegna, Virtus Combusta: An Allegory of Virtue, 1500/1505, engraving on laid paper by Giovanni Antonio da Brescia, National Gallery of Art, Washington. https://dartabase.art/cite/nga/579

Domenico Campagnola, Venus Reclining in a Landscape, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5862

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6461

Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882

Giovanni Antonio da Brescia, Christ before Pilate, c. 1500/1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3650

Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580

Domenico Campagnola, The Assumption of the Virgin, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5854

Giovanni Antonio da Brescia, The Entombment with Three Birds, c.1500/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8700

Ugo da Carpi, Korsnedtagelsen, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22413

Italian 16th Century, Saint Jerome in Penitence, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4549

Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480

Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777

Diana Scultori, Christ Making Saint Peter Head of the Church, c.1567, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7357

Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774

Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459

Antonio da Trento, Augustus og den tiburtinske sibylle, 1500–1550, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5261

Italian 15th Century, The Transportation of the Holy House of Loreto, 1494, woodcut, hand-colored in tan, dark gray-green, orange, and purple; the green and orange may have been applied by means of a stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3937

Benedetto Montagna, The Agony in the Garden, c. 1506/1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9178

Italian 16th Century, The Rich Man in Hell, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3446

Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895

Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937

Italian 15th Century, Christ before Pilate, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8745

Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968

Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897

Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/593

Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746

Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586

Giulio Campagnola, Christ and the Samaritan Woman, c. 1510, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53294

Italian 15th Century, The Nativity, 1490/1500, woodcut, hand-colored in red, brown, slate blue, ochre, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3665

Italian 15th Century, Treason of Judas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8189

Benedetto Montagna, Man Seated by a Palm Tree, c. 1510/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9175

Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6460

Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755

Italian 16th Century, Madonna of the Hernleberg, 1592, woodcut, hand-colored, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3869

Marcantonio Raimondi, The Vision of Saint Helena, 1515–1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/655

Agostino dei Musi, Pope Paul III, 1534, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9152

Ottavio Leoni, Paolo Giordano Orsini II, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/934

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6458

Italian 15th Century, Saint Barbara, c. 1500, woodcut, hand-colored in brown, lavender, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4032

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6465

Giovanni Antonio da Brescia, Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6081

Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358

Italian 16th Century, Christ with Three of His Apostles, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5899

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6463

Italian 16th Century, Young Man Drinking Water (Rebecca and Eliezer?), 1500, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4597

Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346

Italian 15th Century, The Way of Salvation, c. 1490, woodcut in brown, hand-colored in green, yellow, red lake, blue, brown, and orange (border), National Gallery of Art, Washington. https://dartabase.art/cite/nga/3854

Domenico Campagnola, Lamentation of Christ, 1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5863

Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357

Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723

Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964

Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936

Johann Theodor de Bry, The Baggage Train with the Sergeant-Major, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6476

Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482

Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984

Italian 16th Century, Christ and His Disciples V, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3310

Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963

Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446

Nicoletto da Modena, Fate of an Evil Tongue, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/595

Andrea Andreani, The Triumph of Julius Caesar [no.3 and 4 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8693

Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6443

Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752

Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957

Italian 15th Century, Christ on the Cross with a Grape Vine, c. 1490/1500, woodcut with hand-coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4018

Italian 16th Century, Ornament - Large Goblet, 1500, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4594

Italian 15th Century, The Trinity, c. 1500, woodcut, hand-colored in blue, orange, yellow, green, white, black, gold, and silver, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4051

Italian 15th Century, Border from an Almanac, c. 1489, woodcut, hand-colored in green, brown, rose, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3940

Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768

Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745

Nicolò Boldrini, Venus and Cupid, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4152

Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971

Giovanni Antonio da Brescia, Discovery of Joseph's Cup, c. 1521/1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6083

Theodor de Bry, Saturn, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4353

Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892

Italian 15th Century, Saint Alto, Saint Bridget and the Founders  of the Mariamunster, c. 1500, woodcut, hand-colored in green, red lake, brown, gray, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3792

Italian 15th Century, Allegory of the Eagle and Emperor Maximilian I, 1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3858

Jacopo de' Barbari, Custodi Nos Dormientes (The Guardian Angel), c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4160

Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836

Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640

Italian 15th Century, Mocking of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4167

Italian 16th Century, Portrait of Petrarch, first half 16th century, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4546

Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988

Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350

Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454

Giovanni Antonio da Brescia, Holy Family with Saint Elizabeth and the Infant Saint John, c. 1495/1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6079

Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756

Nicoletto da Modena, Saint George, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/596

Italian 15th Century, Council of High Priests, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4166

Italian 15th Century, A Monstrance Held by Two Angels, 1495/1500, woodcut, hand-colored in green, brown, rose, and olive, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3973

Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948

Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469

Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886

Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973

Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743

Giovanni Battista Palumba, Saint George and the Dragon, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8732

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6449

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6452

Italian 15th Century, Scourging of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8792

Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in yellow, ochre, brown and indian red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3744

Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613

Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898

Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551

Italian 15th Century, Saint Francis Receiving the Stigmata, 1500/1510, woodcut, hand-colored in green, yellow, indian red, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3819

Italian 15th Century, Two Peasants, 1490s, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4543

Italian 15th Century, The Nativity, c. 1500, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3941

Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955

Ugo da Carpi, David skiller hovedet fra Goliats krop, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22412

Marcantonio Raimondi, Mars, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/646

Pieter van der Borcht (I), Jakob og det spættede kvæg, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1525

Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500

Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22415

Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22421

Marcantonio Raimondi, The Judgment of Paris, c. 1510/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/641

Domenico Campagnola, Beheading of Saint Catherine, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5857

Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983

Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486

Andrea Andreani, Allegory on Death, 1558, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4071

Ottavio Leoni, Giacomo Antonio Mannini, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/928

Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877

Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976

Italian 15th Century, The Adoration of the Magi (Virgin in the Grotto), c. 1500, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4532

Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894

Andrea Zoan, Ornament Panel: Four Children Playing, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3659

Italian 15th Century, Christ as the Man of Sorrows, 1507, woodcut, hand-colored in red lake, orange, blue, yellow, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3745

Marcantonio Raimondi, God Appearing to Noah, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/636

Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445

Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930

Domenico Campagnola, Shepherds in a Landscape, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5859

Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9177

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6453

Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932

Italian 15th Century, Christ Washing the Apostles' Feet, c. 1490, woodcut, hand-colored in tan, green, rose, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4036

Marcantonio Raimondi, Poetry, c. 1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/650

Italian 15th Century, Christ on the Cross, 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3690

Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Nereids, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5981

Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780

Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792

Italian 15th Century, Before Caiaphas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8707

Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942

Valerio Belli, Mars, Minerva, Venus, and Cupid, early 1500s, rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/166197

Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556

Benedetto Montagna, Woman and Satyr with Two Cupids, c. 1506/1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9172

Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933

Italian 15th Century, Saint George (?), c. 1490, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3957

Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754

Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560

Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353

Andrea Andreani, The Triumph of Julius Caesar [no.7 and 8 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8695

Italian 15th Century, Christ on the Cross, c. 1490, hand-colored woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3867

Jacopo de' Barbari, Holy Family, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4161

Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637

Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447

Italian 15th Century, Christ Appearing to Mary Magdalene, c. 1500, woodcut, hand-colored in maroon, orange, yellow, blue-green, mauve, and flesh on laid paper, possibly applied with stencils, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3709

Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975

Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517

Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880

Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/837

Giovanni Antonio da Brescia, Man Seated Holding a Forked Staff, c. 1514/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6082

Andrea Andreani, The Triumph of Julius Caesar: Title Page, 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8691

Ugo da Carpi, Overraskelsen, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22417

Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559

Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890

Jacopo Francia, Holy Family with Saint Elizabeth and the Infant Saint John the Baptist, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7286

Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490

Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939

Andrea Andreani, The Triumph of Julius Caesar [no.9 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8696

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6450

Italian 15th Century, Christ lead to Prison, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8669

Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563

Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770

Italian 15th Century, Christ on the Mount of Olives, c. 1490, woodcut, hand-colored in green, carmine, rose, yellow, gray, blue, and brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3677

Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949

Italian 15th Century, Madonna in a Rosary with Saints, c. 1500, woodcut, hand-colored in red, ochre, green, gray, and tan, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3766

Italian 15th Century, Saint Martin and the Beggar, c. 1490, woodcut with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3953

Italian 16th Century, The Hour of Death, 1500, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4437

Italian 15th Century, The Crucifixion, c. 1490/1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3956

Italian 15th Century, Song to the Madonna, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3939

Johann Theodor de Bry, Country Fair, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6473

Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974

Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757

Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765

Italian 15th Century, A Warning Against Playing Dice, c. 1500, woodcut [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3860

Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764

Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760

Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944

Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6466

Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568

Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753

Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967

Giovanni Antonio da Brescia, Saint Jerome in His Study, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4547

Master FVB, Saint Anthony, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3416

Italian 16th Century, Martin Luther, Half-Length to the Left with a Book in his Hands, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6050

Andrea Zoan, Ornament Panel: Satyr Holding a Violin, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3661

Marcantonio Raimondi, The Lamentation of the Virgin, 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/637

Italian 15th Century, Madonna in a Wreath of Roses, 1490/1500, woodcut, hand-colored in red lake, green, and gray-yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3765

Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947

Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940

Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742

Jacopo de' Barbari, Apollo and Diana, c. 1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/582

Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751

Domenico Campagnola, The Virgin and Child with Saints, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5860

Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in dark brown, tan and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3746

Theodor de Bry, Jupiter, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4354

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6464

Master NA.DAT with the Mousetrap, The Two Armies at the Battle of Ravenna, probably c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8739

Italian 15th Century, Christ Child on Donkey, c. 1500, woodcut, hand-colored in yellow, rose, and brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3737

Theodor de Bry, Mercury, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4358

Theodor de Bry, Jewelry Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6467

Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931

Giovanni Antonio da Brescia, Hercules and Antaeus, after 1507, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6080

Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502

Italian 16th Century, Madonna and Child, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3960

Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9176

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6442

Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961

Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881

Italian 15th Century, Christ on the Cross, c. 1500, woodcut with hand-coloring in blue, green, brown, tan, ocher, olive, and pale blue with gold leaf on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3691

Marcantonio Raimondi, Dance of Cupids, c. 1517–1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/639

Jacopo Francia, Bacchus and His Attendants, c. 1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7288

Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946

Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761

Marcantonio Raimondi, Il Morbetto (The Plague), c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/654

Theodor de Bry, Mars, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4355

Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763

Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879

Italian 15th Century, Divine Infant with the Globe in a Circle  with Four Angels, probably c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4024

Italian 15th Century, Christ Bearing the Cross, c. 1500, woodcut, hand-colored in mauve, red, blue, green, ochre, yellow, black, white, and gold, on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3685

Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781

Italian 15th Century, Saint George, c. 1500, woodcut, hand-colored in brown-red, green, and vermilion, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3822

Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512

Marcantonio Raimondi, Vulcan, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/645

Italian 15th Century, David Playing the Harp, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4042

Italian 15th Century, Saint Sebastian, c. 1490, woodcut, hand-colored in green, red lake, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3841

Domenico Campagnola, Battle of Nude Men, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5858

Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638

Marcantonio Raimondi, Venus Appearing to Aeneas, c. 1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/642

Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978

Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885

Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951

Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959

Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344

Italian 15th Century, Baptism, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8005

Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/588

Italian 15th Century, Presentation, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7398

Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6445

Marcantonio Raimondi, Two Fauns Carrying a Child, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/640

Anton Wierix II, The Crucifixion called the Sword Pommel of Maxmilian, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6658

Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022

Italian 15th Century, Betrayal, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8462

Italian 16th Century, Christ and His Disciples IV, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3309

Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356

Francisco Goya, Quien mas rendido?  (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452

Italian 16th Century, The Rich Man Being Carried Away by the Devil, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3445

Italian 16th Century, Alphabet for a Primer, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4064

Andrea Zoan, Ornament Panel with Dragons, Masks, and Instruments of War, c. 1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3653

Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891

Italian 15th Century, The Man of Sorrows and His Mother, c. 1500, woodcut, hand-colored in rose, blue, lilac, vermilion, mustard yellow, white, brown, and silver on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3747

Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838

Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359

Italian 15th Century, Faun Battling a Snake, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8715

Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351

Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779

Italian 15th Century, Man Walking Towards a Grave, c. 1495, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4045

Diana Scultori, Latona Giving Birth to Apollo and Diana on the Island of Delos, 1561–1565, engraving on laid paper (with offset of Diana Scultori's "Snake Charmer" [B.44] on verso), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7358

Italian 15th Century, The Crucifixion, c. 1490/1500, woodcut, hand-colored, on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3875

Italian 16th Century, The Circumcision, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5895

Jacopo de' Barbari, Satyr's Family, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4157

Italian 16th Century, Christ and His Disciples I, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3306

Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496

Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636

Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3754

Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863

Italian 15th Century, Gerson as Pilgrim with Town in Background, in or before 1488, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3864

Marcantonio Raimondi, Dido, c. 1510, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/638

Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962

Italian 16th Century, "El Gran Capitanio", c. 1516/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4544

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6446

Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474

Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6456

Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956

Italian 16th Century, Jesus Preaching in the Temple, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5900

Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758

Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960

Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969

Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6451

Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349

Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982

Agostino dei Musi, Hieronymus Alexander, Archbishop of Brindisi, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9151

Andrea Zoan, Page from Livius Historiabum Libri, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3652

Adriaen Collaert, Design for a Pendant with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5987

Italian 15th Century, The Head of Christ, probably 1500/1510, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3733

Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935

Italian 15th Century, Bookplate of Wilhelm von Zell, in or after 1500, woodcut on laid paper mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3861

Theodor de Bry, Moon, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4359

Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772

Jacopo de' Barbari, Judith Holding the Head of Holofernes, c. 1501/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4162

Lorenzo Costa, Presentation of Christ, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4542

Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972

Italian 15th Century, Christ Stripped, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8720

Italian 15th Century, Purgatory, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3975

Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896

Italian 15th Century, Holy Kinship, 1490/1500, woodcut, hand-colored in green, yellow, red lake, and light brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3850

Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7287

Adriaen Collaert, Design for a Pendant with a Fish Carrying Tobias and the Angel, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5986

Italian 15th Century, Morris Dancer, c. 1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4050

Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355

Master FVB, Saint Philip, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3412

Italian 15th Century, Song to the Virgin, c. 1500, woodcut, hand-colored in rose and ochre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3952

Enea Vico, Old Woman with a Distaff, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/597

Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744

Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837

Jacopo de' Barbari, Apollo and Diana, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4158

Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954