Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Hans Rudolf Manuel Deutsch, Kort over Basel, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22237 Hans Rudolf Manuel Deutsch, Kort over Paris, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22242 Heinrich Aldegrever, Dancing Children, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3514 Heinrich Aldegrever, David Casting Off His Robes at the News of the Death of His Son, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3433 Sebald Beham, Double Goblet with Two Genii at the Base, 1531, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4341 Sebald Beham, Sun, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4282 Heinrich Aldegrever, Design for a Dagger Sheath with Cain and Abel, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3536 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22343 Käthe Kollwitz, Schwangere Frau, 1910, Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28015 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Otto Piene, Plate (folio 9) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14782 Tobias Stimmer, De romerske ambassadører vender hjem fra Karthago, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22280 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Hans Baldung Grien, The Bewitched Groom, 1544, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4141 Tobias Stimmer, Appius Claudius føres til fængslet, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22311 Heinrich Aldegrever, John, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3454 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22273 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22275 Sebald Beham, Ornament with a Couple of Tritons Blowing Horns, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6311 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22269 Käthe Kollwitz, Bread (Brot), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8197 Tobias Stimmer, Theoxena og hendes familie dør til havs, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22340 Sebald Beham, Cimon and Pero, 1544, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4428 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Barthel Beham, King Ferdinand I, 1531, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4087 Käthe Kollwitz, Losbruch, 1902–1903, Strichätzung, Kaltnadel, Aquatinta, Reservage sowie Vernis Mou mit Durchdruck von zwei Stoffen und Zieglerschem Umdruckpapier in Braun, mit dem Pinsel in brauner und weißer Deckfarbe sowie Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28121 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22287 Sebald Beham, The Justice of Trajan, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4435 Sebald Beham, Saint John, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4418 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22347 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22331 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Max Klinger, Death as Savior, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4950 Paul Klee, Der Verliebte (The Loved One), 1923, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8107 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Max Klinger, Ex Libris Hildegard Heyne, 1918, Etching and aquatint printed in black ink on off-white paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4901 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3488 Sebald Beham, Triumphal Procession of the Noble Glorious Women, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4294 Heinrich Aldegrever, The Good Samaritan Placing the Traveler on a Mule, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3441 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22260 Sebald Beham, Temperancia (Temperance), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6310 Heinrich Aldegrever, Cross Panel with Vine in Center and Tritons' Couple, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3517 Sebald Beham, Saint Matthew, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4410 Wilhelm Lehmbruck, Woman's Dream (Der Traum des Weibes), 1914, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8465 Sigmar Polke, Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus), 1971, Offset lithograph from an illustrated book with suite of three screenprints, two offset lithographs, and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9044 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22262 Sebald Beham, Two Profile Studies of a Woman's Head, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4317 Paul Klee, Perseus (Der Witz hat über das Leid gesiegt) [Perseus-The Triumph of Brain over Body], 1904, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8109 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4635 Barthel Beham, King Ferdinand I, 1531, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4088 Augustin Hirschvogel, The Opening of the Seventh Seal, 1549, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7752 Hans Rudolf Manuel Deutsch, Kort over Bern, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22238 Hanns Lautensack, Ulrich Schwaiger (?), 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7662 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3478 Sebald Beham, The Justice of Trajan, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4434 Andreas Bretschneider III, Exempel und Lehr Jetziger Welt Lauf, published 1622, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5274 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22293 Sebald Beham, Hercules Killing Antaeus, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4275 Hans Baldung Grien, The Bewitched Groom, 1544, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/678 Hanns Lautensack, View of Nuremberg from the East [left section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8254 Max Klinger, Poor Family, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4951 Sebald Beham, The Judgment of Paris, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4265 Heinrich Aldegrever, Large Dagger Sheath with Nude Couple, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3535 Tobias Stimmer, De romerske kvinder kræver, at Lex Oppia-loven ophæves, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22332 Sebald Beham, Cimon and Pero, 1544, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4429 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4638 Tobias Stimmer, Cincinnatus beordrer aequierne til at passere under åget, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22310 Franz Marc, Animal Legend (Tierlegende), 1912, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8677 Tobias Stimmer, Portræt af Stephan Brechtl, 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22252 Sebald Beham, Mars, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4281 Hans Baldung Grien, Group of Seven Horses, 1534, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/677 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Jonas Silber, Bacchus Seated on a Barrel and Holding Grapes, 1582, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8735 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22276 Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145 Sebald Beham, Christ and the Woman of Samaria, c. 1538/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4390 Sebald Beham, The Betrayal of Christ, 1535, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4366 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22342 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3491 Sebald Beham, Venus, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4283 Tobias Stimmer, Gaius Duillius vinder søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22325 Otto Piene, Plate (folio 10) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14783 Tobias Stimmer, De trehundrede og seks fabier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22321 Max Beckmann, The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9085 Heinrich Aldegrever, The Two Elders Convicted by the Testimony of Daniel, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3437 Jonas Silber, Triumphal Procession of Bacchus, 1572–1589, engraving and punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8734 Sebald Beham, Ornament Panel with a Large Bearded Mask, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/831 Hanns Lautensack, View of a Town near a River with a Church on the Right, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8249 Max Klinger, Road, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4954 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22344 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3490 Tobias Stimmer, Numa Pompilius inddeler året i tolv måneder, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22329 Otto Piene, Plate (folio 6) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14779 Heinrich Aldegrever, The Creation of Eve, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3427 Heinrich Aldegrever, Three Buckles of Girdles Side by Side, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3516 Sebald Beham, Ornament with Two Genii Riding on Two Chimeras, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4334 Heinrich Aldegrever, Matthew, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3451 Heinrich Aldegrever, Ornament with Vase and Two Female Figures, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3526 Tobias Stimmer, Horatius Cocles forsvarer Rom ved broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22304 Käthe Kollwitz, Frauenakt, 1910?, Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28019 Tobias Stimmer, Tarquinius Priscus hugget til døde på sin trone, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22315 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22259 Hans Brosamer, Solomon Worshipping Idols, 1545, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5272 Heinrich Aldegrever, Titus Manlius Beheading His Son, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3458 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Thomas Hirschmann, Hans Brosamer, 1611, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5270 Heinrich Aldegrever, Adam and Eve Hide Themselves, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3430 Master NW, Man and Woman Embracing, 1640?, punch engraving? on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8770 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22298 Max Klinger, Night, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4928 Sebald Beham, Ornament with Three Satyrs, c. 1540/1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4329 Tobias Stimmer, Verginius for Appius Claudius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22309 Heinrich Aldegrever, Ornament with Foliage and a Child in the Center, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3518 Max Zachmann, Two Nude Dancers in a Landscape, c. 1913, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7740 Sebald Beham, Three Soldiers and a Dog, c. 1540/1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4304 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22335 Sebald Beham, Standard Bearer and Drummer, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4305 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Tobias Stimmer, Kamp mellem horatier og curatier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22328 Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614 Tobias Stimmer, Symphonia, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22348 German 19th Century, Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4079 Heinrich Aldegrever, Traveler among Thieves, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3439 Master IS, Judgment of Paris, 1534, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8777 Sebald Beham, Expulsion from Paradise, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4379 Sebald Beham, Christ at the Table of Simon the Pharisee, c. 1538/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4391 Hanns Lautensack, View of a City near a River, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8253 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22281 Sebald Beham, Peasant Woman at Market, c. 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4373 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22297 Sebald Beham, Ornament with Palmette and Two Dophin Heads, c. 1540/1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4333 Tobias Stimmer, Gaius Duillius besejrer Kartago i et søslag, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22284 Johannes Hanias, Bow Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6468 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3494 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Sebald Beham, Ornament Panel with a Large Bearded Mask, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4327 Sebald Beham, Departure of the Prodigal Son, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4397 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4634 Paul Klee, Garden of Passion (Garten der Leidenschaft), 1913, etching in black on ivory wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8111 Sebald Beham, Domitia Calvilla, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4263 Matthäus Greuter, Sommer, 1566–1638, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21483 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Hanns Lautensack, Georg Roggenbach, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8250 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3489 Sebald Beham, Allegory of Christianity, c. 1540/1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4286 Otto Piene, Plate (folio 7) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14780 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3479 Tobias Stimmer, Tullia kører over sin fars lig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22316 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Hans Rudolf Manuel Deutsch, Kort over Koblenz, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22239 Tobias Stimmer, Marcus Atilius Regulus dræber en serpent i Afrika, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22286 Sebald Beham, Cleopatra Seated, c. 1540/1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4431 Heinrich Aldegrever, Ornament with Mask, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3522 Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612 Barthel Beham, Emperor Charles V, 1531, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4108 Tobias Stimmer, Gaius Duillius vinder et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22263 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22254 Adam Elsheimer, Tobias and the Angel, 1578, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6839 Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983 Sebald Beham, Mask Held by Two Genii, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4325 Sebald Beham, Saint Peter, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4403 Sebald Beham, Fool and Two Bathing Women, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4312 Johannes Hanias, Star Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6469 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Wols (A. O. Wolfgang Schulze), Frontispiece from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16502 Mathis Zündt, Louis III de Bourbon, prins af Condé, 1568, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22349 Jonas Silber, Saturn, 1582, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8736 Sebald Beham, Melencolia (Melancholy), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4295 Tobias Stimmer, Manius Acilius Glabrios triumftog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22330 Hanns Lautensack, View of Nuremberg from the East [center section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8255 Heinrich Aldegrever, The Virgin Seated, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3449 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Sebald Beham, Fortitudo (Fortitude), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6309 Heinrich Aldegrever, Dancing Children, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/826 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Lucas Cranach the Younger, Saint John in a Landscape, 1540, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6064 Mathis Zündt, Portræt af Joannes de Valeta, 1566, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22351 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Sebald Beham, Charitas (Charity), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4289 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22255 Tobias Stimmer, Scipio på knæ, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22267 Otto Piene, Plate (folio 11) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14784 Georg Pencz, The Triumph of Time, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5904 Max Klinger, Sailors, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4956 Sebald Beham, The Wedding at Cana, c. 1538/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4389 Jodocus Bickart, Saint Mark, 1660–1684, mezzotint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4633 Tobias Stimmer, Publius Horatius plæderer for sin søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22313 Tobias Stimmer, Henrettelsen af kongen af Siracusa og hans familie, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22274 Sebald Beham, Fortuna (Fortune), 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4291 Sebald Beham, Cognicio (Cognition), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4288 Tobias Stimmer, Cloelia leder flugten på floden, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22303 Käthe Kollwitz, Germany's Children are Hungry! (Deutschlands Kinder Hungern!), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8199 Willi Baumeister, [Untitled], 1943, Lithographic crayon, charcoal, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36878 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3484 Sebald Beham, Mercury, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4284 Heinrich Aldegrever, Expulsion from Paradise, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3431 Käthe Kollwitz, Self-Portrait at the Table (Selbstbildnis am Tisch), probably 1893, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8182 Paul Klee, Day Music (Musique diurne) from Art d'Aujourd'hui, Maîtres de l'Art Abstrait (Art of Today, Masters of Abstract Art), Album I, 1953 (original executed in 1940), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31874 Wilhelm Lehmbruck, Three Kneeling Women (Drei Frauen knied), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8466 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22283 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3482 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Sebald Beham, The Return of the Prodigal Son, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4400 Tobias Stimmer, Cincinnatus bag ploven kaldes til at være diktator, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22308 Käthe Kollwitz, Bettelnde (Begging), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8150 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22288 Sebald Beham, Saint Simon, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4413 Monogrammist FG, Mutius Scaevola, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8780 Sebald Beham, Christ on the Globe, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4395 Jeremias Falck, Albrecht Altdorfer, 1619, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3639 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Tobias Stimmer, Gaius Sulpius Gallus forudser en måneformøkelse, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22258 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 Tobias Stimmer, Tarquinius Superbus og Sextus' udsending i haven, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22317 Otto Piene, Plate (folio 12) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14785 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22301 Otto Piene, Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14781 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Augustin Hirschvogel, Conrad Schall, 1547, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7754 Tobias Stimmer, Den besejrede Syphax stilles for Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22323 Sebald Beham, Capital and Base of a Column, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4343 Heinrich Aldegrever, Ornament with a Child on the Back of a Sphinx, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3515 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22270 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Sebald Beham, Ornament with Female Demon, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4322 Tobias Stimmer, Marcus Valerius i kamp med en galler, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22295 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Sebald Beham, Pacientia (Patience), 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4290 Hans Brosamer, Samson and Delilah, 1545, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5273 Sebald Beham, Bust of an Old Bearded Man, 1546, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4361 Sebald Beham, Spes (Hope), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6308 Max Klinger, Child, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4953 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Tobias Stimmer, Syphax tilfangetages, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22265 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22289 Sebald Beham, Jupiter, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4280 Sebald Beham, Joseph and Potiphar's Wife, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4384 Sebald Beham, Saint James the Less, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4405 Sebald Beham, Ornament with Eagle and Two Genii, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4321 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22257 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Paul Klee, A Genius Serves a Small Breakfast (Ein Genius serviert ein kleines Frühstück), 1920, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8108 Heinrich Aldegrever, The Good Samaritan Ministering to the Traveler, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3440 Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105 Georg Pencz, The Triumph of Love, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5901 Sebald Beham, Justicia (Justice), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6307 Heinrich Guttenberg, Le mercure de France, 1784, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2808 Johannes Hanias, Cross Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6471 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3493 Heinrich Aldegrever, Ornament, 1552, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3524 Sebald Beham, Saint Bartholomew, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4408 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3486 Sebald Beham, Saint James the Great, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4411 Tobias Stimmer, Marcus Valerius formaner den rebelske soldat til at skabe fred, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22299 Sebald Beham, Saturn, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4279 Max Klinger, Sea, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4955 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3487 Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312 Johann Ladenspelder, The Holy Trinity, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8242 Georg Pencz, The Triumph of Eternity, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5906 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22285 Sebald Beham, Capital and Base of a Column, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4344 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Sebald Beham, Lucretia Standing, c. 1539/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4432 Paul Klee, Small World (Kleinwelt), 1914, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8110 Sebald Beham, Lichas Presenting Nessus' Tunic to Hercules, 1542/1548, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4272 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Heinrich Aldegrever, Ornament, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3527 Heinrich Aldegrever, The Good Samaritan Paying for the Lodgings of the Traveler, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3442 Hans Rudolf Manuel Deutsch, Kort over Schlettstadt, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22244 Heinrich Aldegrever, Portræt af Philipp Melanchthon, 1540, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb7583 Mathis Zündt, Louis III de Bourbon, prins af Condé, 1568, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22350 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22324 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22292 Wols (A. O. Wolfgang Schulze), Plate 2 from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16456 Tobias Stimmer, M. Decius leder romerne i slaget mod latinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22282 Georg Pencz, Virginius Killing His Daughter, c. 1546/1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9510 Monogrammist FG, Mutius Scaevola, 1537, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8716 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Sebald Beham, Death and the Maiden, 1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4298 Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2799 Hans Holbein the Younger, Saint Paul with Book and Sword, 1540, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7774 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Tobias Stimmer, Titus Manlius dræber gallereren på broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22294 Johann Martin Bernigeroth, Lucas Cranach, 1761, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4649 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3492 Sebald Beham, Venus and Cupid, c. 1535/1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4267 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22261 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4637 Monogrammist AS, Fortuna, 1540, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3996 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Sebald Beham, Three Women in a Bathroom, 1548, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4310 Sebald Beham, Coat of Arms with a Cock, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4347 Heinrich Aldegrever, Christ on the Cross, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3447 Max Klinger, On the Tracks, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4952 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Augustin Hirschvogel, Christian II of Denmark, 1546, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7757 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Sebald Beham, Infortunium (Misfortune), 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4292 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Sebald Beham, The Prodigal Son Wasting His Fortune, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4398 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3477 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Sebald Beham, Ornament with a Couple of Tritons Blowing Horns, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4319 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Sebald Beham, Trajan, 1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4262 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22291 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22337 Sebald Beham, Two Couples and a Fool, 1535, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4311 Sebald Beham, Genius with Alphabet, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4326 Heinrich Aldegrever, Martin Luther, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3498 Heinrich Aldegrever, Ornament with Mask, Eagle between Satyrs Below, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3520 Franz Brun, Three Months, 1584, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4590 Ernst Ludwig Kirchner, Port Scene (Hafenbild), 1908, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8103 Sebald Beham, Moon, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4285 Paul Klee, The Tight Rope Walker (Seiltänzer), 1923, lithograph in black and pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8106 Tobias Stimmer, Sofonisba knæler og bønfalder Masinissa, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22322 Sebald Beham, Saint Andrew, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4404 Sebald Beham, Saint Thomas, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4409 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22320 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22306 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22345 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Sebald Beham, Coat of Arms of Sebald Beham, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4345 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Heinrich Aldegrever, The Night, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3497 Max Beckmann, Day and Dream, 1946, Portfolio of 15 lithographs, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5547 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22312 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3476 Heinrich Aldegrever, Mark, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3452 Tobias Stimmer, Lucretias død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22300 Johannes Hanias, Pendant Embellished with Flowers, 1650, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6470 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Tobias Stimmer, Numa Pompilius' bøger brændes, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22338 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Heinrich Aldegrever, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3435 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Paul Flindt the Younger, A Cup with Rams' Heads at the Foot, 1594, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6853 Philipp Andreas Kilian, Albrecht Altdorfer, 1714, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6296 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Sebald Beham, Saint Philip, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4407 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Sebald Beham, Ornament with Armour and Two Genii, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6312 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22302 Wilhelm Lehmbruck, Four Women; Three Standing, One Sitting (VierFrauen; drei stehend, eine sitzend), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8464 Sebald Beham, Saint Matthias, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4414 Sebald Beham, Saint John, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4406 Heinrich Aldegrever, Sol og Faeton, 1533, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20623 Hanns Lautensack, Landskab med et slot på en klippe, 1553, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4443 Hans Rudolf Manuel Deutsch, Kort over Nördlingen, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22241 Heinrich Aldegrever, Ornament with Mask, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3521 Max Beckmann, Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9075 Hanns Lautensack, View of Nuremberg from the East [right section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8256 Tobias Stimmer, Demetrius lider kvælningsdøden ved forgiftning, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22339 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Sebald Beham, Two Profile Studies of a Man's Head, 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4316 Hanns Lautensack, Landscape with Three Men, c. 1558/1559, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8251 Sebald Beham, Saint Matthew, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4415 Wilhelm Lehmbruck, Large Resurrection (Grosse Auferstehung), 1913, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8468 Sebald Beham, Hercules Abducting Iole, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/828 Sebald Beham, Ornament with Palmette and Two Dophin Heads, c. 1540/1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/832 Heinrich Aldegrever, The Two Elders Stoned by the People, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3438 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Max Beckmann, Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9107 Barthel Beham, Erasmus Balderman, 1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4086 Georg Pencz, The Triumph of Chastity, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5902 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Sebald Beham, Saint Luke, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4417 Tobias Stimmer, Hannibals belejring af Sagunto, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22277 Sebald Beham, Saint Judas Thaddaeus, 1545/1546, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4412 Heinrich Aldegrever, The Virgin with the Child on the Crescent, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3448 Tobias Stimmer, Firdelingen af Mettius Fufetius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22314 Sebald Beham, Prudencia (Prudence), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6305 Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching with retouching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3105 Hans Baldung Grien, Group of Seven Horses in Woods, 1534, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4123 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Tobias Stimmer, Veturia og Volumnia beder Coriolanus om at skåne Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22305 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22296 Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000 Sebald Beham, Coat of Arms with a Rampant Lion, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4346 Sebald Beham, Job Conversing with His Friends, 1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4385 Hanns Lautensack, Johann Aventinus (Johann Turmair), 1554, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8252 Otto Piene, Plate (folio 5) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14777 Heinrich Aldegrever, Adam and Eve at Work, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3432 Käthe Kollwitz, Die Carmagnole, 1901, Strichätzung, Kaltnadel, Aquatinta bzw. Pinselätzung und Schmirgel in Braun auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27987 Sebald Beham, Capital and Base of a Column, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6314 Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737 Sebald Beham, Fides (Faith), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4287 Moritz Steinla, Lucas Cranach, 1791, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9156 Heinrich Aldegrever, The Temptation by the Snake, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3429 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Sebald Beham, Leda and the Swan, 1548, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4278 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3485 Otto Piene, Rose or Star (Rose oder Stern), 1964–65, published 1965, Portfolio of eight screenprints on white and colored paper, four pages of poetry, two pages of text, and one title page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14778 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22334 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Heinrich Aldegrever, The Rich Man on His Death Bed, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3444 Heinrich Aldegrever, The Rich Man at the Table, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3443 Tobias Stimmer, Slag mellem romerne og sabinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22326 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22319 Tobias Stimmer, Romerske mødre dåner over deres sønners hjemvendelse fra krig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22271 Sebald Beham, The Prodigal Son Tending the Swine, 1540, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4399 Sebald Beham, Capital and Base of a Column, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6313 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Heinrich Aldegrever, Skededesign med Kain og Abel, 1539, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb6458 Heinrich Aldegrever, The Two Elders Before the Judge, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3436 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Heinrich Aldegrever, Luke, 1539, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3453 Heinrich Aldegrever, Design for a Dagger Sheath with Cain and Abel, 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3537 Tobias Stimmer, Romulus' død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22327 Georg Pencz, The Triumph of Fame, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5903 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22278 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Augustin Hirschvogel, Herberstein's Journey to Denmark, 1546, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7756 Sebald Beham, The Impossible, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4296 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Wilhelm Lehmbruck, Kneeling, Small (Kniende, klein), 1910, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8463 Tobias Stimmer, De falskanske unge pisker deres forræderiske lærer, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22290 Tobias Stimmer, Portræt af Jacob Taurellus (Oechsel), 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22253 Sebald Beham, Hercules Abducting Iole, 1544, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4273 Heinrich Aldegrever, Sophonisba, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3483 Hans Rudolf Manuel Deutsch, Kort over Freiburg im Breisgau, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22240 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22318 Sebald Beham, Saint Mark, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4416 Sebald Beham, Charitas (Charity), 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6306 Heinrich Aldegrever, High Fruits with Ornaments, 1552, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3525 Käthe Kollwitz, The End (Ende), 1897, aquatint, etching, and emery stone pencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8229 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Sebald Beham, Judith Seated in an Arch, 1547, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4383 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22264 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22266 Sebald Beham, The Virgin and Child with a Parrot, 1549, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4388 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Heinrich Aldegrever, Large Wedding Dancers, 1538, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3495 Hans Rudolf Manuel Deutsch, Kort over Rufach, 1548, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22243 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22272 Max Beckmann, Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess), (1917, published 1918), Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13621 Max Klinger, Herod, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4930 Sebald Beham, Coat of Arms with an Eagle, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4348 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22256 Sebald Beham, Christ before Caiaphas, 1535, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4367 Heinrich Aldegrever, God Forbids to Eat from the Tree, 1540, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3428 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Hans Rudolf Manuel Deutsch, Sø- og landmonstre, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22245 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22346 Max Klinger, Farmer, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4929 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3480 Wilhelm Lehmbruck, Passion II (Leidenschaft II), 1914, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8467 Käthe Kollwitz, Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn), 1910, etching and drypoint in black-brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8218 Martin Kippenberger, [Untitled], 1989, Cut-and-pasted-printed paper and cut-and-pasted synthetic sheeting on photo offset lithograph in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35644 Heinrich Aldegrever, Ornament with Trophy of Arms, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3523 German 19th Century, Christ on the Cross with Angels, 19th century, woodcut, hand-colored in blue, green, tan, brown, yellow, carmine, and gray-blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3753 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Hanns Lautensack, Landscape with a Vineyard, 1559, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8248 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22333 Jost Amman, The Ptolemaic System, 1579, Etching and engraving on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5326 Sebald Beham, The Lady and Death, 1541, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4297 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Paul Klee, The Friends (Die Freundinnen), 1909, Ink on monotype on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36676 Ernst Ludwig Kirchner, Cover of the Fourth Yearbook of the Artist Group the Brucke, 1909, woodcut in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8104 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 Veit Specklin, Erasmus of Rotterdam, c. 1538, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7773 Sebald Beham, Hercules Carrying the Columns of Gades, 1545, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4274 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Sebald Beham, Ornament Panel with a Large Bearded Mask, 1543, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4328 Tobias Stimmer, Hannibals rejse over alperne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22279 Georg Pencz, The Triumph of Death, c. 1539, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5905 Sebald Beham, Peasant at Market, c. 1542, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4301 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3481 Paul Klee, Blick auf einen Fluss (View on a River), 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8112 Heinrich Aldegrever, Three Musicians, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3475 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4636