Ugo da Carpi, Peters fiskedræt, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22411

Marcantonio Raimondi, Raphael's Dream, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/649

Wenceslaus Hollar, Ciuis vel Artificis Londinensis Vxor, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7966

Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769

Marcantonio Raimondi, The Man with Two Trumpets, c. 1510–1527, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/648

Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938

Master I.I.CA, The Nativity, c. 1500/1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8778

Wenceslaus Hollar, Mulier Bernensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7930

Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22416

Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7990

Wenceslaus Hollar, Garden of Eden, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7798

Master of 1515, Hercules and Cacus, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8764

Italian 16th Century, The Adoration of the Magi, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5898

Giovanni Pietro Birago, Ornament Panel: Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3656

Wenceslaus Hollar, Albrecht Durer, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7780

Italian 15th Century, The Cross, c. 1500, woodcut, hand-colored in red, pink, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3976

Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7837

Wenceslaus Hollar, Jesus Confronting His Detractors, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7782

Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352

Italian 16th Century, Christ Consoling the Centurion, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5897

Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953

Italian 15th Century, Bookplate of Hilprand Brandenburg of Bibrach, in or after 1500, woodcut, hand-colored in green, rose, light blue, red, and yellow on laid paper, mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3863

Wenceslaus Hollar, Matrona Bernensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7929

Wenceslaus Hollar, Mulier Wiennensis Austri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7890

Wenceslaus Hollar, Count, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7808

Wenceslaus Hollar, The Mocking, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7791

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7856

Wenceslaus Hollar, Mulier ex Virginia, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7976

Benedetto Montagna, Birth of Adonis, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9171

Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7835

Wenceslaus Hollar, Mulier Generosa Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7939

Wenceslaus Hollar, Ornamentation for a Dagger and Scabbard, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6255

Andrea Andreani, The Triumph of Julius Caesar [no.1 and 2 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8692

Wenceslaus Hollar, Execution of Thomas Wentworth, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7996

Wenceslaus Hollar, Four Caterpillars and a Snail, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7864

Italian 16th Century, Christ and His Disciples III, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3308

Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862

Wenceslaus Hollar, Matrona Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7934

Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941

Wenceslaus Hollar, Mercatoris Francofurtensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7918

Wenceslaus Hollar, Waggoner, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7822

Wenceslaus Hollar, Matrona Argentinensis Caenam Dni Accedens e des Nymphs), 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7922

Italian 15th Century, The Crucifixion, c. 1500, woodcut, hand-colored in blue, green, yellow, and brown [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3848

Wenceslaus Hollar, Nobilis Mulier Brabantica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7905

Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767

Wenceslaus Hollar, Mulier Wiennensis in Domo, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7891

Wenceslaus Hollar, Nuremberg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7832

Italian 16th Century, Christ Stilling the Storm, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5896

Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7946

Wenceslaus Hollar, Mulier Generosa Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7911

Wenceslaus Hollar, Ornate Goblet, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7983

Wenceslaus Hollar, Mulier Nobilis Hispanica (Spanish Noblewoman), 1649, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7949

Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771

Wenceslaus Hollar, Virgo Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7933

Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345

Wenceslaus Hollar, Frankfort, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7841

Wenceslaus Hollar, Nobilis Mulier Aulica Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7953

Wenceslaus Hollar, Mulier Generosa Italica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7947

Wenceslaus Hollar, Ciuis Londinensis Melioris Qualitatis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7963

Wenceslaus Hollar, Mulier ex Ducatu Wirttembergensi, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7900

Wenceslaus Hollar, Matrona Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7921

Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766

Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7846

Marcantonio Raimondi, Orpheus and Eurydice, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/643

Wenceslaus Hollar, Merchant, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7819

Wenceslaus Hollar, Civis Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7965

Wenceslaus Hollar, Jesus Taken, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7784

Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354

Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9174

Master of the Beheading of St. John the Baptist, Allegorical Theme: Combat of Animals, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/589

Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348

Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8740

Wenceslaus Hollar, Nobilis Mulier Anglica, in Vestitu Hiemali, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7955

Wenceslaus Hollar, Jesus before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7787

Italian 15th Century, Franciscan, Pelbartus of Temesvar, in a Garden, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3872

Wenceslaus Hollar, Jesus again before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7786

Wenceslaus Hollar, Man with Beard Looking Right (Hans Holbein?), 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7988

Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7838

Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22405

Wenceslaus Hollar, Six Insects, a Caterpillar, and a Snail, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7878

Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775

Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980

Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982

Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759

Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22422

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [left], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6015

Italian 15th Century, Christ on the Cross, c. 1500, woodcut, hand-colored in blue, green, lavender, yellow, brown, red, and orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3696

Italian 15th Century, Fourteen Auxiliary Saints, c. 1500, woodcut, hand-colored in pink-red, green, blue, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3936

Benedetto Montagna, The Nativity, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9173

Ugo da Carpi, Den hellige Peter forkynder evangeliet, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22414

Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137

Wenceslaus Hollar, Mulier Matrisana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7952

Wenceslaus Hollar, Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7831

Wenceslaus Hollar, Two Butterflies, a Wasp, and a Moth, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7867

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7853

Wenceslaus Hollar, Mulier Primaria Antuerpiensis, in Ornatu Domestico, 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7907

Wenceslaus Hollar, Aula Veneris: Title Page, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7882

Wenceslaus Hollar, Mulier Hibernica vel Irlandica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7969

Wenceslaus Hollar, Nobilis Mulier Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7938

Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706

Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965

Giovanni Antonio da Brescia, Ornamental Panel Inscribed "Victoria Augusta", c. 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6084

Wenceslaus Hollar, Mulier Calabra, Vulgo, Foretana di Napoli, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7948

Wenceslaus Hollar, The Peace of Munster, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7859

Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776

Wenceslaus Hollar, Five Butterflies, a Moth, a Beetle, and a Spider, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7871

Italian 15th Century, Christ as the Man of Sorrows, c. 1500, engraving, hand-colored in red, tan, violet, green and flesh; pasted into an initial "O" on an illuminated vellum sheet, torn from a book, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3967

Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945

Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749

Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950

Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22423

Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347

Giuseppe Maria Moretti, Sibyl, 1573, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5992

Wenceslaus Hollar, Three Moths, Two Butterflies, and a Bumble Bee, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7869

Andrea Zoan, Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/590

Wenceslaus Hollar, Peddler, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7820

Giovanni Antonio da Brescia, The Entombment, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3651

Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343

Italian 15th Century, The Sacred Monogram, c. 1500, woodcut with hand coloring in orange-red and gray-blue on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3851

Wenceslaus Hollar, Mercatoris Pragensis Vxor, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7885

Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5855

Italian 15th Century, Saint Veronica with the Sudarium, c. 1500, woodcut, hand-colored in yellow, blue, red, green and gold on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3971

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7855

Domenico Campagnola, The Shepherd and the Old Warrior, 1517, engraving in red-brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5861

Ugo da Carpi, Læsende sibylle, vendt mod venstre, 1510–1530, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22409

Wenceslaus Hollar, Mulier Nobilis aut Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7957

Italian 15th Century, Saint Anne, The Madonna and Child and Saints Christopher, Sebastian, Clara and Roche, c. 1500/1525, woodcut, hand-colored in blue, yellow, and cinnamon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3946

Italian 15th Century, Saint Anne, The Madonna and Child, and a Franciscan Monk, c. 1500, woodcut, hand-colored red lake, green, rose, yellow, and gray, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3794

Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952

Wenceslaus Hollar, Rudesheim, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7842

Wenceslaus Hollar, Mulier Hebrea in Tracia, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7972

Italian 15th Century, Saint Alto, c. 1500, woodcut, hand colored in burgundy, blue-green, orange, brown, red, and yellow-green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3793

Wenceslaus Hollar, Three Caterpillars, a Moth, and Four Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7876

Wenceslaus Hollar, Advocate, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7816

Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958

Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979

Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868

Wenceslaus Hollar, Ancilla Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7916

Wenceslaus Hollar, View of Lewenberg, 1643–1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7981

Wenceslaus Hollar, Swallow-tailed Butterfly and Twelve Other Insects, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7875

Italian 15th Century, Bookplate of Dominicus Frauenfelder, c. 1500, woodcut, hand-colored in yellow, green, black, and brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5005

Wenceslaus Hollar, Mulier Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7897

Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981

Agostino dei Musi, The Barc, 1515–1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9150

Wenceslaus Hollar, On the Neckar, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7834

Wenceslaus Hollar, Summer: The Bathing Place, c. 1628/1629, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7991

Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6018

Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141

Wenceslaus Hollar, Mercatoris Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7943

Andrea Andreani, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8694

Ugo da Carpi, Legende amoriner. Allegori over kærligheden, 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22407

Italian 15th Century, The Head of Christ, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3734

Italian 16th Century, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3434

Wenceslaus Hollar, Mulier Franconiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7893

Wenceslaus Hollar, Moth and Three Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7863

Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970

Wenceslaus Hollar, Mulier Generosa Viennensis Austri, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7889

Wenceslaus Hollar, Mercatoris Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7895

Wenceslaus Hollar, Empress, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7803

Wenceslaus Hollar, Civis Coloniensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7913

Wenceslaus Hollar, Mulier Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7908

Italian 15th Century, Monogram JHS in a Flaming Circle, c. 1500, woodcut, hand-colored in red, green, yellow, and lavender-pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4047

Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/592

Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778

Wenceslaus Hollar, Ciuis Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7894

Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5856

Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22404

Giovanni Pietro Birago, Nereid Ridden by Two Children, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/591

Marcantonio Raimondi, Hercules and Antaeus, c. 1520–1522, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/647

Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7836

Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773

Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13020

Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943

Jacopo de' Barbari, Two Philosophers, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4159

Wenceslaus Hollar, Cardinal, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7805

Benedetto Montagna, Shepherd with a Platerspiel, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9179

Wenceslaus Hollar, Bishop, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7807

Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7994

Wenceslaus Hollar, The Crucifixion, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7794

Wenceslaus Hollar, Moth, Butterflies, and Bees, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7877

Wenceslaus Hollar, Virgo Nuptialis Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7925

Ottavio Leoni, Self-Portrait, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/929

Italian 16th Century, Christ and His Disciples II, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3307

Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966

Andrea Zoan, Ornament Panel: Triton Ridden by a Child, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3654

Italian 16th Century, Madonna and Child, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4020

Jacopo de' Barbari, Victory Reclining Amid Trophies, c. 1500/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4156

Italian 16th Century, Self-Portrait, 1525, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8561

Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862

Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6017

Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [right], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6016

Wenceslaus Hollar, The Washing of Hands, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7789

Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868

Ugo da Carpi, Peters fiskedræt, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22410

Italian 15th Century, Joseph and the Christ Child, c. 1500, engraving, hand-colored in red and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3961

Marcantonio Raimondi, The Birth of Venus, 1506, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/644

Wenceslaus Hollar, Mulier ex inferiori Palainatu, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7920

Wenceslaus Hollar, The Resurrection, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7796

Wenceslaus Hollar, Jesus before Annas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7788

Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991

Wenceslaus Hollar, Virgo Nuptialis Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7935

Andrea Mantegna, Virtus Combusta: An Allegory of Virtue, 1500/1505, engraving on laid paper by Giovanni Antonio da Brescia, National Gallery of Art, Washington. https://dartabase.art/cite/nga/579

Domenico Campagnola, Venus Reclining in a Landscape, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5862

Giovanni Antonio da Brescia, Christ before Pilate, c. 1500/1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3650

Wenceslaus Hollar, Mulier Generosa Brabantica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7906

Domenico Campagnola, The Assumption of the Virgin, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5854

Giovanni Antonio da Brescia, The Entombment with Three Birds, c.1500/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8700

Ugo da Carpi, Korsnedtagelsen, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22413

Italian 16th Century, Saint Jerome in Penitence, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4549

Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777

Diana Scultori, Christ Making Saint Peter Head of the Church, c.1567, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7357

Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774

Wenceslaus Hollar, Coblentz, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7843

Wenceslaus Hollar, Mulier Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7924

Wenceslaus Hollar, Woman with White Veil and Black Hat (Mary Stuart?), 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7986

Antonio da Trento, Augustus og den tiburtinske sibylle, 1500–1550, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5261

Benedetto Montagna, The Agony in the Garden, c. 1506/1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9178

Italian 16th Century, The Rich Man in Hell, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3446

Wenceslaus Hollar, Queen, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7804

Wenceslaus Hollar, The Entombment, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7795

Wenceslaus Hollar, Mulier Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7958

Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937

Wenceslaus Hollar, Duren, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7847

Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968

Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/593

Wenceslaus Hollar, Mulier Augustae Vindelicorum, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7896

Wenceslaus Hollar, Drachenfels, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7844

Wenceslaus Hollar, Mulier Religiosa Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7910

Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586

Wenceslaus Hollar, Moth, Three Butterflies, and Two Beetles, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7865

Giulio Campagnola, Christ and the Samaritan Woman, c. 1510, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53294

Benedetto Montagna, Man Seated by a Palm Tree, c. 1510/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9175

Wenceslaus Hollar, Mulier Moguntiana, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7917

Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755

Italian 16th Century, Madonna of the Hernleberg, 1592, woodcut, hand-colored, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3869

Marcantonio Raimondi, The Vision of Saint Helena, 1515–1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/655

Agostino dei Musi, Pope Paul III, 1534, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9152

Ottavio Leoni, Paolo Giordano Orsini II, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/934

Italian 15th Century, Saint Barbara, c. 1500, woodcut, hand-colored in brown, lavender, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4032

Wenceslaus Hollar, Mulier Svevica vel Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7898

Wenceslaus Hollar, Woman of Antwerp, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7984

Giovanni Antonio da Brescia, Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6081

Wenceslaus Hollar, Hanau, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7840

Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358

Italian 16th Century, Christ with Three of His Apostles, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5899

Wenceslaus Hollar, Nun, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7812

Italian 16th Century, Young Man Drinking Water (Rebecca and Eliezer?), 1500, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4597

Wenceslaus Hollar, Mulier Nobilis aut Generosa Gallica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7940

Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346

Domenico Campagnola, Lamentation of Christ, 1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5863

Wenceslaus Hollar, Dni Maioris sive Praetoris Londinensis  Vxoris Hab:, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7962

Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357

Wenceslaus Hollar, Mulier Coloniensis, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7914

Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964

Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936

Wenceslaus Hollar, Abbess, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7810

Wenceslaus Hollar, Four Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7870

Italian 16th Century, Christ and His Disciples V, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3310

Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963

Nicoletto da Modena, Fate of an Evil Tongue, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/595

Andrea Andreani, The Triumph of Julius Caesar [no.3 and 4 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8693

Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752

Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957

Italian 16th Century, Ornament - Large Goblet, 1500, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4594

Italian 15th Century, The Trinity, c. 1500, woodcut, hand-colored in blue, orange, yellow, green, white, black, gold, and silver, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4051

Wenceslaus Hollar, Rustica Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7941

Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768

Wenceslaus Hollar, Cives Hollandica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7901

Wenceslaus Hollar, Head of Woman Looking Right, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7989

Nicolò Boldrini, Venus and Cupid, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4152

Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971

Giovanni Antonio da Brescia, Discovery of Joseph's Cup, c. 1521/1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6083

Wenceslaus Hollar, Mulier Westphalica ex Archiep Monasteri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7892

Italian 15th Century, Saint Alto, Saint Bridget and the Founders  of the Mariamunster, c. 1500, woodcut, hand-colored in green, red lake, brown, gray, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3792

Wenceslaus Hollar, Old Woman, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7825

Wenceslaus Hollar, Mulier Moresca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7974

Wenceslaus Hollar, Dragonflies, a Bumble-Bee, and a Butterfly, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7866

Wenceslaus Hollar, Mulier Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7923

Jacopo de' Barbari, Custodi Nos Dormientes (The Guardian Angel), c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4160

Wenceslaus Hollar, Five Butterflies and a Moth, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7879

Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640

Italian 16th Century, Portrait of Petrarch, first half 16th century, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4546

Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350

Wenceslaus Hollar, Child, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7826

Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756

Nicoletto da Modena, Saint George, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/596

Wenceslaus Hollar, Carrying the Cross, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7793

Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948

Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973

Giovanni Battista Palumba, Saint George and the Dragon, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8732

Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in yellow, ochre, brown and indian red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3744

Wenceslaus Hollar, The Mineral Spring, 1627–1636, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7857

Italian 15th Century, Saint Francis Receiving the Stigmata, 1500/1510, woodcut, hand-colored in green, yellow, indian red, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3819

Italian 15th Century, The Nativity, c. 1500, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3941

Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955

Ugo da Carpi, David skiller hovedet fra Goliats krop, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22412

Marcantonio Raimondi, Mars, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/646

Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22415

Wenceslaus Hollar, Lady with Ribbons on Curls, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7985

Wenceslaus Hollar, Mulier Generosa Hispanica (Spanish Gentlewoman), 1644, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7950

Wenceslaus Hollar, Mulier Belgica in Vestitu Domestico, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7904

Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22421

Wenceslaus Hollar, Mercatoris Hollandici Vxor, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7902

Marcantonio Raimondi, The Judgment of Paris, c. 1510/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/641

Domenico Campagnola, Beheading of Saint Catherine, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5857

Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983

Andrea Andreani, Allegory on Death, 1558, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4071

Wenceslaus Hollar, Albrecht Durer's Father, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7860

Wenceslaus Hollar, Preacher, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7813

Wenceslaus Hollar, Nobilis Mulier Bohemica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7883

Wenceslaus Hollar, Title Page, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7829

Ottavio Leoni, Giacomo Antonio Mannini, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/928

Wenceslaus Hollar, Johann Banfi Huniades, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7992

Wenceslaus Hollar, Mulier Danica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7937

Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976

Wenceslaus Hollar, Mulier Anglica Habitans in Pago, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7961

Wenceslaus Hollar, Paradise Lost, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7799

Wenceslaus Hollar, Summer, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7978

Andrea Zoan, Ornament Panel: Four Children Playing, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3659

Italian 15th Century, Christ as the Man of Sorrows, 1507, woodcut, hand-colored in red lake, orange, blue, yellow, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3745

Marcantonio Raimondi, God Appearing to Noah, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/636

Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930

Domenico Campagnola, Shepherds in a Landscape, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5859

Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9177

Wenceslaus Hollar, Mulier Generosa Anglica, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7959

Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932

Wenceslaus Hollar, Nobilis Mulier Anglica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7954

Marcantonio Raimondi, Poetry, c. 1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/650

Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780

Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792

Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942

Valerio Belli, Mars, Minerva, Venus, and Cupid, early 1500s, rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/166197

Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7926

Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7945

Benedetto Montagna, Woman and Satyr with Two Cupids, c. 1506/1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9172

Wenceslaus Hollar, Gamesters, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7823

Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933

Wenceslaus Hollar, Two Dragonflies and Five Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7874

Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754

Wenceslaus Hollar, Standing Figure, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7993

Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353

Andrea Andreani, The Triumph of Julius Caesar [no.7 and 8 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8695

Jacopo de' Barbari, Holy Family, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4161

Wenceslaus Hollar, Three Butterflies and Two Moths, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7872

Italian 15th Century, Christ Appearing to Mary Magdalene, c. 1500, woodcut, hand-colored in maroon, orange, yellow, blue-green, mauve, and flesh on laid paper, possibly applied with stencils, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3709

Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975

Wenceslaus Hollar, Matrisana M., 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7951

Wenceslaus Hollar, Matrona Parisiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7942

Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/837

Wenceslaus Hollar, Mulier Austriae Superioris, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7888

Giovanni Antonio da Brescia, Man Seated Holding a Forked Staff, c. 1514/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6082

Wenceslaus Hollar, Bride, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7818

Andrea Andreani, The Triumph of Julius Caesar: Title Page, 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8691

Ugo da Carpi, Overraskelsen, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22417

Wenceslaus Hollar, Prospect of Oxford, 1652–1677, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7858

Wenceslaus Hollar, Rustica Bohemica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7884

Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559

Jacopo Francia, Holy Family with Saint Elizabeth and the Infant Saint John the Baptist, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7286

Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939

Andrea Andreani, The Triumph of Julius Caesar [no.9 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8696

Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770

Wenceslaus Hollar, Ciuis aut Mercatoris Antuerpiensis Vxor, 1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7909

Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949

Wenceslaus Hollar, Ecce Homo, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7792

Wenceslaus Hollar, Jesus on the Mount of Olives, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7783

Wenceslaus Hollar, Two Moths and Six Insects, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7868

Italian 15th Century, Madonna in a Rosary with Saints, c. 1500, woodcut, hand-colored in red, ochre, green, gray, and tan, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3766

Wenceslaus Hollar, Death's Coat of Arms, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7827

Wenceslaus Hollar, Title Page, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7873

Wenceslaus Hollar, Dragonfly, Ladybirds, and Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7880

Italian 16th Century, The Hour of Death, 1500, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4437

Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7927

Wenceslaus Hollar, Mulier Aulica Turca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7970

Italian 15th Century, Song to the Madonna, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3939

Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974

Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757

Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765

Wenceslaus Hollar, Jesus before Pilate, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7785

Wenceslaus Hollar, Duchess of Lennox, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7987

Italian 15th Century, A Warning Against Playing Dice, c. 1500, woodcut [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3860

Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764

Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760

Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944

Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782

Wenceslaus Hollar, Virgo Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7936

Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753

Wenceslaus Hollar, Augsburg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7833

Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967

Giovanni Antonio da Brescia, Saint Jerome in His Study, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4547

Andrea Zoan, Ornament Panel: Satyr Holding a Violin, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3661

Marcantonio Raimondi, The Lamentation of the Virgin, 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/637

Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947

Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940

Jacopo de' Barbari, Apollo and Diana, c. 1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/582

Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751

Domenico Campagnola, The Virgin and Child with Saints, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5860

Wenceslaus Hollar, Descent into Hell, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7797

Wenceslaus Hollar, View of Shenckenschantz, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7995

Wenceslaus Hollar, Mercatoris Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7967

Wenceslaus Hollar, Emperor, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7802

Wenceslaus Hollar, Mulier Generosa Graeca in Civitate Pera, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7971

Master NA.DAT with the Mousetrap, The Two Armies at the Battle of Ravenna, probably c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8739

Wenceslaus Hollar, Theatrum mulierum: Title Page, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7881

Wenceslaus Hollar, Mulier Pragensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7886

Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931

Wenceslaus Hollar, Near Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7830

Wenceslaus Hollar, Sea Scene, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7850

Wenceslaus Hollar, Ciuis Coloniesis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7912

Giovanni Antonio da Brescia, Hercules and Antaeus, after 1507, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6080

Wenceslaus Hollar, Old Man, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7824

Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9176

Wenceslaus Hollar, Abbot, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7809

Wenceslaus Hollar, Miser, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7821

Wenceslaus Hollar, Duke, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7806

Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961

Wenceslaus Hollar, Doctor, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7814

Wenceslaus Hollar, Near Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7851

Marcantonio Raimondi, Dance of Cupids, c. 1517–1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/639

Jacopo Francia, Bacchus and His Attendants, c. 1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7288

Wenceslaus Hollar, Civis Londinensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7964

Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946

Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761

Marcantonio Raimondi, Il Morbetto (The Plague), c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/654

Wenceslaus Hollar, Delfshaven, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7849

Wenceslaus Hollar, Mulier Svevica Inferioris Conditionis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7899

Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763

Wenceslaus Hollar, Winter, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7980

Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781

Wenceslaus Hollar, Bridal Pair, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7817

Wenceslaus Hollar, The Scourging, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7790

Marcantonio Raimondi, Vulcan, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/645

Domenico Campagnola, Battle of Nude Men, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5858

Marcantonio Raimondi, Venus Appearing to Aeneas, c. 1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/642

Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978

Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951

Wenceslaus Hollar, Mulier Scotica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7968

Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959

Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7931

Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344

Wenceslaus Hollar, Katharine Furlegerin, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7828

Wenceslaus Hollar, Knight, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7815

Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750

Wenceslaus Hollar, Spring, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7977

Wenceslaus Hollar, Title Page to "Philosophia Universia", 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7781

Marcantonio Raimondi, Two Fauns Carrying a Child, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/640

Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7852

Wenceslaus Hollar, Ancilla Argentinensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7928

Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356

Wenceslaus Hollar, Monk, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7811

Wenceslaus Hollar, Six Insects, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7862

Italian 16th Century, The Rich Man Being Carried Away by the Devil, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3445

Andrea Zoan, Ornament Panel with Dragons, Masks, and Instruments of War, c. 1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3653

Wenceslaus Hollar, Mulier Habitans Algieri, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7973

Wenceslaus Hollar, Title Page, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7861

Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7932

Wenceslaus Hollar, When Adam Delved, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7800

Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359

Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351

Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779

Wenceslaus Hollar, Opificis Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7944

Diana Scultori, Latona Giving Birth to Apollo and Diana on the Island of Delos, 1561–1565, engraving on laid paper (with offset of Diana Scultori's "Snake Charmer" [B.44] on verso), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7358

Jacopo de' Barbari, Satyr's Family, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4157

Wenceslaus Hollar, Nobilis Mulier Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7956

Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863

Wenceslaus Hollar, Mulier Coloniensis Exspatians, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7915

Marcantonio Raimondi, Dido, c. 1510, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/638

Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962

Italian 16th Century, "El Gran Capitanio", c. 1516/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4544

Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7854

Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956

Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758

Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960

Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969

Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349

Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982

Wenceslaus Hollar, The Pope, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7801

Agostino dei Musi, Hieronymus Alexander, Archbishop of Brindisi, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9151

Andrea Zoan, Page from Livius Historiabum Libri, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3652

Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935

Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772

Wenceslaus Hollar, Navigatoris Hollandici Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7903

Wenceslaus Hollar, Autumn, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7979

Wenceslaus Hollar, Mulier Generosa Anglica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7960

Jacopo de' Barbari, Judith Holding the Head of Holofernes, c. 1501/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4162

Lorenzo Costa, Presentation of Christ, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4542

Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972

Wenceslaus Hollar, Mercantoris Hanauiensis Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7919

Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7287

Wenceslaus Hollar, Mulier Persiana, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7975

Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355

Wenceslaus Hollar, Wesel, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7848

Wenceslaus Hollar, Ciuis Pragensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7887

Enea Vico, Old Woman with a Distaff, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/597

Jacopo de' Barbari, Apollo and Diana, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4158

Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954

Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7845

Wenceslaus Hollar, Speyer, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7839