Philip Galle, Justice, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5279 Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Lucas van Leyden, The Tribute Money, c. 1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4755 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Lucas van Leyden, Abraham and the Three Angels, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8534 Lucas van Leyden, Joseph Interprets His Dream to Jacob, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8585 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Lucas van Leyden, Saint Joachim Embracing Saint Anna, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8579 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Johannes van Doetechum the Elder, Magdalena Poenitens (The Penitent Magdalene), c. 1555/1557, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5282 Willem van Swanenburgh, Andromeda, 1610, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22235 Lucas van Leyden, The Baptism of Christ in the Jordan, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8543 Lucas van Leyden, Abraham Repudiating Hagar, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8586 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8783 Lucas van Leyden, The First Prohibition, 1529, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8592 Lucas van Leyden, Saint Christopher at the Border of a River, c. 1505/1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8619 Lucas van Leyden, The Fool and the Woman, 1520, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8594 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Master S, Saint Barbara, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8757 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Lucas van Leyden, Hector of Troy, Alexander of Macedon, Julius Caesar, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8631 Lucas van Leyden, Solomon's Idolatry, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8625 Conrad Goltzius, Johannes Døberen i ørkenen, 1588–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20907 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8591 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Lucas van Leyden, Temperancia (Temperance), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8566 Lucas van Leyden, David Praying, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8580 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Master with the Banderoles, The Stoning of Saint Stephen, c. 1470/1475, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3417 Lucas van Leyden, The Scoffing of Christ, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8539 Lucas van Leyden, Caritas (Charity), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8569 Lucas van Leyden, Potiphar's Wife Accusing Joseph, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8583 Johannes van Doetechum the Elder, Nundinae Rusticorum (Rustic Market), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/727 Lucas van Leyden, Christ and the Woman of Samaria, 1521/1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8622 Lucas van Leyden, Saint Sebastian, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8616 Lucas van Leyden, Saint Anthony, c. 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8615 Lucas van Leyden, Ecce Homo, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8577 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Lucas van Leyden, Saint Mary Magdalene in the Desert, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8613 Spanish (Castile), Massacre of the Firstborn and Egyptian Darkness, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3930 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Lucas van Leyden, Ornament with Two Sphinxes and a Winged Man, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8604 Lucas van Leyden, Pallas Athene, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8610 Lucas van Leyden, The Dentist, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8605 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8550 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Lucas van Leyden, The Dance of Saint Mary Magdalene, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8551 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Lucas van Leyden, Christ in Gethsemane (Agony in the Garden), 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8542 Lucas van Leyden, The Virgin and Child on the Crescent, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8573 Lucas van Leyden, Venus and Cupid, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8563 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Lucas van Leyden, Saint John the Baptist in the Desert, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8618 Lucas van Leyden, The Two Couples in the Forest, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8595 Lucas van Leyden, The Mouth of Truth, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8626 Lucas van Leyden, Saint Francis of Assisi Receiving the Stigmata, c. 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8614 Lucas van Leyden, Christ Carrying the Cross, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8558 Jan Wellens de Cock, The Stragglers, c. 1520–1530, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8627 Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983 Lucas van Leyden, Adam and Eve, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8623 Lucas van Leyden, A Nobleman and a Lady Seated in a Landscape, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8609 Philip Galle, Hope, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5280 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Jan Gossaert, Cain Killing Abel, c. 1525, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7443 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Lucas van Leyden, Prudencia (Prudence), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8568 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8536 Lucas van Leyden, Saint Luke, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8621 Lucas van Leyden, Joshua, David, Judas Maccabees, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8630 Lucas van Leyden, The Last Supper, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8578 Netherlandish 16th Century, Saint Jerome, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4591 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8785 Lucas van Leyden, The Musicians, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8607 Peter Maes, Hercules and Antaeus, 1577, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8775 Netherlandish 16th Century, Christ in the Wine Press, 16th century, woodcut, hand-colored in burgundy red, pink, dull green, dull orange, brown, tan and white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3945 Lucas van Leyden, Two Boys with a Helmet and a Standard, 1527, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8603 Lucas van Leyden, Saints Peter and Paul with the Vernicle, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8620 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Lucas van Leyden, Mars, Venus, and Cupid, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8564 Lucas van Leyden, The Pilgrims, in or before 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8593 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Lucas van Leyden, Spes (Hope), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8548 Lucas van Leyden, Jael Killing Sisera, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8624 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 Lucas van Leyden, The Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8538 Lucas van Leyden, Lot and His Daughters, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8533 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Master S, Lucretia, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8755 Lucas van Leyden, Christ Crowned with Thorns, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8537 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Master S, Saint Mary Magdalene and Saint John the Evangelist, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8756 Master S, The Entombment, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8753 Lucas van Leyden, The Captivity, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8541 Master of the Horse Heads, Upright Ornament with Two Sirens, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8759 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8535 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Johannes van Doetechum the Elder, Milites Requiescentes (Soldiers at Rest), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5283 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Lucas van Leyden, Esther before Ahasuerus, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8546 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20901 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Lucas van Leyden, Triton and Siren in Tendrils, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8601 Lucas van Leyden, The Temptation of Saint Anthony, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8552 Lucas van Leyden, The Adoration of the Magi, 1513, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8544 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Lucas van Leyden, The Savior Standing with the Globe and Cross in His Left Hand, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8598 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Lucas van Leyden, Justicia (Justice), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8567 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/865 Lucas van Leyden, Arthur, Charles the Great (Charlemagne), Godfry of Bouillon, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8629 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Lucas van Leyden, The Poet Virgil Suspended in a Basket, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/748 Lucas van Leyden, Saint Catherine, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8612 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Philip Galle, Prudence, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5275 Master S, Pilate Washing His Hands, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8752 Lucas van Leyden, Saint John, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8570 Netherlandish 16th Century, The Masquerade of Ourson and Valentin, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/730 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Jan Baptist de Wael, Den fortabte søns hjemkomst, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19594 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Master S, Lot and His Daughters, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8754 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1443 Lucas van Leyden, Christ Crowned with Thorns, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8555 Lucas van Leyden, Pyramus and Thisbe, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8611 Lucas van Leyden, Solomon's Idolatry, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8547 Lucas van Leyden, Saint Jerome in a Landscape, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8617 Lucas van Leyden, Golgotha, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8554 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Philip Galle, Temperance, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5276 Lucas van Leyden, The Explusion from Paradise, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8590 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8781 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Lucas van Leyden, Cain Killing Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8589 Abraham de Bruyn, Venus, 1569, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5287 Lucas van Leyden, The Virgin in the Niche, c. 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8574 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Lucas van Leyden, The Crucifixion, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8557 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Lucas van Doetechum, Euntes in Emaus (The Pilgrims to Emmaus), c.1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5285 Lucas van Leyden, The Surgeon, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8606 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Lucas van Leyden, Two Cupids Seated on Clouds in Two Circles, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8600 Lucas van Leyden, The Virgin and Child with Two Angels, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8572 Lucas van Leyden, Adam and Eve Lamenting the Death of Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8588 Lucas van Leyden, The Triumph of Mordecai, 1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8545 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Lucas van Leyden, Abraham Going to Sacrifice Isaac, 1517/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8628 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Netherlandish 16th Century, Christ at the Mount of Olives, after 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8556 Spanish (Castile), Madonna and Child, c. 1475/1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3768 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8587 Lucas van Leyden, The Virgin and Saint Anna, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8575 Lucas van Leyden, The Promenade, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8596 Lucas van Leyden, The Old Woman with Grapes, c. 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8608 Lucas van Leyden, Fides (Faith), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8549 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8786 Philip Galle, Faith, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5277 Lucas van Leyden, Jezebel and Ahab, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/762 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Philip Galle, Fortitude, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5278 Jan Wellens de Cock, Johannes på Patmos, 1460–1521, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20278 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Master with the Banderoles, Saint Augustine, c. 1450/1460, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8749 Lucas van Leyden, Joseph Escaping Potiphar's Wife, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8584 Lucas van Leyden, Ecce Homo, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8576 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Lucas van Leyden, Two Naked Children Supporting a Blank Shield, c. 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8602 Lucas van Leyden, Muhammed og munken Sergius, 1508, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20370 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Lucas van Leyden, Christ before Annas, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8540 Lucas van Leyden, Emperor Maximilian I, 1520, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8562 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Lucas van Leyden, Joseph Interprets the Dreams in Prison, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8582 Master of the Horse Heads, Children Playing with a Bitch and Three Young Dogs, 1453, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4401 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Lucas van Leyden, Ecce Homo, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8559 Lucas van Leyden, Saint Luke, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8571 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Lucas van Leyden, A Young Man with Eight Armed Men, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8597 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8782 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Master of the Horse Heads, Ornament with a Cupid, a Satyr, and Grotesque Figures, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8758 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8784 Jan Baptist de Wael, Den fortabte søn som svinehyrde, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19593 Willem van Swanenburgh, Neptun ridende på to delfiner, 1603–1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb3579 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Johannes van Doetechum the Elder, Euntes in Emaus (The Pilgrims to Emmaus), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/728 Philip Galle, Charity, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5281 Lucas van Leyden, Two Cupids in Two Circles, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8599 Lucas van Leyden, David Playing the Harp before Saul, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8532 Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744