William Blake, The Vision of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/821

Joseph Mallord William Turner, Mill near the Grand Chartreuse, engraved by Henry Dawe, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01115

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460

Joseph Mallord William Turner, Dunblane Abbey, Scotland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01117

Joseph Mallord William Turner, St Catherine’s Hill near Guildford, engraved by J.C. Easling, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00977

Joseph Mallord William Turner, From Spenser’s Fairy Queen, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00982

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758

Joseph Mallord William Turner, Near Blair Athol, Scotland, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00970

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686

David Hockney, Eine (Part I), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20134

Richard Long, In the Cloud, 1991, Screenprint on board, Tate, London. https://dartabase.art/cite/tate/AR00143

William Blake, Boy Returning Joyfully with Plough and Oxen, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5025

Käthe Kollwitz, Schwangere Frau, 1910, Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28015

Otto Piene, Plate (folio 9) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14782

William Blake, Colinet Departs in Sorrow, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5014

Joseph Mallord William Turner, Young Anglers, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00974

Joseph Mallord William Turner, Calm, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00999

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737

Francis Seymour Haden, Isleworth, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7661

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318

William Blake, Thenot Remonstrates with Colinet, Lightfoot in Background, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5013

William Blake, Blasted Tree and Flattened Crops, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5015

David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035

Käthe Kollwitz, Bread (Brot), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8197

Joseph Mallord William Turner, The Tenth Plague of Egypt, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01127

William Blake, The Vision of Eliphaz, 1825, engraving with border in graphite on thick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4831

Joseph Mallord William Turner, Norham Castle on the Tweed, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01120

Joseph Mallord William Turner, The Mildmay Sea-piece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00990

Richard Parkes Bonington, Tour du gros-horloge, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5237

Käthe Kollwitz, Losbruch, 1902–1903, Strichätzung, Kaltnadel, Aquatinta, Reservage sowie Vernis Mou mit Durchdruck von zwei Stoffen und Zieglerschem Umdruckpapier in Braun, mit dem Pinsel in brauner und weißer Deckfarbe sowie Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28121

Joseph Mallord William Turner, Juvenile Tricks, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00954

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798

David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353

Joseph Mallord William Turner, The Watercress Gatherers, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01129

David Hockney, Très (End of Triple), 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20133

Max Klinger, Death as Savior, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4950

Joseph Mallord William Turner, Bridge and Goats, engraved by F.C. Lewis, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00997

Paul Klee, Der Verliebte (The Loved One), 1923, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8107

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319

Max Klinger, Ex Libris Hildegard Heyne, 1918, Etching and aquatint printed in black ink on off-white paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4901

Joseph Mallord William Turner, Isis, engraved by William Say, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01143

Joseph Mallord William Turner, Near Blair Athol Scotland, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00971

Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748

Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4970

David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5027

David Hockney, Tyler Dining Room, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20122

Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01126

Wilhelm Lehmbruck, Woman's Dream (Der Traum des Weibes), 1914, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8465

Sigmar Polke, Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus), 1971, Offset lithograph from an illustrated book with suite of three screenprints, two offset lithographs, and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9044

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7655

Paul Klee, Perseus (Der Witz hat über das Leid gesiegt) [Perseus-The Triumph of Brain over Body], 1904, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8109

Francis Seymour Haden, Self-Portrait at the Easel, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7391

David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7651

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704

David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495

Joseph Mallord William Turner, St Catherine’s Hill, near Guildford, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00976

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670

Max Klinger, Poor Family, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4951

William Blake, Thenot and Colinet Eat their Evening Meal, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5024

Joseph Mallord William Turner, Scene in the Campagna, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/876

David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751

Franz Marc, Animal Legend (Tierlegende), 1912, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8677

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4981

Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145

Joseph Mallord William Turner, Rispah, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01002

Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7652

David Hockney, White Lines Dancing in Printing Ink, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20130

William Blake, Thenot under Fruit Tree, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5012

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7648

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673

Otto Piene, Plate (folio 10) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14783

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4960

Max Beckmann, The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9085

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747

William Blake, The Vision of Eliphaz, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4969

Joseph Mallord William Turner, Frontispiece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00911

Joseph Mallord William Turner, Procris and Cephalus, c.1811–2, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00992

Joseph Mallord William Turner, Juvenile Tricks, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00955

Max Klinger, Road, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4954

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681

Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01125

Francis Seymour Haden, Opposite the Inn, Purfleet, in or after 1869, etching with drypoint (zinc) in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7664

Richard Parkes Bonington, Bologna, 1826/1827, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5236

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746

Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691

Otto Piene, Plate (folio 6) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14779

David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565

William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5028

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756

Joseph Mallord William Turner, Isleworth, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/883

Joseph Mallord William Turner, Martello Towers near Bexhill, Sussex, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00979

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749

David Hockney, Lillies, 1970–1, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06290

David Hockney, Amaryllis in Vase, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20105

Käthe Kollwitz, Frauenakt, 1910?, Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28019

Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690

Joseph Mallord William Turner, Frontispiece, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00912

William Blake, Thenot Remonstrates with Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5011

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/803

Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01122

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732

William Blake, Satan Before the Throne of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/806

William Blake, Satan Before the Throne of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4962

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757

Samuel Palmer, The Morning of Life, 1860/1861, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9506

David Hockney, The Perspective Lesson, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20104

Lucian Freud, Girl with a Fig Leaf, 1947, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P77265

Joseph Mallord William Turner, Solitude, 1814, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01112

Max Klinger, Night, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4928

Max Zachmann, Two Nude Dancers in a Landscape, c. 1913, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7740

Joseph Mallord William Turner, Ben Arthur, Scotland, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01145

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723

Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614

David Hockney, House Doodle, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20108

Joseph Mallord William Turner, Mer de Glace, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01011

German 19th Century, Saint John the Baptist Pray for Us, c. 1820, hand-colored woodcut on blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4079

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693

David Hockney, Billy Wilder, 1976, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P07239

William Blake, Job Rebuked by His Friends, 1825, engraving with border and lettering in graphite onthick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4845

Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01148

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702

Joseph Mallord William Turner, Peat Bog, Scotland, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01000

William Blake, The Creation, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4974

Paul Klee, Garden of Passion (Garten der Leidenschaft), 1913, etching in black on ivory wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8111

Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01132

William Blake, Job and His Wife Restored to Prosperity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/825

William Blake, The Destruction of Job's Sons, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/807

William Blake, Colinet's Journey, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5018

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740

William Blake, The Vision of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4977

Otto Piene, Plate (folio 7) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14780

David Hockney, Portrait of Mother I, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20124

Joseph Mallord William Turner, Entrance of Calais Harbour, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01116

William Blake, Job's Sacrifice, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4978

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752

David Hockney, Portrait of Mother II, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20123

David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001

David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568

William Blake, Wilson Lowry, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5004

William Blake, Thenot and Colinet Lead their Flocks Together, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5023

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726

Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612

Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669

Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425

Francis Seymour Haden, Sunset on the Thames, in or after 1865, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7666

David Hockney, Red Celia, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20109

Joseph Mallord William Turner, Ville de Thun, engraved by Thomas Hodgetts, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01124

Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1074

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4973

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768

David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564

Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178

Wols (A. O. Wolfgang Schulze), Frontispiece from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16502

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675

Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01012

David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031

William Blake, Job's Comforters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/811

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/797

Joseph Mallord William Turner, The Woman of Samaria, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/888

William Blake, The Creation, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/818

Otto Piene, Plate (folio 11) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14784

Max Klinger, Sailors, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4956

Joseph Mallord William Turner, Water Mill, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00985

Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174

Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/854

Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01121

Joseph Mallord William Turner, Inverary Castle and Town, Scotland, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01137

Joseph Mallord William Turner, Scene in the Campagna, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00987

Lucian Freud, The Painter’s Mother, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07783

Käthe Kollwitz, Germany's Children are Hungry! (Deutschlands Kinder Hungern!), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8199

Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20165

Willi Baumeister, [Untitled], 1943, Lithographic crayon, charcoal, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36878

David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20137

Joseph Mallord William Turner, Isis, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01142

Joseph Mallord William Turner, Water-Mill, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00984

Joseph Mallord William Turner, Solway Moss, engraved by Thomas Lupton, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01188

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/809

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/799

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7654

Käthe Kollwitz, Self-Portrait at the Table (Selbstbildnis am Tisch), probably 1893, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8182

David Hockney, Portrait of Mother III, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20119

Paul Klee, Day Music (Musique diurne) from Art d'Aujourd'hui, Maîtres de l'Art Abstrait (Art of Today, Masters of Abstract Art), Album I, 1953 (original executed in 1940), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31874

Wilhelm Lehmbruck, Three Kneeling Women (Drei Frauen knied), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8466

William Blake, Satan Smiting Job with Boils, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/810

William Blake, The Wrath of Elihu, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/816

Käthe Kollwitz, Bettelnde (Begging), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8150

Joseph Mallord William Turner, The Mildmay Sea Piece, engraved by Wiliam Annis and J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00991

William Blake, Job's Evil Dreams, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4971

Joseph Mallord William Turner, Solway Moss, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01015

William Blake, Behemoth and Leviathan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/819

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714

David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575

David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038

Otto Piene, Plate (folio 12) from the portfolio Rose or Star (Rose oder Stern), 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14785

David Hockney, A Picture of Two Chairs, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20125

William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/804

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730

David Hockney, Table Flowable, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20135

Otto Piene, Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint on colored paper from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14781

Joseph Mallord William Turner, Winchelsea, Sussex, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00994

David Hockney, Views of Hotel Well I, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20118

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729

Joseph Mallord William Turner, Water Cress Gatherers, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01130

David Hockney, The Wave, A Lithograph, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20132

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699

David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289

Joseph Mallord William Turner, Procris and Cephalus, engraved by George Clint, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00993

David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563

Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672

Francis Seymour Haden, Encombe Woods (No.1), 1881, etching, retouched with pencil (crayon?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7657

David Hockney, Hotel Acatlan: Two Weeks Later, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20121

David Hockney, Caribbean Tea Time, 1987, Lithograph, screenprint, printed paper and stencil on paper on 4 panels, Tate, London. https://dartabase.art/cite/tate/P20129

William Blake, Menalcas Watching Women Dance, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5022

Max Klinger, Child, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4953

William Blake, Job's Despair, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4968

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/800

Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01008

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725

William Blake, Return of the Shepherd, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5026

Joseph Mallord William Turner, Mer de Glace, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01010

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684

William Blake, Job Accepting Charity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/823

David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722

Paul Klee, A Genius Serves a Small Breakfast (Ein Genius serviert ein kleines Frühstück), 1920, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8108

Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105

Richard Parkes Bonington, Rue du gros-horloge, Rouen, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5238

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719

Joseph Mallord William Turner, Norham Castle on the Tweed, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01119

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761

David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20138

Joseph Mallord William Turner, Rispah, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01003

William Blake, Satan Smiting Job with Boils, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4966

David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20136

David Hockney, Mexican Hotel, Acatlan, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20107

Joseph Mallord William Turner, Rivaux Abbey, engraved by Henry Dawe, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01013

William Blake, Job and His Daughters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/824

William Blake, Colinet Mocked by Two Boys, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5021

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711

Joseph Mallord William Turner, Isleworth, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/882

David Hockney, For John Constable, 1976, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P03184

Max Klinger, Sea, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4955

William Say, Isis, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/887

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734

Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312

Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1073

Joseph Mallord William Turner, Hedging and Ditching, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/878

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753

Ingeborg Andreasen-Lindborg, Lola, 1920, drypoint; sight 8 1/2 x 6 3/4 in. (21.6 x 17.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381049324-1

David Hockney, Pembroke Studio Interior, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20106

Francis Seymour Haden, A River in Ireland, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6065

David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352

Paul Klee, Small World (Kleinwelt), 1914, etching on zinc, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8110

Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668

David Hockney, An Image of Ken, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20120

Francis Seymour Haden, An Early Riser, 1897, mezzotint (with etching?) in green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7669

Francis Seymour Haden, Mount's Bay, in or after 1868, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7659

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7649

Joseph Mallord William Turner, The Tenth Plague of Egypt, engraved by William Say, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01128

Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01149

William Blake, Job's Comforters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4967

David Hockney, Views of Hotel Well III, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20115

Wols (A. O. Wolfgang Schulze), Plate 2 from the illustrated book Naturelles by René de Solier, published c. 1946, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16456

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735

William Blake, The Destruction of Job's Sons, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4963

Lucian Freud, Woman with an Arm Tattoo, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11508

William Blake, Job's Evil Dreams, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/815

David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728

David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377

Joseph Mallord William Turner, Interior of a Church, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01147

Joseph Mallord William Turner, Hedging and Ditching, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01004

David Hockney, An Image of Celia, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20116

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8321

Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01139

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677

William Blake, The Fall of Satan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4976

Francis Seymour Haden, The Towing Path, 1864, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1078

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759

David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043

Joseph Mallord William Turner, Mill near the Grand Chartreuse, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01114

William Blake, The Wrath of Elihu, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4972

William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8317

Richard Parkes Bonington, Eglise de Saint-Taurin, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5235

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706

Francis Seymour Haden, A Lancashire River, 1881, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7653

Max Klinger, On the Tracks, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4952

David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764

William Blake, Job's Despair, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/812

Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175

William Blake, Job's Sacrifice, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/822

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727

Joseph Mallord William Turner, River Wye, engraved by W. Annis, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01007

Francis Seymour Haden, Combe Bottom, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1069

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763

Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180

Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689

Francis Seymour Haden, On the Test, in or after 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1079

Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01014

Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1075

David Hockney, Pembroke Studio with Blue Chairs and Lamp, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20111

William Blake, The Fall of Satan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/820

William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8322

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/802

David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315

William Blake, On Homer's Poetry (and) On Virgil, 1822, relief etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4866

William Blake, Thenot and Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5009

David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566

David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041

Ernst Ludwig Kirchner, Port Scene (Hafenbild), 1908, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8103

Paul Klee, The Tight Rope Walker (Seiltänzer), 1923, lithograph in black and pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8106

William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/814

Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/808

Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/881

Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176

William Blake, Job and His Family, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4961

Max Beckmann, Day and Dream, 1946, Portfolio of 15 lithographs, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5547

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717

Joseph Mallord William Turner, Hedging and Ditching, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01005

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769

David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683

Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, engraved by S.W. Reynolds, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01141

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7650

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676

David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042

J.C. Easling, Hedging and Ditching, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/879

David Hockney, Twelve Fifteen, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20139

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750

Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01009

David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039

Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01138

Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182

Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694

Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177

Joseph Mallord William Turner, Solitude, engraved by William Say, 1814, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01113

David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497

Wilhelm Lehmbruck, Four Women; Three Standing, One Sitting (VierFrauen; drei stehend, eine sitzend), 1913, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8464

David Hockney, Walking Past Two Chairs, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20117

Francis Seymour Haden, Amalfi, in or before 1858, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7647

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765

Max Beckmann, Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9075

William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4965

Lucian Freud, Man Posing, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77182

Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01134

David Hockney, Two Pembroke Studio Chairs, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20103

William Blake, Job and His Daughters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4980

Wilhelm Lehmbruck, Large Resurrection (Grosse Auferstehung), 1913, drypoint [proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/8468

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766

David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036

William Blake, 'Sabrina's silvery flood', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5017

William Blake, Job Accepting Charity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4979

Joseph Mallord William Turner, The Crypt of Kirkstall Abbey, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00989

Max Beckmann, Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), 1909, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9107

William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8459

David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572

Francis Seymour Haden, An Early Riser, 1897, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1071

David Hockney, Celia, 1973, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11498

Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01133

Lucian Freud, Woman Sleeping, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11507

David Hockney, Number One Chair, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20126

David Hockney, Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, 1978–80, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12116

Francis Seymour Haden, Yacht Tavern, Erith, 1865, etching (zinc), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7663

David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037

Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000

Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7658

David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745

Lucian Freud, Head and Shoulders of a Girl, 1990, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77472

Otto Piene, Plate (folio 5) from the portfolio Rose or Star (Rose oder Stern), 1964, published 1965, Screenprint from a portfolio of texts and eight screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14777

David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573

David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716

Käthe Kollwitz, Die Carmagnole, 1901, Strichätzung, Kaltnadel, Aquatinta bzw. Pinselätzung und Schmirgel in Braun auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27987

Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737

William Blake, Reverend Robert Hawker, D.D., 1820, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5003

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697

Lucian Freud, David Dawson, 1998, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11520

Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7660

Otto Piene, Rose or Star (Rose oder Stern), 1964–65, published 1965, Portfolio of eight screenprints on white and colored paper, four pages of poetry, two pages of text, and one title page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14778

Lucian Freud, Head of a Woman, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07782

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1077

Francis Seymour Haden, A By-Road in Tipperary, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7668

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718

William Blake, Colinet Resting by Night, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5020

Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7665

William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/801

Joseph Mallord William Turner, The Bridge and Goats, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00996

Lucian Freud, Blond Girl, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77186

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744

Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671

Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01140

William Blake, 'A rolling stone is ever bare of moss', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5019

Lucian Freud, Head of a Woman, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11510

Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173

Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7667

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701

Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179

Joseph Mallord William Turner, Inverary Castle and Town, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01136

William Blake, Shepherd Chases away Wolf, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5016

Wilhelm Lehmbruck, Kneeling, Small (Kniende, klein), 1910, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8463

Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/885

George Louis du Maurier, "Nincompoopiana", 1880, Wood engraving, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4727

William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8323

Francis Seymour Haden, Kensington Gardens (The Larger Plate), 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1072

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760

Käthe Kollwitz, The End (Ende), 1897, aquatint, etching, and emery stone pencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8229

Joseph Mallord William Turner, Ville de Thun, Switzerland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01123

Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/884

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741

William Blake, Job and His Family, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/805

David Hockney, An Image of Gregory, 1984–5, 2 lithographs on paper, Tate, London. https://dartabase.art/cite/tate/P20114

William Blake, Behemoth and Leviathan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4975

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713

F. L. Griggs, St. Ippolyts, No. 2, 1903, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7422

Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/880

Max Beckmann, Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess), (1917, published 1918), Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13621

Max Klinger, Herod, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4930

Samuel William Reynolds I, The Woman of Samaria, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/889

William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4964

David Hockney, White Porcelain, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20127

Lucian Freud, Large Head, 1993, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20141

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674

David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570

Max Klinger, Farmer, from the portfolio "On Death, Part One, Opus XI", 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4929

David Hockney, Four Flowers in Still Life, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20131

Joseph Mallord William Turner, Ben Arthur, Scotland, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01144

David Hockney, An Image of Celia Study, 1986, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20128

David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032

Wilhelm Lehmbruck, Passion II (Leidenschaft II), 1914, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8467

Käthe Kollwitz, Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn), 1910, etching and drypoint in black-brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8218

Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181

Martin Kippenberger, [Untitled], 1989, Cut-and-pasted-printed paper and cut-and-pasted synthetic sheeting on photo offset lithograph in artist's frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35644

David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040

Francis Seymour Haden, Challow Farm, in or after 1877, drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1070

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698

William Blake, The Vision of Eliphaz, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/813

Lucian Freud, Kai, 1992, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20100

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743

Joseph Mallord William Turner, Peat Bog, Scotland, engraved by George Clint, 1812, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01001

Francis Seymour Haden, The Test at Longparish, 1882, etching with drypoint in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7656

David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching in dark brown on chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7646

William Say, Scene in the Campagna, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/877

David Hockney, Mo with Five Leaves, 1971, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P07238

Francis Seymour Haden, Self-Portrait at the Easel, 1880/1886, etching with drypoint on laid paper [cancellation proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7645

Joseph Mallord William Turner, Winchelsea, Sussex, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00995

Francis Seymour Haden, Kensington Gardens (The Small Plate), 1859, etching in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1076

Joseph Mallord William Turner, Isis, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/886

Joseph Mallord William Turner, Dumblain Abbey, Scotland, engraved by Thomas Lupton, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01118

David Hockney, Celia with Green Hat, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20110

William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/817

David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685

Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01135

Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688

Paul Klee, The Friends (Die Freundinnen), 1909, Ink on monotype on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36676

Ernst Ludwig Kirchner, Cover of the Fourth Yearbook of the Artist Group the Brucke, 1909, woodcut in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8104

Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01131

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742

F. L. Griggs, Stevenage, 1902, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7423

David Hockney, Hotel Acatlan: Second Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20113

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712

David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044

Joseph Mallord William Turner, Scene in the Campagna, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00986

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8320

Paul Klee, Blick auf einen Fluss (View on a River), 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8112

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738