William Blake, The Vision of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/821 Joseph Mallord William Turner, Mill near the Grand Chartreuse, engraved by Henry Dawe, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01115 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460 Joseph Mallord William Turner, Dunblane Abbey, Scotland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01117 Joseph Mallord William Turner, St Catherine’s Hill near Guildford, engraved by J.C. Easling, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00977 Joseph Mallord William Turner, From Spenser’s Fairy Queen, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00982 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758 Joseph Mallord William Turner, Near Blair Athol, Scotland, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00970 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686 David Hockney, Eine (Part I), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20134 Richard Long, In the Cloud, 1991, Screenprint on board, Tate, London. https://dartabase.art/cite/tate/AR00143 William Blake, Boy Returning Joyfully with Plough and Oxen, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5025 William Blake, Colinet Departs in Sorrow, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5014 Joseph Mallord William Turner, Young Anglers, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00974 Joseph Mallord William Turner, Calm, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00999 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737 Francis Seymour Haden, Isleworth, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7661 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318 William Blake, Thenot Remonstrates with Colinet, Lightfoot in Background, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5013 William Blake, Blasted Tree and Flattened Crops, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5015 David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035 Joseph Mallord William Turner, The Tenth Plague of Egypt, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01127 William Blake, The Vision of Eliphaz, 1825, engraving with border in graphite on thick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4831 Joseph Mallord William Turner, Norham Castle on the Tweed, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01120 Joseph Mallord William Turner, The Mildmay Sea-piece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00990 Richard Parkes Bonington, Tour du gros-horloge, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5237 Joseph Mallord William Turner, Juvenile Tricks, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00954 Joseph Mallord William Turner, Holy Island Cathedral, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00931 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798 David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353 Joseph Mallord William Turner, The Watercress Gatherers, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01129 David Hockney, Très (End of Triple), 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20133 Joseph Mallord William Turner, Bridge and Goats, engraved by F.C. Lewis, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00997 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319 Joseph Mallord William Turner, Morpeth, Northumberland, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00952 Joseph Mallord William Turner, Isis, engraved by William Say, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01143 Joseph Mallord William Turner, Near Blair Athol Scotland, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00971 Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748 Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687 William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4970 David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029 William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5027 David Hockney, Tyler Dining Room, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20122 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01126 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7655 Francis Seymour Haden, Self-Portrait at the Easel, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7391 Joseph Mallord William Turner, Little Devil’s Bridge, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00948 David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7651 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704 David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495 Joseph Mallord William Turner, St Catherine’s Hill, near Guildford, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00976 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670 Joseph Mallord William Turner, Lake Thun, Switzerland, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00939 William Blake, Thenot and Colinet Eat their Evening Meal, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5024 Joseph Mallord William Turner, Scene in the Campagna, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/876 David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751 William Blake, Job and His Wife Restored to Prosperity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4981 Joseph Mallord William Turner, Rispah, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01002 Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7652 David Hockney, White Lines Dancing in Printing Ink, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20130 William Blake, Thenot under Fruit Tree, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5012 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7648 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673 William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4960 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747 William Blake, The Vision of Eliphaz, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4969 Joseph Mallord William Turner, Frontispiece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00911 Nemesio Antúnez, Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14485 Joseph Mallord William Turner, Procris and Cephalus, c.1811–2, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00992 Joseph Mallord William Turner, Juvenile Tricks, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00955 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01125 Nemesio Antúnez, Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14483 Francis Seymour Haden, Opposite the Inn, Purfleet, in or after 1869, etching with drypoint (zinc) in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7664 Richard Parkes Bonington, Bologna, 1826/1827, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5236 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746 Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691 David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565 William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5028 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756 Joseph Mallord William Turner, Isleworth, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/883 Joseph Mallord William Turner, Martello Towers near Bexhill, Sussex, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00979 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749 David Hockney, Lillies, 1970–1, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06290 David Hockney, Amaryllis in Vase, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20105 Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690 Joseph Mallord William Turner, Frontispiece, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00912 William Blake, Thenot Remonstrates with Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5011 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/803 Joseph Mallord William Turner, Lauffenburgh on the Rhine, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00973 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01122 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732 William Blake, Satan Before the Throne of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/806 William Blake, Satan Before the Throne of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4962 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757 Samuel Palmer, The Morning of Life, 1860/1861, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9506 David Hockney, The Perspective Lesson, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20104 Lucian Freud, Girl with a Fig Leaf, 1947, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P77265 Joseph Mallord William Turner, Solitude, 1814, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01112 Joseph Mallord William Turner, Dunstanborough Castle, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00937 Joseph Mallord William Turner, Ben Arthur, Scotland, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01145 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723 David Hockney, House Doodle, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20108 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01011 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693 David Hockney, Billy Wilder, 1976, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P07239 William Blake, Job Rebuked by His Friends, 1825, engraving with border and lettering in graphite onthick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4845 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01148 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678 Joseph Mallord William Turner, Scene on the French Coast, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00918 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702 Joseph Mallord William Turner, Peat Bog, Scotland, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01000 Joseph Mallord William Turner, Martello Towers, nr Bexhill, Sussex, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00978 William Blake, The Creation, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4974 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01132 William Blake, Job and His Wife Restored to Prosperity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/825 William Blake, The Destruction of Job's Sons, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/807 William Blake, Colinet's Journey, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5018 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740 Nemesio Antúnez, Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14490 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/874 William Blake, The Vision of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4977 David Hockney, Portrait of Mother I, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20124 Joseph Mallord William Turner, Entrance of Calais Harbour, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01116 William Blake, Job's Sacrifice, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4978 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752 David Hockney, Portrait of Mother II, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20123 David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001 Joseph Mallord William Turner, The Bridge in Middle Distance, engraved by Charles Turner, 1808, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00936 Joseph Mallord William Turner, Hindhead Hill, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00960 David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568 William Blake, Wilson Lowry, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5004 William Blake, Thenot and Colinet Lead their Flocks Together, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5023 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726 Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669 Joseph Mallord William Turner, Woman and Tambourine, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00916 Francis Seymour Haden, Sunset on the Thames, in or after 1865, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7666 David Hockney, Red Celia, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20109 Joseph Mallord William Turner, Ville de Thun, engraved by Thomas Hodgetts, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01124 Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1074 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720 William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4973 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768 Joseph Mallord William Turner, Morpeth, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00953 David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564 Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01012 David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031 William Blake, Job's Comforters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/811 William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/797 Joseph Mallord William Turner, The Woman of Samaria, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/888 William Blake, The Creation, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/818 Nemesio Antúnez, Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14486 Joseph Mallord William Turner, Water Mill, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00985 Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174 Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/854 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01121 Joseph Mallord William Turner, Inverary Castle and Town, Scotland, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01137 Joseph Mallord William Turner, Young Anglers, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00975 Joseph Mallord William Turner, Scene in the Campagna, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00987 Lucian Freud, The Painter’s Mother, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07783 Joseph Mallord William Turner, Jason, 1807, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/870 Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20165 David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20137 Joseph Mallord William Turner, The Strawyard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00923 Joseph Mallord William Turner, Isis, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01142 Joseph Mallord William Turner, Water-Mill, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00984 Joseph Mallord William Turner, Solway Moss, engraved by Thomas Lupton, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01188 Joseph Mallord William Turner, Coast of Yorkshire, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00959 William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/809 William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/799 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7654 David Hockney, Portrait of Mother III, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20119 Joseph Mallord William Turner, Jason, published 1807, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/871 Joseph Mallord William Turner, London from Greenwich, engraved by Charles Turner, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00963 Joseph Mallord William Turner, Coast of Yorkshire, near Whitby, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00958 William Blake, Satan Smiting Job with Boils, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/810 William Blake, The Wrath of Elihu, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/816 Joseph Mallord William Turner, The Mildmay Sea Piece, engraved by Wiliam Annis and J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00991 William Blake, Job's Evil Dreams, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4971 Joseph Mallord William Turner, Solway Moss, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01015 William Blake, Behemoth and Leviathan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/819 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714 David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575 Joseph Mallord William Turner, Lauffenburgh on the Rhine, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00972 David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038 David Hockney, A Picture of Two Chairs, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20125 William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/804 Joseph Mallord William Turner, Jason, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00922 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730 David Hockney, Table Flowable, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20135 Joseph Mallord William Turner, Winchelsea, Sussex, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00994 David Hockney, Views of Hotel Well I, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20118 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729 Joseph Mallord William Turner, Water Cress Gatherers, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01130 David Hockney, The Wave, A Lithograph, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20132 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699 David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289 Joseph Mallord William Turner, Procris and Cephalus, engraved by George Clint, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00993 David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563 Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672 Francis Seymour Haden, Encombe Woods (No.1), 1881, etching, retouched with pencil (crayon?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7657 David Hockney, Hotel Acatlan: Two Weeks Later, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20121 Joseph Mallord William Turner, From Spenser’s Fairy Queen, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00983 David Hockney, Caribbean Tea Time, 1987, Lithograph, screenprint, printed paper and stencil on paper on 4 panels, Tate, London. https://dartabase.art/cite/tate/P20129 William Blake, Menalcas Watching Women Dance, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5022 William Blake, Job's Despair, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4968 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/800 Joseph Mallord William Turner, Holy Island Cathedral, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00932 Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01008 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725 William Blake, Return of the Shepherd, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5026 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01010 Nemesio Antúnez, Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14489 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00949 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684 William Blake, Job Accepting Charity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/823 David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722 Richard Parkes Bonington, Rue du gros-horloge, Rouen, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5238 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719 Joseph Mallord William Turner, Norham Castle on the Tweed, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01119 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761 David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20138 Joseph Mallord William Turner, Rispah, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01003 Joseph Mallord William Turner, Inverary Pier, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00980 William Blake, Satan Smiting Job with Boils, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4966 David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20136 David Hockney, Mexican Hotel, Acatlan, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20107 Joseph Mallord William Turner, Rivaux Abbey, engraved by Henry Dawe, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01013 William Blake, Job and His Daughters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/824 William Blake, Colinet Mocked by Two Boys, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5021 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711 Joseph Mallord William Turner, Isleworth, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/882 David Hockney, For John Constable, 1976, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P03184 William Say, Isis, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/887 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734 Joseph Mallord William Turner, Inverary Pier. Loch Fyne. Morning, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00981 Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1073 Joseph Mallord William Turner, Hedging and Ditching, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/878 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753 David Hockney, Pembroke Studio Interior, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20106 Francis Seymour Haden, A River in Ireland, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6065 David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352 Joseph Mallord William Turner, Ships in a Breeze, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00929 Joseph Mallord William Turner, London from Greenwich, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00962 Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668 David Hockney, An Image of Ken, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20120 Joseph Mallord William Turner, Hind Head Hill, engraved by Robert Dunkarton, 1811, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00961 Francis Seymour Haden, An Early Riser, 1897, mezzotint (with etching?) in green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7669 Francis Seymour Haden, Mount's Bay, in or after 1868, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7659 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7649 Joseph Mallord William Turner, Junction of Severn and Wye, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00966 Joseph Mallord William Turner, The Tenth Plague of Egypt, engraved by William Say, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01128 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01149 William Blake, Job's Comforters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4967 Nemesio Antúnez, Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14488 William Blake, Sketch of a Shipwreck, 1809, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5002 David Hockney, Views of Hotel Well III, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20115 Joseph Mallord William Turner, Pembury Mill, Kent, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00933 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735 William Blake, The Destruction of Job's Sons, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4963 Lucian Freud, Woman with an Arm Tattoo, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11508 William Blake, Job's Evil Dreams, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/815 David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728 David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377 Joseph Mallord William Turner, Interior of a Church, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01147 Joseph Mallord William Turner, Hedging and Ditching, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01004 David Hockney, An Image of Celia, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20116 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8321 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01139 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677 William Blake, The Fall of Satan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4976 Joseph Mallord William Turner, Mount St Gothard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00927 Joseph Mallord William Turner, The Castle above the Meadows, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00925 Francis Seymour Haden, The Towing Path, 1864, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1078 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759 David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043 Joseph Mallord William Turner, Mill near the Grand Chartreuse, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01114 William Blake, The Wrath of Elihu, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4972 Joseph Mallord William Turner, The Leader Sea Piece, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00951 William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8317 Richard Parkes Bonington, Eglise de Saint-Taurin, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5235 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706 Francis Seymour Haden, A Lancashire River, 1881, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7653 David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682 Joseph Mallord William Turner, Windmill and Lock, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00964 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764 William Blake, Job's Despair, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/812 Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175 William Blake, Job's Sacrifice, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/822 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727 Joseph Mallord William Turner, River Wye, engraved by W. Annis, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01007 Francis Seymour Haden, Combe Bottom, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1069 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763 Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180 Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689 Joseph Mallord William Turner, The Straw Yard, engraved by Charles Turner, 1808, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00924 Francis Seymour Haden, On the Test, in or after 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1079 Joseph Mallord William Turner, Mt St Gothard, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00928 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01014 Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1075 David Hockney, Pembroke Studio with Blue Chairs and Lamp, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20111 William Blake, The Fall of Satan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/820 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8322 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708 William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/802 David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315 William Blake, On Homer's Poetry (and) On Virgil, 1822, relief etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4866 William Blake, Thenot and Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5009 David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566 David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041 Joseph Mallord William Turner, The Castle above the Meadows, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00926 William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/814 Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692 William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/808 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/881 Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176 William Blake, Job and His Family, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4961 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717 Joseph Mallord William Turner, Hedging and Ditching, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01005 Joseph Mallord William Turner, Ships in a Breeze, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00930 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769 David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, engraved by S.W. Reynolds, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01141 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7650 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676 David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042 J.C. Easling, Hedging and Ditching, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/879 David Hockney, Twelve Fifteen, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20139 Joseph Mallord William Turner, The Farm-yard with the Cock, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00944 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750 Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01009 David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01138 Joseph Mallord William Turner, The Fall of the Clyde, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00945 Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182 Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694 Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177 Joseph Mallord William Turner, Solitude, engraved by William Say, 1814, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01113 Joseph Mallord William Turner, The Fifth Plague of Egypt, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00942 David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497 Joseph Mallord William Turner, Crypt of Kirkstall Abbey, c.1811–2, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A00988 David Hockney, Walking Past Two Chairs, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20117 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00947 Francis Seymour Haden, Amalfi, in or before 1858, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7647 Charles Turner, The Bridge in Middle Distance, published 1808, etching, aquatint and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/873 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765 Joseph Mallord William Turner, Dunstanborough Castle, engraved by Charles Turner, 1808, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00938 William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4965 Lucian Freud, Man Posing, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77182 Joseph Mallord William Turner, Marine Dabblers, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00969 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01134 David Hockney, Two Pembroke Studio Chairs, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20103 Joseph Mallord William Turner, The Bridge in Middle Distance, published 1808, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/872 William Blake, Job and His Daughters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4980 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766 David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036 William Blake, 'Sabrina's silvery flood', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5017 William Blake, Job Accepting Charity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4979 Joseph Mallord William Turner, The Crypt of Kirkstall Abbey, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00989 William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8459 David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572 Francis Seymour Haden, An Early Riser, 1897, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1071 David Hockney, Celia, 1973, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11498 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01133 Lucian Freud, Woman Sleeping, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11507 David Hockney, Number One Chair, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20126 David Hockney, Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, 1978–80, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12116 Francis Seymour Haden, Yacht Tavern, Erith, 1865, etching (zinc), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7663 Joseph Mallord William Turner, Pembury Mill, Kent, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00934 Nemesio Antúnez, Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14487 David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037 Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7658 David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745 Lucian Freud, Head and Shoulders of a Girl, 1990, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77472 David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573 David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716 William Blake, Reverend Robert Hawker, D.D., 1820, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5003 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697 Lucian Freud, David Dawson, 1998, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11520 Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7660 Lucian Freud, Head of a Woman, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07782 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1077 Francis Seymour Haden, A By-Road in Tipperary, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7668 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718 William Blake, Colinet Resting by Night, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5020 Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7665 William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/801 Joseph Mallord William Turner, The Bridge and Goats, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00996 Lucian Freud, Blond Girl, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77186 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744 Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01140 William Blake, 'A rolling stone is ever bare of moss', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5019 Lucian Freud, Head of a Woman, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11510 Joseph Mallord William Turner, The Junction of the Severn and the Wye, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00967 Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173 Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7667 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701 Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, mezzotint, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/875 Joseph Mallord William Turner, Inverary Castle and Town, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01136 William Blake, Shepherd Chases away Wolf, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5016 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/885 George Louis du Maurier, "Nincompoopiana", 1880, Wood engraving, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4727 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8323 Francis Seymour Haden, Kensington Gardens (The Larger Plate), 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1072 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760 Joseph Mallord William Turner, Ville de Thun, Switzerland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01123 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/884 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741 William Blake, Job and His Family, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/805 David Hockney, An Image of Gregory, 1984–5, 2 lithographs on paper, Tate, London. https://dartabase.art/cite/tate/P20114 William Blake, Behemoth and Leviathan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4975 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713 F. L. Griggs, St. Ippolyts, No. 2, 1903, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7422 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/880 Joseph Mallord William Turner, The Leader Sea-piece, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00950 Samuel William Reynolds I, The Woman of Samaria, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/889 William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4964 David Hockney, White Porcelain, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20127 Lucian Freud, Large Head, 1993, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20141 Joseph Mallord William Turner, Marine Dabblers, 1811, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00968 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674 David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570 Joseph Mallord William Turner, The Bridge in Middle Distance, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00935 David Hockney, Four Flowers in Still Life, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20131 Joseph Mallord William Turner, Ben Arthur, Scotland, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01144 David Hockney, An Image of Celia Study, 1986, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20128 David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032 Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181 David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040 Francis Seymour Haden, Challow Farm, in or after 1877, drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1070 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698 William Blake, The Vision of Eliphaz, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/813 Lucian Freud, Kai, 1992, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20100 Joseph Mallord William Turner, The Fifth Plague of Egypt, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00941 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743 Joseph Mallord William Turner, Peat Bog, Scotland, engraved by George Clint, 1812, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01001 Francis Seymour Haden, The Test at Longparish, 1882, etching with drypoint in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7656 David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching in dark brown on chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7646 William Say, Scene in the Campagna, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/877 David Hockney, Mo with Five Leaves, 1971, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P07238 Francis Seymour Haden, Self-Portrait at the Easel, 1880/1886, etching with drypoint on laid paper [cancellation proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7645 Joseph Mallord William Turner, Winchelsea, Sussex, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00995 Francis Seymour Haden, Kensington Gardens (The Small Plate), 1859, etching in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1076 Joseph Mallord William Turner, Isis, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/886 Joseph Mallord William Turner, Dumblain Abbey, Scotland, engraved by Thomas Lupton, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01118 David Hockney, Celia with Green Hat, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20110 William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/817 David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01135 Joseph Mallord William Turner, Drawing of the Clyde, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00946 Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688 Joseph Mallord William Turner, The Farmyard with the Cock, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00943 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01131 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742 Joseph Mallord William Turner, Lake of Thun, engraved by Charles Turner, 1808, Etching, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00940 F. L. Griggs, Stevenage, 1902, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7423 Joseph Mallord William Turner, Temple of Minerva Medica, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00957 David Hockney, Hotel Acatlan: Second Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20113 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712 Joseph Mallord William Turner, Windmill and Lock, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00965 David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044 Joseph Mallord William Turner, Scene in the Campagna, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00986 William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8320 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738