Joseph Pennell, Temple over the Canon, Segesta, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9622

Josef Albers, Portfolio 2, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12210

Vija Celmins, Untitled (Web 4), 2002, Photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00479

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07127

Joseph Pennell, The Fallen Column, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9676

Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5920

Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835

Josef Albers, Portfolio 2, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12203

Childe Hassam, The Church at Old Lyme, 1924, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1080

Joseph Pennell, Hallway at Dr. Wister's, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9586

Joseph Pennell, Making Propeller Blades, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9595

Joseph Pennell, The Walled City, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9603

R. B. Kitaj, In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32853

Josef Albers, Portfolio 2, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12208

Joseph Pennell, The Little Fete, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9690

Joseph Pennell, Building the Camp, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9677

Edward Timothy Hurley, Electrical Building at Night, Chicago Fair, 1933, 1933, aquatint; 12 3/8 x 9 1/8 in. (31.4 x 23.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047221-0

Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5935

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37732

Mary Cassatt, Quietude, c. 1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5940

Joseph Pennell, New York from Brooklyn, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9695

Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597

Joseph Pennell, The Mystery of the Mist, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9652

Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470

Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37733

Adja Yunkers, Aegean I from Artists and Writers Protest against the War in Vietnam, 1966, published 1967, Lithograph with embossing from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32589

Joseph Pennell, London Night, Whiskey and Tea, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9571

Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482

Mary Cassatt, The Bath, 1890–1891, Drypoint, softground etching and aquatint on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6108

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77077

Vija Celmins, Night Sky 3, 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00485

Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07726

Vija Celmins, Dark Galaxy, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01159

Joseph Pennell, Shaping a Gun from an Ingot, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9692

Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836

Joseph Pennell, Finishing Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9593

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07129

Josef Albers, Portfolio 1, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12158

Louise Bourgeois, Paternity, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77685

Timothy Cole, The Haywain, 1899, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5978

Joseph Pennell, Seats of the Mighty, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9673

Joseph Pennell, Paestum, Evening, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9581

Joseph Pennell, In the Land of Iron and Steel, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9643

Josef Albers, Portfolio 1, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12155

Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596

Louise Bourgeois, Tree with Shoes, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78624

Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5923

Joseph Pennell, Shell Factory, No.II, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9699

Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5921

Louise Bourgeois, Sleeping Man, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77688

Joseph Pennell, Fitting Guns in Turrets, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9615

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07727

Louise Bourgeois, Sewing, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77683

Joseph Pennell, Laying the Floor of Pedro Muguel Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1092

James McNeill Whistler, Long Lagoon, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3180

Josef Albers, Portfolio 1, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12138

Joseph Pennell, American Tivoli, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9651

Josef Albers, Portfolio 2, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12207

Mary Cassatt, Kneeling in an Armchair, c. 1903, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1065

Louise Bourgeois, Amputee with Peg Leg, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78626

Edward Timothy Hurley, City Towers (Chicago River), 1934, aquatint on paper; plate: 9 x 11 7/8 in. (23.0 x 30.3 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047220-0

George Bellows, Election Night Times Square, 1906, Charcoal, lithographic crayon, conte crayon, and ink on paper; 18 3/16 x 26 in. (46.1 x 66 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858502-0

Childe Hassam, Portsmouth Doorway, 1916, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1082

Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830

László Moholy-Nagy, Jolan Simon, (1919–20), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33277

Joseph Pennell, The Iron Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9683

Josef Albers, Portfolio 1, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12156

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37730

Vija Celmins, Ocean Surface Wood Engraving 2000, 2000, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/AR00473

Marcel Duchamp, Monte Carlo Bond (No. 12), 1924, Cut-and-pasted gelatin silver prints on lithograph with letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32984

Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602

Mary Cassatt, Repose, c. 1890, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5943

Thomas Nast, The Herald of Relief from America, published February 28, 1880, Wood engraving on paper; Image: 27.7 × 23.5 cm (10 7/8 × 9 1/4"); Sheet: 39.8 × 28.6 cm (15 11/16 × 11 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803920-1

Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601

Louise Bourgeois, Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, monotype, and embossing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11000

Josef Albers, Portfolio 1, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12135

Joseph Pennell, Five O'Clock, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9688

James McNeill Whistler, Lobster-Pots, c. 1880/1881, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3196

Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825

James McNeill Whistler, Ponte del Piovan, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3186

Leon Golub, Killed Youth from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32595

Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5916

R. B. Kitaj, Hellebore for Georg Trakl from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32843

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07732

Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469

Louise Bourgeois, Children in Tub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77694

Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5915

Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5936

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07130

R. B. Kitaj, The Gay Science from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32841

Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605

Joseph Pennell, The Dining Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9592

Josef Albers, Portfolio 1, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12152

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77076

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07733

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07734

Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07725

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07128

Josef Albers, Portfolio 2, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12211

Louise Bourgeois, Toilette, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77682

Jack Sonenberg, Literal Dimensions from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint with die-cut and collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32585

Joseph Pennell, The Temple of Nike, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9624

James McNeill Whistler, Quiet Canal, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3191

Edward Timothy Hurley, Untitled--bridge, 1914, printed 1916, etching on paper; plate: 12 x 7 7/8 in. (30.5 x 20.0 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047224-0

Joseph Pennell, Ready for Service Again, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9678

Edward Timothy Hurley, Fountain Square: Night (Cincinnati), 1921, aquatint and etching on paper; 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047222-0

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07728

Joseph Pennell, Venice, Rebuilding the Campanile, 1911, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9687

Joseph Pennell, The Odeon, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9675

James McNeill Whistler, The Traghetto, No.II, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3168

Louise Bourgeois, Tree, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78621

Joseph Pennell, The Square, Independence Square, Philadelphia, 1920, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9574

Jim Dine, Self-Portrait in a Flat Cap (Winter), first state, 1974, Etching in black on ivory handmade paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48324

Joseph Pennell, Munitions City, No.I, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9631

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77073

Josef Albers, Portfolio 1, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12154

Joseph Pennell, La Place, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9576

Joseph Pennell, The Wine-Dark Sea, Sunium, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9670

Josef Albers, Portfolio 2, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12199

Joseph Pennell, Looking up Broad Street from Spruce Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9640

Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77689

R. B. Kitaj, What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol, 1964, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32847

Joseph Pennell, Munition Town, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9650

Joseph Pennell, The Upper-room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9588

Joseph Pennell, Tracks, Oberhausen, 1910, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1090

Vija Celmins, Ocean Surface Woodcut 1992, 1992, Woodcut on paper, Tate, London. https://dartabase.art/cite/tate/AR00484

Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5914

Joseph Pennell, The Old Shipyard, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9680

Vija Celmins, Night Sky 1 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00474

Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9579

Louise Bourgeois, Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint and roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11006

James McNeill Whistler, Nocturne: Furnace, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3190

Joseph Pennell, The Ants, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9662

Joseph Pennell, Aetna Over Taormina, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9685

Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9580

Joseph Pennell, The Gun Forge, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9633

Mary Cassatt, The Crocheting Lesson, c. 1902, drypoint on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5942

Josef Albers, Portfolio 2, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12195

Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834

Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5929

Joseph Pennell, The Temple by the Sea, Temple of Concord, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9583

James McNeill Whistler, The Riva, No.II, 1880, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3183

Joseph Pennell, The Guard Gate, Gatun Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9620

Mary Cassatt, The Mirror, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1067

Joseph Pennell, The Girard Trust Company, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9641

Joseph Pennell, The Keel, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9613

Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634

Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638

Josef Albers, Portfolio 1, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12157

Rudolf Baranik, White-Out from Artists and Writers Protest against the War in Vietnam, 1967, Etching from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32581

Joseph Pennell, The Biggest Lathe in the World, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9703

Andy Warhol, Black Bean, 1968, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07242

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77082

Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem  (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278

Joseph Pennell, The City Hall and Bridge across Market Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9686

Louise Bourgeois, Scissors, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77686

Joseph Pennell, West Door, St. Paul's, 1903, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9578

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128085

Vija Celmins, Untitled Portfolio: Galaxy, 1975, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00605

Josef Albers, Portfolio 1, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12145

Joseph Pennell, The Hall, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9617

Josef Albers, Portfolio 1, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12167

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77075

R. B. Kitaj, Let Us Call It Arden / And Live In It! from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32844

Timothy Cole, Thomas Jefferson, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5972

Joseph Pennell, Making a Turbine Engine, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9704

Vija Celmins, Untitled (Web 2), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00477

Timothy Cole, Rodin, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5974

Edward Hopper, Evening Wind, 1921, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7779

Joseph Pennell, Shell Factory, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9691

David Weinrib, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32588

Robert Rauschenberg, Traces Suspectes en Surface, 1972–78, published 1978, Illustrated book with twenty-six lithographs (including four colophon pages), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10721

Joseph Pennell, Battleship Coming Home, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9664

James McNeill Whistler, The Palaces, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3165

Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600

Josef Albers, Portfolio 2, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12209

Joseph Pennell, Drawing Room at Cliveden, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9589

Joseph Pennell, The Transports, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9598

James McNeill Whistler, Little Venice, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3161

Joseph Pennell, The Acolytes Preparing the Altar of the War God, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9645

R. B. Kitaj, For Fear from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32846

Joseph Pennell, Within the Furnaces, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9629

Joseph Pennell, The Coal Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9627

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07731

George Sugarman, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32586

Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277

Joseph Pennell, The Big Gate of the Big Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9649

Louise Bourgeois, Empty Nest, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77692

Josef Albers, Portfolio 1, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12160

Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5917

Josef Albers, Portfolio 2, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12221

Josef Albers, Portfolio 1, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12140

Joseph Pennell, Bottling the Big Shell, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9669

Josef Albers, Portfolio 2, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12191

Joseph Pennell, Night in the Yosemite, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9600

Joseph Pennell, The Gantry, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9634

Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603

Josef Albers, Portfolio 2, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12220

Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276

William Copley, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32592

Vija Celmins, Alliance, 1983, Aquatint, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01161

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37734

Joseph Pennell, The White and Black Hammers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9660

Josef Albers, Portfolio 1, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12164

Abraham Walkowitz, Figure Sketch, 1900–1908, Monotype on paper; sheet: 10 5/16 × 13 5/8 in. (26.2 × 34 cm) image: 8 7/8 × 11 7/8 in. (22.6 × 30.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863569-1

Joseph Pennell, Sunrise Behind Temple of Concord, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9584

Mark di Suvero, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32594

Timothy Cole, Abraham Lincoln, 1919, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5968

Joseph Pennell, Gun-Testing, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9632

Joseph Pennell, Hallway to Bed Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9585

Louise Bourgeois, Woman with Suitcase, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77693

Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9612

Paul Burlin, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32590

Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5925

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77074

Josef Albers, Portfolio 1, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12149

Josef Albers, Portfolio 2, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12192

Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471

Josef Albers, Portfolio 2, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12206

Joseph Pennell, Signers' Room, Independence Hall, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9698

Joseph Pennell, Le Puy, 1894, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9570

Josef Albers, Portfolio 2, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12194

Louise Bourgeois, Woman in Bathtub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77691

Joseph Pennell, Steel Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9681

James McNeill Whistler, Fishing-Boat, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3185

James McNeill Whistler, Turkeys, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3176

Vija Celmins, Divided Night Sky, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01156

Timothy Cole, Abraham Lincoln, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5969

R. B. Kitaj, Glue-Words from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32854

R. B. Kitaj, The Flood of Laymen from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32850

Joseph Pennell, Gas Works from the Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9611

Josef Albers, Portfolio 1, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12136

Timothy Cole, Alexander Hamilton, 1922, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5970

Louise Bourgeois, Birth, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77684

Vija Celmins, Untitled (Web 1), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00476

Joseph Pennell, Evening in the Munitions Country, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9594

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37736

Josef Albers, Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12218

Josef Albers, Portfolio 2, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12215

Edward Timothy Hurley, Memories of the Fair, 1934, aquatint; 9 x 12 in. (22.9 x 30.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047223-1

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37728

Josef Albers, Portfolio 2, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12219

Joseph Pennell, Niagara Rainbows, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9653

Abraham Walkowitz, Untitled (One Of Six Prints), 1903–1925, Etching on paper; sheet: 9 × 11 1/2 in. (22.9 × 29.2 cm) image: 4 × 6 in. (10.2 × 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863584-0

Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828

Josef Albers, Portfolio 2, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12205

Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9602

Joseph Pennell, The Shops at Night, Changing Shifts, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9616

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07730

Vija Celmins, Night Sky 2 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00475

Joseph Pennell, The Collier, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9693

Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77079

Childe Hassam, A Vermont Village, 1923, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1083

Mary Cassatt, Mother's Kiss, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5934

Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5922

Joseph Pennell, The New Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9635

James McNeill Whistler, Fruit-Stall, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3177

Joseph Pennell, Munitions River, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9648

Joseph Pennell, Building Destroyers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9679

Louise Bourgeois, Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11002

Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483

Timothy Cole, Woodrow Wilson, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5971

Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128087

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07126

Carol Summers, Kill for Peace from Artists and Writers against the War in Vietnam, 1967, Screenprint with punched holes from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32587

Joseph Pennell, The Gun Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9659

Joseph Pennell, The Basilica of War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9657

Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599

Louise Bourgeois, Untitled, plate 3 of 9, from the portfolio, Ode à ma mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11001

Ad Reinhardt, Untitled from Artists and Writers against the War in Vietnam, 1967, Screenprint with collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32584

Joseph Pennell, Under the Shed, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9607

Joseph Pennell, Landwehr Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9608

Louise Bourgeois, Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10998

Edward Timothy Hurley, Kentucky Barnyard, 1935, etching and aquatint on paper; plate: 11 3/4 x 7 7/8 in. (29.8 x 20.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047223-0

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37731

Joseph Pennell, The Woolworth Building, 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1089

Louise Bourgeois, Woman and Clock, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77687

Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345

James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3166

Joseph Pennell, Casting Shells, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9654

James McNeill Whistler, Temple, c. 1880/1881, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3195

Joseph Pennell, The Great Gulf, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9610

Joseph Pennell, Bed Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9590

Edward Timothy Hurley, Electrical Fountain, Chicago Fair, 1934, 1934, aquatint on paper; plate: 11 7/8 x 8 1/2 in. (30.3 x 21.6 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047221-1

Josef Albers, Portfolio 1, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12148

Joseph Pennell, The Hall at Cliveden, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9618

Joseph Pennell, The Shining Rocks, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9672

R. B. Kitaj, Nerves, Massage, Defeat, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32848

Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236

R. B. Kitaj, Go and Get Killed Comrade - We Need a Byron in the Movement from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32855

Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220

Joseph Pennell, Entrance to the Canal from the Pacific, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9684

Josef Albers, Portfolio 1, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12137

Abraham Walkowitz, Self-Portrait, 1900, Etching on paper; sheet: 8 3/4 × 6 1/2 in. (22.2 × 16.5 cm) image: 5 7/8 × 4 7/16 in. (15 × 11.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863580-0

Joseph Pennell, Mid-day, General Electric Works, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9694

James McNeill Whistler, Little Court, c. 1880/1881, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3197

Mary Cassatt, The Caress, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1066

Charles Hinman, Red Figure from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32596

Joseph Pennell, The Presses, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9636

Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1068

James McNeill Whistler, San Giorgio, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3178

R. B. Kitaj, The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32842

Irving Petlin, Skin from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32583

Vija Celmins, Starfield, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01160

Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5933

James McNeill Whistler, Garden, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3187

Josef Albers, Portfolio 2, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12212

Andy Warhol, Birmingham Race Riot, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77809

George Canning Wales, The Fore Chains, 1922, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6303

Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824

Josef Albers, Portfolio 2, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12202

Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506

Joseph Pennell, The Temple of Concord on the Wall, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9665

Vija Celmins, Web Ladder, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01155

Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5911

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77080

Mary Cassatt, Mother's Kiss, 1890–1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5926

Timothy Cole, Lowlands, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5973

Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829

Joseph Pennell, Peace and War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9630

Joseph Pennell, Doorway, Wyck, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9591

Joseph Pennell, The Transept, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9577

Mary Cassatt, The Letter, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5938

Vija Celmins, Falling Stars, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01158

Josef Albers, Portfolio 2, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12196

Josef Albers, Portfolio 2, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12193

Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5924

Joseph Pennell, Building the Bismarck, Hamburg, 1914, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9674

Louise Nevelson, Unbound plate from Nevelson's World, 1983, Screenprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18247

Vija Celmins, Night Sky Woodcut, 1997, Woodcut on paper mounted on paper, Tate, London. https://dartabase.art/cite/tate/AR00480

Joseph Pennell, Building Submarine Chasers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9605

Josef Albers, Portfolio 2, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12223

R. B. Kitaj, Republic of the Southern Cross from the portfolio Mahler Becomes Politics, Beisbol, 1965, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32849

Joseph Pennell, The Temple of Concord on the Wall, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9582

Josef Albers, Portfolio 1, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12141

Joseph Pennell, Down and Up the Hills to the Bay, San Francisco, 1912, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9572

Josef Albers, Portfolio 1, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12147

Josef Albers, Portfolio 2, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12198

Troy Kinney, Swallows, 1919, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8101

Josef Albers, Portfolio 1, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12159

Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782

Joseph Pennell, The Little Men of the Big Hammer, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9597

Josef Albers, Portfolio 2, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12197

Joseph Pennell, The Union League, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9689

Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5932

Josef Albers, Portfolio 2, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12217

Joseph Pennell, Unloading Ore, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9606

Joseph Pennell, City Hall Square and Wanamaker Building, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9647

Louise Bourgeois, Boy and Girl, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77695

Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5910

Joseph Pennell, The Forges, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9702

Andy Warhol, A Is an Alphabet, 1953, Portfolio of 26 offset lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14230

Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837

Joseph Pennell, Broad St. Station, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9642

Landès Lewitin, Innocence in a Labyrinth, 1940, Cut-and-pasted colored photo-engravings, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33033

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07123

Joseph Pennell, The Bright Angel Trail, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9599

Joseph Pennell, Cutting and Turning a Big Gun, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9658

Louise Bourgeois, Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11007

Childe Hassam, The Chase House, 1929, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7738

Timothy Cole, The Mill, 1920, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5967

Louise Bourgeois, Tree with Woman, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78623

Timothy Cole, Theodore Roosevelt, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5976

Josef Albers, Portfolio 1, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12146

Louise Bourgeois, Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11005

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128086

Josef Albers, Portfolio 1, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12153

Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468

Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5931

Joseph Pennell, Westminster, Evening, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9569

Joseph Pennell, Columns of the Temple of Juno, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9666

Charles Hinman, Artists and Writers Protest against the War in Vietnam, 1966–67, published 1967, Portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching; plus supplemental volume of eighteen letterpress prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32582

Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5939

Joseph Pennell, Four-Story House, 1904, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1088

Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865

Josef Albers, Portfolio 2, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12204

Josef Albers, Portfolio 1, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12165

Louise Bourgeois, Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11004

Josef Albers, Portfolio 1, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12161

Jim Dine, Cold Key West Winter, Summer 1983, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37729

Louise Bourgeois, Sculptress, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77690

Louise Bourgeois, Tree with Trunk, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78622

Joseph Pennell, The Approach to Gatun Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1093

Joseph Pennell, Gleisdreieck, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9609

Joseph Pennell, Made in Germany, the Great Crane, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9638

Joseph Pennell, Making Rifles, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9701

James McNeill Whistler, The Manager's Window, Gaiety Theatre, 1896, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6304

Josef Albers, Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12166

Joseph Pennell, Power-House, Berlin, 1914, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9614

Josef Albers, Portfolio 2, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12213

Romare Bearden, Music on the Gallery, 1975, Monotype with pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32968

Mary Cassatt, Margot in a Floppy Bonnet Leaning against a Chair, c. 1902, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5944

Joseph Pennell, Brasserie, Au Lion Rouge, 1893, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9573

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77081

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07125

Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275

Josef Albers, Portfolio 1, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12139

Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593

Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37735

John Sloan, Turning out the Light, 1905, Etching in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23599

Louise Bourgeois, Amputee, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78625

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128088

Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639

Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07121

Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831

Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595

James McNeill Whistler, The Long Gallery, Louvre, 1894, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/890

Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint with touches of gold metallic paint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5918

Vija Celmins, Untitled (Web 3), 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00478

Charles Cajori, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32591

Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07729

Vija Celmins, Drypoint - Ocean Surface, 1983, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00467

Josef Albers, Portfolio 1, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12142

Joseph Pennell, The Ferry House, 1919, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1087

Louise Bourgeois, Blue Dress, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78628

Joseph Pennell, The Shell Factory, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9655

Claes Oldenburg, Hamburger, 1962, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36331

Joseph Pennell, The Bay of the Thousand Girls, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9667

Joseph Pennell, The Prow, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9661

Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274

Joseph Pennell, Building Destroyers, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9700

Josef Albers, Portfolio 2, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12201

Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77078

R. B. Kitaj, His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol, 1966, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32851

Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827

Joseph Pennell, The Sea Lord's Yard / The Walls of Miraflores Lock, c. 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9604

Louise Nevelson, Composition from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32597

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07124

Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833

Childe Hassam, Washington's Headquarters near Valley Forge, 1926, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1084

Josef Albers, Portfolio 2, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12216

Jules Pascin, George Biddle and Jane Belo, (1927–28), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35206

Joseph Pennell, Table and Chair, Signers' Room, Independence Hall, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9697

Timothy Cole, Dr. Pasteur, 1925, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5977

Louise Bourgeois, Amputee with Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78627

Mary Cassatt, In the Omnibus, 1890–1891, drypoint and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5927

Louise Bourgeois, Untitled (Safety Pins), 1991, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77679

Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826

Joseph Pennell, Planing Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9668

Josef Albers, Portfolio 2, Folder 10 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12200

Vija Celmins, Constellation - Uccello, 1983, Aquatint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00606

Joseph Pennell, The Jungle, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1091

Jim Dine, Cold Key West Winter, 1981, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37726

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128090

R. B. Kitaj, I’ve Balled Every Waitress in this Club from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32852

Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07122

Joseph Pennell, The Cauldrons, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9625

Louise Bourgeois, Tree with Red Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78629

Joseph Pennell, Making Armour-Plate, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9646

Josef Albers, Portfolio 2, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12222

Louise Bourgeois, Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11003

Josef Albers, Portfolio 2, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12214

Joseph Pennell, Girard Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9644

Allan D'Arcangelo, Dipped from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32593

László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128089

Josef Albers, Portfolio 1, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12150

Josef Albers, Portfolio 1, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12143

Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832

Childe Hassam, Independence Hall, 1926, drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1081

Joseph Pennell, Book-Room at Dr. Wister's, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9587

Josef Albers, Portfolio 1, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12163

Joseph Pennell, New York Stock Exchange, 1923, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9575

Josef Albers, Portfolio 1, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12151

Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594

Joseph Pennell, Ready to Start, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9663

Joseph Pennell, Liberty Bell, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9696

Brice Marden, [Untitled], 1964–65, Charcoal, pencil, and colored pencil over screenprint on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38158

Joseph Pennell, The Urns, Casting Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9637

Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164

Joseph Pennell, Building the Battleship, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9596

Vija Celmins, Reverse Galaxy, 2010, Etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01157

Joseph Pennell, Oberbaum-Brucke, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9601

Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777

Mary Cassatt, Reine and Margot Seated on a Sofa (No. 2), c. 1902, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5941

Mary Cassatt, The Bath, 1890–1891, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5912

R. B. Kitaj, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32845

Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5928

Claes Oldenburg, Self Portrait, 1958, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35800

Joseph Pennell, Oil Refining, Whiting, Indiana, 1915, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9623

Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272

Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604

Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5919

Joseph Pennell, The Great Tower: Pig-Iron, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9626

Joseph Pennell, In the Jaws of Death, Rolling Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9628

Joseph Pennell, Down Sansom Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9639

Joseph Pennell, The Cut, Looking toward Ancon Hill, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9619

Joseph Pennell, Munition Works, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9621

Joseph Pennell, Coronation of King George V and Queen Mary in Westminster Abbey, 1911, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9682

Josef Albers, Portfolio 1, Folder 28 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12162

Joseph Pennell, The Old Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9656

Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5930

Joseph Pennell, The Treasury of Athens, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9671

Mary Cassatt, The Lamp, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5937

Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5913