Ugo da Carpi, Peters fiskedræt, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22411 Marcantonio Raimondi, Raphael's Dream, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/649 Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in mauve purple, vermilion, gray-blue, probably by stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3780 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Marcantonio Raimondi, The Man with Two Trumpets, c. 1510–1527, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/648 Hans Rudolf Manuel Deutsch, Kort over Basel, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22237 Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938 Hans Rudolf Manuel Deutsch, Kort over Paris, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22242 Master I.I.CA, The Nativity, c. 1500/1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8778 Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22416 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22343 Italian 15th Century, The Mass of Saint Gregory [recto], c. 1490, woodcut, hand-colored in red, yellow, cinnamon, lilac, possibly with stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3824 Tobias Stimmer, De romerske ambassadører vender hjem fra Karthago, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22280 Master of 1515, Hercules and Cacus, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8764 Italian 16th Century, The Adoration of the Magi, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5898 Tobias Stimmer, Appius Claudius føres til fængslet, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22311 Giovanni Pietro Birago, Ornament Panel: Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3656 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22273 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22275 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22269 Italian 15th Century, The Cross, c. 1500, woodcut, hand-colored in red, pink, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3976 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352 Tobias Stimmer, Theoxena og hendes familie dør til havs, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22340 Italian 16th Century, Christ Consoling the Centurion, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5897 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22287 Italian 15th Century, Bookplate of Hilprand Brandenburg of Bibrach, in or after 1500, woodcut, hand-colored in green, rose, light blue, red, and yellow on laid paper, mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3863 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22347 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22331 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Italian 15th Century, The Flight into Egypt, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7777 Benedetto Montagna, Birth of Adonis, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9171 Italian 15th Century, Christ on the Cross, c. 1490, woodcut, hand-colored in red, light blue, and gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3697 Andrea Andreani, The Triumph of Julius Caesar [no.1 and 2 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8692 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22260 Italian 16th Century, Christ and His Disciples III, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3308 Italian 15th Century, Gerson as Pilgrim, 1489, woodcut, touched with red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3865 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941 Italian 15th Century, The Crucifixion, c. 1500, woodcut, hand-colored in blue, green, yellow, and brown [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3848 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22262 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 Andrea Mantegna, The Triumph of Caesar: Soldiers Carrying Trophies, c. 1497/1498, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8701 Hans Rudolf Manuel Deutsch, Kort over Bern, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22238 Italian 15th Century, Friedrich Count of Schaumberg - Bishop of Salzburg, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3874 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22293 Italian 16th Century, Christ Stilling the Storm, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5896 Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in light purple, rose carmine, gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3778 Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in brown, red, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3777 Italian 15th Century, Christ on the Cross with Angels, 1490/1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3750 Tobias Stimmer, De romerske kvinder kræver, at Lex Oppia-loven ophæves, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22332 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Tobias Stimmer, Cincinnatus beordrer aequierne til at passere under åget, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22310 Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345 Tobias Stimmer, Portræt af Stephan Brechtl, 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22252 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22276 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22342 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Tobias Stimmer, Gaius Duillius vinder søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22325 Marcantonio Raimondi, Orpheus and Eurydice, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/643 Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue-green, vermilion, lavender, brown, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3703 Tobias Stimmer, De trehundrede og seks fabier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22321 Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354 Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9174 Master of the Beheading of St. John the Baptist, Allegorical Theme: Combat of Animals, c. 1515/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/589 Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348 Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8740 Italian 15th Century, Franciscan, Pelbartus of Temesvar, in a Garden, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3872 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22405 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22422 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [left], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6015 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22344 Italian 15th Century, Christ on the Cross, c. 1500, woodcut, hand-colored in blue, green, lavender, yellow, brown, red, and orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3696 Italian 15th Century, Fourteen Auxiliary Saints, c. 1500, woodcut, hand-colored in pink-red, green, blue, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3936 Benedetto Montagna, The Nativity, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9173 Ugo da Carpi, Den hellige Peter forkynder evangeliet, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22414 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 Tobias Stimmer, Numa Pompilius inddeler året i tolv måneder, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22329 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Tobias Stimmer, Horatius Cocles forsvarer Rom ved broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22304 Giovanni Antonio da Brescia, Ornamental Panel Inscribed "Victoria Augusta", c. 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6084 Tobias Stimmer, Tarquinius Priscus hugget til døde på sin trone, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22315 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, engraving, hand-colored in red, tan, violet, green and flesh; pasted into an initial "O" on an illuminated vellum sheet, torn from a book, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3967 Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22259 Andrea Mantegna, Hercules and Antaeus, c. 1495, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/587 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Italian 15th Century, The Adoration of the Magi, probably 1486, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3666 Italian 15th Century, Saints Christopher, Sebastian, and Roche, c. 1495, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3947 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22423 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22298 Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue, red, vermillion, olive, green, yellow, and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3702 Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347 Giuseppe Maria Moretti, Sibyl, 1573, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5992 Tobias Stimmer, Verginius for Appius Claudius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22309 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22335 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Tobias Stimmer, Kamp mellem horatier og curatier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22328 Tobias Stimmer, Symphonia, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22348 Andrea Zoan, Two Children Wearing Helmets, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/590 Giovanni Antonio da Brescia, The Entombment, c. 1509, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3651 Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343 Italian 15th Century, The Sacred Monogram, c. 1500, woodcut with hand coloring in orange-red and gray-blue on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3851 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22281 Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5855 Italian 15th Century, Saint Veronica with the Sudarium, c. 1500, woodcut, hand-colored in yellow, blue, red, green and gold on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3971 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22297 Domenico Campagnola, The Shepherd and the Old Warrior, 1517, engraving in red-brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5861 Ugo da Carpi, Læsende sibylle, vendt mod venstre, 1510–1530, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22409 Tobias Stimmer, Gaius Duillius besejrer Kartago i et søslag, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22284 Italian 15th Century, Saint Anne, The Madonna and Child and Saints Christopher, Sebastian, Clara and Roche, c. 1500/1525, woodcut, hand-colored in blue, yellow, and cinnamon, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3946 Italian 15th Century, Saint Anne, The Madonna and Child, and a Franciscan Monk, c. 1500, woodcut, hand-colored red lake, green, rose, yellow, and gray, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3794 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Italian 15th Century, Saint Alto, c. 1500, woodcut, hand colored in burgundy, blue-green, orange, brown, red, and yellow-green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3793 Italian 15th Century, Christ in the Tomb with Two Angels, 1490/1500, woodcut, hand-colored in red, orange-yellow, blue-green, green, and gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3761 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Tobias Stimmer, Tullia kører over sin fars lig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22316 Italian 15th Century, Bookplate of Dominicus Frauenfelder, c. 1500, woodcut, hand-colored in yellow, green, black, and brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5005 Italian 15th Century, The Agony in the Garden, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8243 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Hans Rudolf Manuel Deutsch, Kort over Koblenz, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22239 Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8699 Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut, hand-colored in blue, yellow, orange, green, brown, carmine, and gold on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3755 Tobias Stimmer, Marcus Atilius Regulus dræber en serpent i Afrika, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22286 Agostino dei Musi, The Barc, 1515–1530, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9150 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6018 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Andrea Andreani, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8694 Ugo da Carpi, Legende amoriner. Allegori over kærligheden, 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22407 Tobias Stimmer, Gaius Duillius vinder et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22263 Italian 15th Century, The Head of Christ, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3734 Italian 16th Century, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3434 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22254 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Italian 15th Century, The Man of Sorrows with a Franciscan, 1490–1500, woodcut, hand-colored in red, blue, green-yellow, gray, and flesh, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3749 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Italian 15th Century, Monogram JHS in a Flaming Circle, c. 1500, woodcut, hand-colored in red, green, yellow, and lavender-pink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4047 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Master NA.DAT with the Mousetrap, Virgin and Child Enthroned with Saint Anne, c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/592 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Domenico Campagnola, The Descent of the Holy Spirit, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5856 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 Tobias Stimmer, Manius Acilius Glabrios triumftog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22330 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22404 Giovanni Pietro Birago, Nereid Ridden by Two Children, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/591 Marcantonio Raimondi, Hercules and Antaeus, c. 1520–1522, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/647 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Ugo da Carpi, Ananias' død, 1518, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS13020 Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943 Jacopo de' Barbari, Two Philosophers, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4159 Benedetto Montagna, Shepherd with a Platerspiel, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9179 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22255 Tobias Stimmer, Scipio på knæ, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22267 Tobias Stimmer, Publius Horatius plæderer for sin søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22313 Tobias Stimmer, Henrettelsen af kongen af Siracusa og hans familie, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22274 Ottavio Leoni, Self-Portrait, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/929 Italian 16th Century, Christ and His Disciples II, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3307 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Andrea Zoan, Ornament Panel: Triton Ridden by a Child, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3654 Italian 16th Century, Madonna and Child, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4020 Jacopo de' Barbari, Victory Reclining Amid Trophies, c. 1500/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4156 Tobias Stimmer, Cloelia leder flugten på floden, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22303 Italian 16th Century, Self-Portrait, 1525, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8561 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6017 Italian 16th Century, John Frederic the Magnanimous, in Electoral Robes [right], 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6016 Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868 Ugo da Carpi, Peters fiskedræt, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22410 Italian 15th Century, Joseph and the Christ Child, c. 1500, engraving, hand-colored in red and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3961 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22283 Marcantonio Raimondi, The Birth of Venus, 1506, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/644 Italian 15th Century, The Man of Sorrows, c. 1490, hand-colored woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4021 Tobias Stimmer, Cincinnatus bag ploven kaldes til at være diktator, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22308 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22288 Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Andrea Mantegna, Virtus Combusta: An Allegory of Virtue, 1500/1505, engraving on laid paper by Giovanni Antonio da Brescia, National Gallery of Art, Washington. https://dartabase.art/cite/nga/579 Domenico Campagnola, Venus Reclining in a Landscape, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5862 Giovanni Antonio da Brescia, Christ before Pilate, c. 1500/1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3650 Tobias Stimmer, Gaius Sulpius Gallus forudser en måneformøkelse, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22258 Domenico Campagnola, The Assumption of the Virgin, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5854 Giovanni Antonio da Brescia, The Entombment with Three Birds, c.1500/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8700 Ugo da Carpi, Korsnedtagelsen, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22413 Italian 16th Century, Saint Jerome in Penitence, c. 1500/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4549 Tobias Stimmer, Tarquinius Superbus og Sextus' udsending i haven, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22317 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Diana Scultori, Christ Making Saint Peter Head of the Church, c.1567, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7357 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22301 Antonio da Trento, Augustus og den tiburtinske sibylle, 1500–1550, Clairobscur-træsnit trykt med to stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5261 Italian 15th Century, The Transportation of the Holy House of Loreto, 1494, woodcut, hand-colored in tan, dark gray-green, orange, and purple; the green and orange may have been applied by means of a stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3937 Benedetto Montagna, The Agony in the Garden, c. 1506/1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9178 Italian 16th Century, The Rich Man in Hell, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3446 Tobias Stimmer, Den besejrede Syphax stilles for Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22323 Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937 Italian 15th Century, Christ before Pilate, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8745 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22270 Tobias Stimmer, Marcus Valerius i kamp med en galler, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22295 Benedetto Montagna, Satyr Family, c. 1512/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/593 Giulio Campagnola, Venus Reclining in a Landscape, c. 1508–9, engraving, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112586 Giulio Campagnola, Christ and the Samaritan Woman, c. 1510, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53294 Italian 15th Century, The Nativity, 1490/1500, woodcut, hand-colored in red, brown, slate blue, ochre, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3665 Italian 15th Century, Treason of Judas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8189 Benedetto Montagna, Man Seated by a Palm Tree, c. 1510/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9175 Tobias Stimmer, Syphax tilfangetages, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22265 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22289 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Italian 16th Century, Madonna of the Hernleberg, 1592, woodcut, hand-colored, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3869 Marcantonio Raimondi, The Vision of Saint Helena, 1515–1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/655 Agostino dei Musi, Pope Paul III, 1534, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9152 Ottavio Leoni, Paolo Giordano Orsini II, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/934 Italian 15th Century, Saint Barbara, c. 1500, woodcut, hand-colored in brown, lavender, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4032 Giovanni Antonio da Brescia, Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6081 Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358 Italian 16th Century, Christ with Three of His Apostles, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5899 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22257 Italian 16th Century, Young Man Drinking Water (Rebecca and Eliezer?), 1500, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4597 Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346 Italian 15th Century, The Way of Salvation, c. 1490, woodcut in brown, hand-colored in green, yellow, red lake, blue, brown, and orange (border), National Gallery of Art, Washington. https://dartabase.art/cite/nga/3854 Domenico Campagnola, Lamentation of Christ, 1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5863 Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936 Italian 16th Century, Christ and His Disciples V, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3310 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Nicoletto da Modena, Fate of an Evil Tongue, c. 1507, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/595 Andrea Andreani, The Triumph of Julius Caesar [no.3 and 4 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8693 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Italian 15th Century, Christ on the Cross with a Grape Vine, c. 1490/1500, woodcut with hand-coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4018 Tobias Stimmer, Marcus Valerius formaner den rebelske soldat til at skabe fred, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22299 Italian 16th Century, Ornament - Large Goblet, 1500, punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4594 Italian 15th Century, The Trinity, c. 1500, woodcut, hand-colored in blue, orange, yellow, green, white, black, gold, and silver, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4051 Italian 15th Century, Border from an Almanac, c. 1489, woodcut, hand-colored in green, brown, rose, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3940 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22285 Nicolò Boldrini, Venus and Cupid, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4152 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Giovanni Antonio da Brescia, Discovery of Joseph's Cup, c. 1521/1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6083 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Italian 15th Century, Saint Alto, Saint Bridget and the Founders of the Mariamunster, c. 1500, woodcut, hand-colored in green, red lake, brown, gray, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3792 Italian 15th Century, Allegory of the Eagle and Emperor Maximilian I, 1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3858 Hans Rudolf Manuel Deutsch, Kort over Schlettstadt, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22244 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22324 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22292 Jacopo de' Barbari, Custodi Nos Dormientes (The Guardian Angel), c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4160 Tobias Stimmer, M. Decius leder romerne i slaget mod latinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22282 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Italian 15th Century, Mocking of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4167 Italian 16th Century, Portrait of Petrarch, first half 16th century, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4546 Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350 Giovanni Antonio da Brescia, Holy Family with Saint Elizabeth and the Infant Saint John, c. 1495/1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6079 Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Nicoletto da Modena, Saint George, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/596 Italian 15th Century, Council of High Priests, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4166 Italian 15th Century, A Monstrance Held by Two Angels, 1495/1500, woodcut, hand-colored in green, brown, rose, and olive, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3973 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Tobias Stimmer, Titus Manlius dræber gallereren på broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22294 Giovanni Battista Palumba, Saint George and the Dragon, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8732 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220 Italian 15th Century, Scourging of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8792 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in yellow, ochre, brown and indian red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3744 Italian 15th Century, Saint Francis Receiving the Stigmata, 1500/1510, woodcut, hand-colored in green, yellow, indian red, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3819 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22261 Italian 15th Century, Two Peasants, 1490s, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4543 Italian 15th Century, The Nativity, c. 1500, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3941 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Ugo da Carpi, David skiller hovedet fra Goliats krop, 1510–1530, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22412 Marcantonio Raimondi, Mars, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/646 Ugo da Carpi, "Pan" og "Apollon og Marsyas", 1510–1530, Clairobscur-træsnit trykt med fire stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22415 Antonio da Trento, Peters og Paulus' martyrium, 1500–1550, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22421 Marcantonio Raimondi, The Judgment of Paris, c. 1510/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/641 Domenico Campagnola, Beheading of Saint Catherine, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5857 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Andrea Andreani, Allegory on Death, 1558, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4071 Johann Jacobé, William Hayley, 1779, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8018 Ottavio Leoni, Giacomo Antonio Mannini, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/928 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Italian 15th Century, The Adoration of the Magi (Virgin in the Grotto), c. 1500, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4532 Andrea Zoan, Ornament Panel: Four Children Playing, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3659 Italian 15th Century, Christ as the Man of Sorrows, 1507, woodcut, hand-colored in red lake, orange, blue, yellow, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3745 Marcantonio Raimondi, God Appearing to Noah, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/636 Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930 Domenico Campagnola, Shepherds in a Landscape, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5859 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9177 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22291 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22337 Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932 Italian 15th Century, Christ Washing the Apostles' Feet, c. 1490, woodcut, hand-colored in tan, green, rose, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4036 Marcantonio Raimondi, Poetry, c. 1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/650 Italian 15th Century, Christ on the Cross, 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3690 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Tobias Stimmer, Sofonisba knæler og bønfalder Masinissa, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22322 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22320 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Italian 15th Century, Before Caiaphas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8707 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22306 Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22345 Valerio Belli, Mars, Minerva, Venus, and Cupid, early 1500s, rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/166197 Benedetto Montagna, Woman and Satyr with Two Cupids, c. 1506/1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9172 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933 Italian 15th Century, Saint George (?), c. 1490, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3957 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22312 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Tobias Stimmer, Lucretias død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22300 Tobias Stimmer, Numa Pompilius' bøger brændes, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22338 Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353 Andrea Andreani, The Triumph of Julius Caesar [no.7 and 8 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8695 Italian 15th Century, Christ on the Cross, c. 1490, hand-colored woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3867 Jacopo de' Barbari, Holy Family, c. 1508/1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4161 Italian 15th Century, Christ Appearing to Mary Magdalene, c. 1500, woodcut, hand-colored in maroon, orange, yellow, blue-green, mauve, and flesh on laid paper, possibly applied with stencils, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3709 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/837 Giovanni Antonio da Brescia, Man Seated Holding a Forked Staff, c. 1514/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6082 Andrea Andreani, The Triumph of Julius Caesar: Title Page, 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8691 Ugo da Carpi, Overraskelsen, 1510–1520, Clairobscur-træsnit trykt med tre stokke, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22417 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Jacopo Francia, Holy Family with Saint Elizabeth and the Infant Saint John the Baptist, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7286 Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939 Andrea Andreani, The Triumph of Julius Caesar [no.9 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8696 Italian 15th Century, Christ lead to Prison, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8669 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22302 Italian 15th Century, Christ on the Mount of Olives, c. 1490, woodcut, hand-colored in green, carmine, rose, yellow, gray, blue, and brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3677 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Italian 15th Century, Madonna in a Rosary with Saints, c. 1500, woodcut, hand-colored in red, ochre, green, gray, and tan, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3766 Italian 15th Century, Saint Martin and the Beggar, c. 1490, woodcut with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3953 Italian 16th Century, The Hour of Death, 1500, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4437 Italian 15th Century, The Crucifixion, c. 1490/1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3956 Hans Rudolf Manuel Deutsch, Kort over Nördlingen, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22241 Italian 15th Century, Song to the Madonna, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3939 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Tobias Stimmer, Demetrius lider kvælningsdøden ved forgiftning, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22339 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Italian 15th Century, A Warning Against Playing Dice, c. 1500, woodcut [fragment], National Gallery of Art, Washington. https://dartabase.art/cite/nga/3860 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Antonio da Brescia, Saint Jerome in His Study, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4547 Italian 16th Century, Martin Luther, Half-Length to the Left with a Book in his Hands, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6050 Andrea Zoan, Ornament Panel: Satyr Holding a Violin, c. 1505/1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3661 Marcantonio Raimondi, The Lamentation of the Virgin, 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/637 Italian 15th Century, Madonna in a Wreath of Roses, 1490/1500, woodcut, hand-colored in red lake, green, and gray-yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3765 Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947 Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940 Jacopo de' Barbari, Apollo and Diana, c. 1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/582 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Domenico Campagnola, The Virgin and Child with Saints, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5860 Tobias Stimmer, Hannibals belejring af Sagunto, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22277 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 Italian 15th Century, Christ as the Man of Sorrows, c. 1500, woodcut, hand-colored in dark brown, tan and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3746 Tobias Stimmer, Firdelingen af Mettius Fufetius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22314 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Tobias Stimmer, Veturia og Volumnia beder Coriolanus om at skåne Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22305 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22296 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Master NA.DAT with the Mousetrap, The Two Armies at the Battle of Ravenna, probably c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8739 Italian 15th Century, Christ Child on Donkey, c. 1500, woodcut, hand-colored in yellow, rose, and brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3737 Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931 Giovanni Antonio da Brescia, Hercules and Antaeus, after 1507, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6080 Italian 16th Century, Madonna and Child, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3960 Benedetto Montagna, The Virgin and Child, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9176 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22334 Italian 15th Century, Christ on the Cross, c. 1500, woodcut with hand-coloring in blue, green, brown, tan, ocher, olive, and pale blue with gold leaf on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3691 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 Marcantonio Raimondi, Dance of Cupids, c. 1517–1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/639 Jacopo Francia, Bacchus and His Attendants, c. 1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7288 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Tobias Stimmer, Slag mellem romerne og sabinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22326 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22319 Tobias Stimmer, Romerske mødre dåner over deres sønners hjemvendelse fra krig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22271 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Marcantonio Raimondi, Il Morbetto (The Plague), c. 1512/1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/654 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Italian 15th Century, Divine Infant with the Globe in a Circle with Four Angels, probably c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4024 Italian 15th Century, Christ Bearing the Cross, c. 1500, woodcut, hand-colored in mauve, red, blue, green, ochre, yellow, black, white, and gold, on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3685 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Italian 15th Century, Saint George, c. 1500, woodcut, hand-colored in brown-red, green, and vermilion, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3822 Marcantonio Raimondi, Vulcan, Venus, and Eros, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/645 Italian 15th Century, David Playing the Harp, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4042 Italian 15th Century, Saint Sebastian, c. 1490, woodcut, hand-colored in green, red lake, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3841 Domenico Campagnola, Battle of Nude Men, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5858 Tobias Stimmer, Romulus' død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22327 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22278 Marcantonio Raimondi, Venus Appearing to Aeneas, c. 1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/642 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344 Italian 15th Century, Baptism, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8005 Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/588 Tobias Stimmer, De falskanske unge pisker deres forræderiske lærer, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22290 Italian 15th Century, Presentation, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7398 Tobias Stimmer, Portræt af Jacob Taurellus (Oechsel), 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22253 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Hans Rudolf Manuel Deutsch, Kort over Freiburg im Breisgau, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22240 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22318 Marcantonio Raimondi, Two Fauns Carrying a Child, c. 1513–1515, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/640 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Italian 15th Century, Betrayal, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8462 Italian 16th Century, Christ and His Disciples IV, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3309 Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22264 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22266 Italian 16th Century, The Rich Man Being Carried Away by the Devil, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3445 Italian 16th Century, Alphabet for a Primer, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4064 Andrea Zoan, Ornament Panel with Dragons, Masks, and Instruments of War, c. 1505, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3653 Italian 15th Century, The Man of Sorrows and His Mother, c. 1500, woodcut, hand-colored in rose, blue, lilac, vermilion, mustard yellow, white, brown, and silver on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3747 Hans Rudolf Manuel Deutsch, Kort over Rufach, 1548, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22243 Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22272 Italian 15th Century, Faun Battling a Snake, c. 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8715 Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22256 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Italian 15th Century, Man Walking Towards a Grave, c. 1495, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4045 Diana Scultori, Latona Giving Birth to Apollo and Diana on the Island of Delos, 1561–1565, engraving on laid paper (with offset of Diana Scultori's "Snake Charmer" [B.44] on verso), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7358 Italian 15th Century, The Crucifixion, c. 1490/1500, woodcut, hand-colored, on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3875 Italian 16th Century, The Circumcision, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5895 Jacopo de' Barbari, Satyr's Family, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4157 Italian 16th Century, Christ and His Disciples I, 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3306 Hans Rudolf Manuel Deutsch, Sø- og landmonstre, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22245 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22346 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3754 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Italian 15th Century, Gerson as Pilgrim with Town in Background, in or before 1488, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3864 Marcantonio Raimondi, Dido, c. 1510, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/638 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Italian 16th Century, "El Gran Capitanio", c. 1516/1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4544 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Italian 16th Century, Jesus Preaching in the Temple, 1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5900 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Agostino dei Musi, Hieronymus Alexander, Archbishop of Brindisi, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9151 Andrea Zoan, Page from Livius Historiabum Libri, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3652 Italian 15th Century, The Head of Christ, probably 1500/1510, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3733 Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935 Italian 15th Century, Bookplate of Wilhelm von Zell, in or after 1500, woodcut on laid paper mounted on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3861 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22333 Jost Amman, The Ptolemaic System, 1579, Etching and engraving on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5326 Jacopo de' Barbari, Judith Holding the Head of Holofernes, c. 1501/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4162 Lorenzo Costa, Presentation of Christ, c. 1502, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4542 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Italian 15th Century, Christ Stripped, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8720 Italian 15th Century, Purgatory, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3975 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Italian 15th Century, Holy Kinship, 1490/1500, woodcut, hand-colored in green, yellow, red lake, and light brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3850 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 Jacopo Francia, Lucretia, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7287 Italian 15th Century, Morris Dancer, c. 1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4050 Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Italian 15th Century, Song to the Virgin, c. 1500, woodcut, hand-colored in rose and ochre, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3952 Enea Vico, Old Woman with a Distaff, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/597 Tobias Stimmer, Hannibals rejse over alperne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22279 Jacopo de' Barbari, Apollo and Diana, c. 1503/1504, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4158 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954