William Blake, The Vision of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/821 Joseph Mallord William Turner, Mill near the Grand Chartreuse, engraved by Henry Dawe, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01115 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460 Joseph Mallord William Turner, Dunblane Abbey, Scotland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01117 Joseph Mallord William Turner, St Catherine’s Hill near Guildford, engraved by J.C. Easling, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00977 Joseph Mallord William Turner, From Spenser’s Fairy Queen, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00982 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758 Joseph Mallord William Turner, Near Blair Athol, Scotland, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00970 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686 David Hockney, Eine (Part I), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20134 Richard Long, In the Cloud, 1991, Screenprint on board, Tate, London. https://dartabase.art/cite/tate/AR00143 William Blake, Boy Returning Joyfully with Plough and Oxen, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5025 William Blake, Colinet Departs in Sorrow, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5014 Joseph Mallord William Turner, Young Anglers, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00974 Joseph Mallord William Turner, Calm, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00999 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737 Francis Seymour Haden, Isleworth, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7661 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 William Blake, Thenot Remonstrates with Colinet, Lightfoot in Background, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5013 William Blake, Blasted Tree and Flattened Crops, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5015 David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035 Joseph Mallord William Turner, The Tenth Plague of Egypt, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01127 William Blake, The Vision of Eliphaz, 1825, engraving with border in graphite on thick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4831 Joseph Mallord William Turner, Norham Castle on the Tweed, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01120 Joseph Mallord William Turner, The Mildmay Sea-piece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00990 Richard Parkes Bonington, Tour du gros-horloge, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5237 Joseph Mallord William Turner, Juvenile Tricks, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00954 Joseph Mallord William Turner, Holy Island Cathedral, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00931 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798 David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353 Joseph Mallord William Turner, The Watercress Gatherers, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01129 David Hockney, Très (End of Triple), 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20133 Joseph Mallord William Turner, Bridge and Goats, engraved by F.C. Lewis, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00997 William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319 Joseph Mallord William Turner, Morpeth, Northumberland, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00952 Joseph Mallord William Turner, Isis, engraved by William Say, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01143 Joseph Mallord William Turner, Near Blair Athol Scotland, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00971 Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687 William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4970 David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029 William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5027 David Hockney, Tyler Dining Room, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20122 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01126 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7655 Francis Seymour Haden, Self-Portrait at the Easel, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7391 Joseph Mallord William Turner, Little Devil’s Bridge, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00948 David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7651 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704 David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495 Joseph Mallord William Turner, St Catherine’s Hill, near Guildford, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00976 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670 Joseph Mallord William Turner, Lake Thun, Switzerland, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00939 William Blake, Thenot and Colinet Eat their Evening Meal, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5024 Joseph Mallord William Turner, Scene in the Campagna, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/876 David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 William Blake, Job and His Wife Restored to Prosperity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4981 Joseph Mallord William Turner, Rispah, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01002 Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7652 David Hockney, White Lines Dancing in Printing Ink, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20130 William Blake, Thenot under Fruit Tree, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5012 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7648 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673 William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4960 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747 William Blake, The Vision of Eliphaz, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4969 Joseph Mallord William Turner, Frontispiece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00911 Joseph Mallord William Turner, Procris and Cephalus, c.1811–2, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00992 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Joseph Mallord William Turner, Juvenile Tricks, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00955 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01125 Francis Seymour Haden, Opposite the Inn, Purfleet, in or after 1869, etching with drypoint (zinc) in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7664 Richard Parkes Bonington, Bologna, 1826/1827, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5236 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746 Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565 William Blake, The Pastorals of Virgil, 1821, wood engraving (4 proofs on uncut sheet), National Gallery of Art, Washington. https://dartabase.art/cite/nga/5028 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756 Joseph Mallord William Turner, Isleworth, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/883 Joseph Mallord William Turner, Martello Towers near Bexhill, Sussex, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00979 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749 David Hockney, Lillies, 1970–1, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06290 David Hockney, Amaryllis in Vase, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20105 Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690 Joseph Mallord William Turner, Frontispiece, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00912 William Blake, Thenot Remonstrates with Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5011 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/803 Joseph Mallord William Turner, Lauffenburgh on the Rhine, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00973 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01122 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732 William Blake, Satan Before the Throne of God, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/806 William Blake, Satan Before the Throne of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4962 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757 Samuel Palmer, The Morning of Life, 1860/1861, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9506 David Hockney, The Perspective Lesson, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20104 Lucian Freud, Girl with a Fig Leaf, 1947, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P77265 Joseph Mallord William Turner, Solitude, 1814, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01112 Joseph Mallord William Turner, Dunstanborough Castle, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00937 Joseph Mallord William Turner, Ben Arthur, Scotland, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01145 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723 David Hockney, House Doodle, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20108 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01011 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693 David Hockney, Billy Wilder, 1976, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P07239 William Blake, Job Rebuked by His Friends, 1825, engraving with border and lettering in graphite onthick paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4845 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01148 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702 Joseph Mallord William Turner, Peat Bog, Scotland, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01000 Joseph Mallord William Turner, Martello Towers, nr Bexhill, Sussex, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00978 William Blake, The Creation, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4974 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01132 William Blake, Job and His Wife Restored to Prosperity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/825 William Blake, The Destruction of Job's Sons, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/807 William Blake, Colinet's Journey, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5018 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/874 William Blake, The Vision of God, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4977 David Hockney, Portrait of Mother I, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20124 Joseph Mallord William Turner, Entrance of Calais Harbour, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01116 William Blake, Job's Sacrifice, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4978 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752 David Hockney, Portrait of Mother II, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20123 David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001 Joseph Mallord William Turner, The Bridge in Middle Distance, engraved by Charles Turner, 1808, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00936 Joseph Mallord William Turner, Hindhead Hill, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00960 David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568 William Blake, Wilson Lowry, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5004 William Blake, Thenot and Colinet Lead their Flocks Together, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5023 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726 Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669 Francis Seymour Haden, Sunset on the Thames, in or after 1865, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7666 David Hockney, Red Celia, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20109 Joseph Mallord William Turner, Ville de Thun, engraved by Thomas Hodgetts, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01124 Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1074 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720 William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4973 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768 Joseph Mallord William Turner, Morpeth, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00953 David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564 Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01012 David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031 William Blake, Job's Comforters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/811 William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/797 Joseph Mallord William Turner, The Woman of Samaria, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/888 William Blake, The Creation, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/818 Joseph Mallord William Turner, Water Mill, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00985 Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174 Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/854 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01121 Joseph Mallord William Turner, Inverary Castle and Town, Scotland, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01137 Joseph Mallord William Turner, Young Anglers, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00975 Joseph Mallord William Turner, Scene in the Campagna, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00987 Lucian Freud, The Painter’s Mother, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07783 Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20165 David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20137 Joseph Mallord William Turner, The Strawyard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00923 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Joseph Mallord William Turner, Isis, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01142 Joseph Mallord William Turner, Water-Mill, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00984 Joseph Mallord William Turner, Solway Moss, engraved by Thomas Lupton, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01188 Joseph Mallord William Turner, Coast of Yorkshire, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00959 William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/809 William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/799 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7654 David Hockney, Portrait of Mother III, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20119 Joseph Mallord William Turner, London from Greenwich, engraved by Charles Turner, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00963 Joseph Mallord William Turner, Coast of Yorkshire, near Whitby, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00958 William Blake, Satan Smiting Job with Boils, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/810 William Blake, The Wrath of Elihu, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/816 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Joseph Mallord William Turner, The Mildmay Sea Piece, engraved by Wiliam Annis and J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00991 William Blake, Job's Evil Dreams, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4971 Joseph Mallord William Turner, Solway Moss, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01015 William Blake, Behemoth and Leviathan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/819 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714 David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575 Joseph Mallord William Turner, Lauffenburgh on the Rhine, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00972 David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 David Hockney, A Picture of Two Chairs, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20125 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 William Blake, Title-Page of the Engraved Illustrations to the Book of Job, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/804 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730 David Hockney, Table Flowable, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20135 Joseph Mallord William Turner, Winchelsea, Sussex, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00994 David Hockney, Views of Hotel Well I, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20118 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729 Joseph Mallord William Turner, Water Cress Gatherers, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01130 David Hockney, The Wave, A Lithograph, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20132 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699 David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289 Joseph Mallord William Turner, Procris and Cephalus, engraved by George Clint, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00993 David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563 Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672 Francis Seymour Haden, Encombe Woods (No.1), 1881, etching, retouched with pencil (crayon?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7657 David Hockney, Hotel Acatlan: Two Weeks Later, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20121 Joseph Mallord William Turner, From Spenser’s Fairy Queen, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00983 David Hockney, Caribbean Tea Time, 1987, Lithograph, screenprint, printed paper and stencil on paper on 4 panels, Tate, London. https://dartabase.art/cite/tate/P20129 William Blake, Menalcas Watching Women Dance, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5022 William Blake, Job's Despair, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4968 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/800 Joseph Mallord William Turner, Holy Island Cathedral, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00932 Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01008 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725 William Blake, Return of the Shepherd, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5026 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01010 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00949 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684 William Blake, Job Accepting Charity, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/823 David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722 Richard Parkes Bonington, Rue du gros-horloge, Rouen, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5238 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719 Joseph Mallord William Turner, Norham Castle on the Tweed, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01119 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761 David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20138 Joseph Mallord William Turner, Rispah, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01003 Joseph Mallord William Turner, Inverary Pier, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00980 William Blake, Satan Smiting Job with Boils, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4966 David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20136 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 David Hockney, Mexican Hotel, Acatlan, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20107 Joseph Mallord William Turner, Rivaux Abbey, engraved by Henry Dawe, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01013 William Blake, Job and His Daughters, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/824 William Blake, Colinet Mocked by Two Boys, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5021 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711 Joseph Mallord William Turner, Isleworth, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/882 David Hockney, For John Constable, 1976, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P03184 William Say, Isis, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/887 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734 Joseph Mallord William Turner, Inverary Pier. Loch Fyne. Morning, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00981 Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1073 Joseph Mallord William Turner, Hedging and Ditching, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/878 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753 David Hockney, Pembroke Studio Interior, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20106 Francis Seymour Haden, A River in Ireland, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6065 David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352 Joseph Mallord William Turner, Ships in a Breeze, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00929 Joseph Mallord William Turner, London from Greenwich, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00962 Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668 David Hockney, An Image of Ken, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20120 Joseph Mallord William Turner, Hind Head Hill, engraved by Robert Dunkarton, 1811, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00961 Francis Seymour Haden, An Early Riser, 1897, mezzotint (with etching?) in green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7669 Francis Seymour Haden, Mount's Bay, in or after 1868, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7659 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7649 Joseph Mallord William Turner, Junction of Severn and Wye, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00966 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Joseph Mallord William Turner, The Tenth Plague of Egypt, engraved by William Say, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01128 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01149 William Blake, Job's Comforters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4967 William Blake, Sketch of a Shipwreck, 1809, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5002 David Hockney, Views of Hotel Well III, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20115 Joseph Mallord William Turner, Pembury Mill, Kent, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00933 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735 William Blake, The Destruction of Job's Sons, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4963 Lucian Freud, Woman with an Arm Tattoo, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11508 William Blake, Job's Evil Dreams, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/815 David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728 David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377 Joseph Mallord William Turner, Interior of a Church, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01147 Joseph Mallord William Turner, Hedging and Ditching, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01004 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220 David Hockney, An Image of Celia, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20116 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8321 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01139 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677 William Blake, The Fall of Satan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4976 Joseph Mallord William Turner, Mount St Gothard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00927 Joseph Mallord William Turner, The Castle above the Meadows, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00925 Francis Seymour Haden, The Towing Path, 1864, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1078 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759 David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043 Joseph Mallord William Turner, Mill near the Grand Chartreuse, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01114 William Blake, The Wrath of Elihu, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4972 Joseph Mallord William Turner, The Leader Sea Piece, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00951 William Blake, The Circle of the Lustful: Paolo and Francesca, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8317 Richard Parkes Bonington, Eglise de Saint-Taurin, Evreux, 1824, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5235 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706 Francis Seymour Haden, A Lancashire River, 1881, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7653 David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682 Joseph Mallord William Turner, Windmill and Lock, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00964 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764 William Blake, Job's Despair, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/812 Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175 William Blake, Job's Sacrifice, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/822 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727 Joseph Mallord William Turner, River Wye, engraved by W. Annis, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01007 Francis Seymour Haden, Combe Bottom, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1069 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763 Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180 Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689 Joseph Mallord William Turner, The Straw Yard, engraved by Charles Turner, 1808, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00924 Francis Seymour Haden, On the Test, in or after 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1079 Joseph Mallord William Turner, Mt St Gothard, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00928 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01014 Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1075 David Hockney, Pembroke Studio with Blue Chairs and Lamp, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20111 William Blake, The Fall of Satan, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/820 William Blake, The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8322 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708 William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/802 David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315 William Blake, On Homer's Poetry (and) On Virgil, 1822, relief etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4866 William Blake, Thenot and Colinet, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5009 David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566 David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041 William Blake, Job Rebuked by His Friends, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/814 Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692 William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/808 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/881 Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176 William Blake, Job and His Family, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4961 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717 Joseph Mallord William Turner, Hedging and Ditching, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01005 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769 David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, engraved by S.W. Reynolds, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01141 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731 Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7650 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676 David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042 J.C. Easling, Hedging and Ditching, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/879 David Hockney, Twelve Fifteen, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20139 Joseph Mallord William Turner, The Farm-yard with the Cock, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00944 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750 Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01009 David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01138 Joseph Mallord William Turner, The Fall of the Clyde, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00945 Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182 Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694 Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177 Joseph Mallord William Turner, Solitude, engraved by William Say, 1814, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01113 David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497 Joseph Mallord William Turner, Crypt of Kirkstall Abbey, c.1811–2, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A00988 David Hockney, Walking Past Two Chairs, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20117 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00947 Francis Seymour Haden, Amalfi, in or before 1858, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7647 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765 William Blake, Satan Going Forth from the Presence of the Lord, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4965 Lucian Freud, Man Posing, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77182 Joseph Mallord William Turner, Marine Dabblers, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00969 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01134 David Hockney, Two Pembroke Studio Chairs, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20103 William Blake, Job and His Daughters, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4980 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766 David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036 William Blake, 'Sabrina's silvery flood', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5017 William Blake, Job Accepting Charity, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4979 Joseph Mallord William Turner, The Crypt of Kirkstall Abbey, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00989 William Blake, The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8459 David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572 Francis Seymour Haden, An Early Riser, 1897, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1071 David Hockney, Celia, 1973, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11498 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01133 Lucian Freud, Woman Sleeping, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11507 David Hockney, Number One Chair, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20126 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 David Hockney, Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, 1978–80, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12116 Francis Seymour Haden, Yacht Tavern, Erith, 1865, etching (zinc), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7663 David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7658 David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745 Lucian Freud, Head and Shoulders of a Girl, 1990, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77472 David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573 David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716 William Blake, Reverend Robert Hawker, D.D., 1820, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5003 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697 Lucian Freud, David Dawson, 1998, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11520 Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7660 Lucian Freud, Head of a Woman, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07782 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1077 Francis Seymour Haden, A By-Road in Tipperary, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7668 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 William Blake, Colinet Resting by Night, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5020 Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7665 William Blake, The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/801 Joseph Mallord William Turner, The Bridge and Goats, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00996 Lucian Freud, Blond Girl, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77186 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744 Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01140 William Blake, 'A rolling stone is ever bare of moss', 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5019 Lucian Freud, Head of a Woman, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11510 Joseph Mallord William Turner, The Junction of the Severn and the Wye, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00967 Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173 Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7667 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701 Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, mezzotint, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/875 Joseph Mallord William Turner, Inverary Castle and Town, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01136 William Blake, Shepherd Chases away Wolf, 1821, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5016 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/885 George Louis du Maurier, "Nincompoopiana", 1880, Wood engraving, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4727 William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8323 Francis Seymour Haden, Kensington Gardens (The Larger Plate), 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1072 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760 Joseph Mallord William Turner, Ville de Thun, Switzerland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01123 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/884 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741 William Blake, Job and His Family, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/805 David Hockney, An Image of Gregory, 1984–5, 2 lithographs on paper, Tate, London. https://dartabase.art/cite/tate/P20114 William Blake, Behemoth and Leviathan, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4975 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713 F. L. Griggs, St. Ippolyts, No. 2, 1903, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7422 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/880 Joseph Mallord William Turner, The Leader Sea-piece, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00950 Samuel William Reynolds I, The Woman of Samaria, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/889 William Blake, The Messengers Tell Job of His Misfortunes, 1825, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4964 David Hockney, White Porcelain, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20127 Lucian Freud, Large Head, 1993, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20141 Joseph Mallord William Turner, Marine Dabblers, 1811, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00968 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674 David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 David Hockney, Four Flowers in Still Life, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20131 Joseph Mallord William Turner, Ben Arthur, Scotland, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01144 David Hockney, An Image of Celia Study, 1986, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20128 David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032 Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181 David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040 Francis Seymour Haden, Challow Farm, in or after 1877, drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1070 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698 William Blake, The Vision of Eliphaz, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/813 Lucian Freud, Kai, 1992, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20100 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743 Joseph Mallord William Turner, Peat Bog, Scotland, engraved by George Clint, 1812, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01001 Francis Seymour Haden, The Test at Longparish, 1882, etching with drypoint in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7656 David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739 Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching in dark brown on chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7646 William Say, Scene in the Campagna, published 1812, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/877 David Hockney, Mo with Five Leaves, 1971, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P07238 Francis Seymour Haden, Self-Portrait at the Easel, 1880/1886, etching with drypoint on laid paper [cancellation proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7645 Joseph Mallord William Turner, Winchelsea, Sussex, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00995 Francis Seymour Haden, Kensington Gardens (The Small Plate), 1859, etching in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1076 Joseph Mallord William Turner, Isis, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/886 Joseph Mallord William Turner, Dumblain Abbey, Scotland, engraved by Thomas Lupton, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01118 David Hockney, Celia with Green Hat, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20110 William Blake, The Lord Answering Job out of the Whirlwind, 1825, engraving on India paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/817 David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01135 Joseph Mallord William Turner, Drawing of the Clyde, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00946 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Joseph Mallord William Turner, The Farmyard with the Cock, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00943 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01131 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742 F. L. Griggs, Stevenage, 1902, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7423 Joseph Mallord William Turner, Temple of Minerva Medica, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00957 David Hockney, Hotel Acatlan: Second Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20113 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712 Joseph Mallord William Turner, Windmill and Lock, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00965 David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044 Joseph Mallord William Turner, Scene in the Campagna, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00986 William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8320 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738