Joseph Pennell, Temple over the Canon, Segesta, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9622 Josef Albers, Portfolio 2, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12210 Vija Celmins, Untitled (Web 4), 2002, Photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00479 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07127 Joseph Pennell, The Fallen Column, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9676 Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5920 Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835 Josef Albers, Portfolio 2, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12203 Childe Hassam, The Church at Old Lyme, 1924, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1080 Joseph Pennell, Hallway at Dr. Wister's, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9586 Joseph Pennell, Making Propeller Blades, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9595 Joseph Pennell, The Walled City, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9603 R. B. Kitaj, In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32853 Josef Albers, Portfolio 2, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12208 Joseph Pennell, The Little Fete, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9690 Joseph Pennell, Building the Camp, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9677 Edward Timothy Hurley, Electrical Building at Night, Chicago Fair, 1933, 1933, aquatint; 12 3/8 x 9 1/8 in. (31.4 x 23.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047221-0 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5935 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37732 Mary Cassatt, Quietude, c. 1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5940 Joseph Pennell, New York from Brooklyn, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9695 Joseph Pennell, The Mystery of the Mist, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9652 Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470 Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37733 Adja Yunkers, Aegean I from Artists and Writers Protest against the War in Vietnam, 1966, published 1967, Lithograph with embossing from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32589 Joseph Pennell, London Night, Whiskey and Tea, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9571 Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482 Mary Cassatt, The Bath, 1890–1891, Drypoint, softground etching and aquatint on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6108 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77077 Vija Celmins, Night Sky 3, 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00485 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07726 Vija Celmins, Dark Galaxy, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01159 Joseph Pennell, Shaping a Gun from an Ingot, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9692 Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836 Joseph Pennell, Finishing Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9593 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07129 Josef Albers, Portfolio 1, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12158 Louise Bourgeois, Paternity, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77685 Timothy Cole, The Haywain, 1899, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5978 James McNeill Whistler, The Riva, No.I, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3169 Joseph Pennell, Seats of the Mighty, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9673 Joseph Pennell, Paestum, Evening, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9581 Joseph Pennell, In the Land of Iron and Steel, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9643 Josef Albers, Portfolio 1, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12155 Louise Bourgeois, Tree with Shoes, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78624 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5923 Joseph Pennell, Shell Factory, No.II, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9699 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5921 Louise Bourgeois, Sleeping Man, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77688 Joseph Pennell, Fitting Guns in Turrets, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9615 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07727 Louise Bourgeois, Sewing, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77683 Joseph Pennell, Laying the Floor of Pedro Muguel Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1092 James McNeill Whistler, Long Lagoon, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3180 Josef Albers, Portfolio 1, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12138 Joseph Pennell, American Tivoli, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9651 Josef Albers, Portfolio 2, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12207 Mary Cassatt, Kneeling in an Armchair, c. 1903, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1065 Louise Bourgeois, Amputee with Peg Leg, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78626 Edward Timothy Hurley, City Towers (Chicago River), 1934, aquatint on paper; plate: 9 x 11 7/8 in. (23.0 x 30.3 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047220-0 George Bellows, Election Night Times Square, 1906, Charcoal, lithographic crayon, conte crayon, and ink on paper; 18 3/16 x 26 in. (46.1 x 66 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858502-0 Childe Hassam, Portsmouth Doorway, 1916, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1082 Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830 László Moholy-Nagy, Jolan Simon, (1919–20), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33277 Joseph Pennell, The Iron Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9683 Josef Albers, Portfolio 1, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12156 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37730 Vija Celmins, Ocean Surface Wood Engraving 2000, 2000, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/AR00473 Marcel Duchamp, Monte Carlo Bond (No. 12), 1924, Cut-and-pasted gelatin silver prints on lithograph with letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32984 Mary Cassatt, Repose, c. 1890, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5943 Thomas Nast, The Herald of Relief from America, published February 28, 1880, Wood engraving on paper; Image: 27.7 × 23.5 cm (10 7/8 × 9 1/4"); Sheet: 39.8 × 28.6 cm (15 11/16 × 11 1/4"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803920-1 Louise Bourgeois, Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, monotype, and embossing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11000 Josef Albers, Portfolio 1, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12135 Joseph Pennell, Five O'Clock, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9688 James McNeill Whistler, Lobster-Pots, c. 1880/1881, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3196 Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825 James McNeill Whistler, Ponte del Piovan, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3186 Leon Golub, Killed Youth from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32595 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5916 R. B. Kitaj, Hellebore for Georg Trakl from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32843 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07732 Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469 Louise Bourgeois, Children in Tub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77694 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5915 James McNeill Whistler, The Balcony, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3184 Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5936 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07130 R. B. Kitaj, The Gay Science from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32841 Joseph Pennell, The Dining Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9592 Josef Albers, Portfolio 1, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12152 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77076 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07733 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07734 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07725 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07128 Josef Albers, Portfolio 2, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12211 Louise Bourgeois, Toilette, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77682 Jack Sonenberg, Literal Dimensions from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint with die-cut and collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32585 Joseph Pennell, The Temple of Nike, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9624 James McNeill Whistler, Quiet Canal, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3191 Edward Timothy Hurley, Untitled--bridge, 1914, printed 1916, etching on paper; plate: 12 x 7 7/8 in. (30.5 x 20.0 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047224-0 Joseph Pennell, Ready for Service Again, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9678 Edward Timothy Hurley, Fountain Square: Night (Cincinnati), 1921, aquatint and etching on paper; 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047222-0 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07728 Joseph Pennell, Venice, Rebuilding the Campanile, 1911, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9687 James McNeill Whistler, Upright Venice, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3182 James McNeill Whistler, St James's Street, 1878, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4882 Joseph Pennell, The Odeon, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9675 James McNeill Whistler, The Traghetto, No.II, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3168 Louise Bourgeois, Tree, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78621 Joseph Pennell, The Square, Independence Square, Philadelphia, 1920, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9574 Jim Dine, Self-Portrait in a Flat Cap (Winter), first state, 1974, Etching in black on ivory handmade paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48324 Joseph Pennell, Munitions City, No.I, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9631 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77073 Josef Albers, Portfolio 1, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12154 Joseph Pennell, La Place, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9576 Joseph Pennell, The Wine-Dark Sea, Sunium, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9670 Josef Albers, Portfolio 2, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12199 Joseph Pennell, Looking up Broad Street from Spruce Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9640 Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77689 R. B. Kitaj, What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol, 1964, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32847 Joseph Pennell, Munition Town, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9650 Joseph Pennell, The Upper-room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9588 Joseph Pennell, Tracks, Oberhausen, 1910, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1090 Vija Celmins, Ocean Surface Woodcut 1992, 1992, Woodcut on paper, Tate, London. https://dartabase.art/cite/tate/AR00484 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5914 Joseph Pennell, The Old Shipyard, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9680 Vija Celmins, Night Sky 1 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00474 Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9579 Louise Bourgeois, Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint and roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11006 James McNeill Whistler, Nocturne: Furnace, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3190 Joseph Pennell, The Ants, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9662 Joseph Pennell, Aetna Over Taormina, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9685 Joseph Pennell, Le Stryge, 1893, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9580 Joseph Pennell, The Gun Forge, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9633 Mary Cassatt, The Crocheting Lesson, c. 1902, drypoint on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5942 Josef Albers, Portfolio 2, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12195 Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834 Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5929 Joseph Pennell, The Temple by the Sea, Temple of Concord, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9583 James McNeill Whistler, The Riva, No.II, 1880, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3183 Joseph Pennell, The Guard Gate, Gatun Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9620 Mary Cassatt, The Mirror, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1067 Joseph Pennell, The Girard Trust Company, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9641 Joseph Pennell, The Keel, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9613 Josef Albers, Portfolio 1, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12157 Rudolf Baranik, White-Out from Artists and Writers Protest against the War in Vietnam, 1967, Etching from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32581 Joseph Pennell, The Biggest Lathe in the World, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9703 Andy Warhol, Black Bean, 1968, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07242 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77082 Joseph Pennell, The City Hall and Bridge across Market Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9686 James McNeill Whistler, Long Venice, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3189 Louise Bourgeois, Scissors, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77686 Joseph Pennell, West Door, St. Paul's, 1903, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9578 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128085 Vija Celmins, Untitled Portfolio: Galaxy, 1975, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00605 Josef Albers, Portfolio 1, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12145 Joseph Pennell, The Hall, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9617 Josef Albers, Portfolio 1, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12167 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77075 R. B. Kitaj, Let Us Call It Arden / And Live In It! from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32844 Timothy Cole, Thomas Jefferson, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5972 Joseph Pennell, Making a Turbine Engine, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9704 Vija Celmins, Untitled (Web 2), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00477 Timothy Cole, Rodin, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5974 Edward Hopper, Evening Wind, 1921, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7779 Joseph Pennell, Shell Factory, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9691 David Weinrib, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32588 Robert Rauschenberg, Traces Suspectes en Surface, 1972–78, published 1978, Illustrated book with twenty-six lithographs (including four colophon pages), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10721 Joseph Pennell, Battleship Coming Home, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9664 James McNeill Whistler, The Palaces, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3165 Josef Albers, Portfolio 2, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12209 Joseph Pennell, Drawing Room at Cliveden, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9589 Joseph Pennell, The Transports, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9598 James McNeill Whistler, Little Venice, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3161 Joseph Pennell, The Acolytes Preparing the Altar of the War God, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9645 R. B. Kitaj, For Fear from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32846 Joseph Pennell, Within the Furnaces, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9629 Joseph Pennell, The Coal Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9627 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07731 George Sugarman, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32586 Joseph Pennell, The Big Gate of the Big Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9649 Louise Bourgeois, Empty Nest, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77692 Josef Albers, Portfolio 1, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12160 Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5917 Josef Albers, Portfolio 2, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12221 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6109 Josef Albers, Portfolio 1, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12140 Joseph Pennell, Bottling the Big Shell, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9669 Josef Albers, Portfolio 2, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12191 Joseph Pennell, Night in the Yosemite, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9600 Joseph Pennell, The Gantry, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9634 Josef Albers, Portfolio 2, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12220 William Copley, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32592 Vija Celmins, Alliance, 1983, Aquatint, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01161 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37734 Joseph Pennell, The White and Black Hammers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9660 Josef Albers, Portfolio 1, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12164 Abraham Walkowitz, Figure Sketch, 1900–1908, Monotype on paper; sheet: 10 5/16 × 13 5/8 in. (26.2 × 34 cm) image: 8 7/8 × 11 7/8 in. (22.6 × 30.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863569-1 Joseph Pennell, Sunrise Behind Temple of Concord, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9584 Mark di Suvero, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32594 Timothy Cole, Abraham Lincoln, 1919, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5968 Joseph Pennell, Gun-Testing, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9632 Joseph Pennell, Hallway to Bed Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9585 Louise Bourgeois, Woman with Suitcase, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77693 Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9612 Paul Burlin, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32590 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5925 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77074 Josef Albers, Portfolio 1, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12149 Josef Albers, Portfolio 2, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12192 Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471 Josef Albers, Portfolio 2, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12206 Joseph Pennell, Signers' Room, Independence Hall, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9698 James McNeill Whistler, The Little Lagoon, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3164 Joseph Pennell, Le Puy, 1894, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9570 Josef Albers, Portfolio 2, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12194 Louise Bourgeois, Woman in Bathtub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77691 Joseph Pennell, Steel Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9681 James McNeill Whistler, Fishing-Boat, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3185 James McNeill Whistler, Turkeys, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3176 Vija Celmins, Divided Night Sky, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01156 James McNeill Whistler, Doorway and Vine, 1879–1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3173 Timothy Cole, Abraham Lincoln, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5969 R. B. Kitaj, Glue-Words from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32854 R. B. Kitaj, The Flood of Laymen from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32850 Joseph Pennell, Gas Works from the Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9611 Josef Albers, Portfolio 1, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12136 Timothy Cole, Alexander Hamilton, 1922, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5970 Louise Bourgeois, Birth, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77684 Vija Celmins, Untitled (Web 1), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00476 Joseph Pennell, Evening in the Munitions Country, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9594 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37736 Josef Albers, Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12218 Josef Albers, Portfolio 2, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12215 Edward Timothy Hurley, Memories of the Fair, 1934, aquatint; 9 x 12 in. (22.9 x 30.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047223-1 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37728 Josef Albers, Portfolio 2, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12219 Joseph Pennell, Niagara Rainbows, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9653 Abraham Walkowitz, Untitled (One Of Six Prints), 1903–1925, Etching on paper; sheet: 9 × 11 1/2 in. (22.9 × 29.2 cm) image: 4 × 6 in. (10.2 × 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863584-0 Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828 Josef Albers, Portfolio 2, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12205 Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9602 Joseph Pennell, The Shops at Night, Changing Shifts, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9616 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07730 Vija Celmins, Night Sky 2 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00475 Joseph Pennell, The Collier, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9693 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77079 Childe Hassam, A Vermont Village, 1923, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1083 Mary Cassatt, Mother's Kiss, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5934 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5922 Joseph Pennell, The New Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9635 James McNeill Whistler, Fruit-Stall, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3177 Joseph Pennell, Munitions River, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9648 James McNeill Whistler, The Venetian Mast, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3172 Joseph Pennell, Building Destroyers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9679 Louise Bourgeois, Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11002 Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483 Timothy Cole, Woodrow Wilson, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5971 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128087 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07126 Carol Summers, Kill for Peace from Artists and Writers against the War in Vietnam, 1967, Screenprint with punched holes from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32587 Joseph Pennell, The Gun Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9659 Joseph Pennell, The Basilica of War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9657 Louise Bourgeois, Untitled, plate 3 of 9, from the portfolio, Ode à ma mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11001 Ad Reinhardt, Untitled from Artists and Writers against the War in Vietnam, 1967, Screenprint with collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32584 James McNeill Whistler, San Biagio, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3174 Joseph Pennell, Under the Shed, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9607 Joseph Pennell, Landwehr Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9608 Louise Bourgeois, Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10998 Edward Timothy Hurley, Kentucky Barnyard, 1935, etching and aquatint on paper; plate: 11 3/4 x 7 7/8 in. (29.8 x 20.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047223-0 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37731 Joseph Pennell, The Woolworth Building, 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1089 Louise Bourgeois, Woman and Clock, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77687 Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345 James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3166 Joseph Pennell, Casting Shells, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9654 James McNeill Whistler, Temple, c. 1880/1881, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3195 Joseph Pennell, The Great Gulf, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9610 Joseph Pennell, Bed Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9590 Edward Timothy Hurley, Electrical Fountain, Chicago Fair, 1934, 1934, aquatint on paper; plate: 11 7/8 x 8 1/2 in. (30.3 x 21.6 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047221-1 Josef Albers, Portfolio 1, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12148 Joseph Pennell, The Hall at Cliveden, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9618 Joseph Pennell, The Shining Rocks, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9672 R. B. Kitaj, Nerves, Massage, Defeat, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32848 R. B. Kitaj, Go and Get Killed Comrade - We Need a Byron in the Movement from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32855 Joseph Pennell, Entrance to the Canal from the Pacific, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9684 Josef Albers, Portfolio 1, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12137 Abraham Walkowitz, Self-Portrait, 1900, Etching on paper; sheet: 8 3/4 × 6 1/2 in. (22.2 × 16.5 cm) image: 5 7/8 × 4 7/16 in. (15 × 11.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863580-0 Joseph Pennell, Mid-day, General Electric Works, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9694 James McNeill Whistler, Little Court, c. 1880/1881, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3197 Mary Cassatt, The Caress, c. 1891, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1066 James McNeill Whistler, Lagoon: Noon, 1879/1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3193 Charles Hinman, Red Figure from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32596 Joseph Pennell, The Presses, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9636 Mary Cassatt, Maternal Caress, 1890–1891, color drypoint, softground etching, and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1068 James McNeill Whistler, San Giorgio, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3178 R. B. Kitaj, The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32842 Irving Petlin, Skin from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32583 Vija Celmins, Starfield, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01160 Mary Cassatt, The Coiffure, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5933 James McNeill Whistler, Wheelwright, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3194 James McNeill Whistler, Garden, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3187 Josef Albers, Portfolio 2, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12212 Andy Warhol, Birmingham Race Riot, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77809 George Canning Wales, The Fore Chains, 1922, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6303 Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824 Josef Albers, Portfolio 2, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12202 James McNeill Whistler, The Beggars, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3171 Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506 Joseph Pennell, The Temple of Concord on the Wall, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9665 Vija Celmins, Web Ladder, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01155 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5911 James McNeill Whistler, Drury Lane, c. 1880/1881, etching in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3198 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77080 Mary Cassatt, Mother's Kiss, 1890–1891, drypoint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5926 Timothy Cole, Lowlands, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5973 Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829 Joseph Pennell, Peace and War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9630 Joseph Pennell, Doorway, Wyck, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9591 Joseph Pennell, The Transept, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9577 Mary Cassatt, The Letter, 1890–1891, color drypoint, softground etching, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5938 Vija Celmins, Falling Stars, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01158 Josef Albers, Portfolio 2, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12196 Josef Albers, Portfolio 2, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12193 Mary Cassatt, Peasant Mother and Child, c. 1894, color drypoint and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5924 Joseph Pennell, Building the Bismarck, Hamburg, 1914, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9674 Louise Nevelson, Unbound plate from Nevelson's World, 1983, Screenprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18247 Vija Celmins, Night Sky Woodcut, 1997, Woodcut on paper mounted on paper, Tate, London. https://dartabase.art/cite/tate/AR00480 Joseph Pennell, Building Submarine Chasers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9605 Josef Albers, Portfolio 2, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12223 R. B. Kitaj, Republic of the Southern Cross from the portfolio Mahler Becomes Politics, Beisbol, 1965, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32849 Joseph Pennell, The Temple of Concord on the Wall, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9582 Josef Albers, Portfolio 1, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12141 Joseph Pennell, Down and Up the Hills to the Bay, San Francisco, 1912, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9572 Josef Albers, Portfolio 1, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12147 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6082 Josef Albers, Portfolio 2, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12198 Troy Kinney, Swallows, 1919, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8101 Josef Albers, Portfolio 1, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12159 Joseph Pennell, The Little Men of the Big Hammer, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9597 Josef Albers, Portfolio 2, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12197 Joseph Pennell, The Union League, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9689 Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5932 Josef Albers, Portfolio 2, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12217 Joseph Pennell, Unloading Ore, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9606 Joseph Pennell, City Hall Square and Wanamaker Building, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9647 Louise Bourgeois, Boy and Girl, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77695 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5910 Joseph Pennell, The Forges, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9702 Andy Warhol, A Is an Alphabet, 1953, Portfolio of 26 offset lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14230 Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837 Joseph Pennell, Broad St. Station, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9642 Landès Lewitin, Innocence in a Labyrinth, 1940, Cut-and-pasted colored photo-engravings, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33033 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07123 Joseph Pennell, The Bright Angel Trail, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9599 Frank Duveneck, Riva degli Schiavoni, No. 2, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6819 James McNeill Whistler, Salute Dawn, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3192 Joseph Pennell, Cutting and Turning a Big Gun, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9658 Louise Bourgeois, Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11007 Childe Hassam, The Chase House, 1929, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7738 Timothy Cole, The Mill, 1920, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5967 Louise Bourgeois, Tree with Woman, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78623 Timothy Cole, Theodore Roosevelt, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5976 Josef Albers, Portfolio 1, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12146 Louise Bourgeois, Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11005 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128086 Josef Albers, Portfolio 1, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12153 Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468 Mary Cassatt, Gathering Fruit, c. 1893, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5931 Joseph Pennell, Westminster, Evening, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9569 Joseph Pennell, Columns of the Temple of Juno, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9666 Charles Hinman, Artists and Writers Protest against the War in Vietnam, 1966–67, published 1967, Portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching; plus supplemental volume of eighteen letterpress prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32582 Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5939 Joseph Pennell, Four-Story House, 1904, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1088 Josef Albers, Portfolio 2, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12204 Josef Albers, Portfolio 1, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12165 Louise Bourgeois, Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11004 Josef Albers, Portfolio 1, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12161 Jim Dine, Cold Key West Winter, Summer 1983, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37729 Louise Bourgeois, Sculptress, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77690 Louise Bourgeois, Tree with Trunk, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78622 Joseph Pennell, The Approach to Gatun Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1093 Joseph Pennell, Gleisdreieck, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9609 Joseph Pennell, Made in Germany, the Great Crane, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9638 Joseph Pennell, Making Rifles, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9701 James McNeill Whistler, The Manager's Window, Gaiety Theatre, 1896, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6304 Josef Albers, Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12166 Joseph Pennell, Power-House, Berlin, 1914, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9614 Josef Albers, Portfolio 2, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12213 Romare Bearden, Music on the Gallery, 1975, Monotype with pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32968 James McNeill Whistler, The Doorway, 1880, etching, drypoint and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5047 Mary Cassatt, Margot in a Floppy Bonnet Leaning against a Chair, c. 1902, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5944 Joseph Pennell, Brasserie, Au Lion Rouge, 1893, etching on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9573 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77081 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07125 Josef Albers, Portfolio 1, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12139 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37735 John Sloan, Turning out the Light, 1905, Etching in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23599 Louise Bourgeois, Amputee, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78625 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128088 Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07121 Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831 James McNeill Whistler, The Long Gallery, Louvre, 1894, lithograph in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/890 Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint with touches of gold metallic paint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5918 Vija Celmins, Untitled (Web 3), 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00478 Charles Cajori, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32591 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07729 Vija Celmins, Drypoint - Ocean Surface, 1983, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00467 Josef Albers, Portfolio 1, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12142 Joseph Pennell, The Ferry House, 1919, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1087 Louise Bourgeois, Blue Dress, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78628 Joseph Pennell, The Shell Factory, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9655 Claes Oldenburg, Hamburger, 1962, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36331 Joseph Pennell, The Bay of the Thousand Girls, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9667 Joseph Pennell, The Prow, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9661 Thomas Nast, Tilden or Blood Compromise - Indeed!, 1877, Wood engraving on paper; Sheet: 29.7 × 42.1cm (11 11/16 × 16 9/16"); Image: 24.9 × 34.1cm (9 13/16 × 13 7/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803922-1 James McNeill Whistler, The Rialto, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3188 Joseph Pennell, Building Destroyers, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9700 Josef Albers, Portfolio 2, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12201 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77078 R. B. Kitaj, His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol, 1966, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32851 Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827 Joseph Pennell, The Sea Lord's Yard / The Walls of Miraflores Lock, c. 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9604 James McNeill Whistler, The Little Mast, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3163 Louise Nevelson, Composition from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32597 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07124 Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6181 Childe Hassam, Washington's Headquarters near Valley Forge, 1926, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1084 Josef Albers, Portfolio 2, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12216 James McNeill Whistler, Nocturne: Palaces, 1879/1880, etching and drypoint in brownish-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3179 Jules Pascin, George Biddle and Jane Belo, (1927–28), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35206 Joseph Pennell, Table and Chair, Signers' Room, Independence Hall, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9697 Timothy Cole, Dr. Pasteur, 1925, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5977 Louise Bourgeois, Amputee with Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78627 Mary Cassatt, In the Omnibus, 1890–1891, drypoint and aquatint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5927 Louise Bourgeois, Untitled (Safety Pins), 1991, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77679 Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826 Frank Duveneck, Riva degli Schiavoni, No. 1, 1880, etching and roulette in black with chine collé on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6820 Joseph Pennell, Planing Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9668 Josef Albers, Portfolio 2, Folder 10 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12200 Vija Celmins, Constellation - Uccello, 1983, Aquatint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00606 Joseph Pennell, The Jungle, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1091 Jim Dine, Cold Key West Winter, 1981, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37726 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128090 R. B. Kitaj, I’ve Balled Every Waitress in this Club from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32852 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07122 Joseph Pennell, The Cauldrons, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9625 Louise Bourgeois, Tree with Red Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78629 Joseph Pennell, Making Armour-Plate, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9646 Josef Albers, Portfolio 2, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12222 Louise Bourgeois, Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11003 James McNeill Whistler, The Piazzetta, 1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3167 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6083 Josef Albers, Portfolio 2, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12214 Joseph Pennell, Girard Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9644 Allan D'Arcangelo, Dipped from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32593 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128089 Josef Albers, Portfolio 1, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12150 Josef Albers, Portfolio 1, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12143 Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832 Childe Hassam, Independence Hall, 1926, drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1081 Joseph Pennell, Book-Room at Dr. Wister's, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9587 Josef Albers, Portfolio 1, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12163 Joseph Pennell, New York Stock Exchange, 1923, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9575 Josef Albers, Portfolio 1, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12151 Joseph Pennell, Ready to Start, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9663 Joseph Pennell, Liberty Bell, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9696 Brice Marden, [Untitled], 1964–65, Charcoal, pencil, and colored pencil over screenprint on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38158 James McNeill Whistler, Nocturne, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3162 Joseph Pennell, The Urns, Casting Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9637 Thomas Nast, A Midsummer-Night's Dream Nomination, published July 3, 1880, Wood engraving on paper; Image: 34 × 23.8 cm (13 3/8 × 9 3/8"); Sheet: 39.9 × 26.4 cm (15 11/16 × 10 3/8"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399756728-1643399803923-1 Joseph Pennell, Building the Battleship, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9596 Vija Celmins, Reverse Galaxy, 2010, Etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01157 Joseph Pennell, Oberbaum-Brucke, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9601 James McNeill Whistler, The Bridge, Santa Marta, 1879/1880, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3181 Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777 Mary Cassatt, Reine and Margot Seated on a Sofa (No. 2), c. 1902, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5941 Mary Cassatt, The Bath, 1890–1891, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5912 R. B. Kitaj, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32845 Mary Cassatt, In the Omnibus, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5928 Claes Oldenburg, Self Portrait, 1958, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35800 Joseph Pennell, Oil Refining, Whiting, Indiana, 1915, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9623 James McNeill Whistler, Two Doorways, 1880, etching and drypoint in dark brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3170 Mary Cassatt, Afternoon Tea Party, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5919 Joseph Pennell, The Great Tower: Pig-Iron, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9626 Joseph Pennell, In the Jaws of Death, Rolling Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9628 Joseph Pennell, Down Sansom Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9639 Joseph Pennell, The Cut, Looking toward Ancon Hill, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9619 Joseph Pennell, Munition Works, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9621 Joseph Pennell, Coronation of King George V and Queen Mary in Westminster Abbey, 1911, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9682 Josef Albers, Portfolio 1, Folder 28 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12162 Joseph Pennell, The Old Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9656 Mary Cassatt, Gathering Fruit, c. 1893, drypoint and softground etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5930 Joseph Pennell, The Treasury of Athens, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9671 Mary Cassatt, The Lamp, 1890–1891, color drypoint, softground etching, and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5937 Mary Cassatt, The Bath, 1890–1891, color drypoint, softground etching, and aquatint on Japanese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5913