Joseph Pennell, Temple over the Canon, Segesta, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9622 Josef Albers, Portfolio 2, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12210 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Vija Celmins, Untitled (Web 4), 2002, Photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00479 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07127 Joseph Pennell, The Fallen Column, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9676 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Terry Winters, Fourteen Etchings 7, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9835 Josef Albers, Portfolio 2, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12203 Childe Hassam, The Church at Old Lyme, 1924, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1080 Joseph Pennell, Hallway at Dr. Wister's, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9586 Joseph Pennell, Making Propeller Blades, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9595 Joseph Pennell, The Walled City, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9603 R. B. Kitaj, In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32853 Josef Albers, Portfolio 2, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12208 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Joseph Pennell, The Little Fete, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9690 Joseph Pennell, Building the Camp, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9677 Edward Timothy Hurley, Electrical Building at Night, Chicago Fair, 1933, 1933, aquatint; 12 3/8 x 9 1/8 in. (31.4 x 23.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047221-0 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37732 Joseph Pennell, New York from Brooklyn, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9695 Joseph Pennell, The Mystery of the Mist, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9652 Vija Celmins, Concentric Bearings D, 1985, Mezzotint, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00470 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Vija Celmins, Jupiter Moon - Constellation, 1983, Mezzotint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00481 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37733 Adja Yunkers, Aegean I from Artists and Writers Protest against the War in Vietnam, 1966, published 1967, Lithograph with embossing from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32589 Joseph Pennell, London Night, Whiskey and Tea, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9571 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Vija Celmins, Concentric Bearings B, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00482 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77077 Vija Celmins, Night Sky 3, 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00485 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07726 Vija Celmins, Dark Galaxy, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01159 Joseph Pennell, Shaping a Gun from an Ingot, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9692 Terry Winters, Fourteen Etchings 8, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9836 Joseph Pennell, Finishing Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9593 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07129 Josef Albers, Portfolio 1, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12158 Louise Bourgeois, Paternity, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77685 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Joseph Pennell, Seats of the Mighty, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9673 Joseph Pennell, Paestum, Evening, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9581 Joseph Pennell, In the Land of Iron and Steel, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9643 Josef Albers, Portfolio 1, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12155 Louise Bourgeois, Tree with Shoes, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78624 Joseph Pennell, Shell Factory, No.II, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9699 Louise Bourgeois, Sleeping Man, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77688 Joseph Pennell, Fitting Guns in Turrets, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9615 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07727 Louise Bourgeois, Sewing, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77683 Joseph Pennell, Laying the Floor of Pedro Muguel Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1092 Josef Albers, Portfolio 1, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12138 Joseph Pennell, American Tivoli, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9651 Josef Albers, Portfolio 2, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12207 Mary Cassatt, Kneeling in an Armchair, c. 1903, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1065 Louise Bourgeois, Amputee with Peg Leg, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78626 Edward Timothy Hurley, City Towers (Chicago River), 1934, aquatint on paper; plate: 9 x 11 7/8 in. (23.0 x 30.3 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047220-0 George Bellows, Election Night Times Square, 1906, Charcoal, lithographic crayon, conte crayon, and ink on paper; 18 3/16 x 26 in. (46.1 x 66 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399858502-0 Childe Hassam, Portsmouth Doorway, 1916, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1082 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Terry Winters, Fourteen Etchings 2, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9830 László Moholy-Nagy, Jolan Simon, (1919–20), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33277 Joseph Pennell, The Iron Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9683 Josef Albers, Portfolio 1, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12156 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37730 Vija Celmins, Ocean Surface Wood Engraving 2000, 2000, Wood engraving on paper, Tate, London. https://dartabase.art/cite/tate/AR00473 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Marcel Duchamp, Monte Carlo Bond (No. 12), 1924, Cut-and-pasted gelatin silver prints on lithograph with letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32984 Louise Bourgeois, Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, monotype, and embossing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11000 Josef Albers, Portfolio 1, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12135 Joseph Pennell, Five O'Clock, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9688 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Terry Winters, Fourteen Etchings 10, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9825 Leon Golub, Killed Youth from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32595 R. B. Kitaj, Hellebore for Georg Trakl from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32843 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07732 Vija Celmins, Concentric Bearings A, 1984, Aquatint, photo-etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00469 Louise Bourgeois, Children in Tub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77694 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07130 R. B. Kitaj, The Gay Science from the portfolio Mahler Becomes Politics, Beisbol, 1965, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32841 Joseph Pennell, The Dining Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9592 Josef Albers, Portfolio 1, Folder 18 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12152 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77076 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07733 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07734 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07725 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07128 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Josef Albers, Portfolio 2, Folder 21 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12211 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Louise Bourgeois, Toilette, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77682 Jack Sonenberg, Literal Dimensions from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint with die-cut and collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32585 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Joseph Pennell, The Temple of Nike, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9624 Edward Timothy Hurley, Untitled--bridge, 1914, printed 1916, etching on paper; plate: 12 x 7 7/8 in. (30.5 x 20.0 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047224-0 Joseph Pennell, Ready for Service Again, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9678 Edward Timothy Hurley, Fountain Square: Night (Cincinnati), 1921, aquatint and etching on paper; 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047222-0 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07728 Joseph Pennell, Venice, Rebuilding the Campanile, 1911, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9687 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Joseph Pennell, The Odeon, Athens, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9675 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Louise Bourgeois, Tree, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78621 Joseph Pennell, The Square, Independence Square, Philadelphia, 1920, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9574 Jim Dine, Self-Portrait in a Flat Cap (Winter), first state, 1974, Etching in black on ivory handmade paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48324 Joseph Pennell, Munitions City, No.I, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9631 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77073 Josef Albers, Portfolio 1, Folder 20 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12154 Joseph Pennell, La Place, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9576 Joseph Pennell, The Wine-Dark Sea, Sunium, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9670 Josef Albers, Portfolio 2, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12199 Joseph Pennell, Looking up Broad Street from Spruce Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9640 Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77689 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 R. B. Kitaj, What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol, 1964, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32847 Joseph Pennell, Munition Town, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9650 Joseph Pennell, The Upper-room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9588 Joseph Pennell, Tracks, Oberhausen, 1910, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1090 Vija Celmins, Ocean Surface Woodcut 1992, 1992, Woodcut on paper, Tate, London. https://dartabase.art/cite/tate/AR00484 Joseph Pennell, The Old Shipyard, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9680 Vija Celmins, Night Sky 1 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00474 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Louise Bourgeois, Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint and roulette, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11006 Joseph Pennell, The Ants, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9662 Joseph Pennell, Aetna Over Taormina, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9685 Joseph Pennell, The Gun Forge, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9633 Mary Cassatt, The Crocheting Lesson, c. 1902, drypoint on light blue laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5942 Josef Albers, Portfolio 2, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12195 Terry Winters, Fourteen Etchings 6, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9834 Joseph Pennell, The Temple by the Sea, Temple of Concord, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9583 Joseph Pennell, The Guard Gate, Gatun Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9620 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Joseph Pennell, The Girard Trust Company, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9641 Joseph Pennell, The Keel, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9613 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Josef Albers, Portfolio 1, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12157 Rudolf Baranik, White-Out from Artists and Writers Protest against the War in Vietnam, 1967, Etching from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32581 Joseph Pennell, The Biggest Lathe in the World, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9703 Andy Warhol, Black Bean, 1968, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07242 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77082 Joseph Pennell, The City Hall and Bridge across Market Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9686 Louise Bourgeois, Scissors, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77686 Joseph Pennell, West Door, St. Paul's, 1903, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9578 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128085 Vija Celmins, Untitled Portfolio: Galaxy, 1975, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00605 Josef Albers, Portfolio 1, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12145 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Joseph Pennell, The Hall, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9617 Josef Albers, Portfolio 1, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12167 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77075 R. B. Kitaj, Let Us Call It Arden / And Live In It! from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32844 Timothy Cole, Thomas Jefferson, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5972 Joseph Pennell, Making a Turbine Engine, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9704 Vija Celmins, Untitled (Web 2), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00477 Timothy Cole, Rodin, 1926, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5974 Edward Hopper, Evening Wind, 1921, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7779 Joseph Pennell, Shell Factory, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9691 David Weinrib, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32588 Robert Rauschenberg, Traces Suspectes en Surface, 1972–78, published 1978, Illustrated book with twenty-six lithographs (including four colophon pages), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10721 Joseph Pennell, Battleship Coming Home, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9664 Josef Albers, Portfolio 2, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12209 Joseph Pennell, Drawing Room at Cliveden, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9589 Joseph Pennell, The Transports, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9598 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Joseph Pennell, The Acolytes Preparing the Altar of the War God, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9645 R. B. Kitaj, For Fear from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32846 Joseph Pennell, Within the Furnaces, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9629 Joseph Pennell, The Coal Mine, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9627 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07731 George Sugarman, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32586 Joseph Pennell, The Big Gate of the Big Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9649 Louise Bourgeois, Empty Nest, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77692 Josef Albers, Portfolio 1, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12160 Josef Albers, Portfolio 2, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12221 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Josef Albers, Portfolio 1, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12140 Joseph Pennell, Bottling the Big Shell, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9669 Josef Albers, Portfolio 2, Folder 1 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12191 Joseph Pennell, Night in the Yosemite, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9600 Joseph Pennell, The Gantry, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9634 Josef Albers, Portfolio 2, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12220 William Copley, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32592 Vija Celmins, Alliance, 1983, Aquatint, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01161 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37734 Joseph Pennell, The White and Black Hammers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9660 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Josef Albers, Portfolio 1, Folder 30 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12164 Abraham Walkowitz, Figure Sketch, 1900–1908, Monotype on paper; sheet: 10 5/16 × 13 5/8 in. (26.2 × 34 cm) image: 8 7/8 × 11 7/8 in. (22.6 × 30.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863569-1 Joseph Pennell, Sunrise Behind Temple of Concord, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9584 Mark di Suvero, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32594 Timothy Cole, Abraham Lincoln, 1919, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5968 Joseph Pennell, Gun-Testing, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9632 Joseph Pennell, Hallway to Bed Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9585 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Louise Bourgeois, Woman with Suitcase, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77693 Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9612 Paul Burlin, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32590 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77074 Josef Albers, Portfolio 1, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12149 Josef Albers, Portfolio 2, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12192 Vija Celmins, Mount Holyoke, 1987, Etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00471 Josef Albers, Portfolio 2, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12206 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Joseph Pennell, Signers' Room, Independence Hall, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9698 Josef Albers, Portfolio 2, Folder 4 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12194 Louise Bourgeois, Woman in Bathtub, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77691 Joseph Pennell, Steel Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9681 Vija Celmins, Divided Night Sky, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01156 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Timothy Cole, Abraham Lincoln, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5969 R. B. Kitaj, Glue-Words from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32854 R. B. Kitaj, The Flood of Laymen from the portfolio Mahler Becomes Politics, Beisbol, 1967, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32850 Joseph Pennell, Gas Works from the Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9611 Josef Albers, Portfolio 1, Folder 2 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12136 Timothy Cole, Alexander Hamilton, 1922, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5970 Louise Bourgeois, Birth, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77684 Vija Celmins, Untitled (Web 1), 2001, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00476 Joseph Pennell, Evening in the Munitions Country, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9594 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37736 Josef Albers, Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12218 Josef Albers, Portfolio 2, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12215 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Edward Timothy Hurley, Memories of the Fair, 1934, aquatint; 9 x 12 in. (22.9 x 30.5 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047223-1 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37728 Josef Albers, Portfolio 2, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12219 Joseph Pennell, Niagara Rainbows, 1910, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9653 Abraham Walkowitz, Untitled (One Of Six Prints), 1903–1925, Etching on paper; sheet: 9 × 11 1/2 in. (22.9 × 29.2 cm) image: 4 × 6 in. (10.2 × 15.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399863584-0 Terry Winters, Fourteen Etchings 13, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9828 Josef Albers, Portfolio 2, Folder 15 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12205 Joseph Pennell, Building the Freidrich-Strasse Station, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9602 Joseph Pennell, The Shops at Night, Changing Shifts, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9616 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07730 Vija Celmins, Night Sky 2 Reversed, 2002, Photo-etching, aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00475 Joseph Pennell, The Collier, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9693 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77079 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Childe Hassam, A Vermont Village, 1923, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1083 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Joseph Pennell, The New Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9635 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Joseph Pennell, Munitions River, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9648 Joseph Pennell, Building Destroyers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9679 Louise Bourgeois, Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11002 Vija Celmins, Concentric Bearings C, 1984, Aquatint, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00483 Timothy Cole, Woodrow Wilson, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5971 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128087 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07126 Carol Summers, Kill for Peace from Artists and Writers against the War in Vietnam, 1967, Screenprint with punched holes from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32587 Joseph Pennell, The Gun Shop, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9659 Joseph Pennell, The Basilica of War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9657 Louise Bourgeois, Untitled, plate 3 of 9, from the portfolio, Ode à ma mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11001 Ad Reinhardt, Untitled from Artists and Writers against the War in Vietnam, 1967, Screenprint with collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32584 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Joseph Pennell, Under the Shed, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9607 Joseph Pennell, Landwehr Canal, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9608 Louise Bourgeois, Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10998 Edward Timothy Hurley, Kentucky Barnyard, 1935, etching and aquatint on paper; plate: 11 3/4 x 7 7/8 in. (29.8 x 20.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047223-0 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37731 Joseph Pennell, The Woolworth Building, 1915, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1089 Louise Bourgeois, Woman and Clock, 1994, Drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77687 Robert Rauschenberg, The Razorback Bunch (Etching I), 1980, Color photoetching from three plates on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104345 Joseph Pennell, Casting Shells, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9654 Joseph Pennell, The Great Gulf, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9610 Joseph Pennell, Bed Room, Stenton, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9590 Edward Timothy Hurley, Electrical Fountain, Chicago Fair, 1934, 1934, aquatint on paper; plate: 11 7/8 x 8 1/2 in. (30.3 x 21.6 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381047221-1 Josef Albers, Portfolio 1, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12148 Joseph Pennell, The Hall at Cliveden, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9618 Joseph Pennell, The Shining Rocks, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9672 R. B. Kitaj, Nerves, Massage, Defeat, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32848 R. B. Kitaj, Go and Get Killed Comrade - We Need a Byron in the Movement from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32855 Joseph Pennell, Entrance to the Canal from the Pacific, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9684 Josef Albers, Portfolio 1, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12137 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Joseph Pennell, Mid-day, General Electric Works, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9694 Charles Hinman, Red Figure from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32596 Joseph Pennell, The Presses, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9636 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 R. B. Kitaj, The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32842 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Irving Petlin, Skin from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32583 Vija Celmins, Starfield, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01160 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Josef Albers, Portfolio 2, Folder 22 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12212 Andy Warhol, Birmingham Race Riot, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77809 George Canning Wales, The Fore Chains, 1922, etching and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6303 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Terry Winters, Fourteen Etchings, 1989, Portfolio of fourteen etching and aquatints, thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9824 Josef Albers, Portfolio 2, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12202 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Joseph Pennell, The Temple of Concord on the Wall, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9665 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Vija Celmins, Web Ladder, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01155 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77080 Timothy Cole, Lowlands, 1918, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5973 Terry Winters, Fourteen Etchings 14, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9829 Joseph Pennell, Peace and War, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9630 Joseph Pennell, Doorway, Wyck, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9591 Joseph Pennell, The Transept, Beauvais, 1907, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9577 Vija Celmins, Falling Stars, 2010, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR01158 Josef Albers, Portfolio 2, Folder 6 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12196 Josef Albers, Portfolio 2, Folder 3 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12193 Joseph Pennell, Building the Bismarck, Hamburg, 1914, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9674 Louise Nevelson, Unbound plate from Nevelson's World, 1983, Screenprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18247 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Vija Celmins, Night Sky Woodcut, 1997, Woodcut on paper mounted on paper, Tate, London. https://dartabase.art/cite/tate/AR00480 Joseph Pennell, Building Submarine Chasers, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9605 Josef Albers, Portfolio 2, Folder 33 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12223 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 R. B. Kitaj, Republic of the Southern Cross from the portfolio Mahler Becomes Politics, Beisbol, 1965, Screenprint with varnish additions from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32849 Joseph Pennell, The Temple of Concord on the Wall, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9582 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Josef Albers, Portfolio 1, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12141 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Joseph Pennell, Down and Up the Hills to the Bay, San Francisco, 1912, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9572 Josef Albers, Portfolio 1, Folder 13 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12147 Josef Albers, Portfolio 2, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12198 Troy Kinney, Swallows, 1919, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8101 Josef Albers, Portfolio 1, Folder 25 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12159 Joseph Pennell, The Little Men of the Big Hammer, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9597 Josef Albers, Portfolio 2, Folder 7 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12197 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Joseph Pennell, The Union League, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9689 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Josef Albers, Portfolio 2, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12217 Joseph Pennell, Unloading Ore, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9606 Joseph Pennell, City Hall Square and Wanamaker Building, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9647 Louise Bourgeois, Boy and Girl, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77695 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Joseph Pennell, The Forges, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9702 Andy Warhol, A Is an Alphabet, 1953, Portfolio of 26 offset lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14230 Terry Winters, Fourteen Etchings 9, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9837 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Joseph Pennell, Broad St. Station, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9642 Landès Lewitin, Innocence in a Labyrinth, 1940, Cut-and-pasted colored photo-engravings, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33033 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07123 Joseph Pennell, The Bright Angel Trail, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9599 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Joseph Pennell, Cutting and Turning a Big Gun, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9658 Louise Bourgeois, Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11007 Childe Hassam, The Chase House, 1929, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7738 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Timothy Cole, The Mill, 1920, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5967 Louise Bourgeois, Tree with Woman, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78623 Timothy Cole, Theodore Roosevelt, 1928, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5976 Josef Albers, Portfolio 1, Folder 12 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12146 Louise Bourgeois, Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11005 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128086 Josef Albers, Portfolio 1, Folder 19 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12153 Vija Celmins, December 1984, 1985, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/AR00468 Joseph Pennell, Westminster, Evening, 1909, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9569 Joseph Pennell, Columns of the Temple of Juno, Girgenti, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9666 Charles Hinman, Artists and Writers Protest against the War in Vietnam, 1966–67, published 1967, Portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching; plus supplemental volume of eighteen letterpress prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32582 Joseph Pennell, Four-Story House, 1904, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1088 Josef Albers, Portfolio 2, Folder 14 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12204 Josef Albers, Portfolio 1, Folder 31 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12165 Louise Bourgeois, Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11004 Josef Albers, Portfolio 1, Folder 27 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12161 Jim Dine, Cold Key West Winter, Summer 1983, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37729 Louise Bourgeois, Sculptress, 1994, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77690 Louise Bourgeois, Tree with Trunk, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78622 Joseph Pennell, The Approach to Gatun Lock, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1093 Joseph Pennell, Gleisdreieck, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9609 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Joseph Pennell, Made in Germany, the Great Crane, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9638 Joseph Pennell, Making Rifles, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9701 Josef Albers, Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12166 Joseph Pennell, Power-House, Berlin, 1914, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9614 Josef Albers, Portfolio 2, Folder 23 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12213 Romare Bearden, Music on the Gallery, 1975, Monotype with pencil additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32968 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Mary Cassatt, Margot in a Floppy Bonnet Leaning against a Chair, c. 1902, drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5944 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77081 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07125 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Josef Albers, Portfolio 1, Folder 5 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12139 Jim Dine, Cold Key West Winter, (1981–83), Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37735 John Sloan, Turning out the Light, 1905, Etching in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23599 Louise Bourgeois, Amputee, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78625 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128088 Terry Winters, Fourteen Etchings 1, 1989, One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9823 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07121 Terry Winters, Fourteen Etchings 3, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9831 Vija Celmins, Untitled (Web 3), 2002, Aquatint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00478 Charles Cajori, Untitled from Artists and Writers Protest against the War in Vietnam, 1967, Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32591 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Andy Warhol, [no title], 1971, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07729 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Vija Celmins, Drypoint - Ocean Surface, 1983, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR00467 Josef Albers, Portfolio 1, Folder 8 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12142 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Joseph Pennell, The Ferry House, 1919, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1087 Louise Bourgeois, Blue Dress, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78628 Joseph Pennell, The Shell Factory, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9655 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Claes Oldenburg, Hamburger, 1962, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36331 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Joseph Pennell, The Bay of the Thousand Girls, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9667 Joseph Pennell, The Prow, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9661 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Joseph Pennell, Building Destroyers, No.I, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9700 Josef Albers, Portfolio 2, Folder 11 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12201 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Andy Warhol, [no title], 1972, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P77078 R. B. Kitaj, His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol, 1966, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32851 Terry Winters, Fourteen Etchings 12, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9827 Joseph Pennell, The Sea Lord's Yard / The Walls of Miraflores Lock, c. 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9604 Louise Nevelson, Composition from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32597 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07124 Terry Winters, Fourteen Etchings 5, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9833 Childe Hassam, Washington's Headquarters near Valley Forge, 1926, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1084 Josef Albers, Portfolio 2, Folder 26 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12216 Jules Pascin, George Biddle and Jane Belo, (1927–28), Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35206 Joseph Pennell, Table and Chair, Signers' Room, Independence Hall, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9697 Timothy Cole, Dr. Pasteur, 1925, wood engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5977 Louise Bourgeois, Amputee with Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78627 Louise Bourgeois, Untitled (Safety Pins), 1991, Drypoint on paper, Tate, London. https://dartabase.art/cite/tate/P77679 Terry Winters, Fourteen Etchings 11, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9826 Joseph Pennell, Planing Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9668 Josef Albers, Portfolio 2, Folder 10 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12200 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Vija Celmins, Constellation - Uccello, 1983, Aquatint and etching on paper, Tate, London. https://dartabase.art/cite/tate/AR00606 Joseph Pennell, The Jungle, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1091 Jim Dine, Cold Key West Winter, 1981, Charcoal and lithographic crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37726 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128090 R. B. Kitaj, I’ve Balled Every Waitress in this Club from the portfolio Mahler Becomes Politics, Beisbol, 1967, Screenprint with collage from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32852 Andy Warhol, [no title], 1967, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P07122 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Joseph Pennell, The Cauldrons, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9625 Louise Bourgeois, Tree with Red Crutch, 1998, Etching, drypoint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P78629 Joseph Pennell, Making Armour-Plate, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9646 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Josef Albers, Portfolio 2, Folder 32 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12222 Louise Bourgeois, Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère, 1995, Drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11003 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Josef Albers, Portfolio 2, Folder 24 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12214 Joseph Pennell, Girard Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9644 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Allan D'Arcangelo, Dipped from Artists and Writers Protest against the War in Vietnam, 1967, Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32593 László Moholy-Nagy, Untitled, from Konstruktionen: Kestnermappe 6 (Constructions: Kestner Portfolio 6), 1923, Color lithograph on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/128089 Josef Albers, Portfolio 1, Folder 16 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12150 Josef Albers, Portfolio 1, Folder 9 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12143 Terry Winters, Fourteen Etchings 4, 1989, One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9832 Childe Hassam, Independence Hall, 1926, drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1081 Joseph Pennell, Book-Room at Dr. Wister's, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9587 Josef Albers, Portfolio 1, Folder 29 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12163 Joseph Pennell, New York Stock Exchange, 1923, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9575 Josef Albers, Portfolio 1, Folder 17 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12151 Joseph Pennell, Ready to Start, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9663 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Joseph Pennell, Liberty Bell, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9696 Brice Marden, [Untitled], 1964–65, Charcoal, pencil, and colored pencil over screenprint on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38158 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Joseph Pennell, The Urns, Casting Big Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9637 Joseph Pennell, Building the Battleship, 1917, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9596 Vija Celmins, Reverse Galaxy, 2010, Etching and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/AR01157 Joseph Pennell, Oberbaum-Brucke, Berlin, 1921, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9601 Jack Beal, Self-Portrait Drawing (One Hand), 1964, Etching in black on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/28777 Mary Cassatt, Reine and Margot Seated on a Sofa (No. 2), c. 1902, drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5941 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 R. B. Kitaj, Heart from the portfolio Mahler Becomes Politics, Beisbol, 1966, One from a portfolio of fifteen screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32845 Claes Oldenburg, Self Portrait, 1958, Lithographic crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35800 Joseph Pennell, Oil Refining, Whiting, Indiana, 1915, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9623 Joseph Pennell, The Great Tower: Pig-Iron, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9626 Joseph Pennell, In the Jaws of Death, Rolling Bars for Shells, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9628 Joseph Pennell, Down Sansom Street, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9639 Joseph Pennell, The Cut, Looking toward Ancon Hill, 1912, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9619 Joseph Pennell, Munition Works, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9621 Joseph Pennell, Coronation of King George V and Queen Mary in Westminster Abbey, 1911, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9682 Josef Albers, Portfolio 1, Folder 28 from Formulation: Articulation, 1972, Screenprinted folder from a two-part portfolio of 66 screenprinted folders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12162 Joseph Pennell, The Old Gun-Pit, 1916, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9656 Joseph Pennell, The Treasury of Athens, Delphi, 1913, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9671