Joseph Mallord William Turner, Mill near the Grand Chartreuse, engraved by Henry Dawe, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01115 Joseph Mallord William Turner, Dunblane Abbey, Scotland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01117 Joseph Mallord William Turner, St Catherine’s Hill near Guildford, engraved by J.C. Easling, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00977 Joseph Mallord William Turner, From Spenser’s Fairy Queen, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00982 Joseph Mallord William Turner, Near Blair Athol, Scotland, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00970 Théodore Géricault, The Flemish Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7355 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Eugène Delacroix, Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère), 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6495 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Joseph Mallord William Turner, Young Anglers, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00974 Joseph Mallord William Turner, Calm, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00999 Joseph Mallord William Turner, The Tenth Plague of Egypt, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01127 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Joseph Mallord William Turner, Norham Castle on the Tweed, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01120 Joseph Mallord William Turner, The Mildmay Sea-piece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00990 Joseph Mallord William Turner, Juvenile Tricks, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00954 Joseph Mallord William Turner, Holy Island Cathedral, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00931 Joseph Mallord William Turner, The Watercress Gatherers, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01129 Joseph Mallord William Turner, Flounder Fishing, Battersea, date not known, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01157 Joseph Mallord William Turner, Bridge and Goats, engraved by F.C. Lewis, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00997 Joseph Mallord William Turner, Morpeth, Northumberland, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00952 Joseph Mallord William Turner, Isis, engraved by William Say, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01143 Joseph Mallord William Turner, Near Blair Athol Scotland, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00971 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01126 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Joseph Mallord William Turner, Little Devil’s Bridge, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00948 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Joseph Mallord William Turner, St Catherine’s Hill, near Guildford, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00976 Joseph Mallord William Turner, Lake Thun, Switzerland, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00939 Joseph Mallord William Turner, Scene in the Campagna, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/876 Joseph Mallord William Turner, Rispah, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01002 Joseph Mallord William Turner, Frontispiece, 1812, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00911 Joseph Mallord William Turner, Procris and Cephalus, c.1811–2, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00992 Joseph Mallord William Turner, Juvenile Tricks, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00955 Joseph Mallord William Turner, The Source of the Arveron, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01125 Joseph Mallord William Turner, Isleworth, published 1819, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/883 Joseph Mallord William Turner, Martello Towers near Bexhill, Sussex, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00979 Joseph Mallord William Turner, Frontispiece, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00912 Joseph Mallord William Turner, Lauffenburgh on the Rhine, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00973 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01122 Joseph Mallord William Turner, Solitude, 1814, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01112 Joseph Mallord William Turner, Dunstanborough Castle, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00937 Eugène Delacroix, Young Tiger Playing with its Mother (Jeune tigre jouant avec sa mère), 1831, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6494 Joseph Mallord William Turner, Ben Arthur, Scotland, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01145 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01011 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01148 Joseph Mallord William Turner, Scene on the French Coast, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00918 Joseph Mallord William Turner, Peat Bog, Scotland, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01000 Joseph Mallord William Turner, Martello Towers, nr Bexhill, Sussex, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00978 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01132 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/874 Joseph Mallord William Turner, Entrance of Calais Harbour, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01116 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Joseph Mallord William Turner, The Bridge in Middle Distance, engraved by Charles Turner, 1808, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00936 Joseph Mallord William Turner, Hindhead Hill, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00960 Joseph Mallord William Turner, Woman and Tambourine, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00916 Joseph Mallord William Turner, Ville de Thun, engraved by Thomas Hodgetts, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01124 Joseph Mallord William Turner, Morpeth, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00953 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01012 Joseph Mallord William Turner, The Woman of Samaria, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/888 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Joseph Mallord William Turner, Water Mill, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00985 Joseph Mallord William Turner, Berry Pomeroy Castle, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01121 Joseph Mallord William Turner, Inverary Castle and Town, Scotland, engraved by Charles Turner, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01137 Joseph Mallord William Turner, Young Anglers, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00975 Théodore Géricault, A French Farrier, 1821, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7356 Joseph Mallord William Turner, Scene in the Campagna, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00987 Joseph Mallord William Turner, Jason, 1807, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/870 Joseph Mallord William Turner, The Strawyard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00923 Joseph Mallord William Turner, Isis, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01142 Joseph Mallord William Turner, Water-Mill, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00984 Joseph Mallord William Turner, Solway Moss, engraved by Thomas Lupton, 1816, Mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01188 Joseph Mallord William Turner, Coast of Yorkshire, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00959 Joseph Mallord William Turner, Jason, published 1807, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/871 Joseph Mallord William Turner, London from Greenwich, engraved by Charles Turner, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00963 Joseph Mallord William Turner, Coast of Yorkshire, near Whitby, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00958 Joseph Mallord William Turner, The Mildmay Sea Piece, engraved by Wiliam Annis and J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00991 Joseph Mallord William Turner, Solway Moss, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01015 Joseph Mallord William Turner, Lauffenburgh on the Rhine, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00972 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Joseph Mallord William Turner, Jason, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00922 Joseph Mallord William Turner, Winchelsea, Sussex, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00994 Joseph Mallord William Turner, Water Cress Gatherers, engraved by Thomas Lupton, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01130 Eugène Delacroix, Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre), c. 1828/1833, etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6496 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Joseph Mallord William Turner, Procris and Cephalus, engraved by George Clint, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00993 Joseph Mallord William Turner, Basle, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00919 Joseph Mallord William Turner, From Spenser’s Fairy Queen, engraved by Thomas Hodgetts, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00983 Joseph Mallord William Turner, Jason, 1807, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00921 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Joseph Mallord William Turner, Holy Island Cathedral, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00932 Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01008 Joseph Mallord William Turner, Mer de Glace, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01010 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00949 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Joseph Mallord William Turner, Norham Castle on the Tweed, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01119 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Joseph Mallord William Turner, Rispah, engraved by Robert Dunkarton, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01003 Joseph Mallord William Turner, Inverary Pier, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00980 Joseph Mallord William Turner, Rivaux Abbey, engraved by Henry Dawe, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01013 Joseph Mallord William Turner, Isleworth, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/882 Joseph Mallord William Turner, Inverary Pier. Loch Fyne. Morning, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00981 Joseph Mallord William Turner, Hedging and Ditching, published 1812, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/878 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Joseph Mallord William Turner, Ships in a Breeze, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00929 Joseph Mallord William Turner, London from Greenwich, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00962 Joseph Mallord William Turner, Hind Head Hill, engraved by Robert Dunkarton, 1811, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00961 Joseph Mallord William Turner, Junction of Severn and Wye, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00966 Joseph Mallord William Turner, The Tenth Plague of Egypt, engraved by William Say, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01128 Joseph Mallord William Turner, Christ and the Woman of Samaria, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01149 Joseph Mallord William Turner, Woman and Tambourine, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00915 Joseph Mallord William Turner, Pembury Mill, Kent, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00933 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Joseph Mallord William Turner, Interior of a Church, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01147 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Joseph Mallord William Turner, Hedging and Ditching, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01004 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01139 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Joseph Mallord William Turner, Mount St Gothard, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00927 Joseph Mallord William Turner, The Castle above the Meadows, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00925 Joseph Mallord William Turner, Mill near the Grand Chartreuse, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01114 Joseph Mallord William Turner, The Leader Sea Piece, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00951 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Benjamin West, Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/228259 Joseph Mallord William Turner, Windmill and Lock, 1811, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00964 Joseph Mallord William Turner, River Wye, engraved by W. Annis, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01007 Joseph Mallord William Turner, The Straw Yard, engraved by Charles Turner, 1808, Etching, mezzotint and drypoint on paper, Tate, London. https://dartabase.art/cite/tate/A00924 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Joseph Mallord William Turner, Mt St Gothard, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00928 Joseph Mallord William Turner, Moonlight at Sea, date not known, Mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01154 Joseph Mallord William Turner, Basle, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00920 Joseph Mallord William Turner, Rivaux Abbey, Yorkshire, 1812, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01014 Joseph Mallord William Turner, The Castle above the Meadows, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00926 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching and mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/881 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Joseph Mallord William Turner, Hedging and Ditching, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01005 Joseph Mallord William Turner, Ships in a Breeze, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00930 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, engraved by S.W. Reynolds, 1819, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01141 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Joseph Mallord William Turner, The Farm-yard with the Cock, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00944 Joseph Mallord William Turner, Chain of Alps from Grenoble to Chamberi, engraved by William Say, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01009 Joseph Mallord William Turner, Aesacus and Hesperie, 1819, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01138 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Joseph Mallord William Turner, The Fall of the Clyde, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00945 Joseph Mallord William Turner, Solitude, engraved by William Say, 1814, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01113 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Joseph Mallord William Turner, The Fifth Plague of Egypt, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00942 Joseph Mallord William Turner, Crypt of Kirkstall Abbey, c.1811–2, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A00988 Joseph Mallord William Turner, Little Devil’s Bridge, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00947 Joseph Mallord William Turner, Bridge and Cows, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00913 Joseph Mallord William Turner, Dunstanborough Castle, engraved by Charles Turner, 1808, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00938 Joseph Mallord William Turner, Marine Dabblers, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00969 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01134 Joseph Mallord William Turner, The Bridge in Middle Distance, published 1808, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/872 Joseph Mallord William Turner, The Crypt of Kirkstall Abbey, 1812, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00989 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01133 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Joseph Mallord William Turner, Pembury Mill, Kent, engraved by Charles Turner, 1808, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00934 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Joseph Mallord William Turner, The Bridge and Goats, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00996 Joseph Mallord William Turner, East Gate, Winchelsea, Sussex, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01140 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Joseph Mallord William Turner, The Junction of the Severn and the Wye, 1811, Etching, aquatint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00967 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Joseph Mallord William Turner, Junction of Severn and Wye, published 1811, etching, mezzotint, and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/875 Joseph Mallord William Turner, Inverary Castle and Town, 1816, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A01136 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/885 Joseph Mallord William Turner, Ville de Thun, Switzerland, 1816, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01123 Joseph Mallord William Turner, Aesacus and Hesperie, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/884 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Joseph Mallord William Turner, Scene on the French Coast, 1807, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00917 Joseph Mallord William Turner, Bridge and Cows, engraved by Charles Turner, 1807, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00914 Joseph Mallord William Turner, Mill near the Grand Chartreuse, published 1816, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/880 Joseph Mallord William Turner, The Leader Sea-piece, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00950 Joseph Mallord William Turner, Marine Dabblers, 1811, Etching on paper, Tate, London. https://dartabase.art/cite/tate/A00968 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Joseph Mallord William Turner, The Bridge in Middle Distance, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00935 Théodore Géricault, A Paraleytic Woman, April 1, 1821, Lithograph on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4859 Joseph Mallord William Turner, Ben Arthur, Scotland, 1819, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01144 Joseph Mallord William Turner, The Fifth Plague of Egypt, 1808, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00941 Joseph Mallord William Turner, Peat Bog, Scotland, engraved by George Clint, 1812, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01001 Joseph Mallord William Turner, Moonlight at Sea, date not known, Mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01153 Joseph Mallord William Turner, Winchelsea, Sussex, engraved by J.C. Easling, 1812, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00995 Joseph Mallord William Turner, Isis, published 1819, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/886 Joseph Mallord William Turner, Dumblain Abbey, Scotland, engraved by Thomas Lupton, 1816, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A01118 Joseph Mallord William Turner, Bonneville, Savoy, 1816, Etching, mezzotint and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/A01135 Joseph Mallord William Turner, Drawing of the Clyde, engraved by Charles Turner, 1809, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00946 Joseph Mallord William Turner, The Farmyard with the Cock, 1809, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00943 Joseph Mallord William Turner, The Alcove, Isleworth, 1819, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01131 Joseph Mallord William Turner, Lake of Thun, engraved by Charles Turner, 1808, Etching, drypoint and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00940 Joseph Mallord William Turner, Temple of Minerva Medica, engraved by Robert Dunkarton, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00957 Joseph Mallord William Turner, Windmill and Lock, engraved by William Say, 1811, Etching and mezzotint on paper, Tate, London. https://dartabase.art/cite/tate/A00965 Joseph Mallord William Turner, Scene in the Campagna, 1812, Etching and engraving on paper, Tate, London. https://dartabase.art/cite/tate/A00986 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744 Joseph Mallord William Turner, The Deluge, date not known, Etching and mezzotint engraving on paper, Tate, London. https://dartabase.art/cite/tate/A01155