Childe Hassam, The Church at Old Lyme, 1924, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1080 Mary Cassatt, The Bath, 1890–1891, Drypoint, softground etching and aquatint on off-white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6108 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Édouard Manet, The Toilette, 1862, Etching in black on ivory laid Chinese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45808 Édouard Manet, Au Paradis (In the Balcony), 1832, transfer lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8689 Childe Hassam, Portsmouth Doorway, 1916, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1082 Edgar Degas, Mlle Bécat, c. 1877/1878, monotype on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6948 Edgar Degas, On Stage I, 1876, soft-ground etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6482 Paul Gauguin, Wayside Shrine in Brittany (Le calvaire Breton), 1898–1899, woodcut on very thin Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7343 Edgar Degas, The Infanta Margarita, after Velázquez, c. 1861–62, Etching and drypoint; second state of two (only known impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334667 Henri Fantin-Latour, Debut from "Paradise and the Peri" (2nd plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6846 Henri Fantin-Latour, Pastoral, 1896, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6848 Edgar Degas, Singer at a Café-Concert, 1876–77, Lithograph in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/43554 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Édouard Manet, Marine, 1865–66, Etching, aquatint and roulette in brown on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/103101 Edgar Degas, Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880, soft-ground etching, drypoint, aquatint, and etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6484 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Paul Gauguin, Maruru (Thank You), 1894, printed 1941, woodcut on coated wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7352 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6109 Édouard Manet, Edgar Poe, 1860, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8687 Edgar Degas, The Engraver Joseph Tourny (Le graveur Joseph Tourny), 1857 (third printing), etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6479 Henri Fantin-Latour, Evocation of Kundry (2nd plate), 1883, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6850 Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6483 Édouard Manet, The Reader (Le liseur), 1861, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8685 Henri Fantin-Latour, Manfred and Astarte (1st plate), 1879, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6842 Paul Gauguin, Te Atua (The Gods) Small Plate [verso], in or after 1895, woodcut in black on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7347 Edgar Degas, Mlle Bécat at the Café des Ambassadeurs, 1877–78, Lithograph in black on grayish white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13560 Edgar Degas, Nude Woman Standing, Drying Herself, 1891–92, Transfer lithograph on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96775 Edgar Degas, Dancers in the Wings, 1879/1880, etching, aquatint, and drypoint on chine-like laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6481 Childe Hassam, A Vermont Village, 1923, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1083 Édouard Manet, Lola de Valence, 1862, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8686 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Édouard Manet, Dead Christ with Angels (Christ aux anges), 1866/1867, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8680 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Mary Cassatt, Woman Bathing, 1890–91, Color aquatint and drypoint on off-white laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13506 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7351 Henri Fantin-Latour, Weeper: Study of a Nude Woman, Seated with Profile to Right, 1899, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6844 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6082 Edgar Degas, Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890, lithograph on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6485 Henri Fantin-Latour, Manfred and Astarte (2nd plate), 1881, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6843 Henri Fantin-Latour, Duet from "The Trojans" (6th plate), 1894, lithograph on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6845 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Paul Gauguin, Mahana Atua (Day of the Gods), 1894, printed 1921, woodcut on China paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7344 Childe Hassam, The Chase House, 1929, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7738 Paul Gauguin, Human Misery (Misères humaines), 1898–1899, woodcut on Japan paper, perimeter mounted, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7349 Édouard Manet, Civil War (Guerre civile), 1871, lithograph on chine collé, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8683 Edgar Degas, Self-Portrait, 1857, Etching in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13551 Edgar Degas, Leaving the Bath, 1879–80, Drypoint and aquatint in black on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64982 Edgar Degas, After the Bath (large version), 1891–92, Transfer lithograph in black on ivory wove plate paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88384 Paul Gauguin, Tahitian Carrying Bananas (Le porteur de fei), in or after 1895, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7345 Édouard Manet, The Smoker (Le fumeur), 1866, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8682 Edgar Degas, Self-Portrait (Edgar Degas, par lui-même), 1857, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6478 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6181 Childe Hassam, Washington's Headquarters near Valley Forge, 1926, etching and drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1084 Édouard Manet, The Absinthe Drinker (Le buveur d'absinthe), 1862, etching on Chinese paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8679 Paul Gauguin, Te Atua (The Gods) Small Plate [recto], in or after 1895, woodcut in black on very thin Japan paper, mounted face down, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7346 Mary Cassatt, George Moore, c. 1880, Softground etching and aquatint, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6083 Childe Hassam, Independence Hall, 1926, drypoint in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1081 Édouard Manet, The Toilette (La toilette), 1862, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8681 Paul Gauguin, Title Page for "Le Sourire" (Titre du Sourire), 1899, woodcut on Japan paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7350 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Édouard Manet, At the Prado (Au Prado), 1865/1868, etching and aquatint on machine-made laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8684 Édouard Manet, Dead Toreador (Torero mort), 1868, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8688 Edgar Degas, The Actress Ellen Andrée, 1879, drypoint (electric crayon), National Gallery of Art, Washington. https://dartabase.art/cite/nga/6480 Edgar Degas, Actresses in Their Dressing Rooms, 1879–80, Etching and aquatint in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21522 Paul Gauguin, Te Atua (The Gods) Small Plate, 1898–1899, two laminated woodcuts on Japanese paper, double-mounted on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7348