Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734 Käthe Kollwitz, Schwangere Frau, 1910, Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28015 Edvard Munch, Jealousy I, 1896, printed after 1906, Lithograph in black on ivory Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/160076 Edvard Munch, Boys Bathing, 1896, Color burnished aquatint, inked à la poupée, on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59772 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19811 Käthe Kollwitz, Bread (Brot), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8197 Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736 Käthe Kollwitz, Losbruch, 1902–1903, Strichätzung, Kaltnadel, Aquatinta, Reservage sowie Vernis Mou mit Durchdruck von zwei Stoffen und Zieglerschem Umdruckpapier in Braun, mit dem Pinsel in brauner und weißer Deckfarbe sowie Bleistift überarbeitet, auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28121 Georges Rouault, Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16788 Georges Rouault, Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16706 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Vasily Kandinsky, Plate (folio 12) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19637 Theo van Doesburg, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31866 Georges Rouault, Trial proof for It is Hard to Live..., plate XII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16661 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Ernst Barlach, Christ in Gethsemane, 1919, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4145 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11638 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 Georges Rouault, Trial proof for Eternally Scourged..., plate III from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16567 Käthe Kollwitz, Frauenakt, 1910?, Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/28019 Georges Rouault, Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16605 Georges Rouault, Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16663 Emil Nolde, Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11614 Georges Rouault, Trial proof for Christ Laying On His Hands, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14926 Georges Rouault, Trial proof for Abandoned, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19822 Georges Rouault, Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere, c. 1922–1927, Lift ground aquatint and aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/24653 Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908 Georges Rouault, Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16824 Emil Nolde, Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, (1926, published 1927), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/11612 Lovis Corinth, The First Human Beings (Die ersten Menschen), (c. 1919), Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37425 Georges Rouault, Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, 1923, Aquatint and lift ground aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16284 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 Georges Rouault, Trial proof for Street of the Lonely, plate XXIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16675 Käthe Kollwitz, Germany's Children are Hungry! (Deutschlands Kinder Hungern!), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8199 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Käthe Kollwitz, Self-Portrait at the Table (Selbstbildnis am Tisch), probably 1893, etching and aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8182 Käthe Kollwitz, Bettelnde (Begging), 1924, lithograph, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8150 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 Georges Rouault, Trial proof for The Condemned is Led Away..., plate XVIII from Miserere, 1922, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16670 Georges Rouault, Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16665 Georges Rouault, Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16701 Marc Chagall, Untitled from My Life, 1922, published 1923 (hand additions executed 1946), Title page with hand additions from a portfolio of twenty etchings, fifteen with drypoint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/22273 Georges Rouault, Trial proof for We Think Ourselves Kings, plate VII from Miserere, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16281 Georges Rouault, Trial proof for Old Mother, Now Cries Alone, c. 1922–1927., Lift ground aquatint, aquatint, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/21924 Ernst Ludwig Kirchner, Head of van de Velde, Bright (Kopf van de Velde, Hell), 1917, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8105 Georges Rouault, Trial proof for Jesus Mocked..., plate II from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16551 Edvard Munch, Boys Bathing, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17267 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 Georges Rouault, Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere, 1922, Aquatintand drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16651 Käthe Kollwitz, Raped, c. 1908, Etching and soft ground and roulette in dark brown, with scraping and touches of black wash, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55312 Georges Rouault, Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere, c. 1922–1927, Aquatint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12335 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843 Georges Rouault, Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere, 1922, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16668 James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448 Ernst Ludwig Kirchner, Port Scene (Hafenbild), 1908, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8103 Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728 Edvard Munch, Man Bathing, 1899, Color woodcut from two blocks on grayish ivory card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17265 Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927 Georges Rouault, Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, 1923, Lift ground aquatint, etching, and drypoint over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14925 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 Emil Nolde, Self-Portrait, 1908, Etching and aquatint on buff wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/31000 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Georges Rouault, Trial proof for The Bay Of The Dead, rejected plate from Miserere, c. 1922–1927, Aquatint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12360 Käthe Kollwitz, Die Carmagnole, 1901, Strichätzung, Kaltnadel, Aquatinta bzw. Pinselätzung und Schmirgel in Braun auf Vergépapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/27987 Käthe Kollwitz, Self-Portrait, 1924, Transfer lithograph in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/16737 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 Käthe Kollwitz, The End (Ende), 1897, aquatint, etching, and emery stone pencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8229 Georges Rouault, Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16924 Georges Rouault, Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, 1923, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16620 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 Käthe Kollwitz, Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn), 1910, etching and drypoint in black-brown ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8218 Georges Rouault, Trial proof for "With Tooth and Nail," plate L from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16884 Vasily Kandinsky, Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31873 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Ernst Ludwig Kirchner, Cover of the Fourth Yearbook of the Artist Group the Brucke, 1909, woodcut in red, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8104