Goodman Photographer, Cabinet card portait of Izetta Alexander, 1888–1889, albumen and silver on paper on card mount; H x W: 6 1/2 x 4 3/16 in. (16.5 x 10.6 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1696063492069-1696063494728-1

Walker Evans, Jigsaw House at Ocean City, New Jersey, 1931, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13773

Thomas Eakins, Study for "Swimming", (1883), Albumen print on paper; 3 1/4 x 3 3/4 in. (8.1 x 9.5 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859689-0

George G. Donaldson, Cabinet card studio portrait of a young woman standing, c. 1900, silver and photographic gelatin on photographic paper on cardboard; H x W x D (Mounted): 8 × 5 7/8 × 1/16 in. (20.3 × 15 × 0.2 cm); H x W (Image): 3 1/2 × 5 1/16 in. (8.9 × 12.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1722680953733-1722680966536-0

László Moholy-Nagy, Oskar Schlemmer, Ascona, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54431

Illinois Central Railroad, Gelatin silver print of four 1927 Mississippi River flood images, April 30, 1927, silver and photographic gelatin on photographic paper; H x W: 7 7/8 x 10 1/16 in. (20 x 25.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398743919-1

László Moholy-Nagy, [Untitled], 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55486

László Moholy-Nagy, [Untitled], c. 1940, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29276

László Moholy-Nagy, The Mavericks II (Die Eigenbrötler II), 1927, Photomontage (gelatin silver prints and ink), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/212399

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: Bertillon measurements., c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6182

Benjamin West Kilburn, <I>6946. Morning start in Cotton Field.</I>, 1892, silver and photographic gelatin on photographic paper on card mount; H x W (image): 2 15/16 × 6 1/8 in. (7.5 × 15.5 cm); H x W (sheet): 3 1/2 × 7 in. (8.9 × 17.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1693557773730-1693557782627-0

Anderson and Webb, Photograph of a young woman wearing a white dress with a dark colored collar, late 19th century, photographic gelatin and silver on photographic paper on card mount; H x W (card): 5 11/16 × 4 in. (14.4 × 10.2 cm); H x W (image): 2 3/4 × 1 15/16 in. (7 × 5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751236-1

J. P. Ball & Son, Cabinet card of an unidentified girl with a jump rope by the Globe Studio, 1892–1902, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 9/16 × 4 in. (14.2 × 10.1 cm); H x W (Overall): 6 9/16 × 4 1/4 in. (16.6 × 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749389-0

Thomas Eakins, Elizabeth Macdowell, (c. 1880–1882), Albumen print on paper; 3 5/8 x 4 7/16 in. (9.2 x 11.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859687-0

Samuel Murray, Walt Whitman in Camden, N.J., (c. 1891), Silver print on paper; 4 7/8 x 7 1/16 in. (12.4 x 17.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859730-0

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6085

Walker Evans, Torn Movie Poster; Truro, Massachusetts, 1930, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88591

László Moholy-Nagy, View from Pont Transbordeur, Marseille, 1929, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55478

Ira F. Collins, Photograph of a woman in a white dress with black ribbons on the left side, late 19th century, photographic gelatin and silver on photographic paper on card mount; H x W (card): 6 1/2 × 4 3/16 in. (16.5 × 10.7 cm); H x W (image): 5 1/2 × 3 15/16 in. (14 × 10 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751232-1

László Moholy-Nagy, Negative Portrait, 1925/29, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54428

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6183

László Moholy-Nagy, [Untitled], 1927, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55473

Lewis Wickes Hine, Italian Family, Chicago, 1910, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11343

Gordon Parks, The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223896

Thomas Eakins, Marey Wheel Photographs of Jesse Godley, (1884), Cyanotype on paper; 2 1/4 x 3 3/8 in. (5.7 x 8.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859705-1

Thomas Eakins, Ruth Harding, (c. 1903), Photographic negative on glass plate; 4 x 5 in. (10.2 x 12.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859736-1

Thomas Eakins, Walt Whitman in Camden, N.J., (c. 1891), Photographic negative on glass plate; 4 x 5 in. (10.2 x 12.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859732-2

Gordon Parks, <I>Washington, D.C. Government Charwoman (American Gothic)</I>, 1942; printed 1990s, silver and photographic gelatin on photographic paper; H x W: 14 × 11 in. (35.6 × 27.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1747909916534-1747909930685-0

J. P. Ball & Son, Cabinet card with a floral border of an unidentified man by J. P. Ball & Son, 1887–1900, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 7/16 × 3 7/8 in. (13.8 × 9.9 cm); H x W (Overall): 6 1/2 × 4 1/4 in. (16.5 × 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749411-0

László Moholy-Nagy, Berlin Radio Tower, 1928, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55476

Thomas Eakins, Thorn Puller, (c. 1883), Albumen print on paper; 3 11/16 x 4 3/4 in. (9.4 x 11.9 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859692-0

Lewis Wickes Hine, Old Time Garment Shop, New York City, 1912, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/148316

Lewis Wickes Hine, <I>Untitled</I>, c. 1935, silver and photographic gelatin on photographic paper; H x W: 5 x 7 in. (12.7 x 17.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744345-0

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: Detained at the "Moral Gate-Way," Pending Further Investigation., c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6123

Ira F. Collins, Photograph of a woman wearing a white dress, late 19th century, photographic gelatin and silver on photographic paper on card mount; H x W (card): 2 1/2 × 4 3/16 in. (6.4 × 10.7 cm); H x W (image): 5 × 3 7/16 in. (12.7 × 8.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751243-1

László Moholy-Nagy, Negative Cat, c. 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/55468

Anderson and Webb, Photograph of a woman wearing a white dress, late 19th century, photographic gelatin and silver on photographic paper on card mount; H x W (card): 6 7/16 × 4 1/4 in. (16.4 × 10.8 cm); H x W (image): 5 9/16 × 3 7/8 in. (14.1 × 9.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751251-0

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: Barge Office. (Now used for offices.), c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6086

Gordon Parks, Battered Man, 1948, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184378

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223900

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223899

László Moholy-Nagy, [Untitled], 1941, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/104896

Thomas Eakins, Frank Hamilton Cushing, (1895), Photographic negative on glass plate; 4 x 5 in. (10.2 x 12.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859733-1

László Moholy-Nagy, [Untitled], c. 1923/25, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/132717

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6112

Walker Evans, Girl in Fulton Street, New York, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13724

Alfred Stieglitz, Sun Rays—Paula, Berlin, 1889, printed 1920/39, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66284

Ideal Portrait Co., Cabinet card of an unidentified man, 1894–1895, silver and photographic gelatin or collodion on printing-out paper on card mount; H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1719917010200-1719917012932-0

Lewis Wickes Hine, Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina, 1908, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11344

J. P. Ball & Son, Cabinet card of an unidentified infant in a Christening gown by J.P. Ball & Son, 1887–1900, photographic gelatin and silver on photographic paper on card mount; H x W (Image): 5 1/2 × 3 13/16 in. (13.9 × 9.7 cm); H x W (Overall): 6 1/2 × 4 5/16 in. (16.5 × 10.9 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749402-1

Andrew Burgess, Carte-de-visite portrait of Emperor Maximilian, 1864; printed later, albumen and silver on photographic paper on card mount; H x W (Image): 3 1/2 × 2 1/16 in. (8.9 × 5.3 cm); H x W (Image and Mount): 4 × 2 7/16 in. (10.1 × 6.2 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398751667-0

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223898

Mel Bochner, Sixteen Isomorphs (Negative), 1967, Gelatin silver prints mounted on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111641

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4592

Thomas Eakins, Marey Wheel Photographs of Unidentified Model, (1884), Albumen print on paper; 2 1/8 x 3 3/4 in. (7.2 x 9.6 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859708-1

Thomas Eakins, Study for "Swimming", (1883), Albumen print on paper; 6 1/16 x 7 13/16 in. (15.4 x 19.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859690-0

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigration Station, New York City: Excluded men., c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5468

Thomas Eakins, Marey Wheel Photographs of Jesse Godley, (1884), Cyanotype on paper; 2 1/4 x 3 3/8 in. (5.7 x 8.5 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859706-0

Underwood & Underwood, <I>13962 A colored brigade building trenches at Camp Devens, Mass.</I>, 1917–1919, albumen, sodium chloride and silver nitrate on photographic paper and cardboard; H x W: 3 1/2 x 7 in. (8.9 x 17.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975006026-0

John C. H. Grabill, Cabinet card of Buffalo soldier wearing buffalo coat, c. 1886, albumen and silver nitrocellulose on cardboard; H x W (image): 6 3/16 × 3 7/8 in. (15.7 × 9.8 cm); H x W (card): 6 7/16 × 4 3/16 in. (16.3 × 10.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752573-0

Richards Photography, Cabinet card of Minerva Singleton, c. 1880, albumen and silver on paper on card mount; H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1727866808604-1727866813604-0

Lewis Wickes Hine, Fresh Air for the Baby, New York East Side, c. 1910, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11340

Gordon Conner Studio, Photograph of Mary Lou Williams playing piano with Andy Kirk and his orchestra, 1930s; autographed 1980, silver and photographic gelatin on photographic paper; H x W: 8 1/8 × 10 in. (20.6 × 25.4 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398749130-0

Thomas Eakins, Standing Piper (Study for "Arcadia"), (c. 1883), Albumen print on paper; 3 7/16 x 3 3/8 in. (8.7 x 8.6 cm) [irreg.], Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859692-1

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6184

Thomas H. Lindsey, <I>No. 1036, Cabin in the Corn</I>, 1895–1910, albumen and silver on paper on card mount; H x W (Image): 4 3/8 × 7 1/4 in. (11.1 × 18.4 cm); H x W (Sheet): 5 × 8 in. (12.7 × 20.3 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398750911-0

László Moholy-Nagy, [Untitled], 1927, Gelatin silver photogram, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50173

Walker Evans, 42nd Street, 1929, printed c. 1962, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13730

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigration Station, New York City, c. 1903, Glossy collodion silver prints, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5117

Alfred Stieglitz, Equivalent, 1926, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66625

Gordon Parks, Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/184381

Bruce Nauman, Model for Animal Pyramid II, 1989, Cut-and-taped gelatin silver prints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34726

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City: To Be Deported., c. 1900, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6185

Lewis Wickes Hine, <I>Untitled</I>, c. 1935, silver and photographic gelatin on photographic paper; H x W: 7 x 5 in. (17.8 x 12.7 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398744334-0

J. H. Aylsworth, Carte-de-visite of women and children in a cotton field, 1860s, albumen and silver nitrate on photographic paper; H x W: 2 1/2 x 3 3/4 in. (6.4 x 9.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398742764-0

James G. Brayton, Carte-de-visite of a young girl in Napa, California, 1865–1888, albumen on wove paper and cardboard; H x W (image): 3 3/4 × 2 3/8 in. (9.6 × 6 cm); H x W (card): 4 1/8 × 2 9/16 in. (10.5 × 6.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1696063492069-1696063503853-0

Vito Acconci, Notes on Movement II (Body as Place), March 1972, Felt-tip pen and cut-and-pasted gelatin silver prints on two pieces of graph paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38591

Thomas Eakins, Marey Wheel Photographs of George Reynolds, (1884), Albumen photograph; 2 5/16 x 4 1/16 in. (5.9 x 10.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859703-0

Lewis Wickes Hine, Playground in a Mill Village (Playground in a Tenement Alley), Boston, 1909, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11345

J. H. Adams, Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City, c. 1903, Glossy collodion silver print, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5770

Gordon Parks, Off on My Own (Harlem, New York), from the series "Harlem is Nowhere", 1948, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/235298

Gordon Parks, Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/223897