Joseph Mallord William Turner, Turner’s Cabriolet outside the Post House, Voreppe; the Grand Aiguille beyond, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04515 Joseph Mallord William Turner, Horses and a Cart, with Figures, in a Sandy Cutting Leading to the Sea, with the Rigging of Sailing Vessels beyond Buildings, 1796–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01236 Joseph Mallord William Turner, Margate Harbour from the Sea, 1796–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01199 Joseph Mallord William Turner, A Welsh Lake, 1799–1800, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02353 Joseph Mallord William Turner, Crag and Village, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04549 Joseph Mallord William Turner, Interior of a Forge: Making Anchors, 1796–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01219 Joseph Mallord William Turner, Trees Seen against a Sunset Sky, 1796–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01237 Joseph Mallord William Turner, Landscape Composition with Castle Ruins and a Small Village on a Hill, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00725 Joseph Mallord William Turner, Moonlight over the Sea, with Distant Cliffs, 1796–7, Gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00885 Joseph Mallord William Turner, Venice: The Dogana and San Giorgio Maggiore, 1834, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1224 Joseph Mallord William Turner, Near Bonneville, Looking towards Mont Blanc, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04608 Joseph Mallord William Turner, Mortlake Terrace, 1827, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/116 William Holman Hunt, Mary Walker Waugh, 1868, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151969 Joseph Mallord William Turner, A Road Leading Uphill towards a Windmill, 1796–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01179 Joseph Mallord William Turner, The Pic de l’Oeillette, Gorges du Guiers Mort, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04528 Robert Charles Dudley, Landing at Newfoundland, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436227 Joseph Mallord William Turner, A Road Crossing a Broad River Valley, with Distant Mountains, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03403 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Joseph Mallord William Turner, Group of Peasants, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04816 William Blake, St. Matthew, 1799, tempera on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/294155 Joseph Mallord William Turner, Dunstanburgh Castle: The Lilburn Tower at Sunrise, 1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00954 Joseph Mallord William Turner, Glen Shira, Looking South over Loch Fyne, with Inveraray in the Distance, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03391 John Constable, Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435921 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 Joseph Mallord William Turner, Traeth Mawr, with Y Cnicht and Moelwyn Mawr, 1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03647 Joseph Mallord William Turner, Approach to Venice, 1844, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/117 Joseph Mallord William Turner, Copy after Richard Wilson: ‘The Convent on the Rock’, 1796–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01215 Joseph Mallord William Turner, Three Scots Pines, with a Valley and Loch Beyond and a Graveyard in the Foreground, c.1801, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03435 Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105 Joseph Mallord William Turner, Picturesque Composition with Distant View of Blois, c.1796, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00674 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722 Joseph Mallord William Turner, Boat Sheds and a Lighthouse, with Shipping, ?1796, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00847 Max Beerbohm, Ford Madox Brown being Patronized by Holman Hunt, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01043 Joseph Mallord William Turner, A Wooden Footbridge, with the Banks of a River or Stream, 1796–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01201 Joseph Mallord William Turner, Mountains near Dunkeld, c.1801, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03408 Joseph Mallord William Turner, ?The River Tay North of Dunkeld, Looking North towards Pitlochry, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03436 Joseph Mallord William Turner, Men Marching in a Procession, and Carrying an Effigy, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04803 Joseph Mallord William Turner, Lake and Mountains, Probably in Wales; ?Men Pushing Out a Row-Boat in Foreground, 1799–1800, Chalk and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01880 Joseph Mallord William Turner, Loch Long, Morning, c.1801–10, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03637 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923 Joseph Mallord William Turner, Schaffhausen: Looking across the Rhinefall to Laufen Castle, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04875 Joseph Mallord William Turner, Looking down a Deep Valley towards Snowdon, with an Army on the March, 1799–1800, Gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04168 William Roberts, The Wedding, (c. 1920), Watercolor, ink, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37768 Joseph Mallord William Turner, The Mer de Glace and Valley of Chamonix, 1802, Crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04886 Joseph Mallord William Turner, Martigny: Bridge over the River Drance, with the Chapel of Our Lady of Compassion, and La Bâtiaz, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04494 Joseph Mallord William Turner, Shipping in a Gorge on the River Wye, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01657 Joseph Mallord William Turner, The Lake of Geneva and the Château de Tour-de-Peilz from Vevey, 1802, Graphite, chalk and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04535 Joseph Mallord William Turner, The Interior of Ewenny Priory, 1798, Graphite and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D01733 Max Beerbohm, The Man from Hymettus. Mr Frederick Leighton, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01057 Joseph Mallord William Turner, Oxford: The Interior of New College Chapel, Looking East, c.1798–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02346 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Joseph Mallord William Turner, Le Chetif and the Mont Blanc Massif from below Courmayeur, 1802, Graphite, chalk and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04460 Joseph Mallord William Turner, The Arve Valley, with the Castle of St Michel, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04640 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326 Joseph Mallord William Turner, Folly Bridge, Oxford, Seen from the South East, 1797–8, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01879 Joseph Mallord William Turner, Dunstanburgh Castle from the South, c.1797–8, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D00890 Joseph Mallord William Turner, Usk, Monmouthshire, Seen from across the River: Five-Arched Bridge in Foreground, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01668 Joseph Mallord William Turner, Pont Pérant, near St Laurent-du-Pont, Gorges du Guiers Mort, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04523 Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261 Joseph Mallord William Turner, The Burning of the Houses of Lords and Commons, 16 October 1834, 1835, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122351 Joseph Mallord William Turner, Studies of the Tracery of Perpendicular Gothic Windows, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01894 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063 Joseph Mallord William Turner, The Gothic Cross above the Lake at Stourhead, ?1798, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01907 Joseph Mallord William Turner, A Castle on a Wooded Bank beside a River; A Church Spire to the Right, 1798–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01900 Joseph Mallord William Turner, Schaffhausen; the Rhinefall and Laufen Castle, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04877 Joseph Mallord William Turner, View down Loch Tay from above Killin, with Ben Lawers at Left and the River Lochay in the Foreground, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03401 Joseph Mallord William Turner, The Chateau d’Argent, above Villeneuve, Val d’Aosta, with Mount Emilius, c.1803, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04895 Joseph Mallord William Turner, The Descent to Aosta, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04498 Joseph Mallord William Turner, The Bank of a River, with a Ruined Castle among Trees, and Buildings Beyond, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01674 Joseph Mallord William Turner, A Road near Grenoble, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04505 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062 John Northcote Nash, The Storm, (1914), Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34672 Joseph Mallord William Turner, Nant Peris, Looking towards Snowdon, 1799–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03642 Joseph Mallord William Turner, Kirkstall Abbey: The Dormitory Undercroft, with Cows, 1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00916 Joseph Mallord William Turner, Martigny: La Bâtiaz Overlooking a Street in the Town, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04547 Joseph Mallord William Turner, St Donat’s Castle Seen from the North, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01653 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Rachel Whiteread, Drawing for Water Tower, III, 1997, Graphite, varnish, gouache and ink on graph paper with cut-and-pasted color photo copy, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38722 Joseph Mallord William Turner, Women Walking in a Procession, and Carrying a Red Canopy, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04802 Joseph Mallord William Turner, Near Grenoble: Mont Rachais and Mont St Eynard from the River Drac, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04542 Thomas Lawrence, Portrait of Charlotte and Sarah Carteret-Hardy, 1801, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122346 Max Beerbohm, The Small Hours in the ‘Sixties at 16 Cheyne Walk, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01048 Joseph Mallord William Turner, View across Lake Llanberis towards Snowdon, 1799–1800, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04181 Joseph Mallord William Turner, Group of Peasants with a Plough, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04810 Joseph Mallord William Turner, View across Lake Llanberis towards Snowdon, 1799–1800, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04180 Joseph Mallord William Turner, Descent from the Mountains, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04538 Joseph Mallord William Turner, Aylesford Bridge and Church, Kent, ?1798, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00864 Joseph Mallord William Turner, Grasmere, Looking to Rydal Water from near Dale End, 1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01089 Joseph Mallord William Turner, Shipping at the Mouth of the Wye; The Ruins of a Chapel on an Islet in the Distance, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01661 Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873 Joseph Mallord William Turner, Knaresborough Castle and Town from the River, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00900 Joseph Mallord William Turner, Inveraray from An Otir, 1801, Chalk, crayon, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03389 John Constable, Branch Hill Pond, Hampstead, 1828, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147017 Joseph Mallord William Turner, Near the Grande Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04530 Joseph Mallord William Turner, Dolbadarn Castle and the Llanberis Pass, 1799–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04177 Joseph Mallord William Turner, Conway Castle, from the South East, 1799–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03652 Lucian Freud, Leigh Bowery, 1991, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T06834 Joseph Mallord William Turner, Study of Rocks under a Wooded River Bank, c.1801, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03431 John Linnell, Noah: The Eve of the Deluge, 1848, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/146416 Joseph Mallord William Turner, Group of a Man, Women and Children, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04801 Joseph Mallord William Turner, Schaffhausen; the Rhinefall and Laufen Castle from the River Bank, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04879 Graham Sutherland, Thorn Head, 1945, Gouache, chalk, and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34449 Joseph Mallord William Turner, The Glaslyn from Traeth Mawr, ?1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03648 Joseph Mallord William Turner, The Bridge over the Falls of Dochart with Ben Lawers Beyond, 1801, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03420 Joseph Mallord William Turner, Dunstanburgh Castle from the South, c.1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01112 Joseph Mallord William Turner, ?At Blair Atholl, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03438 Anish Kapoor, [Untitled], (1990), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37293 Max Beerbohm, Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01050 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Max Beerbohm, Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01056 Samuel Palmer, The Sleeping Shepherd; Early Morning, 1857, etching, hand-colored with watercolor and opaque white with gold highlights, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9505 Joseph Mallord William Turner, Distant View of Whitby from the Moors: A Windmill against a Sunset Sky; the Abbey Beyond, 1801, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02474 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 David Hockney, Tea Painting in an Illusionistic Style, 1961, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07075 Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065 Joseph Mallord William Turner, Looking along a River between High Wooded Banks, with a Large Castle Just Visible in the Distance, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01671 Joseph Mallord William Turner, Inveraray Pier; Figures in Boat and on Pier, c.1801–10, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03633 Joseph Mallord William Turner, The Head of Derwentwater, with Borrowdale Beyond, ?1797–1801, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01103 Max Beerbohm, British Stock and Alien Inspiration, 1849, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01039 Vanessa Bell, Composition, c. 1914, Gouache, watercolor, and colored paper on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33091 Joseph Mallord William Turner, Study of the Towers of Dunstanburgh Castle; Studies of Gothic Details at Lacock Abbey, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01608 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Joseph Mallord William Turner, ?Martigny; La Bâtiaz from the River Drance, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04541 Joseph Mallord William Turner, The Mer de Glace, Looking up to the Aiguille de Tacul, 1802, Graphite, chalk, watercolour, and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04615 Joseph Mallord William Turner, Llandovery Castle, beside the Tywi, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02352 Edward Burra, Bal des Pendus, 1937, Watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35434 Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162 Joseph Mallord William Turner, Group of Gendarmes and Officials, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04812 Joseph Mallord William Turner, Richmond, Yorkshire, Sunrise: Colour Study, c.1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01116 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Joseph Mallord William Turner, View over the Lake at Stourhead; Watermill on Right; Figures with Plough and Carts in Foreground, ?1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01909 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919 Joseph Mallord William Turner, Battersea Church and Bridge, with Chelsea Beyond, ?1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00857 Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819 Joseph Mallord William Turner, ?St Agatha’s Abbey, with Cattle, c.1800–2, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04159 John Constable, Salisbury Cathedral from the Bishop's Grounds, c. 1825, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435922 Robert Charles Dudley, Landing the Shore End of the Atlantic Cable, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436223 Alexander Bogomazov, Three Figures of Woodcutters, c. 1927–28, Watercolor and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36471 Joseph Mallord William Turner, Syon House and Kew Palace from near Isleworth (‘The Swan’s Nest’), 1805, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04163 Joseph Mallord William Turner, Norham Castle, Sunrise: Colour Study, 1797–8, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02344 Joseph Mallord William Turner, Blair Atholl, Looking towards Killiecrankie, c.1801, Watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04179 Joseph Mallord William Turner, The Isère Valley, Looking towards Grenoble from near Voreppe, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04514 Joseph Mallord William Turner, Raby Castle, the Seat of the Earl of Darlington, 1817, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.41 Wyndham Lewis, Roman Actors, (1934), Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33170 Joseph Mallord William Turner, A Two-Masted Sailing Ship Seen from the Shore, 1798–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00895 Joseph Mallord William Turner, Canterbury Gate, Christ Church, Oxford, ?1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02240 Joseph Mallord William Turner, Caernarvon Castle, from the East, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01901 Joseph Mallord William Turner, Norham Castle, Sunrise: Colour Study, 1797–8, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02343 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Max Beerbohm, Blue China, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01047 Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161 Joseph Mallord William Turner, ?Fourvoirie, Gorges du Guiers Mort, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04521 Joseph Mallord William Turner, Grenoble: the River Isère and Pont St Laurent, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04506 Joseph Mallord William Turner, ?Killiecrankie, c.1801, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03415 Joseph Mallord William Turner, Usk, Monmouthshire, from the South, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01906 Joseph Mallord William Turner, Bonneville and the Chamonix Road, c.1817, Graphite, gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04901 Joseph Mallord William Turner, The Hospice at the Summit of the Great St Bernard Pass, Mont Vélan in the Distance, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04548 Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Wyndham Lewis, Cover design for The Enemy No. 1, (1926), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38828 Joseph Mallord William Turner, ?The Lower Slopes of Schiehallion, in Cloud, from near Loch Kinardochy, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03417 Joseph Mallord William Turner, The Council Rooms, Salisbury, ?1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02357 Joseph Mallord William Turner, A Ruined Castle above a River, with Boats near a House in the Foreground, ?1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00854 Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263 Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307 Joseph Mallord William Turner, View across a Valley with a Small Village, towards the Unfinished Tower of Fonthill Abbey, from the North East, 1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02188 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Joseph Mallord William Turner, A Country Cottage, c.1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00878 Joseph Mallord William Turner, The Isère Valley and the Voreppe-Grenoble Road, 1802, Watercolour and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D04513 Joseph Mallord William Turner, Loch Long, Evening; Boats off Shore, 1801, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03638 Joseph Mallord William Turner, A Road through a Wood, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01628 Joseph Mallord William Turner, A Rocky Coast, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01670 Joseph Mallord William Turner, A Three-Arched Bridge with a Church Tower and Another Large Building Beyond, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00707 Sir Thomas Lawrence, Lady Mary Templetown and Her Eldest Son, 1802, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/103 John Constable, Salisbury Cathedral from Lower Marsh Close, 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/115 Gary Hume, [Untitled], 1991, Oil and pencil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36624 Joseph Mallord William Turner, A Wooden Shelter in the Grounds of Fonthill, with a Flock of Sheep and Shepherd; The Unfinished Tower of the Abbey Seen on the Horizon, 1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02224 Joseph Mallord William Turner, Loch Fyne: Looking North from Ardgenaven Point near Dunderave Castle, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03387 Joseph Mallord William Turner, The Bridge at Villeneuve, and the Tour Colin, Val d’Aosta, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04497 Joseph Mallord William Turner, A Ravine in the Pass of St Gotthard, 1802, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04627 Joseph Mallord William Turner, Workmen Lunching in a Gravel Pit, c.1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00876 Joseph Mallord William Turner, A Wooded Bay with Mountains Beyond; Perhaps Loch Lomond at Inveruglas, c.1801, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03426 Cecil Stephenson, Composition I: Gray, Blue and Brown, 1939, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38352 Joseph Mallord William Turner, The Interior of Durham Cathedral, Looking East along the South Aisle, c.1798, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D01101 Joseph Mallord William Turner, The Gateway of Allington Castle, Kent, with Chickens, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01903 Joseph Mallord William Turner, Distant View of Fonthill Abbey from the East, with the Lake in the Foreground and a Team of Oxen, 1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02223 Joseph Mallord William Turner, A Pass between Mountains (?Glen Croe), 1801, Gouache and wash on paper, Tate, London. https://dartabase.art/cite/tate/D03295 Joseph Mallord William Turner, ?Loch Tummel, Looking East towards Ben y Vrackie and Ben Uan, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03411 Joseph Mallord William Turner, ?In Glen Almond near Newton Bridge; Two Trees, with a Mountain Beyond, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03434 Joseph Mallord William Turner, Kilchurn Castle, with the River Orchy; Ben Cruachan Beyond, 1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03395 Joseph Mallord William Turner, Chamonix: Mont Blanc and the Arve Valley from the Path to the Montenvers, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04610 Joseph Mallord William Turner, Figures Marching in a Procession, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04804 Joseph Mallord William Turner, ?In the Vale of Earn near St Fillan’s, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03410 Joseph Mallord William Turner, A Road with Houses and a Bridge over a River beneath the Walls of a Castle, ?1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00852 Max Beerbohm, A Momentary Vision that Once Befell Young Millais, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01044 Joseph Mallord William Turner, The Gorges du Guiers Mort, Chartreuse; Possibly the Porte de l’Enclos, 1802, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04526 Joseph Mallord William Turner, Landscape with Distant Buildings and a Kiln, ?1797, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00849 Joseph Mallord William Turner, Lake Brienz and Ringgenberg Castle, c.1809, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04896 Joseph Mallord William Turner, A Boatman, or Raftsman, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04807 Joseph Mallord William Turner, The Lilburn Tower, Dunstanburgh Castle, with the Sea and a Stormy Sky, ?1797, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D01211 Joseph Mallord William Turner, St Martin, Looking North, 1802, Graphite, chalk, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04601 Joseph Mallord William Turner, View towards Snowdon from above Traeth Bach, 1798, Chalk, pastel and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03422 Joseph Mallord William Turner, The Schöllenen Gorge from the Devil’s Bridge, Pass of St Gotthard, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04625 Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619 David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074 Joseph Mallord William Turner, Aosta from near the Cimitero Storico di Sant’Orso, Mount Emilius in the Distance, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04503 Joseph Mallord William Turner, Mountains, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03432 Joseph Mallord William Turner, The Interior of Ewenny Priory, 1798, Graphite and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D01734 Wyndham Lewis, A Hand of Bananas, (c. 1938), Gouache, watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36768 Frederick Sandys, Susanna Anderson Rose, 1862, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149769 Joseph Mallord William Turner, Two Studies of the Sun among Clouds, 1798–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00717 Joseph Mallord William Turner, A Road through a Wood, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01627 Joseph Mallord William Turner, View in the Lake District: ?Above Coniston, 1797–8, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01106 Joseph Mallord William Turner, The Junction of the Thames and the Medway, 1807, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1226 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255 Joseph Mallord William Turner, A Group of Fishing Boats in an Estuary, ?1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01905 Richard Hamilton, Four Self Portraits - 05.3.81, 1990, Oil paint and enamel on cibachrome print on 4 canvases, Tate, London. https://dartabase.art/cite/tate/AR00141 Joseph Mallord William Turner, Crag and Village, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04553 John Constable, The White Horse, 1818–1819, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1146 Joseph Mallord William Turner, Cannon Foundry: ?Interior of Walker’s Foundry at Rotherham or Conisbrough, ?1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00873 Walter Richard Sickert, Pimlico, 1909, Charcoal, watercolor, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34956 Joseph Mallord William Turner, Donkeys beside a Mine Shaft, c.1805–7, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04160 Joseph Mallord William Turner, The Road along the Western Shore of Loch Lomond, with the Tablet to ?Colonel Lawless on a Rock, and Ben Lomond in the Distance beyond the Loch to the Right, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03380 Joseph Mallord William Turner, The Lake of Brienz from the Quay, the Faulhorn beyond, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04536 Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Joseph Mallord William Turner, Sailing Ships Being Towed along the Wye between High Cliffs, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01659 Joseph Mallord William Turner, Aosta: The Arch of Augustus, Looking South to Mount Emilius, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04502 Joseph Mallord William Turner, Bonneville and the River Arve from the Geneva Road, Looking East, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04599 Joseph Mallord William Turner, A Cornfield, with Reapers, and a Church Beyond; Misty Sun, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00706 Joseph Mallord William Turner, Cattle in Stream, with Ruins on Bank, c.1800–2, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04161 David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254 Joseph Mallord William Turner, A Waterfall near a Mountain Village, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04568 Joseph Mallord William Turner, Sailing Ships and Rowing Boats on the Wye betwen Steep Wooded Banks, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01658 Joseph Mallord William Turner, View across a Valley towards Cader Idris, c.1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04187 Joseph Mallord William Turner, A Soldier and a Woman Seated near a Country Inn, ?1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00853 Joseph Mallord William Turner, Lake Llanberis and Dolbadarn Castle, 1799–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04175 Joseph Mallord William Turner, Two Views of a Town Stretched Out along the Brow of a Ridge, with Varied Foregrounds, 1798–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00715 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Sir William Beechey, Portrait of Lady Clinton (?), 1807–1810, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.176 Joseph Mallord William Turner, Trees by Water with Mountain Beyond; ?In Glen Dochart, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03414 Joseph Mallord William Turner, Study for a Nativity Scene: Kirkstall Abbey, c.1800–5, Pen and ink and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04169 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914 Joseph Mallord William Turner, Glen Bruar: The Middle Fall, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03412 Joseph Mallord William Turner, ?The Isère Valley, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04534 Lucian Freud, Francis Bacon, 1952, Oil paint on metal, Tate, London. https://dartabase.art/cite/tate/N06040 Joseph Mallord William Turner, Dunstanburgh Castle: Rocks in the Foreground, 1797–8, Crayon, pastel and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01114 David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295 Max Beerbohm, Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01054 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901 Joseph Mallord William Turner, Group of Swiss Peasant Girls, Two Carrying Milking Pails, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04800 Joseph Mallord William Turner, A Group of Figures, with Banners and Candles, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04805 Joseph Mallord William Turner, The Shore of ?Loch Fyne; Figures in Boats on the Loch, c.1801–10, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03634 Frederic Leighton, David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153389 Joseph Mallord William Turner, The Baths of St Didier, near Courmayeur, Val d’Aosta, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04545 Joseph Mallord William Turner, Rowing Boats Towing Sailing Ships, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01660 Joseph Mallord William Turner, Torrent in the Chartreuse; ?Near Pont Pérant, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04524 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 Joseph Mallord William Turner, The Pic de l’Oeillette, Gorges du Guiers Mort, Chartreuse; Pilgrims Praying at a Wayside Shrine, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04527 Joseph Mallord William Turner, Les Contamines, Dawn: Looking towards St Gervais and Mont Blanc, 1802, Graphite, chalk, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04616 Joseph Mallord William Turner, Schaffhausen; the Rhinefall and Laufen Castle, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04878 Joseph Mallord William Turner, Loch Long and Ben Arthur, and Other Mountain Studies, 1801, Gouache on paper, Tate, London. https://dartabase.art/cite/tate/D03291 Ben Nicholson, Abstract Composition, 1936, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38296 Joseph Mallord William Turner, Boats at Tygwyn Ferry, with Harlech Castle Beyond, ?1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01904 Joseph Mallord William Turner, Mont Blanc from the Arve Valley, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04639 Joseph Mallord William Turner, ?Rumilly, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04587 Joseph Mallord William Turner, A Mountain Road with a Flock of Sheep and a Figure Seated on a Wall, 1798–9, Chalk and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02378 Joseph Mallord William Turner, Mountainous Landscape: A Scottish River, c.1801–3, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03640 Joseph Mallord William Turner, The Lilburn Tower, Dunstanburgh Castle, with the Sea and a Stormy Sky, ?1797, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D01212 Joseph Mallord William Turner, Llyn Nantlle with Snowdon Beyond, 1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03650 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Max Beerbohm, Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01052 Joseph Mallord William Turner, Grenoble from the River Isère, with the Porte de France, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04507 Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177 Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057 Lucian Freud, Girl with a Kitten, 1947, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12617 John I Smart, Self-Portrait, 1802, watercolor on ivory in a gold frame, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130330 Joseph Mallord William Turner, A Flock of Sheep near a Mountain Village, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04540 Joseph Mallord William Turner, Lake Llanberis and Dolbadarn Castle, with Snowdon Beyond, 1799–1800, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04176 Joseph Mallord William Turner, The Bend of a River (?the Wye) under High Cliffs, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02354 Joseph Mallord William Turner, Cruachan Arain and Ben A’an, with Ben More from near Tyndrum, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03396 Max Beerbohm, Spring Cottage, Hampstead, 1860, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01045 Joseph Mallord William Turner, A Ruined Abbey with Mountains Beyond, ?c.1798, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00877 Joseph Mallord William Turner, Mont Blanc, from Sallanches, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04603 Wyndham Lewis, [Untitled], 1912, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34245 Joseph Mallord William Turner, Dolbadarn Castle: Colour Study, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04166 Joseph Mallord William Turner, The Battle of Fort Rock, Val d’Aouste, Piedmont, 1796, exhibited 1815, Gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04900 Joseph Mallord William Turner, Two Ships in Profile, c.1800–2, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04155 David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269 Max Beerbohm, Rossetti’s Courtship, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01040 Joseph Mallord William Turner, Study of Three Sailing Ships (?at Bristol), 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01656 Joseph Mallord William Turner, The Lake and Town of Brienz: Moonlight, c.1806–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04898 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 Joseph Mallord William Turner, Composition Study of a Landscape with ?Cader Idris and Figures on a Road in the Foreground, 1798, Watercolour and chalk on paper, Tate, London. https://dartabase.art/cite/tate/D01873 Joseph Mallord William Turner, Loch Long and Ben Arthur, and Other Mountain Studies, 1801, Gouache on paper, Tate, London. https://dartabase.art/cite/tate/D03290 Joseph Mallord William Turner, Snowdon and Dinas Emrys from above Beddgelert, 1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03651 Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157 Joseph Mallord William Turner, Salisbury Cathedral from the East, c.1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00668 Max Beerbohm, The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01060 Joseph Mallord William Turner, Blair’s Hut on the Montenvers, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04614 Joseph Mallord William Turner, A Watermill, ?1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00870 Joseph Mallord William Turner, Yr Aran and Y Wyddfa from the Slopes of Moel Hebog, 1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03644 Robert Charles Dudley, Awaiting the Reply, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436224 Walter Richard Sickert, Le Marché aux Bestiaux, Dieppe, c. 1886, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5211 Joseph Mallord William Turner, ?In the Vale of Earn; The Western End of the Vale, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03409 Rachel Whiteread, Study for Wax Floor, 1992, Oil crayon, correction fluid, felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35122 Joseph Mallord William Turner, ?In the Vale of Earn; The Western End of the Vale, c.1801, Chalk, crayon, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03423 John Constable, Stoke-by-Nayland, c. 1810–11, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435923 Joseph Mallord William Turner, Vessels off the Coast, with a Sunset Sky and Distant View of ?Holy Island, 1798–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00708 Joseph Mallord William Turner, The Rocky Slopes of a Mountain (?Ben Arthur), c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03384 Henry Moore, Studies for Sculpture, 1934, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33657 Joseph Mallord William Turner, Imaginary Landscape ?on the River Teifi, with a Cluster of Houses in the Foreground, a Church Spire Beyond, and Windsor Castle on a Cliff above a Distant Plain, 1798–9, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00879 Joseph Mallord William Turner, Lake Brienz, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04543 Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297 John Byam Shaw, The Tempest, c. 1900, Watercolor, gouache, and chalk on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36085 Joseph Mallord William Turner, Somerset House from the Thames, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01883 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Joseph Mallord William Turner, Beddgelert Church; Moonlight, 1798, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D01346 Joseph Mallord William Turner, Rocks under a Cliff, with a Stream Falling into a Narrow Channel, 1798, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01675 Joseph Mallord William Turner, The St Gotthard Road between Amsteg and Wassen, Looking up the Reuss Valley, c.1814–15, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04897 Max Beerbohm, Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01051 Joseph Mallord William Turner, Entrance to the Isère Valley from above La Frette, on the Road from Lyon to Grenoble, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04618 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801 Joseph Paul, Landscape with Picnickers and Donkeys by a Gate, c. 1830–1880, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1151 Joseph Mallord William Turner, Gate of the Chartreuse (Looking Back, Further Off), 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04529 Joseph Mallord William Turner, Two Figures Leaning on a Fence in a Landscape with a Ruined Castle and Distant Town, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00724 Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107 Joseph Mallord William Turner, Inveraray Castle and Duniquoich from across Loch Shira; Figures and Boats in Foreground, c.1801, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03632 Joseph Mallord William Turner, Ruined Castle, with Cattle and Trees, c.1798, Gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01891 Joseph Mallord William Turner, Pont Aberglaslyn; Welsh Mountains and a River, c.1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01920 Joseph Mallord William Turner, View over the Lake at Stourhead, ?1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01908 Wyndham Lewis, Self-Portrait, (1920), Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36508 Joseph Mallord William Turner, Ben More from the East Looking along Glen Dochart, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03397 Joseph Mallord William Turner, Avise, Val d’Aosta, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04519 Joseph Mallord William Turner, Duniquoich Hill, with Inveraray Castle and Loch Fyne; Figures on the Shore and in Boat, c.1801–10, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03635 Joseph Mallord William Turner, The Death of Actaeon, with a Distant View of Montjovet, Val d’Aosta, c.1837, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00909 Joseph Mallord William Turner, Distant View of Tummel Bridge from the West, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03419 Joseph Mallord William Turner, ?View towards Snowdon from above Traeth Bach, with Moel Hebog and Aberglaslyn, 1799–1800, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01115 Joseph Mallord William Turner, The Pass of Killiecrankie, with the Old Bridge of Garry, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03404 Joseph Mallord William Turner, Roadside Church, with Distant Mountain. ?Cumberland, c.1799–1801, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02383 Max Beerbohm, Mr Morley ... introduces Mr John Stuart Mill, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01053 Joseph Mallord William Turner, Aosta: The Arch of Augustus from the Via Sant’Anselmo, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04501 Joseph Mallord William Turner, Oxford: The Interior of New College Chapel, Looking through the Organ Screen towards Reynolds’s West Window, c.1798–1800, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02347 Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061 Joseph Mallord William Turner, Inscription by Turner: List of North of England Place Names, ?1797, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01244 John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453 Joseph Mallord William Turner, Harewood House from the South, 1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02391 Joseph Mallord William Turner, The Valley of the Glaslyn near Beddgelert, with Dinas Emrys, 1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03643 Joseph Mallord William Turner, Peasant and Youth with a Barrow or Handcart, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04811 Joseph Mallord William Turner, Lake Brienz, Looking towards Ringgenberg Castle, 1802, Graphite and watercolour wash on paper, Tate, London. https://dartabase.art/cite/tate/D04648 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Joseph Mallord William Turner, Figures on a Road beside a River beneath Rocks, with Distant Buildings, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00874 Joseph Mallord William Turner, The Source of the Arveyron, 1802, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04887 Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972 Joseph Mallord William Turner, Village with Peaked Alps, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04550 Robert Charles Dudley, Making the Splice between the Shore End and the Ocean Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436228 Joseph Mallord William Turner, Caernarvon Castle, North Wales, exhibited 1800, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04164 Joseph Mallord William Turner, Inveraray Castle and Duniquoich Hill from across Loch Shira, Loch Fyne, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03388 Joseph Mallord William Turner, ?Rumilly, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04589 Joseph Mallord William Turner, A Fall of the Bruar, c.1801, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03413 Joseph Mallord William Turner, Ben Cruachan and Loch Awe from above Cladich, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03439 Joseph Mallord William Turner, Caernarvon Castle with Shipping: ?Moonlight, 1798, Gouache and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01862 William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Joseph Mallord William Turner, The Bend of a River with a Tower on a Wooded Hill, Sunset; A Sail at the Bend of the River, 1798, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01648 Joseph Mallord William Turner, Study of Two Cows, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00901 Joseph Mallord William Turner, The Ford, c.1805, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04162 Joseph Mallord William Turner, ?The Isère Valley, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04569 David Hockney, The Third Love Painting, 1960, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/T06468 Joseph Mallord William Turner, A Cottage among Trees, ?1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00844 Joseph Mallord William Turner, Geneva from the Quai du Mont Blanc, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04427 Lucian Freud, Boy Smoking, 1950–1, Oil paint on copper, Tate, London. https://dartabase.art/cite/tate/T12618 Joseph Mallord William Turner, The Village of Killin, with Ben Lawers Beyond, from the Falls of Dochart, c.1801, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03421 Joseph Mallord William Turner, Men, Women and Dogs Driving Cattle along a Road up a Hill, with a Castle and Church Spire on the Skyline, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01902 Joseph Mallord William Turner, Warwick Castle, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00329 Joseph Mallord William Turner, A Single-Arched Stone Bridge and a Cottage, with ?Aran Fawddwy Behind, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00872 Joseph Mallord William Turner, Scene on the River Teifi near Cilgerran, or the Wye, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00875 Joseph Mallord William Turner, A Gothic Arch in Mr Wyndham’s Garden at Salisbury, ?1798, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02350 Joseph Mallord William Turner, Edinburgh, from Caulton-hill, exhibited 1804, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03639 Joseph Mallord William Turner, The Interior of a Church, Looking into the Nave from the North Aisle or Transept, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02342 Joseph Mallord William Turner, A Road with Trees near Loch Long, with Ben Arthur Above, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03430 Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Joseph Mallord William Turner, The Hospice at the Summit of the Great St Bernard Pass, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04496 Joseph Mallord William Turner, The Valley of the Glaslyn near Beddgelert, with Dinas Emrys, 1799, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04178 Joseph Mallord William Turner, ?The Pass of Glen Croe, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03383 Joseph Mallord William Turner, View of Fonthill Abbey, 1799–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04167 Joseph Mallord William Turner, The Road into Martigny from Sembrancher, the Castle of La Bâtiaz Overlooking the Rhône Valley, 1802, Graphite, chalk and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04509 Joseph Mallord William Turner, Colour Study: Inveraray, c.1801–10, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03641 Joseph Mallord William Turner, The Pic de l’Oeillette, Gorges du Guiers Mort, Chartreuse; Looking back to St Laurent du Pont, 1802, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04882 Joseph Mallord William Turner, Study of Silver Birch Stems, Rocks and Foliage, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03428 Joseph Mallord William Turner, The Gatehouse of Denbigh Castle: Colour Study, 1799–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04186 Joseph Mallord William Turner, Loch Aire, with the Slopes of Ben Cruachan, from Kilchurn Castle, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03394 Max Beerbohm, D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., 1916–7, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01038 Joseph Mallord William Turner, Buildings Seen beyond Water, with Storm Clouds Above, ?1799, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02238 Joseph Mallord William Turner, Pope’s Tower and the Church at Stanton Harcourt, Oxfordshire, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01882 Joseph Mallord William Turner, Inishail in Loch Awe, with Ben Croachan Beyond, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03392 Ben Nicholson, [Untitled], 1962, Pencil and oil paint [?] on paper on painted masonite, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35177 Joseph Mallord William Turner, St Martin’s Church, Salisbury, from the South East, with the Cathedral in the Distance, c.1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00663 Joseph Mallord William Turner, Castle in Middle Distance, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03424 Joseph Mallord William Turner, A View over Mountains, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03433 Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866 Joseph Mallord William Turner, A Hilly Landscape, with Reapers in a Cornfield (?Middleton Vale, Yorkshire), 1798–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00709 Joseph Mallord William Turner, Loch Fyne, with Clachan Bridge, from Cairndow, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03386 Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748 Peter Doig, Echo Lake, 1999, Oil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36574 Max Beerbohm, Quis Custodiet Ipsum Custodem, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01058 Joseph Mallord William Turner, The Isère Valley, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04512 Max Beerbohm, Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01042 Joseph Mallord William Turner, Studies of Six Cows, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02377 Joseph Mallord William Turner, A Mountain Stream: ?Head of Derwentwater, ?1797, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01117 Joseph Mallord William Turner, ?Martigny; La Bâtiaz from the River Drance, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04552 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Joseph Mallord William Turner, Derwentwater, with the Falls of Lodore and Borrowdale from the Headland beyond Calfclose Bay, c.1797–1801, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01102 Joseph Mallord William Turner, ?A Castle in the Val d’Aosta, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04544 Joseph Mallord William Turner, Study of Rocks and Foliage, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03429 Joseph Mallord William Turner, The Château d’Argent, above Villeneuve, Val d’Aosta, Mount Emilius in the Distance, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04500 Joseph Mallord William Turner, Mountains, with a Flock of Sheep on a Road Leading over a Hill, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03427 Joseph Mallord William Turner, A Bridge over a River, with Buildings on Each Bank and a Cliff Beyond, ?1797, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00848 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 Joseph Mallord William Turner, A House among Trees, 1799–1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02241 Max Beerbohm, Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01055 Joseph Mallord William Turner, Ludlow Castle and Bridge, Seen from the North East, 1798–9, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01911 Joseph Mallord William Turner, Boats at a Landing-Stage, with a Larger Ship in an Estuary Beyond, Men Turning Windlass at Right, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01673 Joseph Mallord William Turner, A River among Rocks and Woods, with a Distant Valley, 1799–1800, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04172 Joseph Mallord William Turner, A Mountain Stream: ?Gorges du Guiers Mort, Chartreuse, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04883 Joseph Mallord William Turner, Dunstanburgh Castle from the South; Chiaroscuro Study, c.1797–8, Graphite, brush and ink, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D01113 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Joseph Mallord William Turner, A River with a Ruined Castle among Trees and a Mountain Beyond, ?1797, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00851 Joseph Mallord William Turner, Baden, from the Zürich Road, c.1803–8, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04899 Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646 Vanessa Bell, Decanter with Fruit, 1918, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33107 Joseph Mallord William Turner, Rumilly: Buildings by the River Néphaz, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04532 Joseph Mallord William Turner, Chamonix and Mont Blanc, from the Slopes of the Montenvers, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04607 Joseph Mallord William Turner, Tummel Bridge from the East, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03418 John Crome, Hautbois Common, Norfolk, probably c. 1810, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436057 Joseph Mallord William Turner, Group of Swiss Peasants, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04799 Max Beerbohm, Woolner at Farringford, 1857, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01046 Joseph Mallord William Turner, Grenoble from the River Drac; the Bastille, Mont Rachais and Mont St Eynard, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04508 Joseph Mallord William Turner, The Grand Logis, near the Porte de l’Enclos, Grande Chartreuse, 1802, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04525 Joseph Mallord William Turner, Ben More and Glen Dochart, 1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03402 Max Beerbohm, John Singer Sargent, 1909, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35675 Joseph Mallord William Turner, Lake Llanberis and Snowdon: Colour Study, 1799–1800, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04182 Lucian Freud, Man with a Thistle (Self-Portrait), 1946, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00422 Lucian Freud, Girl with a White Dog, 1950–1, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/N06039 Joseph Mallord William Turner, St Agatha’s Abbey, c.1800–2, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04183 Joseph Mallord William Turner, Fallen Trees, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04531 Joseph Mallord William Turner, ?Fourvoirie, Gorges du Guiers Mort, Chartreuse, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04520 Joseph Mallord William Turner, Flüelen, from the Lake of Lucerne, 1845, watercolor with gouache and scratch-away, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131338 Joseph Mallord William Turner, Study of the Towers of Dunstanburgh Castle, 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01607 Joseph Mallord William Turner, A Long Bridge with Many Arches over a River or Estuary, with Mountains Beyond; Perhaps at Abergavenny, 1798, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01669 Joseph Mallord William Turner, A Bard and Other Figures, with a Crowd of Dancers, in a Landscape with Distant Mountains, 1799–1800, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04165 Joseph Mallord William Turner, Near Aosta, 1802, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04499 Joseph Mallord William Turner, Nude Swiss Girl and a Companion on a Bed, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04798 Joseph Mallord William Turner, Ben y Vrackie with the Bridge over Allt Girnaig from above Killiecrankie, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03405 Joseph Mallord William Turner, Tynemouth Priory Seen from the South, across Prior’s Haven, c.1797, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00891 Wyndham Lewis, Standing Figure, 1912, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35225 Joseph Mallord William Turner, Geneva and Lac Leman, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04397 David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296 Joseph Mallord William Turner, Among the Mountains, Perhaps at Glen Lyon, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03400 Joseph Mallord William Turner, A Dark Mountain-Side with a Stream Running Down it (Cader Idris?), 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01337 Joseph Mallord William Turner, A Town on a Distant Ridge, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04174 Joseph Mallord William Turner, Fonthill Abbey ?from the South West; Sunset, 1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02187 Joseph Mallord William Turner, The Lower Glacier, Grindelwald, with the Eiger, 1802, Chalk, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D04537 Joseph Mallord William Turner, The Devil’s Bridge and Schöllenen Gorge, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04626 David Hockney, Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007, Oil paint on 50 canvases and 100 digital prints on paper, Tate, London. https://dartabase.art/cite/tate/T12887 Joseph Mallord William Turner, Group of Peasants, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04809 Joseph Mallord William Turner, Y Garn with Snowdon in the Distance, from above Llyn Nantlle, 1799, Gouache, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03649 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Joseph Mallord William Turner, A Village by a River with Mountains Beyond, Perhaps near Pitlochry, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03407 Joseph Mallord William Turner, Study of a Rocky Cliff, c.1801, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/D03437 Joseph Mallord William Turner, Ships in a Broad Estuary (?or off the Coast), 1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01672 Joseph Mallord William Turner, Oxford; The Interior of Christ Church Cathedral, Looking past the Crossing and Organ Screen into the Chancel, ?c.1798, Gouache, pen and ink, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D02348 Robert Charles Dudley, Homeward Bound: "The Great Eastern", c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436226 Joseph Mallord William Turner, A Bard Playing a Harp, with Other Figures in a Mountainous Landscape with a River and Lake in a Distant Valley, 1799–1800, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04185 Joseph Mallord William Turner, Keelmen Heaving in Coals by Moonlight, 1835, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1225 Joseph Mallord William Turner, Thun: the Protestant Church and Castle from the Bank of the River Aare, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04622 Joseph Mallord William Turner, Schaffhausen: the Rhine below the Rhinefall, and Laufen Castle, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04876 Joseph Mallord William Turner, ?Loch Lomond from near Inversnaid, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03425 Alfred Wallis, St. Ives Harbor, (c. 1932–33), Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38737 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Joseph Mallord William Turner, The Bridge at Pontypridd, ?1798, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00843 Alexander Bogomazov, .a) Man and Woman Carrying Large Baskets .b) Untitled, c. 1927–28, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36466 Joseph Mallord William Turner, Lake and Mountains; Boats and Figures in Foreground, c.1801–10, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03636 Joseph Mallord William Turner, A Mountain Seen beyond Fields, 1798–9, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D01892 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Joseph Mallord William Turner, The Source of the Arveyron below the Glacier du Bois and Mer de Glace, 1802, Graphite, watercolour and gouache on paper, Tate, London. https://dartabase.art/cite/tate/D04613 Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061 Joseph Mallord William Turner, Grenoble and the Grésivaudan from the Donjon below the Bastille, 1802, Chalk, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04495 Max Beerbohm, Topsy and Ned Jones Settled on the Settle in Red Lion Square, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01049 Joseph Mallord William Turner, Group of Peasants, 1802, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04814 Robert Charles Dudley, Grappling for the Lost Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436225 Joseph Mallord William Turner, A View along the ?Kent Coast, 1798–9, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D00701 John Constable, Wivenhoe Park, Essex, 1816, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1147 Joseph Mallord William Turner, The Northern End Loch Lomond, with Ben Arthur, c.1801, Ink wash, graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D03382 Max Beerbohm, The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01041