Fernand Léger, Verdun, The Trench Diggers ( Verdun, les foreurs ), 1916, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34690

Franz Hitzler, [Untitled], 1987, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33454

Fernand Léger, Study for Cinematic Mural, Study I, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37922

Jakob Nussbaum, Selbstbildnis, 1927, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3282

Fernand Léger, Study for a mural, 1938, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34588

Sonia Delaunay, Robe Poeme No. 1328, 1923, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36114

Otto Dix, Self-Portrait (Selbstporträt), 1922, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34693

Robert Delaunay, Football. L'Equipe de Cardiff, (1916), Oil on paper on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38194

Christian Rohlfs, The Soldier (Der Soldat), (c. 1914), Watercolor and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35384

Paul Klee, Christian Sectarian (Christlicher Sectierer), 1920, Oil transfer drawing and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34187

Joseph Beuys, Probe in the bloodstream of the oak, 1958, Envelope, tempera, graphite and pin on paper, Tate, London. https://dartabase.art/cite/tate/AR00634

Jörg Immendorff, TABLES FOR CAFÉ DEUTSCHLAND (TISCHE FÜR CAFÉ DEUTSCHLAND), 1978, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33946

Josef Eberz, THEATER (Bühne), 1916, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37891

Max Beckmann, Stillleben mit Mimosen, 1939, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2131

Fernand Léger, A Skater. Costume design for the ballet Skating Rink, 1924, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34216

Paul Klee, Asiatic God, 1924, Oil and plaster, over gauze, on panel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111668

Jean-Louis Forain, a) Bolo pacha (recto); Study for Bolo pacha (verso), c. 1914/1919, a) brush and black ink and black crayon, with corrections by the artist in white opaque watercolor, on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7152

Joseph Beuys, Girl Pushing Against Elastic Sculpture, 1961, Printed paper and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00113

Jean Hélion, Ile de France, 1935, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38221

Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105

Robert Delaunay, Study for backdrop for the ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36073

Paul Klee, Scene among Girls (Scene unter Mädchen), 1923, Watercolor, gouache, ink, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34033

Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722

Paul Klee, Errand Boy (Ausläufer), 1934, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33968

Joseph Beuys, Sostanza Plastica, 1965, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00667

Max Beerbohm, Ford Madox Brown being Patronized by Holman Hunt, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01043

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923

Franz Hitzler, [Untitled], 1987, Gouache, ink, and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33479

William Roberts, The Wedding, (c. 1920), Watercolor, ink, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37768

Georges Méliès, Project for Théâtre de Verdure, Orly, 1935, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33225

Jean-Louis Forain, Sur le Front.  -C'est sa theorie?  -Non, c'est son breviaire., c. 1914/1919, black crayon and brush and black ink, with corrections by the artist in white opaque watercolor, on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7188

Joseph Beuys, [Untitled], 1959–60, Graphite and oil paint on paper mounted between Perspex in zinc frame, Tate, London. https://dartabase.art/cite/tate/AR00646

Max Ernst, Sun and Forest (Soleil et forêt), 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36573

Jörg Immendorff, THE PILOT, 1993, Gouache, watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34950

Marie Laurencin, Girl's Head, 1916–18, Watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33695

Max Beerbohm, The Man from Hymettus. Mr Frederick Leighton, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01057

Ernst Ludwig Kirchner, Wildboden, c. 1924, Aquarell und Gouache über Bleistift auf Velinkarton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10679

Robert Michel, Blériotomobil, 1921, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38304

Horst Antes, Man with a Monster, (c. 1967), Colored ink, ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38095

Joseph Beuys, Coyote I, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00695

Paul Klee, Slavery (Sklaverei), 1925, Oil transfer drawing, gouache and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33873

Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326

Joseph Beuys, Cross, 1961, Collage, oil and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00649

Ernst Ludwig Kirchner, Bildnis Dr. Carl Hagemann, 1928–1933, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2042

Joseph Beuys, [Untitled], 1964, Oil paint, gold paint, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00662

Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261

Henri Laurens, Man with a Pipe, 1919, Ink, metallic and oil paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34597

Joseph Beuys, Dove, Food, Rainbow, 1949, Graphite and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00095

Emil Nolde, Magicians (Zauberer), (1931–35), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37718

Thomas Schütte, WATERCOLOR (I BELIEVE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38106

Emil Nolde, Amaryllis and Anemone (Amaryllis und Anemone), (c. 1930), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33097

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063

Gerhard Richter, G.A.2 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33515

Rosemarie Trockel, [Untitled], 1983, Watercolor and synthetic polymer paint on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35437

Karl Schmidt-Rottluff, Landscape with Lighthouse (Landschaft mit Leuchtturm), 1922, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33218

Walter Dexel, The Mountain Fortress. Set design for the play Mann ist Mann (A Man's a Man), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37493

Gerhard Richter, Brigid Polk (305), 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00344

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062

John Northcote Nash, The Storm, (1914), Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34672

Joseph Beuys, Play 17, 1963, Oil paint on typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00115

Eugenie Bandell, Japanische Puppen mit Äpfeln, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3227

Sigmar Polke, "Young Man Come Back Soon!" ("Junge komm bald wieder!"), 1963, Ballpoint pen and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33455

Joseph Beuys, + -, 1962, 2 works on card, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00699

Ernst Ludwig Kirchner, Mondnacht; Handorgler in Mondnacht, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2062

Henri Michaux, [Untitled], 1946–48, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38706

Rachel Whiteread, Drawing for Water Tower, III, 1997, Graphite, varnish, gouache and ink on graph paper with cut-and-pasted color photo copy, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38722

Marie Laurencin, Girl with a Bow, c. 1920s, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37929

Marc Chagall, Eiffel Tower from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32007

Jeanne Mammen, Carnival in Berlin N III (Fasching Berlin N III), c. 1930, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37249

Joseph Beuys, Battery, 1959, Graphite on board on oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00110

Jean Dubuffet, Baba Solstice, May 1, 1961, Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38570

Max Beckmann, The Mocking of the Prodigal Son ( Der Verlorene Sohn wird verspottet ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35742

Gerhard Richter, 24.6.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35689

Max Beerbohm, The Small Hours in the ‘Sixties at 16 Cheyne Walk, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01048

Jean Dubuffet, Joë Bousquet in Bed (Joë Bousquet au lit), 1947, Incised gouache on gessoed board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33194

Joseph Beuys, [Untitled], 1963–4, 4 works on printed paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00660

Sigmar Polke, [Untitled], 1966, Ballpoint pen and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34147

Joseph Beuys, Bathroom of Circe, 1954–8, Watercolour and gold paint on paper and board, Tate, London. https://dartabase.art/cite/tate/AR00636

Joseph Beuys, Braunkreuz, 1962, 5 works on paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00652

Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873

Joseph Beuys, For Brown Environment: Giant Vessels, 1964, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00120

Sonia Delaunay, Pajamas for Tristan Tzara, 1923, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33389

Jean (Hans) Arp, Mountain, Navel, Anchors, Table, 1925, Gouache on board with cutouts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33669

Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082

Fernand Léger, Study for Cinematic Mural, Study V, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37925

Max Beckmann, Die Synagoge in Frankfurt am Main, 1919, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4099

Ernst Ludwig Kirchner, Szene im Café, c. 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/114801

Lucian Freud, Leigh Bowery, 1991, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T06834

Gerhard Richter, G.A.4 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33517

Joseph Beuys, Granite in Arid Chalk, 1965, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00123

Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), 1921, Gouache, ink, and pencil on printed paper on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35940

Graham Sutherland, Thorn Head, 1945, Gouache, chalk, and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34449

Max Beckmann, The Feast of the Prodigal Son ( Die Heimkehr des Verlorenen Sohnes wird gefeiert ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35731

Vasily Kandinsky, Round Poetry (Runde Dichtung), 1933, Watercolor, opaque watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38631

Anonymous Artist, The Smiling Girl, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/62

Anish Kapoor, [Untitled], (1990), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37293

Max Beerbohm, Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01050

Joseph Beuys, Whale trap, 1966, Graphite and oil paint on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00672

Max Ernst, [Untitled], 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33501

Max Beerbohm, Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01056

Robert Michel, [Untitled], 1924, Cut-and-pasted colored paper on board with watercolor, gouache, ink, and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38282

Joseph Beuys, Two Red Fish, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00633

Max Ernst, Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), 1946–47, Gouache on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37044

Joseph Beuys, Fight, 1980, Collage, oil and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00688

André Masson, Street Singer, 1941, Cut-and-pasted painted and printed paper with conté crayon, ink, pencil, gouache, leaf, insect wings, and sand on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34895

Willi Baumeister, Constructive Composition, 1921, Charcoal, colored chalk, watercolor, and airbrush on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38172

David Hockney, Tea Painting in an Illusionistic Style, 1961, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07075

Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065

Joseph Beuys, Geysir, 1953, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00631

Ernst Ludwig Kirchner, Street Scene (Strassenszene), 1914, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36343

Max Beerbohm, British Stock and Alien Inspiration, 1849, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01039

Vanessa Bell, Composition, c. 1914, Gouache, watercolor, and colored paper on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33091

Sonia Delaunay, Zaoum. Costume design for the play Le Coeur à Gaz, 1923, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36123

Robert Delaunay, Costumes for The Dance of Statues for Triumphe de Paris, 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36078

Edward Burra, Bal des Pendus, 1937, Watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35434

Sonia Delaunay, Tristan Tzara with Monocle, 1923, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36086

Gerhard Richter, [Untitled], 1985, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00346

Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162

Joseph Beuys, Night in the Rafters, 1974, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00126

Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919

A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36997

Anonymous Artist, The Lacemaker, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/61

Paul Klee, Man with a Top Hat (Herr mit Cylinder), 1925, Sprayed gouache and ink on paper with gouache and ink borders on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37363

Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819

Jörg Immendorff, Café Deutschland, (1978), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33933

Lothar Schreyer, Colorsound 4 (Farbklang 4), 1923, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38341

Max Beckmann, Hinter der Bühne (Backstage), 1950, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4128

Joseph Beuys, For Brown Environment: Giant Vessels, 1964, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00130

Joseph Beuys, Girl in Conversation with a Seal (Mädchen mit Seehund im Gespräch), 1955, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36257

Henri Matisse, Cover design for exhibition catalogue Henri Matisse, 1951, Gouache on paper, cut-and-pasted, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36808

Joseph Beuys, Hearts of the Revolutionaries: Passage of the Planets of the Future, 1955, Watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00103

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34088

Wyndham Lewis, Roman Actors, (1934), Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33170

Jean-Louis Forain, a) Les Allemandes sont partis (recto); b) Sketch of a Man (verso), c. 1914/1919, a) black crayon and watercolor on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7157

Joseph Beuys, Langhaus (Vitrine), 1953–62, Wood, glass, felt, oil paint and paper, Tate, London. https://dartabase.art/cite/tate/AR00087

Wolfgang Laib, [Untitled], 1983, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36068

Sigmar Polke, [Untitled], 1983, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35327

Max Beerbohm, Blue China, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01047

Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161

Paul Klee, Ohne Titel, c. 1938, Schwarze Kleisterfarbe und Tempera auf Zeitungspapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102025

Francis Picabia, Fuel Pump (Pompe à combustible), 1922, Pencil, ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33814

Joseph Beuys, under Tension, 1964, Oil paint, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00664

Wyndham Lewis, Cover design for The Enemy No. 1, (1926), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38828

Fernand Léger, Composition, 1920, Gouache und Feder in Schwarz über Bleistift auf Velinpapier (raues Aquarellpapier), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/10544

Max Burchartz, Construction with "B", 1923–24, Gouache, cut-and-pasted painted paper, glue, and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38188

Joseph Beuys, Sun and Pylon, 1946, Graphite, watercolour and chloride on paper, Tate, London. https://dartabase.art/cite/tate/AR00629

Rosemarie Trockel, [Untitled], 1983, Oil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35421

Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263

Joseph Beuys, Brightly-Lit Stag Chair, 1957–71, 2 works on paper, oil paint, graphite and masking tape, Tate, London. https://dartabase.art/cite/tate/AR00697

Joseph Beuys, [Untitled], 1959, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00644

Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307

Baroness Elsa von Freytag-Loringhoven, Dada Portrait of Berenice Abbott, c. 1923–26, Gouache, metallic paint, and tinted lacquer with varnish, metal foil, celluloid, fiberglass, glass beads, metal objects, cut-and-pasted painted paper, gesso, and cloth on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36680

Jean Dubuffet, Meal for Four III, (May 2) 1962, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38575

Édouard Vuillard, Siesta, 1928, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36851

Fernand Léger, The Constructors, 1951, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38258

Oskar Schlemmer, Halbfigur nach links, 1924, Öl und Tempera auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4087

Georg Baselitz, Eagle, 1977, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33754

A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36995

Anselm Kiefer, Birth of Painting (Nascita della Pittura), (1981), Synthetic polymer paint and oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36182

Oskar Schlemmer, The Figural Cabinet (Das figurale Kabinett), 1922, Watercolor, pencil, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34949

Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561

Édouard Pignon, Ostend, 1948, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35818

Gary Hume, [Untitled], 1991, Oil and pencil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36624

Jean-Louis Forain, L'union sous le drapeau, c. 1914/1919, brush and black ink, black crayon, and white opaque watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7137

Martin Kippenberger, Untitled (Self-Portrait), 1988, Watercolor, gouache, pastel, blue and black ballpoint pens, and silver paint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158898

Joseph Beuys, [Untitled], 1958, Oil and collage on paper, Tate, London. https://dartabase.art/cite/tate/AR00642

Cecil Stephenson, Composition I: Gray, Blue and Brown, 1939, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38352

A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36994

Max Beckmann, Bildnis Käthe von Porada, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2758

Walter Dexel, Street Beside the Old Pagoda of the Yellow Monks. Set design for the play Mann ist Mann (A Man's a Man), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37500

Franz von Stuck, Adam und Eva, c. 1920, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4016

Otto Nebel, Told to Autumn, III, 1951, Ink and watercolor on colored paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38290

A.R. Penck (Ralf Winkler), [Untitled], c. 1980–81, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35366

Carl Buchheister, Composition, c. 1933, Gouache and cut-and-pasted board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35483

Balthus (Baltusz Klossowski de Rola), Study for the painting La Chambre Turque, 1963, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37888

Karl Hofer, Der Blinde und das Mädchen, 1943, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/112040

Richard Müller, Katze mit Wollknäuel, 1922, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/115698

A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36998

Max Ernst, Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), 1920, Gouache and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35951

Max Beerbohm, A Momentary Vision that Once Befell Young Millais, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01044

Sigmar Polke, Untitled (Dancer), 1994, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35516

Vasily Kandinsky, The Horseman (Reiter), 1916, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33992

Auguste Herbin, Jour (Day), 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38226

Jean-Louis Forain, Debout, les Morts!, 1917, watercolor on paper (tracing paper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7139

Albert Gleizes, Two Women Seated by a Window, 1914, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38283

Joseph Beuys, Therapeuticum, 1964, Graphite, oil paint and fat on paper, Tate, London. https://dartabase.art/cite/tate/AR00117

Oscar Domínguez, [Untitled], 1936–37, Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33503

Franz Erhard Walther, The Body is the Border, 1969–72, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37259

Max Ernst, The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), 1920, Gouache, pencil, and ink on printed wallpaper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35454

Thomas Schütte, WATERCOLOR (TRUE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38108

Joseph Beuys, Felt Action for an Actress, 1965, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00670

Claude Monet, Water Lilies (Agapanthus), c. 1915–26, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136510

Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619

Kurt Schwitters, Picture with Light Center (Bild mit heller Mitte), 1919, Cut-and-pasted colored paper and printed paper, oil, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33235

David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074

Gerhard Richter, 2.3.86, 1986, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33661

Lovis Corinth, Walchensee im Winter, 1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3992

Jean Dubuffet, Baptism of Fire (Baptême du feu), 1959, Pasted leaves with oil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37485

Wyndham Lewis, A Hand of Bananas, (c. 1938), Gouache, watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36768

Joseph Beuys, Ice Age, 1951, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00096

Paul Klee, Old City Architecture (Alte Stadt-Architektur), 1924, Watercolor and ink with incising on prepared paper on board with ink and watercolor borders, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34994

Karl Hofer, Zwei Freunde, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2089

Gerhard Altenbourg, Garden Behind the Spinnbahn, End of February (Gartenkolonie hinter der Spinnbahn, Ende Februar), 1956, Ink, lithographic crayon, and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33952

Sigmar Polke, [Untitled], (1963), Ballpoint pen, oil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33461

Jörg Immendorff, I DROVE ALL NIGHT, 1995, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34982

David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255

Joseph Beuys, Crystal Measurement, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00632

Joseph Beuys, For Siberian Symphony, 1962, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00655

A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36999

Richard Hamilton, Four Self Portraits - 05.3.81, 1990, Oil paint and enamel on cibachrome print on 4 canvases, Tate, London. https://dartabase.art/cite/tate/AR00141

Auguste Herbin, Composition, c. 1925, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38224

Constantin Brancusi, View of the Artist's Studio, 1918, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33263

Gerhard Richter, G.A.5 (17.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33518

Fernand Léger, Study for Cinematic Mural, Study IV, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37918

Oskar Schlemmer, Figurines in Space: Study for the Triadic Ballet (Figurinen im Raum: Mise-en-scène for Das Triadische Ballett), c. 1924, Gouache, ink, and cut-and-pasted gelatin silver prints on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33327

André Masson, The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32010

Marie Laurencin, The Blue Plume (Tête de femme avec une plume bleue), c. 1914, Pastel, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34617

Henri Matisse, White Plumes, 1919, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.41

Jean-Louis Forain, a) Le Poilu et Prisonnier (Poilu and Prisoner) (recto); b) Study of Prisoner (verso), c. 1914/1919, a) watercolor and black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7255

Vasily Kandinsky, Black Relationship (Schwarze Beziehung), 1924, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36689

Markus Lüpertz, Atelier, c. 1973–74, Tempera and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33981

Erich Buchholz, Composition, 1920, Gouache and watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38186

Joseph Beuys, [Untitled], 1974, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00684

David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254

Fernand Léger, Costume design for the ballet Skating Rink, 1922, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35819

Joseph Beuys, Score, 1967, Oil paint and graphite on cardboard and paper adhered to plywood, Tate, London. https://dartabase.art/cite/tate/AR00678

Joseph Beuys, Tails, 1962, Oil paint, graphite and felt on paper, Tate, London. https://dartabase.art/cite/tate/AR00654

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914

Markus Lüpertz, [Untitled], 1980, Charcoal, gouache, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35763

Sonia Delaunay, Étude de Robe No. 1284, 1926, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36102

Gerhard Richter, Gilbert, George (381-1, 381-2), 1975, Oil paint on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00345

Max Beckmann, Eisgang, 1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2153

Hannah Höch, [Untitled], 1945, Cut-and-pasted printed paper and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33012

Joseph Beuys, Actress, 1956, Crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00637

Sigmar Polke, o.T. COLOR TEST, BLUE (o.T. FARBPROBE, BLAU), 1984, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33178

Helmut Kolle, Selbstbildnis, 1930, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2007

Lucian Freud, Francis Bacon, 1952, Oil paint on metal, Tate, London. https://dartabase.art/cite/tate/N06040

David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295

Max Ernst, The Horse He's Sick (Un Peu malade le cheval), 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35468

Jean-Louis Forain, a) German Soldiers and French Child (recto); b) Woman and Child (verso), c. 1914/1919, a) black crayon and watercolor on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7206

Max Beerbohm, Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01054

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901

Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925

Jean-Louis Forain, Poilu and Tommy Conversing, c. 1914/1919, brush and black ink with watercolor over graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7240

Max Beckmann, Mainufer und Kirche, 1925, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102022

Kurt Schwitters, Merz Picture 32 A. The Cherry Picture (Merzbild 32 A. Das Kirschbild), 1921, Cut-and-pasted colored and printed paper, cloth, wood, metal, cork, oil, pencil, and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33356

Blinky Palermo, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33519

Jean-Louis Forain, a) La Guerre sous-Marine. L'ecole des Neutres (recto); b) Study of  La Guerre sous-Marine. L'ecole des Neutres (verso), c. 1914/1919, a) brush and black ink, black crayon, and watercolor on wove paper; b) black crayon and brush and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7146

Joseph Beuys, Electricity, 1959, 3 works on paper, oil paint and watercolour, Tate, London. https://dartabase.art/cite/tate/AR00112

Joseph Beuys, Felt Action, 1963, Oil paint and felt on paper, Tate, London. https://dartabase.art/cite/tate/AR00700

Jörg Immendorff, IN THE HOUSE OF MOTHER GOOSE (THE RAKE'S PROGRESS), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34964

Otto Dix, Café Couple (Paar im Café), 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34237

Fernand Léger, Two Women (Deux Femmes ), 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35179

Anselm Kiefer, Urd Werdande Skuld (The Norns), 1983, Oil paint, shellac, emulsion and fibre on canvas, Tate, London. https://dartabase.art/cite/tate/AR00036

Max Jacob, Three Figures, 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33781

Victor Vasarely, Study for Deuton RB, 1966, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33440

Ben Nicholson, Abstract Composition, 1936, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38296

Henri Hayden, Still Life, (1917), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36507

Franz Hitzler, [Untitled], 1987, Gouache, watercolor, pencil, oilstick, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33488

Paul Klee, Fire in the Evening, 1929, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34854

Karl-Peter Röhl, Construction, 1924, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38333

Sigmar Polke, [Untitled], (1968), Watercolor, acrylic spray, gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36313

Franz Hitzler, [Untitled], 1987, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33467

Kurt Schwitters, Mz 26, 48. Berlin, 1926, Cut-and-pasted colored and printed papers and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37709

Jean Dubuffet, Facade, 1951, Watercolor on gesso on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38742

Anselm Kiefer, Auszug aus Aegypten (Departure from Egypt), 1984, Synthetic polymer paint, charcoal, and string on cut-and-pasted gelatin silver on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34137

Joseph Beuys, Clan, 1958, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00107

Gerhard Richter, 23.2.91, 1991, Colored ink and watercolor on paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35523

Franz Erhard Walther, Assemblies, 1966, 1967, Watercolor, oil, colored pencil, pencil, and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37262

André Breton, Poème-Objet from VVV Portfolio, 1942, published 1943, Postcard, thread, sequins, and ink on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32001

Max Beckmann, Die Kaimauer, 1936, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2051

Fernand Léger, Study for Cinematic Mural, Study III, 1938–39, Gouache, ink, colored pencil, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37948

Max Beerbohm, Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01052

Joseph Beuys, From the Life of the Bees, 1954, Watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00635

Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177

Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057

Joseph Beuys, A Party for Animals, 1969, Ink, oil paint and stamp on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00680

Lovis Corinth, Carmencita, 1924, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2048

Joseph Beuys, Sculptures, 1954, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00102

Paul Klee, Portrait of an Equilibrist, 1927, Oil and collage on cardboard over wood with painted plaster border, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35209

Lucian Freud, Girl with a Kitten, 1947, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12617

Sonia Delaunay, Robe Poeme No. 688, 1922, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36107

Max Beerbohm, Spring Cottage, Hampstead, 1860, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01045

Jean-Louis Forain, a) Après Douai (After Douai) (recto); b) Figure (verso), probably 1918, a) watercolor, brush and black ink, and black crayon on laid paper; b) black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7133

Rosemarie Trockel, [Untitled], 1983, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35431

Jean Ipoustéguy, Study for Man, 1963, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33403

Sigmar Polke, Untitled ("Witz"), 1965, Felt-tip pen and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33861

Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525

Jean-Louis Forain, L'heure des gothas, c. 1914/1919, black crayon and brush and black ink, with corrections by the artist in white opaque watercolor, on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7221

Auguste Herbin, Composition, (1941), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38225

Jean Hélion, Untitled, No. 19, 1933–34, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38220

David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269

Max Beerbohm, Rossetti’s Courtship, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01040

Walter Dexel, [Untitled], 1926, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38200

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34111

Otto Nebel, Fiesole, 1931, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38288

Jörg Immendorff, Untitled (The Rake's Progress), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34973

Joseph Beuys, The Table, 1952, Graphite, watercolour and stamp on paper, Tate, London. https://dartabase.art/cite/tate/AR00098

Willi Baumeister, Heitere Landschaft IV, 1949, Öl auf Hartfaserplatte, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4096

Paul Klee, Flower Garden (Blumengarten), 1924, Black paste ground, gouache, and incising on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34977

Georges Rouault, Man with Spectacles, 1917, Watercolor and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34664

Joseph Beuys, Model for a Felt Environment, 1964, Wood, glass, felt, oil paint and lead, Tate, London. https://dartabase.art/cite/tate/AR00619

Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157

Paul Klee, The Arrow before the Target (Der Pfeil vor dem Ziel), 1921, Oil transfer drawing and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36564

Jean-Louis Forain, a) Le replis boche (recto); b) Sketch for the Figure of the German (verso), c. 1914/1919, a) brush with black ink, watercolor, and black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7141

Max Beerbohm, The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01060

Gerhard Richter, Abstract Painting (Grey) (880-3), 2002, Oil paint on aluminium, Tate, London. https://dartabase.art/cite/tate/AR00030

Willi Baumeister, Composition, 1922, Gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34692

Joseph Beuys, Demonstration: Hand, 1961, Collage and oil on paper and cardboard, Tate, London. https://dartabase.art/cite/tate/AR00648

Max Beckmann, Zirkuswagen, 1940, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3987

Gerhard Richter, Abstract Painting (809-3), 1994, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00027

Gottfried Brockmann, The Existence of a Cripple, No. 4 (Krüppeldasein IV), (1922–23), Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34596

Joseph Beuys, White Woman in the Grass (Fairy), 1954, Graphite and watercolour on card, Tate, London. https://dartabase.art/cite/tate/AR00101

Jean-Louis Forain, En esclavage dans le Nord, c. 1914/1919, black crayon and watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7144

Joseph Beuys, Coyote II, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00694

Joseph Beuys, Roses, 1952, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00097

Rachel Whiteread, Study for Wax Floor, 1992, Oil crayon, correction fluid, felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35122

Jean-Louis Forain, Au Pireê.  -Le depart des boches., c. 1914/1919, black crayon and brush and black ink, with corrections by the artist in white opaque watercolor, on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7189

Henry Moore, Studies for Sculpture, 1934, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33657

Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297

Joseph Beuys, Schmela, 1966, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00676

Max Beckmann, Doppelbildnis, 1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3194

Fernand Léger, Study for Cinematic Mural, Study VI, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37928

Gerhard Richter, Abstract Painting (Silicate) (880-4), 2002, Oil paint on aluminium, Tate, London. https://dartabase.art/cite/tate/AR00029

Paul Klee, Early Morning in Ro... (Früher Morgen in Ro...), 1925, Watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38549

Marc Chagall, Homage to Gogol. Design for curtain for Gogol festival, 1917, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33623

Max Beerbohm, Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01051

Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801

Joseph Beuys, Weird Sister, 1953–62, Graphite and oil paint on acetate, Tate, London. https://dartabase.art/cite/tate/AR00100

Robert Michel, Another Study of Alexander (Noch eine Alexander Studie), 1926, Pencil, ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36513

Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107

Hannah Höch, [Untitled], 1943, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38229

Joseph Beuys, Call, 1978–83, Oil paint and ink on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00686

Wyndham Lewis, Self-Portrait, (1920), Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36508

Ernst Ludwig Kirchner, Self-Portrait with Pipe (Selbstbildnis mit Pfeife), (July 23, 1914), Ink, crayon, watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37232

Sigmar Polke, [Untitled], c. 1964, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35607

Georges Rouault, Circus Trainer, 1915, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37601

Paul Klee, Das Haus zur Distelblüte, 1919, Öl auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4067

Joseph Beuys, Pyramidal image, 1979, 2 works on printed paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00687

Max Beckmann, Bildnis Ehepaar Carl, 1918, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102135

Vasily Kandinsky, Improvisation, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33718

Jean Dubuffet, Cyclist with Five Cows, (July) 1943, Gouache, watercolor and brush and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38568

Paul Klee, Flowers in the Wind (Blumen im Wind), 1922, Watercolor and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34960

Hannah Höch, Indian Dancer: From an Ethnographic Museum (Indische Tänzerin: Aus einem ethnographischen Museum), 1930, Cut-and-pasted printed paper and metallic foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37360

Max Beerbohm, Mr Morley ... introduces Mr John Stuart Mill, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01053

Raoul Dufy, Taormina, 1922, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34508

Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061

Vasily Kandinsky, Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), 1931, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37596

Jean Dubuffet, Pollination of Palm Trees (Fécondation des palmiers), 1948, Distemper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38569

Robert Michel, From X to Y (Von X nach Y), 1936, Pencil, ink, and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38286

Jean Dubuffet, Two Automobiles: Ford, Citroen, June 18, 1961, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38572

Gerhard Richter, 11.4.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35677

Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008

Paul Klee, Hope and Destruction (Zerstörung und Hoffnung), 1916, lithograph with watercolor, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8113

Joseph Beuys, Tunnel (Cathode Rays) Felt-Room Action, 1964, Graphite, ink and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00118

John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453

Georg Baselitz, Where is the Yellow Milkjug, Mrs Bird?, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00032

Joseph Beuys, Physico-Chem-Zeit-Konstellation 11:00 23:00, 1962, 2 works on card, oil paint and graphite, Tate, London. https://dartabase.art/cite/tate/AR00698

Georg Baselitz, Dog-Split (Hund-geteilt), 1968, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33735

Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972

Willi Baumeister, The Painter, (1923/24), Charcoal, colored chalk, watercolor, and airbrush on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38173

Fernand Léger, Study for Cinematic Mural, Study II, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37932

Joseph Beuys, 2 Sheep’s Heads, 1961–75, 2 works on paper, oil paint and fat, Tate, London. https://dartabase.art/cite/tate/AR00647

Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34233

Walter Dexel, Two White Verticals, 27 XX, 1927, Gouache, ink, pencil, and watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38202

William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807

Georg Baselitz, [Untitled], 1976, Watercolor, ink, and gouache on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36532

Jörg Immendorff, IMMENDORFF'S PROGRESS / THE RAKE'S PROGRESS GOES ON, 1994, Gouache, watercolor, pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34957

Joseph Beuys, [Untitled], 1962, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00653

Jean-Louis Forain, a) C'etait notre maison (recto); b) Refugees in a Landscape (verso), c. 1914/1919, a) black crayon, watercolor, and white opaque watercolor on wove paper; b) brush and black ink and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7138

Otto Dix, At the Café (Im Café), 1922, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33053

Max Ernst, The Hat Makes the Man (C'est le chapeau qui fait l'homme), 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35478

Paul Klee, Sacred Islands (Heilige Inseln), 1926, Ink and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37016

David Hockney, The Third Love Painting, 1960, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/T06468

Antoine Pevsner, The Eye, 1923, Oil and resin on carved gesso, on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34684

Blinky Palermo, [Untitled], 1976, Oil on notebook paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36492

Paul Klee, Girl with Doll Carriage (Mädchen mit Puppenwagen), 1923, Oil transfer drawing and watercolor with watercolor borders on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33151

Lucian Freud, Boy Smoking, 1950–1, Oil paint on copper, Tate, London. https://dartabase.art/cite/tate/T12618

Gerhard Richter, 7.4.89, 1989, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35374

Jean-Louis Forain, German Raid on a Village, c. 1914/1919, brush and black ink, black crayon, and watercolor on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7145

Fernand Léger, La partie de campagne, 1950, Gouache und Feder (?) in Schwarz, etwas Bleistift, über Quadrierung mit Bleistift, auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128569

Gerhard Richter, 22.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36334

Paul Klee, Twittering Machine (Die Zwitscher-Maschine), 1922, Oil transfer drawing, watercolor, and ink on paper with gouache and ink borders on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37347

Jean Dubuffet, Bedouin, Chevrier, 1948, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35138

Christian Rohlfs, Blue Fan Dancer, 1916, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37417

Max Ernst, Alice in 1941, 1941, Oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38542

Sigmar Polke, [Untitled], 1964, Ballpoint pen and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33468

Gerhard Richter, G.A.3 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33516

Jean-Louis Forain, Elles étaient à lacets, c. 1914/1919, watercolor and black crayon on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7130

Paul Kleinschmidt, Head of a Woman (Frauenkopf), 1935, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34978

Wols (A. O. Wolfgang Schulze), Stringed Instrument, 1942, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33439

Otto Dix, Portrait of Violinist Carlo von Rust (Bildnis des Geigers Carlo von Rust), 1920, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38377

Paul Klee, Scherzo with Thirteen (Das Scherzo mit der Dreizehn), 1922, Oil transfer drawing, watercolor, ink, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34652

Paul Klee, With the Red X (Mit dem roten X), 1914, Watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34945

Max Beerbohm, D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., 1916–7, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01038

Fernand Léger, Compass and Paint Tubes, 1926, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36765

Jean Dubuffet, Eater (Mangeur), 1954, Oil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37907

Thomas Schütte, WATERCOLOR (NO), 1996, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38109

Thomas Schütte, Sieben Felder (Seven Fields), 1989, .a and .e) Watercolor, felt-tip pen, gouache and pencil on paper; .b and .c) Watercolor, felt-tip pen and gouache on paper; .d and .f) Watercolor and ink on paper; .g) Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37335

Ben Nicholson, [Untitled], 1962, Pencil and oil paint [?] on paper on painted masonite, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35177

Jean Dubuffet, Michel Tapié, 1946, Gouache and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33523

Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866

Paul Klee, Blick in das Fruchtland, 1932, Öl auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4081

Gerhard Richter, Self Portrait Standing, Three Times, 17.3.1991, 1991, 6 photographs, gelatin silver print on paper with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00182

Joseph Beuys, [Untitled], 1958, Watercolour and tempera on paper, Tate, London. https://dartabase.art/cite/tate/AR00641

Blinky Palermo, [Untitled], 1971, Crayon on sandpaper with gouache on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37748

Joseph Beuys, [Untitled], 1962, Oil, seeds and vegetable matter on vinyl record, Tate, London. https://dartabase.art/cite/tate/AR00656

Fernand Léger, Study for Cinematic Mural, Study VII, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37944

Hannah Höch, With Seaweed, 1950, Cut-and-pasted papers, torn papers, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33026

A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36992

Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748

Peter Doig, Echo Lake, 1999, Oil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36574

Max Beerbohm, Quis Custodiet Ipsum Custodem, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01058

Henri Matisse, Maquette for Nuit de Noël, 1952, Gouache on paper, cut-and-pasted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36817

Sonia Delaunay, Colored Rhythm, 1953, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38196

Max Beerbohm, Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01042

Christian Rohlfs, The Entertainer, 1917, Gouache, watercolor and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37412

Sigmar Polke, [Untitled], 1983, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36633

Paul Klee, The End of the Last Act of a Drama (Schluss des letzten Aktes eines Dramas), 1920, Oil transfer drawing, watercolor and ink on paper with ink border on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38632

Christian Rohlfs, Man in a Top Hat (Mann im Zylinder), 1935, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37582

Max Beckmann, The Return of the Prodigal Son ( Die Heimkehr des Verlorenen Sohnes ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35752

Oscar Domínguez, [Untitled], 1936, Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37018

Raoul Dufy, The Palm, 1923, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34663

Pierre Bonnard, Woman Bathing, c. 1942, Gouache with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/83638

Oscar Domínguez, [Untitled], (1937), Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33498

Joseph Beuys, Felt Sculptures, 1964, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00661

Gerhard Richter, G.A.1 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33513

Georg Baselitz, Big Night Down the Drain, 1963, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35623

Robert Delaunay, Costume designs for the unrealized ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36067

Anselm Kiefer, Palette, 1981, Oil paint, shellac, emulsion, paper and nails on canvas, Tate, London. https://dartabase.art/cite/tate/AR00613

Rosemarie Trockel, [Untitled], 1983, Watercolor on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35413

Jean Dubuffet, Design for dust jacket for The Work of Jean Dubuffet, (1961), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34130

Gerhard Richter, 28.2.88, 1988, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35509

Max Beerbohm, Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01055

Gerhard Richter, 23.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36341

Jean Dubuffet, Landscape with Three Figures, (November 26) 1961, Cut-and-pasted papers, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33666

Joseph Beuys, For Brown Environment, 1964, 2 works on paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00119

Paul Klee, The Angler (Der Angler), 1921, Oil transfer drawing, watercolor, and ink on paper with watercolor and ink borders on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33587

Max Beckmann, Frankfurter Hauptbahnhof, 29. Juli 1942–6. September 1942, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4139

Joseph Beuys, The Woman with the Dog, 1975, Graphite, oil paint and metal on paper and card, Tate, London. https://dartabase.art/cite/tate/AR00127

Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646

Vanessa Bell, Decanter with Fruit, 1918, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33107

Gerhard Richter, Abstract Painting (Skin) (887-3), 2004, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00028

Paul Klee, Demon above the Ships (Dämon über den Schiffen), 1916, Watercolor and ink on paper with ink border on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34207

Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35425

Max Beckmann, The Prodigal Son Among Swine ( Der Verlorene Sohn unter den Schweinen ), c. 1918, Gouache and watercolor over ink and pencil drawing on parchment, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35765

Joseph Beuys, Wooden Virgin, 1958, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00639

Joseph Beuys, Untitled (Frauendarstellung), 1958, Oil paint and gouache on paper, Tate, London. https://dartabase.art/cite/tate/AR00106

Georg Baselitz, P.D. Zeichnung, 1963, Ink and gouache on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37800

André Dunoyer de Segonzac, Landscape, c. 1928, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34151

Max Beerbohm, Woolner at Farringford, 1857, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01046

Joseph Beuys, Pregnant Woman with Swan, 1959, Oil paint and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00114

André Masson, Battle of the Fishes, (1927), Chalk, charcoal, conté crayon, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38251

Erich Buchholz, [Untitled], (1920), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38187

Joseph Beuys, [Untitled], 1959, Graphite, oil paint and typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00643

Lucian Freud, Man with a Thistle (Self-Portrait), 1946, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00422

Lucian Freud, Girl with a White Dog, 1950–1, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/N06039

Georg Baselitz, Folkdance Melancholia, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00031

Joseph Beuys, Untitled (Skull on Ur-Sled), 1957, Watercolor, dirt, and metallic paint on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33466

Paul Klee, Laughing Gothic (Lachende Gotik), 1915, Watercolor and pastel on paper with metallic paper border on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33827

Jean Dubuffet, Message: "The Key is Under the Shutter" (Message: "La Clef est sous le volet"), (1944), Ink, colored ink, and oil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33881

Jean Dubuffet, Four Bedouins with an Overloaded Camel, January-April 1948, Glue tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38271

Gottfried Brockmann, The Existence of a Cripple, No. 1 (Krüppeldasein I), (1922–23), Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34612

David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296

Sonia Delaunay, Color Rhythm No. 1921-1973, 1973, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38198

Anselm Kiefer, Man under a Pyramid, 1996, Emulsion, acrylic paint, shellac and ash on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00037

Joseph Beuys, Runrig, 1962–72, 3 works on paper, oil paint, on board, Tate, London. https://dartabase.art/cite/tate/AR00657

Anselm Kiefer, Cette obscure clarté qui tombe des étoiles, 1999, Acrylic paint, oil paint, shellac, earth, sand, wood, paper and glass on 2 canvases, lead, iron, books and other materia, Tate, London. https://dartabase.art/cite/tate/AR00041

Camille Bryen, Imaginary Structure (Structure imaginaire), 1948, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35442

David Hockney, Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007, Oil paint on 50 canvases and 100 digital prints on paper, Tate, London. https://dartabase.art/cite/tate/T12887

Robert Michel, Rendez-vous, 1930, Cut-and-pasted gelatin silver print on paper with ink, colored ink, watercolor, paint, metallic paint, and linen tape on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38284

Max Beckmann, Stillleben mit Saxofonen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4019

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34099

Sonia Delaunay, Robe Poeme No. 1329, 1923, Watercolor, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36097

Joseph Beuys, Actresses, 1958, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00105

Peter Brüning, [Untitled], 1966, Felt-tip pen, crayon, colored pencil, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37597

Georg Kolbe, Nude (Akt), (c. 1927), Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35427

Alfred Wallis, St. Ives Harbor, (c. 1932–33), Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38737

Ernst Ludwig Kirchner, Frankfurter Westhafen, 1916, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3981

Ernst Ludwig Kirchner, Brandenburger Tor, 1929, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2813

Sonia Delaunay, Yellow Dancer. Costume design for the play Le Coeur à Gaz, 1923, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36131

Kurt Schwitters, N Watercolor 1. (The Heart Goes from Sugar to Coffee) (N Aquarell 1. (Das Herz geht vom Zucker zum Kaffee)), 1919, Pencil and watercolor on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33542

Henri Laurens, The Sculptor's Stand, 1917, Collage of tempera (white lead), cut and pasted papers (water soluble coating on brown paper), pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35570

Joseph Beuys, Witches Spitting Fire, 1959, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00109

Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061

Max Beerbohm, Topsy and Ned Jones Settled on the Settle in Red Lion Square, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01049

Joseph Beuys, For Felt Sculpture, 1964, 4 works on paper, oil paint and fat, on board, Tate, London. https://dartabase.art/cite/tate/AR00116

Marcel Jean, [Untitled], 1936, Decalcomania (gouache transfer) with gouache additions on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33124

Ernst Ludwig Kirchner, Nackte Frau am Fenster, 1922–1923, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3982

Paul Klee, Dying Plants (Sterbende Pflanzen), 1922, Watercolor, pencil, and ink on paper with watercolor borders on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33938

Franz Hitzler, [Untitled], 1987, Crayon, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33460

Emil Nolde, Gypsy Girl (Zigeunermädchen), (1920–21), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33285

Joseph Beuys, Dynamis 3, Dynamis, 1960, Oil, pencil, and ink on two sheets of paper on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37714

Joseph Beuys, For FOND II, 1968, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00679

Hannah Höch, Study for Man and Machine (Skizze zu Mensch und Maschine), 1921, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33945

Fernand Léger, Die Fischer, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2116

A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36996

Joseph Beuys, Houses of the Shaman, 1965, 2 works on paper, oil paint and graphite, Tate, London. https://dartabase.art/cite/tate/AR00121

Max Beerbohm, The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01041