Franz Hitzler, [Untitled], 1987, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33454 Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044 Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415 Alex Katz, 3 PM, November, 1997, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00011 Nancy Graves, Untitled Notebook, 1970, Felt-tip pen, ballpoint pen, ink, pencil, watercolor and typewritten pages in spiral ring notebook with additional loose sheets, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36873 Sylvia Plimack Mangold, Study for Two Exact Rules on a Diminishing Floor Plane, 1976, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38302 Jenny Holzer, Phase III - Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01135 Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297 Alan Cote, [Untitled], (1978), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36062 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38511 Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325 Paul Thek, Untitled (Exploding Bowl of Cherries), 1974–75, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37255 Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37118 Jörg Immendorff, TABLES FOR CAFÉ DEUTSCHLAND (TISCHE FÜR CAFÉ DEUTSCHLAND), 1978, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33946 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38522 Joe Brainard, [Untitled], 1966, Cut-and-pasted paper, embroidered printed paper, net, glitter, and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33867 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38519 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38521 Ted Stamm, [Untitled], 1974, Synthetic polymer paint, torn shopping bag, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36664 Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699 Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522 Joseph Beuys, Sostanza Plastica, 1965, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00667 Alex Katz, Tulips, 1969, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00002 Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink, and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523 James Wyeth, Andy Warhol, (1976), Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33341 Elizabeth Peyton, John 1971, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38715 Glenn Ligon, Untitled (How It Feels to Be Colored Me), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35325 Richard Lindner, Checkmate, 1966, Cut-and-pasted papers, watercolor, pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36538 Franz Hitzler, [Untitled], 1987, Gouache, ink, and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33479 Chryssa, Drawing No. 1 for Analysis of Letter Y, (1965), Graphite, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37091 Mark Rothko, [Untitled], 1969, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37028 Bill Beckley, Hot and Cold Faucets with Drain, 1975, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37710 Charles Fahlen, [Untitled], (1969), Sprayed synthetic polymer paint and rubber stamp on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38378 Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328 Jörg Immendorff, THE PILOT, 1993, Gouache, watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34950 Dennis Oppenheim, Study for TIME POCKET, 1968, Cut-and-pasted topographical map, scale plan, typewritten sheet, transfer type, synthetic polymer paint, crayon, felt-tip pen, and pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37296 Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387 Joy Jacobs, Sable Shadows Before the Dawn XI, 1991, Synthetic polymer paint and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35260 Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314 Eva Hesse, Advocate of the Personal, 1963, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34942 Horst Antes, Man with a Monster, (c. 1967), Colored ink, ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38095 Joseph Beuys, Coyote I, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00695 Joseph Beuys, [Untitled], 1964, Oil paint, gold paint, ink and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00662 Agnes Martin, Untitled #5, 1994, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00177 Glenn Ligon, Backlash, Backlash..., 1991, Oilstick on heavy white wove card, ruled with graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151524 Thomas Schütte, WATERCOLOR (I BELIEVE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38106 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38493 Gerhard Richter, G.A.2 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33515 Rosemarie Trockel, [Untitled], 1983, Watercolor and synthetic polymer paint on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35437 June Leaf, Study for Ballroom with Hobby Horses, 1963, Lithographic crayon and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33566 Gerhard Richter, Brigid Polk (305), 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00344 Edward Ruscha, DAILY PLANET, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00048 Joseph Beuys, Play 17, 1963, Oil paint on typescript on paper, Tate, London. https://dartabase.art/cite/tate/AR00115 Julian Schnabel, Untitled (LO TANGO), 1990, Oil, gesso, and printed canvas on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37898 Alex Katz, Road, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00014 Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36895 Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36902 Jim Amaral, [Untitled], 1971, Pencil, watercolor, and gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35797 Eva Hesse, Repetition Nineteen I, 1967–68, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37063 Lucio Fontana, Concetto Spaziale (Teatrino), plate 4, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18821 Kevin Appel, House - South Rotation Red: 1 East, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35474 Alex Katz, City Night, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00012 Gerhard Richter, 24.6.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35689 Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38479 Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126 Peter Caldwell Millett, Poncho Drawing, (1977), Torn and pasted paper, wool yarn, watercolor, ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36043 Sigmar Polke, [Untitled], 1966, Ballpoint pen and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34147 Richard Tuttle, Study for First Green Octagon, (1967), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34243 Bob Duran, Untitled (No. 206), 1977, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35865 Nancy Graves, Arctic Ocean Floor, Barometric Curves, 1972, Ink, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33955 Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146 Joseph Beuys, For Brown Environment: Giant Vessels, 1964, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00120 Mark Rothko, [Untitled], 1968, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37042 Ray Johnson, 2nd Marilyn Monroe 1926-1962, 1967, Gouache, crayon, and colored ink on layered board on board with gouache, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35164 Vija Celmins, Untitled (Ocean), 1970, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37431 David Ligare, SDX #31, (1973), Pencil, synthetic polymer paint, and aluminum powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36060 Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38517 Robert Motherwell, Medusa #4, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37691 Sylvia Plimack Mangold, Study for Floor with Horizontal Mirror, 1973, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38554 Robert Motherwell, Beside the Sea, 1968, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38408 Robert Motherwell, Medusa #6, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37693 William T. Wiley, Thank-You Palette for New York, (1978), Watercolor, pencil, and colored chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38069 Gerhard Richter, G.A.4 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33517 Joseph Beuys, Granite in Arid Chalk, 1965, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/AR00123 Matthew Barney, C5: Elbocsatas, 1998, Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36176 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38480 Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38510 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38483 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38488 Joseph Beuys, Whale trap, 1966, Graphite and oil paint on cardboard, Tate, London. https://dartabase.art/cite/tate/AR00672 Jim Dine, Titania. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, watercolor, pencil, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36773 Jim Dine, Puck. Costume design for the play A Midsummer Night's Dream, 1966, Watercolor, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36675 Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613 Joseph Beuys, Fight, 1980, Collage, oil and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00688 Alex Katz, Vincent, 1996, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00020 William Allan, Rainbow Trout Head - Hauser Lake Montana, (1972), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33716 Stephen Greene, Biograph, (1967–68), Pencil, cut-and-pasted paper, gouache, and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33158 Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500 Edward Ruscha, RED ROOSTER, 1996, Acrylic paint and graphite on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00062 Edward Ruscha, DIRTY BABY, 1977, Graphite and acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00058 Bruce Nauman, Fist in Mouth, 1990, Cut-and-pasted printed paper and paper with watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33780 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38477 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38520 Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38524 Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38514 Stephen Antonakos, Neon for 57th Street, 1967, Crayon, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38097 Alan Shields, [Untitled], 1969, Construction of cut-and-pasted paper, synthetic polymer paint, and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38557 Gerhard Richter, [Untitled], 1985, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00346 Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496 Robert Ryman, Untitled, Bruxelles, 1974, Polymer paint on vinyl mounted on composite board, Tate, London. https://dartabase.art/cite/tate/AR00343 Joseph Beuys, Night in the Rafters, 1974, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00126 Jene Highstein, [Untitled], 1979, Oilstick and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33652 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36997 Chryssa, Study for The Metternich Paintings, (1969–73), Pencil and synthetic polymer paint on colored paper-surfaced cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37137 John Baldessari, Untitled II, (1991), Gouache, ink, and crayon on cut-and-taped printed paper on paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36250 Jörg Immendorff, Café Deutschland, (1978), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33933 Alex Katz, Kate, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00019 Susan Rothenberg, Untitled Drawing, No. 41, 1977, Synthetic polymer paint, gouache, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35044 Joseph Beuys, For Brown Environment: Giant Vessels, 1964, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00130 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621 Dennis Evans, Composition for 100 Discrete Rain Events, 1976, Ink, gouache, and thumbprint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35884 Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900 Bill Jensen, Drawing for Crown of Thorns, 1975–76, Egg tempera, gouache, pastel, charcoal, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36605 John Chamberlain, Untitled (MAAB #315), 1971, Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36925 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38476 Dorothea Rockburne, [Untitled], (1972), Oil stain on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37847 Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564 Robert Overby, Sketchbook, 1974, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38533 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38389 Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635 Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633 Edward Ruscha, The "E" Drawing, 1993, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34100 Charles Hinman, Study for Horizontal Movement, (1969–70), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34682 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38481 Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768 Wolfgang Laib, [Untitled], 1983, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36068 Sigmar Polke, [Untitled], 1983, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35327 Lari Pittman, Counting to Welcome One's Defrosting, (1990), Synthetic polymer paint and enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36307 Glenn Ligon, Study for Black Like Me #2, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35336 Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18819 Robert Overby, Sketchbook, 1970, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38475 Brice Marden, Aphrodite (Negril) with Green, 1991–94, Stick and black and colored inks, with white gouache, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/136976 Joseph Beuys, under Tension, 1964, Oil paint, gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00664 Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305 Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310 Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907 Elizabeth Peyton, Daniel, Berlin, (1999), Watercolor and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38717 Chryssa, Negative Ampersand, 1967, Graphite, synthetic polymer paint, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37132 Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281 Rosemarie Trockel, [Untitled], 1983, Oil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35421 Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073 Robert Overby, Untitled (14 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38518 Susan Rothenberg, Untitled Drawing, No. 44, 1977, Acrylic, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36479 Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38503 Philip Pearlstein, Two Models, 1975, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34910 Alex Katz, Penobscot, 1999, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00015 Georg Baselitz, Eagle, 1977, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33754 Philip Guston, Untitled (Rome), 1971, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35508 Ellen Phelan, Neighborhood, (1990), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35250 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290 Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36995 Anselm Kiefer, Birth of Painting (Nascita della Pittura), (1981), Synthetic polymer paint and oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36182 Chryssa, Drawing No. 2 for Analysis of Letter Y, 1965, Graphite and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37096 Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166 Louise Bourgeois, [Untitled], 1965, Gouache on pink card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35089 Jim Dine, Costume study for William Shakespeare's A Midsummer Night's Dream: Tom Snout, 1966, Cut-and-pasted papers, pencil, ink, felt-tip pen, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36666 Jim Dine, Costume study for A Midsummer Night's Dream: Philostrate, 1966, Cut-and-pasted papers, pencil, watercolor, ink, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36824 Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248 Robert Motherwell, Drunk with Turpentine #70, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37652 Timothy West, [Untitled], (1966), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35117 Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074 Alexander Calder, [Untitled], 1969, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38394 David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35894 Martin Kippenberger, Untitled (Self-Portrait), 1988, Watercolor, gouache, pastel, blue and black ballpoint pens, and silver paint on white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158898 Jim Dine, 3 Rainbows for CORE, 1966, Felt-tip pen, pencil, ink, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36654 Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648 Agnes Martin, Happy Holiday, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00179 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18820 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36994 Gladys Nilsson, People Houses, 1967, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33015 Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930 Robert Therrien, No title (Dutch-door drawing), (1995), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33480 A.R. Penck (Ralf Winkler), [Untitled], c. 1980–81, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35366 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Walter Tandy Murch, Clock, 1965, Oil, pencil, and crayon on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35593 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33174 Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38523 Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753 Eugene Berman, The Cat. Costume design for the ballet Le Renard, (1966), Gouache, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35727 Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324 Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36998 Elyn Zimmerman, Ceremonial Jade II, 1992, Encaustic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35356 Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38504 Sigmar Polke, Untitled (Dancer), 1994, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35516 Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38500 Joseph Beuys, Therapeuticum, 1964, Graphite, oil paint and fat on paper, Tate, London. https://dartabase.art/cite/tate/AR00117 Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804 Robert Overby, Untitled (7 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38495 Mel Bochner, Not Ttitled (DSO3), (1994), Gouache on eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36554 Franz Erhard Walther, The Body is the Border, 1969–72, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37259 Sonia Gechtoff, Violet Window, 1976, Pencil and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33210 Thomas Schütte, WATERCOLOR (TRUE), 1996, Watercolor and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38108 Joseph Beuys, Felt Action for an Actress, 1965, Oil paint and graphite on paper, Tate, London. https://dartabase.art/cite/tate/AR00670 Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953 Robert Overby, Untitled (18 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38501 Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38513 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38525 Gerhard Richter, 2.3.86, 1986, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33661 Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38496 Robert Overby, Sketchbook, 1972, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38508 Romare Bearden, The Conjur Woman, 1964, Cut-and-pasted printed paper and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36567 David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535 Elizabeth Peyton, Matthew Smoking, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38716 John Chamberlain, Untitled (MAAB #81), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36920 Edward Ruscha, The Final End, 1992, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00596 Jörg Immendorff, I DROVE ALL NIGHT, 1995, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34982 Jim Dine, Costume study for A Midsummer Night's Dream: Peaseblossom, 1966, Cut-and-pasted papers, pencil, pen and ink, watercolor and felt-tip pen on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36784 Chryssa, Study for The Metternich Paintings, (c. 1969–73), Graphite and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37135 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36999 Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125 Gerhard Richter, G.A.5 (17.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33518 Robert Overby, Sketchbook, 1973, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38531 Vija Celmins, Untitled (Desert-Galaxy), 1974, Graphite on acrylic ground on paper, Tate, London. https://dartabase.art/cite/tate/AR00162 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38393 Malcolm Bailey, [Untitled], (1970), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37418 Chryssa, Study for Analysis of Letter Y, 1966–67, Synthetic polymer paint, pencil, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37123 Linda Chapman, Waiting for Delacroix, (1977), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35895 Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615 Markus Lüpertz, Atelier, c. 1973–74, Tempera and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33981 Paul Thek, Red Turtle, (c. 1974), Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33248 Joseph Beuys, [Untitled], 1974, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00684 Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093 Edward Ruscha, Pay Nothing Until April, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00047 Charles Addams, "And Although the Dark Mysteries...", (1974), Gouache, ink, typewriting, and pasted paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38448 Andy Warhol, Brooke Hayward, 1973, Acrylic paint and silkscreen on 4 canvases, Tate, London. https://dartabase.art/cite/tate/T12600 Jim Dine, Dorian Gray as His Dress Gets More Eccentric. Costume design for the unrealized play The Picture of Dorian Gray, 1967, Watercolor, felt-tip pen, colored pencil, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33447 Joseph Beuys, Score, 1967, Oil paint and graphite on cardboard and paper adhered to plywood, Tate, London. https://dartabase.art/cite/tate/AR00678 Jenny Holzer, Force at End of Phase III (If Required) violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01134 Eva Hesse, No title, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38380 Edward Ruscha, BLVD.-AVE.-ST., 2006, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00049 Sidney Tillim, The Song, 1970, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38628 Markus Lüpertz, [Untitled], 1980, Charcoal, gouache, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35763 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38489 Gerhard Richter, Gilbert, George (381-1, 381-2), 1975, Oil paint on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00345 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38515 Sigmar Polke, o.T. COLOR TEST, BLUE (o.T. FARBPROBE, BLAU), 1984, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33178 Chryssa, Study for Analysis of Letter Y, (1965–67), Oil, graphite, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37121 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38512 Richard Merkin, The Night the Nut Got Loose, (1965), Gouache and charcoal on paper mounted on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36619 Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772 Robert Motherwell, Collage with Ultramarine Blue, 1972, Oil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37798 Frank Stella, [Untitled], (1968), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34511 Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38502 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087 Blinky Palermo, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33519 Jörg Immendorff, IN THE HOUSE OF MOTHER GOOSE (THE RAKE'S PROGRESS), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34964 Sonia Gechtoff, Sea Window, II, 1979, Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38281 Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970 Robert Motherwell, Study for Shem the Penman #1, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37698 Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980 Agnes Martin, Faraway Love, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00178 Anselm Kiefer, Urd Werdande Skuld (The Norns), 1983, Oil paint, shellac, emulsion and fibre on canvas, Tate, London. https://dartabase.art/cite/tate/AR00036 Jake Berthot, [Untitled], 1973, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36898 Franz Hitzler, [Untitled], 1987, Gouache, watercolor, pencil, oilstick, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33488 Robert Motherwell, Drunk with Turpentine #8, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37648 Sigmar Polke, [Untitled], (1968), Watercolor, acrylic spray, gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36313 Franz Hitzler, [Untitled], 1987, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33467 Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203 Anselm Kiefer, Auszug aus Aegypten (Departure from Egypt), 1984, Synthetic polymer paint, charcoal, and string on cut-and-pasted gelatin silver on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34137 David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35883 Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660 Gerhard Richter, 23.2.91, 1991, Colored ink and watercolor on paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35523 Franz Erhard Walther, Assemblies, 1966, 1967, Watercolor, oil, colored pencil, pencil, and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37262 Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634 Joseph Beuys, A Party for Animals, 1969, Ink, oil paint and stamp on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00680 Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35961 Edward Ruscha, SOAPY SMITH, 1996, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00061 Lee Krasner, Preparatory drawing for In Memory of My Feelings, 1967, Gouache on two sheets of acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32444 Daniel Lang, Surrey, (1969), Oil wash, graphite, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35522 Rosemarie Trockel, [Untitled], 1983, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35431 Sigmar Polke, Untitled ("Witz"), 1965, Felt-tip pen and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33861 Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017 Alex Katz, Ocean View, 1992, Oil paint on fibreboard, Tate, London. https://dartabase.art/cite/tate/AR00007 Chryssa, Study for The Gates to Times Square, 1970, Gouache and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37140 Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975 Richard Diebenkorn, Untitled (Ocean Park), 1977, Synthetic polymer paint, gouache, watercolor, cut-and-pasted paper, and pencil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36562 Jim Dine, Costume study for A Midsummer Night's Dream: Hermia, 1966, Cut-and-pasted colored paper, pencil, watercolor, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36819 Chryssa, [Untitled], 1970, Synthetic polymer paint, graphite, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37139 Jörg Immendorff, Untitled (The Rake's Progress), 1994, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34973 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090 Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38478 Joseph Beuys, Model for a Felt Environment, 1964, Wood, glass, felt, oil paint and lead, Tate, London. https://dartabase.art/cite/tate/AR00619 Kevin Appel, House - South Rotation: 2 Northeast, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35475 Gerhard Richter, Abstract Painting (Grey) (880-3), 2002, Oil paint on aluminium, Tate, London. https://dartabase.art/cite/tate/AR00030 Vija Celmins, Untitled (Moon Surface Luna 9, #1), 1969, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37426 Jenny Holzer, Protect Protect, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00083 Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743 Gladys Nilsson, The Pink Suit, 1965, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37778 Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626 Gerhard Richter, Abstract Painting (809-3), 1994, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00027 Robert Motherwell, Study for Shem the Penman #4, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37702 Chryssa, [Untitled], (c. 1969), Gouache and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37134 Joseph Beuys, Coyote II, 1980, Photograph, black and white, on canvas with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00694 Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991 Lee Krasner, [Untitled], 1964, Felt-tip pen, pastel, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33262 Jenny Holzer, Phase I... Running Start Shape the Battlespace pewter, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01132 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299 Jim Dine, Structural Designs for Basil's Furniture, set design for The Picture of Dorian Gray, 1967, Oil pastel, felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35170 Joseph Beuys, Schmela, 1966, Oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00676 Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608 Kevin Appel, House - South Rotation Red: 4 West, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35477 Gerhard Richter, Abstract Painting (Silicate) (880-4), 2002, Oil paint on aluminium, Tate, London. https://dartabase.art/cite/tate/AR00029 Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893 Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330 Glenn Ligon, Untitled (I am an invisible man), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35345 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38506 Ellen Gallagher, [Untitled], 2000, Synthetic polymer paint, modelling clay, ink, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38703 Tom Wesselmann, Study for Still Life, 61, 1975, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35093 Suzan Frecon, [Untitled], (1992), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36612 Edward Ruscha, Hollywood Study, 1968, Gouache, cut-and-pasted paper, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36653 Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35960 Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255 Richard Diebenkorn, Seated Woman, (1966), Synthetic polymer paint and charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35624 Robert Motherwell, Drunk with Turpentine #41, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37651 Joseph Beuys, Call, 1978–83, Oil paint and ink on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00686 Jenny Holzer, Shape the Battlespace, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00084 Edward Ruscha, THE END #40, 2003, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00064 John Cage, River Rock and Smoke 4/13/90 #5, 1990, Soot and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37803 Richard Francisco, Zebra, 1973, Cut-and-pasted tracing papers, balsa wood, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33913 Jim Dine, Costume study for A Midsummer Night's Dream: Egeus, 1966, Cut-and-pasted colored paper, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36780 Sigmar Polke, [Untitled], c. 1964, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35607 Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271 Robert Motherwell, Medusa #7, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37695 Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468 Alex Katz, West Palm Beach, 1997, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00010 Joseph Beuys, Pyramidal image, 1979, 2 works on printed paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00687 David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638 Patti Smith, Self Portrait, 1971, Pencil, ballpoint pen, colored pencil, charcoal and gouache with black and white instant print on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38111 Robert Ryman, Surface Veil 18 1/2" × 15", 1970, Oil on fiberglass with waxed paper frame and masking tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34219 Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092 Alex Katz, Pansies, 1967, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00001 Edward Kienholz, For A Mans Certina, 1974, Metallic paint and watercolor on paper with zinc frame under glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36611 Katy Schimert, [Untitled], 1998, Watercolor, ink, and Plastalina on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36330 Christo, Wrapped Floor and Closed Windows (Project for Haus Lange Museum, Krefeld), 1971, Pencil and oil with fabric stapled to board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38192 Gerhard Richter, 11.4.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35677 Alex Katz, West Window, 1979, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00003 Jim Dine, Basil Hallward's Costume for the First Scene in Studio. Costume design for The Picture of Dorian Gray, 1967, Cut-and-pasted printed paper, gouache, oil pastel, felt-tip pen, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33465 Joseph Beuys, Tunnel (Cathode Rays) Felt-Room Action, 1964, Graphite, ink and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00118 Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005 Georg Baselitz, Where is the Yellow Milkjug, Mrs Bird?, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00032 Georg Baselitz, Dog-Split (Hund-geteilt), 1968, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33735 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38485 Dan Christensen, Untitled (No. 003-78), 1978, Acrylic on handmade gray-green paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37820 Nancy Spero, Codex Artaud XXIII, 1972, Cut-and-pasted paper, printed text, gouache, metallic paint, ink, stamped ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35544 Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38509 Alex Katz, Night Branch, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00009 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38482 Chuck Close, Self-Portrait, 1997, Color instant print (Polaroid) mounted on foamcore with pressure-sensitive tape, ink, felt-tip pen, graphite and oil paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36049 Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34233 Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181 Georg Baselitz, [Untitled], 1976, Watercolor, ink, and gouache on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36532 Jörg Immendorff, IMMENDORFF'S PROGRESS / THE RAKE'S PROGRESS GOES ON, 1994, Gouache, watercolor, pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34957 Robert Overby, Untitled (24 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38484 Ted Stamm, [Untitled], 1975, Cut-and-pasted board, charcoal, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36668 Ted Stamm, [Untitled], 1975, Torn-and-pasted paper, charcoal, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36673 Blinky Palermo, [Untitled], 1976, Oil on notebook paper with pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36492 Romare Bearden, The Dove, 1964, Cut-and-pasted printed paper, gouache, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36572 Gerhard Richter, 7.4.89, 1989, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35374 Alex Katz, Green Shadow #2, 1998, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00013 Robert Motherwell, Study for Shem the Penman #3, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37700 Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017 Jenny Holzer, Phase II... Running Start Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01133 Gerhard Richter, 22.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36334 Edward Ruscha, DEC. 30th, 2005, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00065 Sigmar Polke, [Untitled], 1964, Ballpoint pen and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33468 Gerhard Richter, G.A.3 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33516 Andy Warhol, Self-Portrait, 1967, Synthetic polymer paint and silkscreen on canvas, Tate, London. https://dartabase.art/cite/tate/T01288 Glenn Ligon, Study for Frankenstein #1, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35355 Robert Overby, Sketchbook, 1971, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38491 Robert Motherwell, Spanish Wall #1, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37705 Sam Gilliam, Watercolor, 4, 1969, Watercolor, and aluminum powder on fiberglass paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37186 Mell Daniel, Tree Forms, 1970, Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33880 Alex Katz, Grey Marine, 2000, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00016 Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264 Thomas Schütte, WATERCOLOR (NO), 1996, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38109 Thomas Schütte, Sieben Felder (Seven Fields), 1989, .a and .e) Watercolor, felt-tip pen, gouache and pencil on paper; .b and .c) Watercolor, felt-tip pen and gouache on paper; .d and .f) Watercolor and ink on paper; .g) Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37335 Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38499 Ad Reinhardt, Abstract Painting, c. 1966, Gouache on photographic paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37889 Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320 Gerhard Richter, Self Portrait Standing, Three Times, 17.3.1991, 1991, 6 photographs, gelatin silver print on paper with oil paint, Tate, London. https://dartabase.art/cite/tate/AR00182 Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626 Blinky Palermo, [Untitled], 1971, Crayon on sandpaper with gouache on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37748 Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422 Andy Warhol, Electric Chair, 1964, Screenprint and acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07145 William Copley, Study for Thimble, 1971, Synthetic polymer paint and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34230 Alfred Jensen, Hekatompedon Series, Per 7, 1965, Gouache, ink, pencil, and typewriting on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34452 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33193 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36992 Ellen Driscoll, Spill, 2001, Watercolor, gouache, black chalk, and graphite on three joined sheets of white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5322 Alexander Calder, Slanting Red Nose, 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38388 Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38497 Bob Thompson, Untitled (After Poussin), 1964, Oil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34708 Robert Morris, Footprints from Traveling. Limit of Reach, 1976, Powdered graphite and plate oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37258 Sigmar Polke, [Untitled], 1983, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36633 Robert Motherwell, Spanish Wall #2, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37708 Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906 Ellen Driscoll, In the Net, 2001, Black ink, watercolor, black chalk, graphite, and white crayon on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5325 Joseph Beuys, Felt Sculptures, 1964, Graphite and oil paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00661 Gerhard Richter, G.A.1 (21.1.84), 1984, Colored ink, watercolor, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33513 Edward Ruscha, CROSSOVER DREAMS, 1991, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00060 Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089 Anselm Kiefer, Palette, 1981, Oil paint, shellac, emulsion, paper and nails on canvas, Tate, London. https://dartabase.art/cite/tate/AR00613 Cy Twombly, Souvenir de L’Ile des Saintes, 1979, 8 works on paper, watercolour and gouache, Tate, London. https://dartabase.art/cite/tate/AR00181 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38528 Rosemarie Trockel, [Untitled], 1983, Watercolor on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35413 Robert Overby, Sketchbook, 1969, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38473 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635 David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807 Gerhard Richter, 28.2.88, 1988, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35509 John Chamberlain, Untitled (MAAB #225), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36932 Paul Feeley, [Untitled], (1965), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37454 Sol LeWitt, Black over Colors, 1992, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36636 Gerhard Richter, 23.3.88, 1988, Colored ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36341 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38505 Jim Dine, Main Piece of Furniture for Basil's Studio, set design for The Picture of Dorian Gray, 1967, Gouache, oil pastel, felt-tip pen, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35162 Joseph Beuys, For Brown Environment, 1964, 2 works on paper, oil paint, Tate, London. https://dartabase.art/cite/tate/AR00119 Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750 Joseph Beuys, The Woman with the Dog, 1975, Graphite, oil paint and metal on paper and card, Tate, London. https://dartabase.art/cite/tate/AR00127 Edward Ruscha, HOPE, 1998, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00063 William T. Wiley, Peacock Gap, 1970, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36648 Robert Motherwell, Medusa #3, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37688 William T. Wiley, Victory Guardians, 1973, Watercolor, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35968 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38487 Gerhard Richter, Abstract Painting (Skin) (887-3), 2004, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00028 Willem de Kooning, [Untitled], 1976, Oil on newspaper on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38092 Nancy Spero, Notes in Time, 1979, Cut-and-pasted painted paper, gouache, and pencil on joined sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37539 Ellen Gallagher, [Untitled], 1998, Oil paint and enamel on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00067 Rosemarie Trockel, [Untitled], 1984, Acrylic emulsion paint and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35425 Jim Dine, Costume study for A Midsummer Night's Dream: Snug, 1966, Cut-and-pasted colored paper, felt-tip pen, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36791 Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38498 James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264 Robert Motherwell, Study for Shem the Penman #10, 1972, Charcoal and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37749 Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304 Kevin Appel, House - South Rotation: 3 Northwest, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35476 Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097 Brice Marden, Aphrodite Study, 1991–93, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37245 Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426 Tony Oursler, Camcorder 9, 1993, Watercolor and graphite on paper, laminated, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33094 Georg Baselitz, Folkdance Melancholia, 1989, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00031 Earl Miller, American Flyer, 1965, Torn and cut-and-pasted colored and printed papers, synthetic polymer paint, and tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38083 Tom Wesselmann, Study for Mouth, 8, 1966, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33317 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38486 Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38529 Barbara Horosko, Patch, 1977, Synthetic polymer paint, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35991 Eugene Berman, Pulcinella: costume design for Pulcinella, 1972, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35739 Ellen Driscoll, Under the Roof, 2001, Ink and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5321 Alex Katz, Daisies #2, 1992, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00006 Anselm Kiefer, Man under a Pyramid, 1996, Emulsion, acrylic paint, shellac and ash on 2 canvases, Tate, London. https://dartabase.art/cite/tate/AR00037 Ellen Gallagher, Skinatural, 1997, Oil, pencil and modelling clay on magazine page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36063 Anselm Kiefer, Cette obscure clarté qui tombe des étoiles, 1999, Acrylic paint, oil paint, shellac, earth, sand, wood, paper and glass on 2 canvases, lead, iron, books and other materia, Tate, London. https://dartabase.art/cite/tate/AR00041 Bruce Nauman, Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33499 Peter Brüning, [Untitled], 1966, Felt-tip pen, crayon, colored pencil, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37597 H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33462 Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004 Harvey Quaytman, Coup d'eclat, 1974, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38317 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273 Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686 Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38494 Joseph Beuys, For Felt Sculpture, 1964, 4 works on paper, oil paint and fat, on board, Tate, London. https://dartabase.art/cite/tate/AR00116 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630 Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204 Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432 Franz Hitzler, [Untitled], 1987, Crayon, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33460 Alex Katz, Winter Branch, 1993, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00008 Lucio Fontana, Concetto Spaziale (Teatrino), plate 1, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18817 Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38788 Joseph Beuys, For FOND II, 1968, Oil paint and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00679 Lee Krasner, Unused preparatory drawing for In Memory of My Feelings, 1967, Gouache on acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32445 Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38516 Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37108 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38492 Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite, ink, synthetic polymer paint, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37102 A.R. Penck (Ralf Winkler), [Untitled], 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36996 Joseph Beuys, Houses of the Shaman, 1965, 2 works on paper, oil paint and graphite, Tate, London. https://dartabase.art/cite/tate/AR00121 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38527 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38526