Per Kirkeby, [Untitled], 1977, Watercolor on tissue paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33747

Carl-Henning Pedersen, Winged Man, 1944, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33624

William H. Constable, Design for an Aboriginal Ballet, II, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37291

Fred Williams, Aboriginal Graves, Tibooburra, No. 1, 1967, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38556

Erik Ortvad, [Untitled], 1945, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33586

Toba Khedoori, Untitled (Doors), 1995, Oil, wax, and pencil on three sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35555

Fred Williams, Flinders Island, 1968, Gouache and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35087

Carl-Henning Pedersen, Light Blue World Bird, 1945, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33641

Carl-Henning Pedersen, The Happy World, 1943, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33615

Sidney Nolan, Rite of Spring: Decor study for the ballet, (1962), Metallic paint, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38442

Fred Williams, Desert Dust Storm, Tibooburra, 1967, Gouache and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35081