Eric Fischl, Diver, 1980, Oil wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33044 Dove Bradshaw, [Untitled], 1987, Oil, oilstick, china marker, and pencil on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33415 Alex Katz, 3 PM, November, 1997, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00011 Nancy Graves, Untitled Notebook, 1970, Felt-tip pen, ballpoint pen, ink, pencil, watercolor and typewritten pages in spiral ring notebook with additional loose sheets, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36873 Sylvia Plimack Mangold, Study for Two Exact Rules on a Diminishing Floor Plane, 1976, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38302 Jenny Holzer, Phase III - Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01135 Alan Cote, [Untitled], (1978), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36062 Jacob Lawrence, Street Shadows, 1959, Egg tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38728 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38511 Andy Warhol, Marilyn Diptych, 1962, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03093 Tom Levine, Opus 67 No. 5, 1987, Oil, pastel, graphite, and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36325 David Park, Group of Figures, 1960, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33191 Paul Thek, Untitled (Exploding Bowl of Cherries), 1974–75, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37255 Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37118 Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36732 David Smith, Untitled 10/14/52, 1952, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37097 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38522 Joe Brainard, [Untitled], 1966, Cut-and-pasted paper, embroidered printed paper, net, glitter, and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33867 David Smith, Untitled (Tank Totems), 1953, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35642 Lyonel Feininger, [Untitled], 1952, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34802 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38519 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38521 Lyonel Feininger, Church on the Cliff I (Kirche auf der Klippe I), 1953, Pen and ink, watercolor, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36699 Ted Stamm, [Untitled], 1974, Synthetic polymer paint, torn shopping bag, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36664 Ellen Phelan, Last Light from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34699 Saul Steinberg, Biography, 1965, Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220522 Alex Katz, Tulips, 1969, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00002 Saul Steinberg, Not Yet, 1965, Watercolor with colored pencils, pen and black ink, and graphite, with black chalk and rubber stamp in black ink, ruled in black chalk and graphite, on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220523 James Wyeth, Andy Warhol, (1976), Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33341 Elizabeth Peyton, John 1971, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38715 Agatha Wojciechowsky, [Untitled], 1962, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36763 Glenn Ligon, Untitled (How It Feels to Be Colored Me), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35325 Richard Lindner, Checkmate, 1966, Cut-and-pasted papers, watercolor, pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36538 Chryssa, Drawing No. 1 for Analysis of Letter Y, (1965), Graphite, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37091 Brion Gysin, A Trip from Here to There, 1958, Ink and gouache on forty-eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35418 Mark Rothko, [Untitled], 1969, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37028 Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36733 Bill Beckley, Hot and Cold Faucets with Drain, 1975, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37710 Charles Fahlen, [Untitled], (1969), Sprayed synthetic polymer paint and rubber stamp on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38378 Dorothea Rockburne, Guardian Angel, II, 1982, Watercolor on vellum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36328 Dennis Oppenheim, Study for TIME POCKET, 1968, Cut-and-pasted topographical map, scale plan, typewritten sheet, transfer type, synthetic polymer paint, crayon, felt-tip pen, and pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37296 Paul Thek, Untitled (Square Yellow Spiral), 1983, Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35387 Joy Jacobs, Sable Shadows Before the Dawn XI, 1991, Synthetic polymer paint and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35260 Melissa Miller, Moon, 1983, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37314 Eva Hesse, Advocate of the Personal, 1963, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34942 Mary Petty, Summer, (1959), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37843 Agnes Martin, Untitled #5, 1994, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00177 Glenn Ligon, Backlash, Backlash..., 1991, Oilstick on heavy white wove card, ruled with graphite, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/151524 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38493 June Leaf, Study for Ballroom with Hobby Horses, 1963, Lithographic crayon and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33566 Jim Dine, Study for The Car Crash: Man in Woman's Costume and Woman in Man's Costume, 1960, Ballpoint pen, ink, chalk, watercolor, colored pencil, pencil, and cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34208 Edward Ruscha, DAILY PLANET, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00048 Julian Schnabel, Untitled (LO TANGO), 1990, Oil, gesso, and printed canvas on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37898 Alex Katz, Road, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00014 Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747 Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint and synthetic polymer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36895 Michael Venezia, [Untitled], (1970), Sprayed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36902 Mark Tobey, Space Wall, 1960, Gouache on board mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35398 Jim Amaral, [Untitled], 1971, Pencil, watercolor, and gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35797 Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726 Eva Hesse, Repetition Nineteen I, 1967–68, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37063 Kevin Appel, House - South Rotation Red: 1 East, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35474 Alex Katz, City Night, 1998, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00012 Jacob Landau, Cinna the Poet, 1959, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34906 Franz Kline, Untitled II, c. 1952, Ink and oil on cut-and-pasted printed paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36189 Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744 Tom Holland, Dome Series No. 25, 1980, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36913 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38479 Edward Ruscha, The Music from the Balconies, 1984, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01126 Peter Caldwell Millett, Poncho Drawing, (1977), Torn and pasted paper, wool yarn, watercolor, ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36043 Richard Tuttle, Study for First Green Octagon, (1967), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34243 Bob Duran, Untitled (No. 206), 1977, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35865 Nancy Graves, Arctic Ocean Floor, Barometric Curves, 1972, Ink, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33955 Andy Warhol, Self-Portrait, 1986, Acrylic paint and screenprint on canvas, Tate, London. https://dartabase.art/cite/tate/T07146 Mark Rothko, [Untitled], 1968, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37042 Ray Johnson, 2nd Marilyn Monroe 1926-1962, 1967, Gouache, crayon, and colored ink on layered board on board with gouache, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35164 Vija Celmins, Untitled (Ocean), 1970, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37431 David Ligare, SDX #31, (1973), Pencil, synthetic polymer paint, and aluminum powder on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36060 Minnie Evans, Green Animal, c. 1963, Colored pencil, crayon, oil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33536 Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38517 Robert Motherwell, Medusa #4, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37691 Lyonel Feininger, [Untitled], 1954, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34878 Sylvia Plimack Mangold, Study for Floor with Horizontal Mirror, 1973, Synthetic polymer paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38554 Robert Motherwell, Beside the Sea, 1968, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38408 Robert Motherwell, Medusa #6, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37693 William T. Wiley, Thank-You Palette for New York, (1978), Watercolor, pencil, and colored chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38069 Eva Hesse, No title, 1960–61, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37163 Matthew Barney, C5: Elbocsatas, 1998, Pencil and synthetic polymer paint, and petroleum jelly on paper sewn with thread to Acrylic and Vivak frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36176 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38480 Jo Baer, Rook, 1962, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36551 Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38510 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38483 Andy Warhol, Untitled (City Text), (c. 1962), Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33425 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38488 Jim Dine, Titania. Costume design for the play A Midsummer Night's Dream, 1966, Ink, felt-tip pen, watercolor, pencil, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36773 Jim Dine, Puck. Costume design for the play A Midsummer Night's Dream, 1966, Watercolor, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36675 Mike Kelley, Defamation. Soft and Hard, 1986, Acrylic on paper pinned to canvas, in two parts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33613 Willem de Kooning, Seated Woman, 1952, Pencil, pastel, and oil on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33413 Moses Soyer, Studies for Julia Evergood, 1962, Watercolor, ink, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36818 Alex Katz, Vincent, 1996, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00020 Elaine de Kooning, Bullfight, 1960, Acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34171 William Allan, Rainbow Trout Head - Hauser Lake Montana, (1972), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33716 Stephen Greene, Biograph, (1967–68), Pencil, cut-and-pasted paper, gouache, and watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33158 Malcolm Morley, Landscape, 1983, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33500 Saul Steinberg, The South, 1955, Pen and black ink, with watercolor and brush and black ink, over graphite and black crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220509 Edward Ruscha, RED ROOSTER, 1996, Acrylic paint and graphite on lithograph on paper, Tate, London. https://dartabase.art/cite/tate/AR00062 Edward Ruscha, DIRTY BABY, 1977, Graphite and acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00058 Bruce Nauman, Fist in Mouth, 1990, Cut-and-pasted printed paper and paper with watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33780 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38477 Robert Overby, Untitled (15 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38520 Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38524 Brice Marden, [Untitled], 1982, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36248 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38514 Stephen Antonakos, Neon for 57th Street, 1967, Crayon, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38097 Alan Shields, [Untitled], 1969, Construction of cut-and-pasted paper, synthetic polymer paint, and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38557 Brice Marden, Hydra, 1987, Ink and gouache on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73496 Robert Ryman, Untitled, Bruxelles, 1974, Polymer paint on vinyl mounted on composite board, Tate, London. https://dartabase.art/cite/tate/AR00343 John D. Graham, Horse, c. 1953, Ink, ballpoint pen, pencil, gouache, and colored pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33944 Jene Highstein, [Untitled], 1979, Oilstick and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33652 Hermann Nitsch, [Untitled], 1991, Oil on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36236 Chryssa, Study for The Metternich Paintings, (1969–73), Pencil and synthetic polymer paint on colored paper-surfaced cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37137 John Baldessari, Untitled II, (1991), Gouache, ink, and crayon on cut-and-taped printed paper on paper taped to graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36250 Alex Katz, Kate, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00019 Susan Rothenberg, Untitled Drawing, No. 41, 1977, Synthetic polymer paint, gouache, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35044 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37621 Dennis Evans, Composition for 100 Discrete Rain Events, 1976, Ink, gouache, and thumbprint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35884 Gregory Amenoff, Medanales Group II, 1985, Synthetic polymer paint, ink, oilstick, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36900 Bill Jensen, Drawing for Crown of Thorns, 1975–76, Egg tempera, gouache, pastel, charcoal, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36605 John Chamberlain, Untitled (MAAB #315), 1971, Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36925 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38476 Dorothea Rockburne, [Untitled], (1972), Oil stain on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37847 Raymond Pettibon, No Title (Don't complicate the...), 1987, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35564 Robert Overby, Sketchbook, 1974, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38533 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38389 Katherine Porter, The City Fell Away, 1984, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36635 Jean-Michel Basquiat, [Untitled], 1981, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34633 Lyonel Feininger, [Untitled], 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34870 Edward Ruscha, The "E" Drawing, 1993, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34100 Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36727 Charles Hinman, Study for Horizontal Movement, (1969–70), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34682 Milton Avery, Dune and Bushes, 1958, Watercolor and gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35088 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38481 Ellen Phelan, Bard College, 1980, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34768 Chryssa, Drawing for Stock Page, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37072 David Smith, Untitled 5/28/55, 1955, Oil crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36448 Lari Pittman, Counting to Welcome One's Defrosting, (1990), Synthetic polymer paint and enamel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36307 Glenn Ligon, Study for Black Like Me #2, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35336 Jonathan Borofsky, Untitled at 2,783,195, (1982), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36547 Robert Overby, Sketchbook, 1970, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38475 Brice Marden, Aphrodite (Negril) with Green, 1991–94, Stick and black and colored inks, with white gouache, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/136976 Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736 Richmond Burton, Untitled (Concentric Steps' Study), 1989, Gouache and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37305 Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36728 Sherrie Levine, Untitled (After Joan Miró), 1985, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37310 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 Jean-Michel Basquiat, [Untitled], 1982, Felt-tip pen and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36907 Chryssa, Stocks, (1960–62), Synthetic polymer paint, pencil, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37086 Elizabeth Peyton, Daniel, Berlin, (1999), Watercolor and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38717 Chryssa, Negative Ampersand, 1967, Graphite, synthetic polymer paint, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37132 Philip Guston, [Untitled], 1980, Acrylic on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36281 Richard Haas, Lower Manhattan: Sunset, 1979, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37073 Jim Dine, The Birth of the Black Rainbow, (1960), Torn and cut-and-pasted cardboard, oil, and pastel on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36568 Robert Overby, Untitled (14 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38518 Susan Rothenberg, Untitled Drawing, No. 44, 1977, Acrylic, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36479 Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38503 Philip Pearlstein, Two Models, 1975, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34910 Alex Katz, Penobscot, 1999, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00015 John D. Graham, Leda #1, 1954, Oil, pencil, colored pencil, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36530 Philip Guston, Untitled (Rome), 1971, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35508 Ellen Phelan, Neighborhood, (1990), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35250 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36290 Brice Marden, Drawing 2 Hydra, 1986, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35775 Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735 Chryssa, Drawing No. 2 for Analysis of Letter Y, 1965, Graphite and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37096 Edward Ruscha, Standard Collage, 1989, Acrylic, cut-and-pasted black paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34166 Louise Bourgeois, [Untitled], 1965, Gouache on pink card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35089 Jim Dine, Costume study for William Shakespeare's A Midsummer Night's Dream: Tom Snout, 1966, Cut-and-pasted papers, pencil, ink, felt-tip pen, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36666 Jim Dine, Costume study for A Midsummer Night's Dream: Philostrate, 1966, Cut-and-pasted papers, pencil, watercolor, ink, and glitter on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36824 Richard Tuttle, Two or More, VI, 1984, Plastic, newpaper, wire, corrugated brown paper ink and acrylic, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34248 Robert Motherwell, Drunk with Turpentine #70, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37652 Timothy West, [Untitled], (1966), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35117 Glenn Ligon, Untitled (There is a consciousness we all have...), 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36074 Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220515 Alexander Calder, [Untitled], 1969, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38394 David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35894 Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752 Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739 Jim Dine, 3 Rainbows for CORE, 1966, Felt-tip pen, pencil, ink, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36654 Ellen Phelan, Sunset from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34648 Agnes Martin, Happy Holiday, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00179 Gladys Nilsson, People Houses, 1967, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33015 Barry Le Va, Sections - Installation Study, 1980, Tape, ink, crayon, pencil and gouache on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36930 Robert Therrien, No title (Dutch-door drawing), (1995), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33480 Walter Tandy Murch, Clock, 1965, Oil, pencil, and crayon on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35593 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33174 Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750 Robert Overby, Untitled (16 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38523 Robert Birmelin, Opening Car Doors, 1962, Ink, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35821 Ellen Phelan, Upper Saranac, Silverlake, New York, 1981, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37753 Eugene Berman, The Cat. Costume design for the ballet Le Renard, (1966), Gouache, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35727 Claes Oldenburg, Store Poster, Torn Out Letters, Newspaper. Pie, Cup Cakes and Hot Dog, 1961, Cut-and-pasted paper and printed paper, watercolor, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35318 Ellen Phelan, Low Sun from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34712 Elyn Zimmerman, Ceremonial Jade II, 1992, Encaustic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35356 Ben Shahn, Au Pêre Tranquille. Set design for the 1927 play "him" by e. e. cummings, 1961, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35141 Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38504 Robert Overby, Untitled (12 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38500 Jake Berthot, Untitled (Skull), 1980, Synthetic polymer paint with ink, colored ink, and pencil on prepared paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37804 Robert Overby, Untitled (7 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38495 Mel Bochner, Not Ttitled (DSO3), (1994), Gouache on eight sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36554 Sonia Gechtoff, Violet Window, 1976, Pencil and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33210 Carroll Dunham, [Untitled], 1985, Casein, synthetic polymer paint, emulsion, pencil, charcoal, ink, felt-tip pen, and linen tape on wood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36953 Robert Overby, Untitled (18 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38501 Charles Arnoldi, [Untitled], 1980, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33604 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36091 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38513 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38525 Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38496 Robert Overby, Sketchbook, 1972, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38508 Romare Bearden, The Conjur Woman, 1964, Cut-and-pasted printed paper and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36567 David Salle, [Untitled], 1984, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33535 Elizabeth Peyton, Matthew Smoking, (1997), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38716 Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36721 John Chamberlain, Untitled (MAAB #81), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36920 Edward Ruscha, The Final End, 1992, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00596 Jim Dine, Costume study for A Midsummer Night's Dream: Peaseblossom, 1966, Cut-and-pasted papers, pencil, pen and ink, watercolor and felt-tip pen on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36784 Chryssa, Study for The Metternich Paintings, (c. 1969–73), Graphite and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37135 Bryan Hunt, Lift Off, 1984, Oilstick, pencil, and linseed oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34125 Robert Overby, Sketchbook, 1973, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38531 Vija Celmins, Untitled (Desert-Galaxy), 1974, Graphite on acrylic ground on paper, Tate, London. https://dartabase.art/cite/tate/AR00162 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38393 Malcolm Bailey, [Untitled], (1970), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37418 Saul Steinberg, Stadium at Night (Ebbets Field), 1954, Watercolor and pen and black ink, with colored crayon, on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220508 Chryssa, Study for Analysis of Letter Y, 1966–67, Synthetic polymer paint, pencil, ink, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37123 Linda Chapman, Waiting for Delacroix, (1977), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35895 Ellen Phelan, Lake-Clear Late Afternoon from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34615 Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734 Paul Thek, Red Turtle, (c. 1974), Acrylic and gesso on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33248 Jake Berthot, How Briefly - The Tale of Two Meeting, 1982, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36093 Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740 Edward Ruscha, Pay Nothing Until April, 2003, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00047 Charles Addams, "And Although the Dark Mysteries...", (1974), Gouache, ink, typewriting, and pasted paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38448 Andy Warhol, Brooke Hayward, 1973, Acrylic paint and silkscreen on 4 canvases, Tate, London. https://dartabase.art/cite/tate/T12600 Jim Dine, Dorian Gray as His Dress Gets More Eccentric. Costume design for the unrealized play The Picture of Dorian Gray, 1967, Watercolor, felt-tip pen, colored pencil, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33447 Jenny Holzer, Force at End of Phase III (If Required) violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01134 Edward Ruscha, Standard Study # 3, 1963, Tempera and ink on paper, Tate, London. https://dartabase.art/cite/tate/AR00050 Eva Hesse, No title, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38380 Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746 Edward Ruscha, BLVD.-AVE.-ST., 2006, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00049 Sidney Tillim, The Song, 1970, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38628 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38489 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38515 Leonard Baskin, Flea, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36260 Chryssa, Study for Analysis of Letter Y, (1965–67), Oil, graphite, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37121 Robert Overby, Untitled (16 November 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38512 Richard Merkin, The Night the Nut Got Loose, (1965), Gouache and charcoal on paper mounted on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36619 Robert Motherwell, Collage with Ultramarine Blue, 1972, Oil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37798 Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292 Frank Stella, [Untitled], (1968), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34511 Robert Overby, Untitled (19 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38502 Adja Yunkers, Hour of the Dog, 1961, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33941 David Smith, Untitled 13/3/59, 1959, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36536 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36087 Chryssa, Stocks, 1960, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37078 Chryssa, Stocks, 1962, Synthetic polymer paint and pastel on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37082 Sonia Gechtoff, Sea Window, II, 1979, Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38281 Joan Snyder, Study for FMSWNL, (1980), Synthetic polymer paint and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36970 Robert Motherwell, Study for Shem the Penman #1, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37698 Jill Moser, Hold For, (1985), Graphite and oil stick on mylar, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36980 Agnes Martin, Faraway Love, 1999, Acrylic paint and graphite on canvas, Tate, London. https://dartabase.art/cite/tate/AR00178 Joseph Cornell, Constellation (Poem and collage for a Christmas card), 1953, Ink on cut-and-pasted papers, typewriting, and foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37056 Jake Berthot, [Untitled], 1973, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36898 Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741 Robert Motherwell, Drunk with Turpentine #8, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37648 Sandi Slone, Stonehenge Series #8, 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35203 David Novros, [Untitled], (1973), Oil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35883 Ellen Phelan, Rainstorm from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34660 Sol LeWitt, Asymmetrical Pyramid, 1986, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36634 Eliot Elisofon, Bent Umbrella Grass, No. 1, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33055 Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35961 Edward Ruscha, SOAPY SMITH, 1996, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00061 Lyonel Feininger, Farewell to "82", 1954, Watercolor, pastel, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34826 David Park, Richard Diebenkorn, 1960, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33207 Lee Krasner, Preparatory drawing for In Memory of My Feelings, 1967, Gouache on two sheets of acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32444 Daniel Lang, Surrey, (1969), Oil wash, graphite, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35522 Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749 Alex Katz, Pink Sweater, 1981, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00017 Alex Katz, Ocean View, 1992, Oil paint on fibreboard, Tate, London. https://dartabase.art/cite/tate/AR00007 Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751 Chryssa, Study for The Gates to Times Square, 1970, Gouache and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37140 Terry Winters, Dark Plants 12, 1982, Oil crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36975 Richard Diebenkorn, Untitled (Ocean Park), 1977, Synthetic polymer paint, gouache, watercolor, cut-and-pasted paper, and pencil on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36562 Jim Dine, Costume study for A Midsummer Night's Dream: Hermia, 1966, Cut-and-pasted colored paper, pencil, watercolor, and ink on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36819 Chryssa, [Untitled], 1970, Synthetic polymer paint, graphite, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37139 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–82), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36090 Alex Katz, Eli’s Friend, 1985, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00018 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38478 Kevin Appel, House - South Rotation: 2 Northeast, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35475 Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36743 Vija Celmins, Untitled (Moon Surface Luna 9, #1), 1969, Graphite on acrylic ground on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37426 Jenny Holzer, Protect Protect, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00083 Brice Marden, Hydra, 1981, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37743 Gladys Nilsson, The Pink Suit, 1965, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37778 Mike Kelley, Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, 1985, Acrylic on paper pinned to canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36626 Robert Motherwell, Study for Shem the Penman #4, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37702 Chryssa, [Untitled], (c. 1969), Gouache and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37134 Thornton Willis, The Garden at Night, (1982), Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36991 Lee Krasner, [Untitled], 1964, Felt-tip pen, pastel, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33262 John McLaughlin, [Untitled], 1962, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35788 Jenny Holzer, Phase I... Running Start Shape the Battlespace pewter, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01132 Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720 Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645 Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36299 Andy Warhol, Untitled (Beauty Products), 1960, Gouache and graphite on paper, Tate, London. https://dartabase.art/cite/tate/T05495 Jim Dine, Structural Designs for Basil's Furniture, set design for The Picture of Dorian Gray, 1967, Oil pastel, felt-tip pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35170 Günter Brus, Informel Drawing (Informelle Zeichnung), 1960, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35597 Bill Jensen, Raindance (Drawing for Shaman), 1980–81, Egg tempera, gouache, pastel, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36608 Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637 Kevin Appel, House - South Rotation Red: 4 West, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35477 Joseph Cornell, Constellation (Project for a Christmas card), 1953, Gouache and cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37051 Harvey Quaytman, Study for Wanderer, 1988, Acrylic and rust on paper on aluminum, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37330 Glenn Ligon, Untitled (I am an invisible man), 1991, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35345 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38506 Ellen Gallagher, [Untitled], 2000, Synthetic polymer paint, modelling clay, ink, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38703 Tom Wesselmann, Study for Still Life, 61, 1975, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35093 Kurt Seligmann, Exorcism, 1954, Ink, gouache, wash, and resin on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37160 Suzan Frecon, [Untitled], (1992), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36612 Edward Ruscha, Hollywood Study, 1968, Gouache, cut-and-pasted paper, charcoal, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36653 Randal Richard Hinz, [Untitled], 1977, Synthetic polymer paint, carborundum, and sand on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35960 Brice Marden, Card Drawing #11 (Counting), 1982, Ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36255 Richard Diebenkorn, Seated Woman, (1966), Synthetic polymer paint and charcoal on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35624 Robert Motherwell, Drunk with Turpentine #41, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37651 Jenny Holzer, Shape the Battlespace, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00084 Edward Ruscha, THE END #40, 2003, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00064 John Cage, River Rock and Smoke 4/13/90 #5, 1990, Soot and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37803 Richard Francisco, Zebra, 1973, Cut-and-pasted tracing papers, balsa wood, synthetic polymer paint, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33913 Jim Dine, Costume study for A Midsummer Night's Dream: Egeus, 1966, Cut-and-pasted colored paper, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36780 L. (Alfred Lewin Copley) Alcopley, "Spiritus Ubi Vult Spirat," 24 ("The Wind Bloweth Where it Listeth", 24), 1962, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35389 Robert Motherwell, Medusa #7, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37695 Roni Horn, Bluff Life, 1982, 1., .6, .9 Watercolor and pencil on paper mounted on paper; .2-.5, .7, .8, .10-.13 Watercolor on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37468 Alex Katz, West Palm Beach, 1997, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00010 Agatha Wojciechowsky, [Untitled], 1962, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36766 Arnold Bittleman, Collage with a Leaf, 1957, Cut-and-pasted paper, leaves, oil, and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34011 David Salle, [Untitled], 1980, Synthetic polymer paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35828 Jackson Pollock, [Untitled], 1953–54, Ink and colored ink on paper (recto); Oil and gouache on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35733 Mark Tobey, Wild Field, 1959, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37745 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37638 Patti Smith, Self Portrait, 1971, Pencil, ballpoint pen, colored pencil, charcoal and gouache with black and white instant print on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38111 Sam Francis, [Untitled], 1958, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33371 Robert Ryman, Surface Veil 18 1/2" × 15", 1970, Oil on fiberglass with waxed paper frame and masking tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34219 Robert Rauschenberg, Quiz, 1958, Transfer drawing, gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38316 Duane Michals, Coffee Cup, Knife and Book, 1980, Oil on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36979 Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745 Kay Sage, The Great Impossible, 1961, Watercolor and charcoal on cut-and-pasted paper with glass lenses and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38435 Jake Berthot, How Briefly - The Tale of Two Meeting, (1981–1982), Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36092 Alex Katz, Pansies, 1967, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00001 Tadashi Sato, Reflection No. 2, 1958, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38551 Edward Kienholz, For A Mans Certina, 1974, Metallic paint and watercolor on paper with zinc frame under glass, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36611 Katy Schimert, [Untitled], 1998, Watercolor, ink, and Plastalina on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36330 Christo, Wrapped Floor and Closed Windows (Project for Haus Lange Museum, Krefeld), 1971, Pencil and oil with fabric stapled to board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38192 Alex Katz, West Window, 1979, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00003 Jim Dine, Basil Hallward's Costume for the First Scene in Studio. Costume design for The Picture of Dorian Gray, 1967, Cut-and-pasted printed paper, gouache, oil pastel, felt-tip pen, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33465 Alex Katz, Young Trees, 1989, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00005 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38485 Dan Christensen, Untitled (No. 003-78), 1978, Acrylic on handmade gray-green paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37820 Nancy Spero, Codex Artaud XXIII, 1972, Cut-and-pasted paper, printed text, gouache, metallic paint, ink, stamped ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35544 Robert Overby, Untitled (9 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38509 Alex Katz, Night Branch, 1994, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00009 Robert Overby, Untitled (23 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38482 Chuck Close, Self-Portrait, 1997, Color instant print (Polaroid) mounted on foamcore with pressure-sensitive tape, ink, felt-tip pen, graphite and oil paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36049 Colette Bangert, Flatland Fields, 1961, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35911 Bruce Nauman, Crossed Stadiums, 1984, Synthetic polymer paint, watercolor, charcoal, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34181 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Robert Overby, Untitled (24 November 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38484 Ted Stamm, [Untitled], 1975, Cut-and-pasted board, charcoal, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36668 Ted Stamm, [Untitled], 1975, Torn-and-pasted paper, charcoal, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36673 Leon Polk Smith, Torn Drawing, 1961, Gouache on torn and pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35808 Ben Shahn, The Room. Set design for the 1927 play "him" by e. e. cummings, 1961, Gouache, ink, and cut-and-pasted metallic paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35134 Romare Bearden, The Dove, 1964, Cut-and-pasted printed paper, gouache, pencil, and colored pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36572 Alex Katz, Green Shadow #2, 1998, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00013 Robert Motherwell, Study for Shem the Penman #3, 1972, Charcoal and synthetic polymer paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37700 Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017 Jenny Holzer, Phase II... Running Start Decisive Operations violet, 2007, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR01133 Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722 Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724 Saul Steinberg, Untitled [Mask], 1961–62, Black and purple crayons, over graphite with erasing, and white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220514 Edward Ruscha, DEC. 30th, 2005, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00065 Saul Steinberg, Untitled (Four Family Portraits), 1957, Pen and brush and black ink, with watercolor and graphite on four sheets of ivory or wove paper, cut and adhered to ivory paperboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220510 David V. Hayes, Study for Beast, 1957, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36223 Andy Warhol, Self-Portrait, 1967, Synthetic polymer paint and silkscreen on canvas, Tate, London. https://dartabase.art/cite/tate/T01288 Glenn Ligon, Study for Frankenstein #1, 1992, Oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35355 Robert Overby, Sketchbook, 1971, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38491 Robert Motherwell, Spanish Wall #1, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37705 Sam Gilliam, Watercolor, 4, 1969, Watercolor, and aluminum powder on fiberglass paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37186 Mell Daniel, Tree Forms, 1970, Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33880 Alex Katz, Grey Marine, 2000, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00016 Arnulf Rainer, [Untitled], (1969–74), Oilstick on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35324 Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36729 Paul Thek, The Soul Is the Need for the Spirit, 1988, Acrylic on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33264 Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38499 Ad Reinhardt, Abstract Painting, c. 1966, Gouache on photographic paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37889 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35301 Tom Levine, Opus 67 No. 12, 1988, Oil, pastel, graphite, charcoal, and fixative on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36320 Brice Marden, Card Drawing #14 (Counting), 1980–82, Masking tape, ink, gouache, and watercolor on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36985 Philip Guston, [Untitled], 1980, Acrylic and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37626 Terry Winters, Schema (55), (1985–86), Watercolor, gouache, and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35422 Roy Lichtenstein, Baked Potato, 1962, Ink and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36620 Andy Warhol, Electric Chair, 1964, Screenprint and acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07145 Saul Steinberg, Untitled (Paris/Sardinia), 1963, Pen and black ink, with colored pencil, crayon, watercolor, graphite and ballpoint pen in red and black, ruled in graphite, on off-white wove paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220518 William Copley, Study for Thimble, 1971, Synthetic polymer paint and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34230 Alfred Jensen, Hekatompedon Series, Per 7, 1965, Gouache, ink, pencil, and typewriting on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34452 Richard Lindner, Boy, 1954, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33943 Alfred Leslie, Notan Study for The Killing of Frank O'Hara, (1967), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33193 Ellen Driscoll, Spill, 2001, Watercolor, gouache, black chalk, and graphite on three joined sheets of white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5322 Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550 Alexander Calder, Slanting Red Nose, 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38388 Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38497 Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748 Bob Thompson, Untitled (After Poussin), 1964, Oil on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34708 Robert Morris, Footprints from Traveling. Limit of Reach, 1976, Powdered graphite and plate oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37258 Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298 Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742 Edward Ruscha, HONK, 1962, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00184 Robert Motherwell, Spanish Wall #2, 1979, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37708 Jim Dine, A Tree that Shatters the Dancing, 1980, Synthetic polymer paint, synthetic polymer spray paint, charcoal and pastel on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36906 Ellen Driscoll, In the Net, 2001, Black ink, watercolor, black chalk, graphite, and white crayon on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5325 Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738 Edward Ruscha, CROSSOVER DREAMS, 1991, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00060 Jake Berthot, How Briefly - The Tale of Two Meeting, 1981, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36089 Cy Twombly, Souvenir de L’Ile des Saintes, 1979, 8 works on paper, watercolour and gouache, Tate, London. https://dartabase.art/cite/tate/AR00181 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38528 Robert Overby, Sketchbook, 1969, Gouache, pencil and mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38473 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37635 David Salle, [Untitled], 1981, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34807 John Chamberlain, Untitled (MAAB #225), (1971), Oil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36932 Paul Feeley, [Untitled], (1965), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37454 Sol LeWitt, Black over Colors, 1992, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36636 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35315 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38505 Lyonel Feininger, [Untitled], 1954, Watercolor, charcoal, and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34862 Alfred Jensen, Study, 1960, Cut-and-pasted paper with watercolor, gouache, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33995 Jim Dine, Main Piece of Furniture for Basil's Studio, set design for The Picture of Dorian Gray, 1967, Gouache, oil pastel, felt-tip pen, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35162 Ellen Phelan, Boglands, Connemara, Ireland, 1982, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37750 Edward Ruscha, HOPE, 1998, Acrylic paint on paper, Tate, London. https://dartabase.art/cite/tate/AR00063 William T. Wiley, Peacock Gap, 1970, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36648 Robert Motherwell, Medusa #3, 1977, Oil, oil wash, and ink on paper panel on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37688 Saul Steinberg, Untitled [Mask], 1961–62, Brush and black inks, over graphite, with white gouache, on cut brown paper bag, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/220516 William T. Wiley, Victory Guardians, 1973, Watercolor, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35968 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38487 Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36718 Willem de Kooning, [Untitled], 1976, Oil on newspaper on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38092 Nancy Spero, Notes in Time, 1979, Cut-and-pasted painted paper, gouache, and pencil on joined sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37539 Ellen Gallagher, [Untitled], 1998, Oil paint and enamel on paper on canvas, Tate, London. https://dartabase.art/cite/tate/AR00067 Jim Dine, Costume study for A Midsummer Night's Dream: Snug, 1966, Cut-and-pasted colored paper, felt-tip pen, pencil, ink, and watercolor on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36791 Robert Overby, Untitled (28 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38498 James Rosenquist, Drawing #9 for Time Flowers, 1980, Airbrushed synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35185 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36264 Robert Motherwell, Study for Shem the Penman #10, 1972, Charcoal and synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37749 Bruce Nauman, Punch and Judy II Birth & Life & Sex & Death, 1985, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35304 Kevin Appel, House - South Rotation: 3 Northwest, (2000), Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35476 Brice Marden, Aphrodite Study, 1991–93, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37245 Terry Winters, Schema (63), 1985–86, Oilstick and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35426 Tony Oursler, Camcorder 9, 1993, Watercolor and graphite on paper, laminated, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33094 Earl Miller, American Flyer, 1965, Torn and cut-and-pasted colored and printed papers, synthetic polymer paint, and tape, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38083 Tom Wesselmann, Study for Mouth, 8, 1966, Acrylic and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33317 Robert Overby, Untitled (8 April 1970), 1970, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38486 Julian Schnabel, [Untitled], 1982, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37332 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38529 Barbara Horosko, Patch, 1977, Synthetic polymer paint, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35991 Eugene Berman, Pulcinella: costume design for Pulcinella, 1972, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35739 Leo Rabkin, The Red Visit, (1960), Watercolor on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36514 Ellen Driscoll, Under the Roof, 2001, Ink and watercolor on white wove paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5321 Alex Katz, Daisies #2, 1992, Oil paint on board, Tate, London. https://dartabase.art/cite/tate/AR00006 Ellen Gallagher, Skinatural, 1997, Oil, pencil and modelling clay on magazine page, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36063 Lyonel Feininger, Hot Weather!, 1954, Watercolor and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34853 Bruce Nauman, Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33499 Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36730 Burgoyne Diller, Composition, 1962, Cut-and-pasted colored paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38205 Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725 H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33462 Alex Katz, Lillies Against Yellow House, 1983, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00004 Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723 Harvey Quaytman, Coup d'eclat, 1974, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38317 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36273 Ellen Phelan, Mist Rising Off Lake from the series Loon Lake, 1983, One from a series of eleven drawings in gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34686 Robert Overby, Untitled (27 December 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38494 Philip Guston, [Untitled], 1980, Acrylic and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37630 Jean-Michel Basquiat, [Untitled], 1985, Cut-and-pasted paper and oilstick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35204 Terry Winters, Schema (65), (1985–86), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35432 Alex Katz, Winter Branch, 1993, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/AR00008 Roy Lichtenstein, Final Study for Greene Street Mural, 1983, Cut-and-pasted printed and painted paper, india ink, gouache, pencil, and acrylic on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36616 Robert Motherwell, Untitled from the series Lyric Suite, 1965, Ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38788 Lee Krasner, Unused preparatory drawing for In Memory of My Feelings, 1967, Gouache on acetate, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32445 Robert Overby, Untitled (12 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38516 Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37108 Robert Overby, Untitled (16 January 1971), 1971, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38492 Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite, ink, synthetic polymer paint, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37102 Jack Youngerman, [Untitled], 1953, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34453 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38527 Robert Overby, Untitled (6 January 1972), 1972, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38526