Max Ernst, Sun and Forest (Soleil et forêt), 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36573 Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430 Yves Tanguy, The Great Mutation, 1942, Cut-and-pasted painted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35845 Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111 Yves Tanguy, [Untitled], 1942, Tempera on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35933 Jean (Hans) Arp, Mountain, Navel, Anchors, Table, 1925, Gouache on board with cutouts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33669 Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082 Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050 Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621 Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), 1921, Gouache, ink, and pencil on printed paper on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35940 Max Ernst, [Untitled], 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33501 Max Ernst, Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), 1946–47, Gouache on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37044 André Masson, Street Singer, 1941, Cut-and-pasted painted and printed paper with conté crayon, ink, pencil, gouache, leaf, insect wings, and sand on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34895 Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034 Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377 Yves Tanguy, [Untitled], 1942, Ink, colored ink and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35934 Yves Tanguy, Volière (Aviary), 1941, Cut-and-pasted paper, gouache, pencil, and watercolor on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36707 Yves Tanguy, [Untitled], 1942, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35932 Francis Picabia, Fuel Pump (Pompe à combustible), 1922, Pencil, ink, colored ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33814 Yves Tanguy, Untitled (pages from Breton-Tanguy Notebook), 1941, White ink on colored paper (recto); Cut-and-pasted paper, gouache, pencil, and watercolor on colored paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36715 Yves Tanguy, [Untitled], 1931, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35711 Louise Bourgeois, [Untitled], 1965, Gouache on pink card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35089 Francis Picabia, "M'Amenez-y", Paris, November 1919 - January 1920, Oil and enamel paint on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38561 Yves Tanguy, [Untitled], 1926, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35802 Yves Tanguy, [Untitled], 1949, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33576 Balthus (Baltusz Klossowski de Rola), Study for the painting La Chambre Turque, 1963, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37888 Max Ernst, Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), 1920, Gouache and pencil on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35951 Francis Picabia, New York, 1913, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34734 Max Ernst, The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), 1920, Gouache, pencil, and ink on printed wallpaper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35454 Yves Tanguy, [Untitled], 1942, Ink, colored ink and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35923 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Yves Tanguy, [Untitled], 1942, Ink, colored ink and gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35930 André Masson, The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32010 Yves Tanguy, .a: Untitled, .b: (untitled), 1941, .a: Cut-and-pasted paper, and gouache on colored paper; .b: Paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36717 Max Ernst, The Horse He's Sick (Un Peu malade le cheval), 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35468 Yves Tanguy, [Untitled], (1945), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35859 André Breton, Poème-Objet from VVV Portfolio, 1942, published 1943, Postcard, thread, sequins, and ink on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32001 Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057 Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525 David Hare, Untitled from VVV Portfolio, c. 1941, published 1943, Gelatin silver print on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32009 Henry Moore, Studies for Sculpture, 1934, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33657 Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949 Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061 Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008 Max Ernst, The Hat Makes the Man (C'est le chapeau qui fait l'homme), 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35478 Louise Bourgeois, Fenelon, (1994), Spray paint, synthetic polymer paint, pencil, and ballpoint pen on jigsaw puzzle, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35017 Max Ernst, Alice in 1941, 1941, Oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38542 Yves Tanguy, [Untitled], 1945, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34937 Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952 Yves Tanguy, [Untitled], 1947, Gouache, ink, and crayon on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34467 Louise Bourgeois, [Untitled], 1950, Gouache, pencil, and colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35082 Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011 Marcel Duchamp, Sundays, 1909, Conté crayon, ink, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37779 Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646 Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414 Yves Tanguy, [Untitled], 1947, Gouache, ink, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36303 André Masson, Battle of the Fishes, (1927), Chalk, charcoal, conté crayon, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38251 Yves Tanguy, .a: Untitled, .b: Untitled, 1941, .a: Pencil on colored paper; .b: Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36711 Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560