Auguste Rodin, Nude with Serpent, (c. 1900–05), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35331 Auguste Rodin, Two Figures, (n.d.), Watercolor and pencil on paper; 11 7/8 x 8 1/16 in. (30.2 x 20.5 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862415-1 Louis Michel Eilshemius, Samoa, 1911, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37498 Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, cut-and-pasted paper, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36732 Louis Michel Eilshemius, Dark Clouds, (c. 1901), Watercolor and pencil on paper; 10 1/16 x 14 1/8 in. (25.5 x 35.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859766-2 Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36733 Louis Michel Eilshemius, Girl Resting, (c. 1910), Oil on paperboard mounted on paperboard; 12 5/8 x 20 5/8 in. (31.9 x 52.2 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859753-1 Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, cut-and-pasted paper, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36747 Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, colored pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36726 Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36744 Auguste Rodin, Leaving the Earth, 1900/05, Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66961 Auguste Rodin, Stretching Figure, c. 1900–1906, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35633 Auguste Rodin, Standing Nude with Draperies, n.d., Watercolor and graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66956 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38389 Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36727 Louis Michel Eilshemius, Samoan Scene, 1908, Oil on fiberboard; 23 1/4 x 30 in. (59.1 x 76.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859786-1 Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36736 Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36728 Auguste Rodin, The Embrace, 1900–1910, Graphite, watercolor, and gouache, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334656 Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36735 Alexander Calder, [Untitled], 1969, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38394 Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, cut-and-pasted paper, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36752 Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, pencil, watercolor, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36739 Louis Michel Eilshemius, Sailboat, Stormy Sea, (c. 1907), Oil on paperboard mounted on fiberboard; 22 1/8 x 28 1/4 in. (56 x 71.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859763-0 Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters; Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36750 Louis Michel Eilshemius, In The Woods, 1889, Watercolor on paper; 19 7/8 x 13 15/16 in. (50.6 x 35.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859796-1 Louis Michel Eilshemius, Two Nudes, 1900, Watercolor and pencil on paper; 13 15/16 x 19 15/16 in. (35.4 x 50.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859792-1 Auguste Rodin, Reclining Woman, c. 1900–06, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35622 Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36721 Louis Michel Eilshemius, Blue Mountains, 1888, Watercolor on paper; 14 1/16 x 20 in. (36.7 x 50.7 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859755-2 Alexander Calder, [Untitled], 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38393 Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36734 Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pastel, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36740 Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36746 Alexander Calder, [Untitled], 1941, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33812 Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, torn-and-pasted paper, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36741 Louis Michel Eilshemius, Woodland Brook, 1890, Oil on canvas; 24 1/8 x 20 1/8 in. (64.1 x 50.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859763-1 Louis Michel Eilshemius, Girl on a Pier, (c. 1900), Watercolor and pencil on paper; 12 1/8 x 20 in. (30.7 x 50.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859779-1 Louis Michel Eilshemius, Mosque near Biskra, (c. 1915), Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36009 Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, gouache, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36749 Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, pencil, watercolor, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36751 Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, colored pencil, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36743 Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36720 Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36737 Alexander Calder, Score for Ballet 0-100 from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32005 Auguste Rodin, Pivoting Nude, Seen from Above, 1896/1900, Watercolor and graphite on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/4841 Louis Michel Eilshemius, Delaware Water Gap, (c. 1890), Watercolor and pencil on paper; 13 15/16 x 20 in. (35.3 x 50.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859756-0 Robert Rauschenberg, Quiz, 1958, Transfer drawing, gouache, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38316 Louis Michel Eilshemius, Spanish Lady, 1889, Watercolor on paper; 11 5/8 x 8 7/16 in. (29.5 x 21.4 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-2 Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36745 Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, colored pencil, pencil, gouache, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36722 Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36724 Auguste Rodin, Sunset, n.d., Watercolor and graphite, with smudging, on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/66958 Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36729 Alexander Calder, Slanting Red Nose, 1969, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38388 Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958, Solvent transfer drawing, watercolor, pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36748 Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, (1959–60), Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36742 Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36738 Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36718 Louis Michel Eilshemius, In the Studio, c. 1911, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33595 Louis Michel Eilshemius, The Demon of the Rocks, 1901, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35995 Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958, Solvent transfer drawing, pencil, gouache, and colored pencil on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36730 Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36725 Louis Michel Eilshemius, The Hudson at Yonkers, 1911, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36002 Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959–60, Solvent transfer drawing, gouache, pencil, colored pencil, watercolor, and black chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36723 Louis Michel Eilshemius, Windmill #2, 1878, Watercolor and pencil on paper; 8 x 11 3/4 in. (20 x 29.8 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859754-0 Auguste Rodin, Kneeling Woman, 1900–06, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35613 Auguste Rodin, Nude Woman Standing, Seen from the Back with Her Hands on Her Hips, 1898/1900, Graphite with stumping, watercolor and pen and black ink on cream wove paper prepared with a light blue wash, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/241755 Louis Michel Eilshemius, Bedouin Children, 1892, Watercolor and pencil on paper; left panel: 5 1/8 x 2 7/8 in. (12.9 x 7.3 cm) right panel: 5 1/8 x 2 7/8 in. (13 x 7.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859791-1 Louis Michel Eilshemius, Autumn Landscape, 1889, Oil on paperboard mounted on fiberboard; 18 3/8 x 24 3/8 in. (46.4 61.9 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859762-1